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Lot 324
Attributed to John Bulfinch (British, 1680-1720), portrait miniature of King Charles II after Ryley, bust-length, ink and wash, 16.5 by 13cm, gilt frame. Provenance: inscription verso states that the work was purchased at Sotheby's from the Collection of Sir Bruce Ingram (1877-1963) and that it has been examined by The British Museum and The National Portrait Gallery in 1965
Lot 385
Charles Sillem Lidderdale (British, 1831-1895), portrait of a young lady, bust-length wearing a red bow in her hair, blue dress and white scarf, signed with monogram l.r., oil on panel, 50 by 40cm, gilt frame. Provenance: No.77, Richard Lukeman Exhibition of Victorian Paintings at Knowle Gallery, Solihull, 2nd and 3rd December, 1989, with brochure
Lot 374
Robert Andrew (British, late 19th Century), portrait of a young lady, bust-length in profile wearing a shoulderless dress, signed l.r., dated 1899 u.r., oil on canvas, 50 by 38cm, gilt frame. Provenance: No.102, Richard Lukeman, Exhibition at Knowle Gallery, 8th to 14th May, 1988, with brochure
Lot 192
Domenikos Theotokopoulos, auch genannt "El Greco", 1541 Candia, Kreta – 1614 Toledo, zug.PORTRAIT EINES MANNES MIT HALSKRAUSEÖl auf Leinwand. Doubliert.69 x 57 cm.In mit Akanthusblattrelief verziertem und vergoldetem Rahmen.Beigegeben diverse Gutachten: Rodolfo Pallucchini, 1945. Prof. G. Fiocco, 1945. Prof. Fernando Ghedini, 1940. Prof. Ugo Nebbia, 1940. Luigi Coletta. Sowie technische Analyse zur Altersbestimmung aus dem Jahr 2022. Vor abgedunkeltem Fond das leicht nach rechts gerichtete Brustportrait eines Mannes fortgeschrittenen Alters mit einer weißen Halskrause, die ein kippendes Oval im Raum nachzeichnet. Der schwarze, in späterer Zeit überarbeitete Umhang wird dezent durch lichtspiegelnde Kanten akzentuiert. Rest. (1380491) (13)Domenikos Theotokopoulos,also known as "El Greco", 1541 Candia, Crete – 1614 Toledo, attributedPORTRAIT OF A MAN WITH A RUFF Oil on canvas. Relined. 69 x 57 cm. Enclosed various expert’ reports: Rodolfo Pallucchini, 1945. Prof G. Fiocco, 1945. Prof Fernando Ghedini, 1940. Prof Ugo Nebbia, 1940. Luigi Coletta. As well as technical analysis from 2022. In front of a darkened background, the slightly right-facing bust portrait of a man in advanced age with a white ruff tracing a tilting oval in space. The black cloak, reworked at a later date, is discreetly accentuated by light-reflecting edges. Restored.
Lot 438
Auguste Rodin, 1840 Paris – 1917 Meudon, zug.BÜSTE EINES JUNGEN MÄDCHENS „SUZON“Höhe: 40 cm.Seitlich signiert „A Rodin“.Feiner, schön ausgearbeiteter Bronzeguss, in Kaltarbeit nachziseliert, gelbgoldfarbene Bronze, der Kopf leicht nach links gerichtet, der Büstenansatz zieht oval, darüber die herabfallenden Locken. Das Stirnhaar gewellt. Der runde, gekehlte Sockel separat gearbeitet, jedoch zugehörig. Die Büste zählt zu den frühen Werken Rodins, entstanden 1872/73 und ist die erste Frauenbüste, die der Bildhauer noch unter dem Einfluss der Plastik des späten 18. Jahrhunderts schuf und zwar in der Zeit, als Rodin während des Deutsch-Französischen Krieges in seinem Exil in Brüssel schuf. Die Arbeit verstand Rodin als Hommage an den Bildhauer Carrier-Belleuse, der sich damals ebenfalls im Exil befand. Mehrere Ausführungen dieser Büste sind bekannt, in Marmor, Guss, aber auch in Sèvres-Porzellan. A.R. (13804218) (11)Auguste Rodin,1840 Paris – 1917 Meudon, attributed BUST OF A YOUNG GIRL TITLED “SUZON”Height: 40 cm.Signed “A Rodin” on the side.Fine, beautifully crafted bronze casting, re-chased in cold work, yellow gold coloured bronze. The head is turned slightly to the left, with curls tumbling over the bust, the base of which is oval-shaped. This is one of Rodin’s early works, created in 1872/73 and his first female bust.
Lot 667
A collection 19th century and later Grand Tour ornaments, plaques and medallionscomprising a silvered bronze model of the Place Vendôme column on black marble base, a 'Rosso antico', black marble and patinated bronze model of Tajan's column, a patinated bronze Temple of Vesta inkwell on variegated marble base, a carved Sienna marble model of an oval font on Porto marble base, and a carved alabaster bust of the torso of the Dancing Faun with cymbals, the plaques and medallions comprising a pair of Sienna marble relief carved profile portrait plaques of Emperors, a matched part set of four framed basalt oval classical profile portrait medallions and a carved alabaster portrait relief of a classical maiden on later oval wooden backplate, various sizes (11)For further information on this lot please visit Bonhams.com
Lot 661
Follower of Jean-Louis Voille (French, 1744-1804)Portrait of Tsar Paul I of Russia, bust-length, in military uniform (1754-1801) with the Order of Malta around his neck and the stars of the Orders of Saint Andrew and Saint Alexander Nevsky on his chest oil on canvas 78.8 x 63.7cm (31 x 25 1/16in).Footnotes:ProvenancePrivate Collection, Argentina and thence by descentThe only son of Catherine the Great, Tsar Paul I and his wife, Maria Feodorovna, travelled from Russia through continental Europe between 1781-82, using the pseudonyms Count and Countess Severny (meaning 'north' in Russian) so as to not be identified during their voyage. Their travels through Europe, particularly Paris, left a lasting impact on the couple's artistic tastes. During their travels the couple often visited the workshops of artists from whom they acquired paintings, furniture, bronzes, and other works of art. These items were then brought back to Russia with them to decorate their residence, the Pavlovsk PalaceThe original portrait by Voille is now lost but numerous other versions, also considered to be after the lost original are known, such as the work in the Royal Collection, UK (RCIN 404631).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 660
An Italian carved marble bust of the head of a classical male youthin the Renaissance taste, probably 19th centurythe sitter with curling hair looking slightly to sinister, mounted on later square polished marble plinth, the head 32cm high, the base 15.5cm highFootnotes:ProvenanceProperty of a gentleman, removed from a Knightsbridge residenceBy repute with Didier Aaron Ltd, LondonFor further information on this lot please visit Bonhams.com
Lot 612
An Italian mid or third quarter 19th century specimen marble and hardstone top set in a near contemporary giltwood gueridon or centre tablethe top: 1845-1860; the table: 1860-1875The circular top with a roundel inlaid with three concentric six-pointed stars, the central star inset with assorted marble tesserae and a smaller conforming star motif, encompassed by sixteen radiating segments of various specimens, within a complex chevron border, on three acanthus wrapped, volute scrolled and floral swagged griffin monopodiae, each headed by a carved griffin bust and terminating in lion paw feet, joined by foliate clasped and bhusk pendant capped scrolled stretchers surmounted by an urn finial, on a concave tripartite base with three scrolled feet, remnants of an old depository label to the underside, approximate diameter of the whole top: 66cm; 77cm high approximately.Footnotes:An Italian mid-19th century specimen marble top of similar design to the one surmounting the present lot appears illustrated in E. Colle, Il Mobile dell'Ottocento in Italia, Milan, 2007, p. 80, wherein this comparable is somewhat tentatively attributed to Francesco Sibilio. This comparable table top sold at Semenzato, March 2003, lot 390.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 4274
Slevogt, Max -- Photographer unknown. Portraits of the painter Max Slevogt. Mid-1920s. 7 vintage gelatin silver and 2 pigment prints. Between circa 12 x 8 cm, 14 x 9 cm and 21 x 16 cm. Most mounted to card/matted.The images comprise three close-up portraits of Max Slevogt as well as several images of the artist being modelled for a bust sculpture. – Some with silver mirroring in edges, otherwise in very good condition.
Lot 236
Jef LAMBEAUX (1852-1908) 'Bust of a young lady' patinated bronze.With an inscription;' 'La Fanfare Libérale d'anderlecht à son Président, a l'occasion de sa nomination de Bourgemestre. Le 13 juin 1919.' The bust was given as a present from the liberal fanfare of Anderlecht to their president, Fernand Demets, who later became the mayor of Anderlecht in 1919. He was mayor of Anderlecht between 1919 and 1927. Dimensions: (L:35 x W:47 x H:53 cm)
Lot 380
TWO SILVER BUTT-PLATES AND TWO SILVER TRIGGER-GUARDS FOR SPORTING GUNS, LONDON 1815, MAKER’S MARK OF MICHAEL BARNETT the first engraved with a hound putting up a game-bird on the tang; the second decorated with a trophy-of-arms on the tang, the owner’s crest, a unicorn bust erased, and the motto ‘Erectus non Elatus’ on the heel (not identified) above ‘No. 2’; the third decorated with a Britannia trophy on the bow; and the fourth decorated with a hound on the bow and with a pillar terminal at the front, the first 12.5 cm high (4) For an account Michael Barnett’s work and the attribution of his marks, see Dickens 1999, pp. 86 – 117.
Lot 468
A CASED PAIR OF GERMAN (SAXON) 54 BORE PERCUSSION RIFLED TARGET PISTOLS BY ULBRICH, DRESDEN, CIRCA 1840 with blued octagonal sighted barrels cut with polygroove rifling and additional wide grooves, inlaid with a thin and thick gold line at the breech and muzzle, inscribed 'Canon d'acier anglais' in gold script on the flats, engraved breeches fitted with pierced platinum plug on the right and chiselled with a gold-eyed dolphin bust on the left, scroll-engraved tangs with adjustable back-sights and numbered ‘1’ and ‘2’ in silver respectively, engraved back-action locks signed in gold, decorated with scroll and border ornament, fitted with hammers en suite and detents, varnished figured half-stocks carved with foliage on the fore-ends, fluted butts,, engraved iron mounts including side-plates en suite with the locks, and spurred trigger-guards and shaped moulded butt-caps, and some early case-hardened finish: in a later lined and fitted case with modern embossed copper flask decorated with game and a hound, 21.5 cm barrels (2)
Lot 17
A Bronze Historic Medal - Admiral Earl Howe 1st June 1794 Victory over the French, the obverse with bust portrait and EARL HOWE ADML. OF THE WHITE K:G:, the reverse with Neptune in a marine car and FRENCH FLEET DEFEATED OFF USHANT, VII SAIL OF THE LINE CAPTURED I JUNE MDCCXCIV; a Bronze Historic Medal - Lord Nelson's Flagship Foudroyant, struck from copper from the vessel when it was broken up after being wrecked off Blackpool June 16th 1897; a Cartwheel Two Penny Coin, 1797 (3)
Lot 22
An "1830 Duke of Sussex" Watchcase Charity Jewel, in gilt metal with 15 carat gold rim hallmarked for Birmingham 1925; a Victorian Gilt Metal Masonic Jewel, with Queen's crown over VRI cypher, profile bust of the Queen within a circlet inscribed GREAT BRITAIN, INDIA & COLONIES, the reverse engraved BLACKPOOL. JAMES WARD, MAYOR enclosing compass and set square (2)
Lot 495
A very rare Henry Brome 1st edition Geographical Cards playing cards circa 1675, engraved by F H van Houe, hand coloured, held in purpose made conservator’s box -4in. (10cm.) height of card — the four suits are the four Parts of the World; the hearts describe Europe, the diamonds Asia, the spades Africa, and the clubs America or the West Indies. A suit-mark and Roman numeral at the top identify each pip card, while the court cards have a bust of a kings or queen, knaves represented by a native of a country listed on that card
Lot 379
A box containing a collection of various objets de vertus including an 18th Century pendant reliquary each side set with six roundels with indistinct handwritten script beneath facet cut glass edged panels 5.5 cm x 4.7 cm, a Georgian white metal mounted and carved tortoiseshell bound eye glass or magnifying glass (tortoiseshell very damaged) 7.4 cm diameter, a wooden cased wax portrait bust medallion inscribed verso "T Master Esq The Abbey Cirencester" 4.3 cm diameter (bust damaged), a 19th Century white metal acanthus decorated teether (whistle and bells extant but ivory or coral teether missing) 10 cm long, a carved betel nut pomander of egg form 5.5 cm high, a white metal and mother of pearl and paste mounted lidded miniature basket containing a miniature white metal knife, fork and spoon 4 cm x 2.7 cm x 2.6 cm high, a Persian lacquered rectangular lidded box depicting a bloody tiger hunt with various animals and hunters 23 cm x 17 cm x 7.5 cm high containing various mainly plastic counters, a Queen Victoria white metal Golden Jubilee medallion, silver teaspoon, three various beadwork and wirework purses, a beadwork covered bone egg containing bone dominoes 4.3 cm high, four paste decorated and one other buckle, paste decorated hair clip, Chinese polychrome decorated bowl of small proportions 16.5 cm diameter, a Luneville floral decorated pot and cover, and a Tiffany sterling silver keyring etc
Lot 230
Boer War souvenir bust of Field Marshal Lord Roberts, circa 1900, in spelter (zinc) made to look like bronze, 'Bobs' was Commander in Chief during the South African War 1899-1902 and hugely popular with the British public, he gained great sympathy when his son Frederick, an officer in the Kings Royal Rifle Corps, was killed while attempting to save the guns at Colenso, 16.5 cm in height
Lot 111
A 1960s Ocelot fur coat with a swing back and full sleeves, very much in the 1940s style, the hem being trimmed with mink. The coat is lined in chocolate satin and the internal pocket has the monogram ML, Bust 112cm (1) With CITES No stains, tears, smells or moulting. Lining is good and strong. Skin is visible along the top of the lapel edge. This appears like a parting rather than balding
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110054 item(s)/page