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Lot 26
ARMSTRONG; game system, together with approx three hundred games to include F16 Combat Pilot, Demons & Drivers, Champions, Gremlins II, Ghostbusters II, Operation Thunderbolt, Nexus, Nick Faldo Plays the Open, Hollywood or Bust, Matchday II, Dark Force, Spitting Image, Turbo Challenge, Kane, Bomb Jack, Five Aside Soccer, Toyota Salica G T, Saboteur, Crazy Cars, Into Obliviion, Treasure Island Dizzy, Death Stalker, Leader Board, Oh Mummy, Dan Dare, Joe Blade, Enduro Race, Snooker Simulator, Buggy Boy, Paper Boy, Fruit Machine, Spaghetti Western Top Gun, Action Force, Star Fighter, Stunt Man, four games in one pack, Night Game, Exploding Fist, Pro Tennis Tour, Skull and Cross Bones, Mini Office, Dizzy, Ninja Massacre, Speed King, Combat Lynx, Fantasy World Dizzy, Jump Jet, Footballer of the Year, Army Moves, Formula 1 Simulator, TT Racer, etc.
Lot 20
After Nicholas Hilliard, circa 1600Portrait of George Clifford, 3rd Earl of Cumberland, bust-length, in armour bears inscription and date 'George Clifford Earle/ of Cumberland 1588' (centre right)oil on canvas73.6 x 61.7cm (29 x 24 5/16in).Footnotes:The present portrait is a rare, early version of the portrait that is related to the composition of circa 1590 by Nicholas Hilliard, which is a full-length miniature (now in the National Maritime Museum, Greenwich; inv. no. MNT0193). An oil version, on panel, in the same bust-length format, is in the Bodleian Library in Oxford (inv. no. LP58; acquired some time between 1705 and 1759). The National Gallery in London have a 19th century copy of this same bust-length format (see: Sir R. Strong, Tudor and Jacobean Portraits, London, 1969, vol. I, p. 57, ill, vol. II., pl. 103). An equestrian portrait of the sitter in similar costume by Thomas Cockson is also known (British Museum, inv. no. 1849,0135.3), which is inscribed: 'AN EXPLANATION OF THE SVRPRISE OF THE TOWNE OF PVERTO RICO BY THE EARLE OF CUMBERLAND IN ANo 1598 the 15th May', and which was engraved circa 1598-99. George Clifford, 3rd Earl of Cumberland (1558-1605) was a favourite at the court of Elizabeth I. He commanded a ship at the Armada in 1588 and fitted out ten privateering expeditions against Spain and Spanish America between 1586 and 1598, sailing personally with those of 1589, 1591, 1593, and 1598. He is depicted here in tournament fancy dress, probably as the Queen's champion, an office to which he succeeded in 1590. The armour he is wearing in the portrait still survives and is in the Metropolitan Museum in New York.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 22
Dutch School, 17th CenturyPortrait of a bearded gentleman, bust-length, in a white ruff oil on panel54.9 x 41.5cm (21 5/8 x 16 5/16in).Footnotes:ProvenanceProbably Ragotz Collection, by whom offeredProbably Sale, Jovenau, Doornik, 5 September 1740, lot 60 (as a Portrait of Brueghel by Frans Pourbus)Probably Collection of Baron Thompson, by whom offeredProbably Sale, Squibb, London, 21 June 1817, lot 36Collection of A. DiezHis sale, Helbing, Munich, 14 December 1896, lot 1352 (as Pourbus the Younger)The Collection of Kommerzienrat Stephan C. Michel, MainzHis sale, Lepke, Berlin, 27 February 1917, lot 80 (as an unknown Flemish Master of the 17th Century), where purchased byWith Oskar Skaller for M. Pech (as Rubens)With Kunsthandel Komter, AmsterdamWith Oskar Skaller, before February 1932 His sale, Internationales Kunst-und Auktionshaus, Berlin, 2 February 1932, lot 304 (unsold)Probably, Collection of Max Graubard, Warsaw, 1932, by whom offeredSale, Internationales Kunst-und Auktionshaus, Berlin, 15 May 1935, lot 383 (as Sammlung N)Collection of Hans Langer (1916-1980), Berlin by 1 June 1935 and taken to Johannesburg and thence by descent to the present ownerLiteratureH.P. Bremmer, Beeldende Kunst, Utrecht, 1925, vol. II, no. 304, ill.Dr. L. Burchard, 'Jahrbuch der Preussischen Kunstsemmlungen' vol. 50, Berlin, 1929, book 4, p. 319, annotationThe present work is offered with a copy of a certificate from Dr. Ludwig Burchard (dated 26 January 1927) in which he states this is a 'characteristic work of Peter Paul Rubens'.Note on the provenanceIn the 1935 sale the vendor of lots 381-387 is denoted by the initial 'N'. Lot 386, in the same sale, a head of Christ attributed to van Dyck, was, according to Ludwig Burchard's notes, in the possession of Max Graubard in Warsaw in 1932.Exhaustive research has failed to yield any record of this painting other than as stated in the provenance. It does not appear on any list of missing works sought for restitution, nor to the best of our knowledge could it be confused with any such work.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 43
Royal Dux bust of a Belle Epoque young lady in elaborately frilled costume, decorated in coloured glazes, pink triangle mark, height 52cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 545
A WW2 medal group of four, comprising War Medal, Defence Medal, 1939-1945 Star and France and Germany Star, with corresponding ribbon bar; an Argyll and Sutherland Highlanders Glengarry cap badge with tartan swatch, George V Royal Engineers cap badge and a Masonic Grand Lodge of Scotland bicentenary commemorative medal cast with the bust of William St. Clair of Roslin Condition Report:Available upon request
Lot 196
An early 18th Century hook and spike wall clock, the thirty hour movement by Walter Archer with square brass dial (25.5 cm), the chapter ring with Roman numerals inscribed "Walter Archer", within four cast brass Classical bust, bird and foliate decorated spandrels, the movement striking on a bell, 33 cm high overall, includes chain, brass covered pendulum weight and two further lead weights CONDITION REPORTS The piece is in attic stored unrestored condition. The hand is extant but broken, literally hanging on by a thread. The movement is very dusty and full of cobwebs but appears to be all there, though this cannot be guaranteed. There is a recently added paper clip holding the face to the movement on the top. The base connections appear sound. The bell appears sound though the nut at the top is very stiff. The loose/spare parts include one large lead weight, one small lead weight, a lead ring weight to the chain and a brass covered lead pendulum weight and cog. There is no actual pendulum - see images for further detail. It is not known if the piece is or could be in working condition. It is clear that a good clean is needed
Lot 165
A RARE QUEEN ANNE CUT PAPER PORTRAIT OF JOHN CHURCHILL, 1ST DUKE OF MARLBOROUGHAFTER JOHN CLOSTERMAN (1660-1711), DATED '1705'the pencil bust inside an oval frame and foliate spandrels above a crest and titled boxes inscribed 'John Churchill, Prince of the holy Empire & Duke of Marleborough, Anno 1705', in a glazed ebonised frame38.5 x 31cmProvenancePurchased from Jeremy Ltd.The property of a Nobleman.
Lot 387
A TERRACOTTA BUST OF A BACCHANTEAFTER AUGUSTE RODIN (FRENCH 1840-1917)signed 'A Rodin' to the back, on a composite stone base38.2cm high To be sold without reserve. ProvenanceThe Collection of Robin and Rupert Hambro.Catalogue NoteAfter the original in the Metropolitan Museum, New York, accession number 1975.312.7.
Lot 576
A GEORGE III WAX PORTRAIT BUST OF SIR JOSEPH BANKSAFTER JOHN FLAXMAN JR, C.1780-90in an oval carved oak frame11.5 x 9.5cm maxProvenanceA private collection, Salisbury.Catalogue NoteWedgwood made a near identical portrait medallion in both blue and lilac jasper quite possibly using the same mould. See: Bindman (D) Ed. John Flaxman RA, published by the Royal Academy of Arts, 1979, p. 51, pl. 21a.
Lot 77
A LIMEWOOD BUST OF A YOUNG LADYIN THE MANNER OF TILMAN REIMENSCHNEIDER, GERMAN OR NETHERLANDISH, 16TH / 17TH CENTURYpossibly originally a reliquary, carved with long hair, with bands of scratched decoration, on a waisted foot37cm high ProvenanceFrom the private collection of the late Jonathan Horne.
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