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Lot 1417

A French tin-glazed faience small bust of Catherine de Medici, another of Francois I and two others, tallest 15cm (4)

Lot 1

Coins, Great Britain, Elizabeth I (1558-1603), Sixpence, 1562 (S. 2561), F, together with a James I First Coinage, 1603-1604, Shilling, first bust, square cut beard, mm. Thistle (S. 2645), F or better

Lot 101

Medals, Great Britain, William IV (1830-1837), Coronation gold medal, 1831, by W. Wyon, bust of William IV r., rev. diademed bust of Queen Adelaide r., 33mm, (Eimer 1251), hairlines, surface marks & edge knocks, otherwise NVF Provenance - The property of a gentleman collector

Lot 102

Medals, Great Britain, William IV (1830-1837), Coronation silver medal, 1831, by W. Wyon, bust of William IV r., rev. diademed bust of Queen Adelaide r., 33mm, (Eimer 1251) Provenance - The property of a gentleman collector

Lot 103

Medals, Great Britain, Victoria (1837-1901), Coronation 1838, the official gold medal, by Benedetto Pistrucci, diademed bust l., rev. Victoria receiving crown from the standing figures of the three kingdoms, 37mm, (Eimer 1315), minor hairlines, surface marks and signs of cleaning, otherwise VF+ Provenance - The property of a gentleman collector

Lot 104

Medals, Great Britain, Victoria (1837-1901), Coronation 1838, the official silver medal, by Benedetto Pistrucci, diademed bust l., rev. Victoria receiving crown from the standing figures of the three kingdoms, 37mm, (Eimer 1315), minor hairlines and surface marks otherwise VF or better with toning to top edge, complete in green shagreen case Provenance - The property of a gentleman collector

Lot 105

Medals, Great Britain, Victoria (1837-1901), Coronation 1838, the official silver medal, by Benedetto Pistrucci, diademed bust l., rev. Victoria receiving crown from the standing figures of the three kingdoms, 37mm, (Eimer 1315), hairlines and surface marks otherwise VF+ Provenance - The property of a gentleman collector

Lot 106

Medals, Great Britain, Victoria (1837-1901), Golden Jubilee official medal in gold, 1887, by L. C. Wyon after Sir Joseph Edgar Boehm and rev. Sir Frederick Leighton, crowned ‘Jubilee’ bust l., rev. enthroned figure of Empire facing, flanked by standing figures of Science, Letters, Art, Industry and Agriculture, at their feet, Mercury and Time, 58mm. (Eimer 1733), only 944 specimens struck and complete in case of issue, as struck AUNC with only light hairlines Provenance - The property of a gentleman collector

Lot 107

Medals, Great Britain, Victoria (1837-1901), Golden Jubilee official medal in gold, 1887, by L. C. Wyon after Sir Joseph Edgar Boehm and rev. Sir Frederick Leighton, crowned ‘Jubilee’ bust l., rev. enthroned figure of Empire facing, flanked by standing figures of Science, Letters, Art, Industry and Agriculture, at their feet, Mercury and Time, 58mm. (Eimer 1733), only 944 specimens struck and complete in case of issue, EF or better with only light hairlines, minor edge knocks and a possible sign of an acid test or the start of toning to the edge  Provenance - The property of a gentleman collector

Lot 108

Medals, Great Britain, Victoria (1837-1901), Golden Jubilee official medal in silver, 1887, by L. C. Wyon after Sir Joseph Edgar Boehm and rev. Sir Frederick Leighton, crowned ‘Jubilee’ bust l., rev. enthroned figure of Empire facing, flanked by standing figures of Science, Letters, Art, Industry and Agriculture, at their feet, Mercury and Time, 76mm. (Eimer 1733), only 944 specimens struck and complete in case of issue, as struck AUNC with only light hairlines and complete in case of issue (a/f) Provenance - The property of a gentleman collector

Lot 109

Medals, Great Britain, Victoria (1837-1901), Diamond Jubilee of Queen Victoria 1897, gold medal, 56mm diam., bust left, crowned, veiled and draped. VICTORIA ANNVM REGNI SEXAGESIMVM FELICITER CLAVDIT XX IVN. MDCCCXCVII., R.Young head of the Queen left, dividing inscription LONGITVDO DIERVM IN DEXTERAEIVS ET IN SINISTRA GLORIA. Below, 1837 upon branch tied with ribbon (Eimer:1817a). EF with light hairlines and light rim nicks, complete in case of issue Provenance - The property of a gentleman collector

Lot 110

Medals, Great Britain, Victoria (1837-1901), Diamond Jubilee of Queen Victoria 1897, gold medal, 26mm diam., bust left, crowned, veiled and draped. VICTORIA ANNVM REGNI SEXAGESIMVM FELICITER CLAVDIT XX IVN. MDCCCXCVII., R.Young head of the Queen left, dividing inscription LONGITVDO DIERVM IN DEXTERAEIVS ET IN SINISTRA GLORIA. Below, 1837 upon branch tied with ribbon (Eimer:1817a). EF with light hairlines, light rim nicks and spotting, complete in case of issue Provenance - The property of a gentleman collector

Lot 111

Medals, Great Britain, Victoria (1837-1901), Diamond Jubilee of Queen Victoria 1897, silver medal, 56mm diam., bust left, crowned, veiled and draped. VICTORIA ANNVM REGNI SEXAGESIMVM FELICITER CLAVDIT XX IVN. MDCCCXCVII., R.Young head of the Queen left, dividing inscription LONGITVDO DIERVM IN DEXTERAEIVS ET IN SINISTRA GLORIA. Below, 1837 upon branch tied with ribbon (Eimer:1817a). EF with light hairlines complete in case of issue Provenance - The property of a gentleman collector

Lot 112

Medals, Great Britain, Edward VII (1901-1910), Gold Coronation Medal,1902, Royal Mint issue, 55mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (BHM 3737, Eimer 1871), UNC with only light hairlines and a tiny rim nick to the obverse, complete in case of issue Provenance - The property of a gentleman collector

Lot 113

Medals, Great Britain, Edward VII (1901-1910), Gold Coronation Medal, 1902, Royal Mint issue, 31mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (Eimer 1871), light hairlines, edge nibbles and an area that looks like a die-crack to the obverse at around 5 o'clock otherwise EF+ Provenance - The property of a gentleman collector

Lot 114

Medals, Great Britain, Edward VII (1901-1910), Gold Coronation Medal,1902, Royal Mint issue, 31mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (BHM 3737, Eimer 1871), light surface scratches, edge knocks and spotting, complete in case of issue Provenance - The property of a gentleman collector

Lot 115

Medals, Great Britain, Edward VII (1901-1910), Silver Coronation Medal,1902, Royal Mint issue, 55mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (BHM 3737, Eimer 1871), AUNC with light surface scratches and toning and complete in case of issue Provenance - The property of a gentleman collector

Lot 116

Medals, Great Britain, Edward VII (1901-1910), Silver Coronation Medal,1902, Royal Mint issue, 55mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (BHM 3737, Eimer 1871), AUNC with light surface scratches and toning and complete in case of issue

Lot 117

Medals, Great Britain, Edward VII (1901-1910), Silver Coronation Medal,1902, Royal Mint issue, 55mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (BHM 3737, Eimer 1871), EF with light surface scratches and toning and complete in case of issue Property of a gentleman collector.

Lot 118

Medals, Great Britain, George V (1910-1936), Coronation Medal, 1911, the official small gold medal, by Bertram Mackennal, crowned bust of George V and Queen Mary to either side, 30.5mm (Eimer 1922b), with the exception of an imperfection to the edge at between 8 and 9 o'clock (on the obverse) it is EF, in red leather fitted case of issue Provenance - The property of a gentleman collector

Lot 119

Medals, Great Britain, George VI (1937-1952), Coronation, 1937, large official gold medal, by Percy Metcalfe for the Royal Mint, crowned bust of the King left, rev., crowned bust of Queen Elizabeth left, 57mm, (Eimer 2046), GEF with light abrasions to both the obv. and rev. and a test mark/scrape to the edge between the B and E on the reverse (274 examples issued) Provenance - The property of a gentleman collector

Lot 121

Medals, Great Britain, Edward VII (1901-1910), Bronze Coronation Medal,1902, Royal Mint issue, 55mm, by G.W. de Saulles, crowned and draped bust of Edward r., crowned, draped and veiled bust of Queen Consort Alexandra r., (BHM 3737, Eimer 1871), together with another identical medal, both AUNC in original cases of issue, together with a silver and bronze George V coronation medal, 1911, both AUNC in cases of issue Provenance - The property of a gentleman collector

Lot 123

Coins, Great Britain and World, a collection comprising Her Majesty Queen Elizabeth The Queen Mother The 80th Birthday Coin Collection (7 Crowns and Crown like coins) VF or better, an assortment of commemorative Crowns, assorted Pennies and Twopences, with toning and lustre etc and a bronze medallion obv. with bust of young Victoria and the legend 'Victoria by the grace of God Queen MDCCCLVI' and to the reverse with the inscription 'National medal for success in art awarded by the Science and Art Department' and stamped to edge 'Charles S. White, Stage 23A, 1887', EF and two George V Silver Jubilee silver commemorative medallions, both NVF

Lot 16

Coins, Great Britain, Victoria (1837-1901), Five Pounds, 1887, Jubilee bust, VF

Lot 19

Coins, Great Britain, Victoria (1837-1901), Two Pounds, 1887, Jubilee bust, VF with very minor edge knocks

Lot 4

Coins, Great Britain, George III (1760-1820), pattern 5 Shillings and Sixpence, 1811, struck in copper, laureate and draped bust left, rev. value within oak wreath, BANK TOKEN 5S. 6D. 1811, plain edge (ESC 206), EF or better Provenance - The property of a gentleman collector

Lot 70

Coins, Australia, Victoria (1837-1901), Sovereign, 1885, NVF S below bust for Sydney Mint, Provenance - The property of a gentleman collector

Lot 71

Coins, Australia, Victoria (1837-1901), Sovereign, 1886, S below bust for Sydney Mint, F+ Provenance - The property of a gentleman collector

Lot 9

Coins, Great Britain, Victoria (1837-1901), Crown, 1847, 'Gothic' type bust, (S.3883) light hairlines to field and edge knocks, otherwise EF Provenance - The property of a gentleman collector

Lot 97

Medals, Great Britain, James II (1685-1688), Coronation medal in silver, 1685, by J. Roettier, laureate, draped bust of James II right, rev. laureate bust of Mary of Modena right, 34mm (Eimer obv. 273 / rev. 276), NEF with die flaw at edge and attractive toning Provenance - The property of a gentleman collector

Lot 98

Medals, Great Britain, Queen Anne (1702-1714), Battle of Malplaquet, silver medal, 1709, by J. Croker, crowned bust l., rev. CONCORDIA ET VIRTVTE, Victory flies over cavalry action in wooded landscape, 47.5mm. (Eimer 438), EF with toning Provenance - The property of a gentleman collector

Lot 153

A Victorian jacket and skirt of black grosgrain with beadwork,lace and ribbon tie to neck,good condition for age. Measurements approx, Skirt waist-27" length front 40", length back 432 Jacket bust-40",length front 41", length 39".  

Lot 179

A Victorian mourning dress of silk having deep velvet band to skirt and sleeves, intricate buttons to front or bodice and bustle back to skirt,shattering in places,also included is a similar blouse, an embroidered bag and beaded apron. Measurements approx, Bodice bust-34",waist 24",length nape to hem 17". Dress bust-32",waist 26",length 56".  

Lot 33

A vintage late 50s/60s pink lace dress having cream velvet band to under bust, tapered bodice into skirt,back metal zipper and Rebuck of London label.

Lot 50

A green Rosecroft model 1950s gown having flocked floral detailing,velvet trim to under bust, sleeve cuffs and neckline,small to medium size.

Lot 127

A Queen's silver jubilee silver caddy spoon with sinister Queen's bust, Birmingham 1977 by Mappin & Webb, 20.5 g. Presented in blue Morrocan leather and velvet lined box containing original purchase reciept

Lot 220

Ca. 100BC-300 AD. Gandharan / Greco - Bactrian . A rare small marble bust depicting a male figure. His face is modelled with a serene expression and features bow-shaped lips, almond-shaped eyes, and high-arched brows. In places, there are remains of gilding and the figure would likely have been painted in polychromy. The back of the statue is uncarved. The use of marble rather than the more common grey schist suggests a Classical influence. Gandhara is the ancient name of a region in northwest Pakistan bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. In 330 BC, Alexander the Great conquered this region and, together with the Indo-Greek kings that succeeded him, introduced Classical traditions that became an important part of Gandhara's artistic vocabulary over the next seven centuries. For a piece with similar iconography, see https://www.christies.com/lot/lot-a-gandhara-terracotta-male-head-4th5th-century-3273343/?from=searchresults&intObjectID=3273343. For more information on Gandharan art, see Jongeward, D. (2019). Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Size: L:98mm / W:88mm ; 437g. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1990s on the UK / International art markets.

Lot 221

Ca. 193 - 211 AD. Roman. This beautifully draped bust shows Julia Domna, the wife of Emperor Septimius Severus, with sensitively rendered facial features. Her carefully combed, centrally parted hair is pulled back over her ears and tied at the back of the head in a broad flat knot. She wears a 'stola', a long, pleated dress worn by patrician women, which is fastened by clasps at the shoulder by fibulae. Stolae were associated with traditional Roman female virtues, especially modesty (Harlow 2012, 39). Julia Domna was the second wife of Emperor Septimius Severus, whom she married in 185 AD. She outlived her husband by six years, witnessed the murder of her son Geta, and finally died or committed suicide in 217 AD upon hearing of the death of her other son, the Emperor Caracalla. Her distinctive features are recognisable across a vast array of surviving portraits in marble, on coins, and on engraved gems. Good condition. Cf. Harlow, M. E. (2012) 'Dressing to please themselves: clothing choices for Roman Women' in Harlow, M.E. (ed.) Dress and identity. University of Birmingham IAA Interdisciplinary Series: Studies in Archaeology, History, Literature and Art 2. Oxford: British Archaeological Reports. Size: L:135mm / W:85mm ; 140g. Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s

Lot 162

Ca. 323 BC-395 AD. Graeco-Roman Period or later. A marble head of a woman on a modern stand. This elegant piece principally uses the Classical style. Her wavy hair is centrally parted and drawn to the sides in typical style of this period, except for a slight fringe falling downwards as well. There is a breakage on the neck where this would have been attached to a larger statue or bust. It may represent a Ptolemaic queen. Many of these queens received royal cults and were deified as a way of ingratiating the people to the Macedonian royal family. These cults sought to promote the queens to both Greek and Egyptian audiences, and many images of these women were created as a result. Marble was not used in Egypt before the Graeco-Roman Period, but after the conquests of Alexander the Great, Egypt produced art of Egyptian styles, Greek styles, and styles that incorporated the two - this also meant using materials common in the Greek style, including marble imported from the northern Mediterranean.Size: L:without stand, 155mm / W:115mm ; 2.5kg. From a London private family collection; formerly acquired on the UK art market in the 1960s - 1970s; thence by descent.

Lot 222

Brooch mounted on gold bust of a young woman carved in ivorySizes: H=60mm L=45mmWeight (K): 0.030kg

Lot 223

Brooch mounted on gold carved bust 18thSizes: H=50mm L=40mmWeight (K): 0.030kg

Lot 305

Kevin Francis Peggy Davies figure Artists colourway bust: height 18cm

Lot 559

19TH CENTURY TERRACOTTA BUST OF ITALIAN POLITICIAN Niccolò da Uzzano (1359-1431) a politician of the old Florentine Republic, life-size half bust in red robe on a rectangular base with curved front, his head turned to the left shoulder, titled on the front of the base 'Busto di Niccolò da Uzzano. Opera di Donatello' (Bust of Niccolò da Uzzano. Work of Donatello), 56cms high, 46cms wide Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Auctioneer's Note: after a Renaissance bust attributed to Donatello (c.1386-1466), dated to the 1430s, today in the National Museum of Bargello, Florence Condition: significant paint loss overall, multiple chips to base rim. impressed marks to inside and numbered 233, pencil number to back '125'.

Lot 219

A Victorian oval ivory brooch carved in high relief with Bacchanalian female bust, 1.75" high.

Lot 166

20th Century School, Portrait Bust of a Young Boy, plaster, unsigned, mounted on an ebonised plinth. Overall 28cm

Lot 1091

George Harrison (York 1882-1936): Bust Portraits, three watercolours signed, two dated 1917 and 1926, max 25cm x 21cm (3)Provenance: purchased David Duggleby Ltd 15th July 2017, part of the artist's original studio collection. Harrison studied at York School, Leeds College of Art, RCA and Newlyn; he became Principal of York School of Art and also ran a school of art at the Corn Mill Stamford Bridge York.

Lot 1012

A 19TH CENTURY SILVER-PLATED 'WATERLOO' SCENT FLASK, the flattened ovoid body with bust of Napoleon above a 'WATERLOO' banner. 6cm high

Lot 161

An early 20th century Watcombe Torquay Pottery bust of a child, on socle base, printed Watcombe Torquay verso, h.16cm; together with an art pottery figure of a naked child removing a sock, upon an oval base, h.25cm (2)Condition report: Bust – head has been off, chips to socle base.Child – fingers and thumb of left hand missing, chip to little toe of right foot.

Lot 223

A Victorian parian bust of Cromwell, shown holding a Bible, on a square plinthCondition report: No visible cracks, chips, or restorations. Very grubby. Height 20cm

Lot 517

A small collection of miscellaneous items, to include a wax profile portrait bust of Napoleon within mahogany hexagonal mount, brass magic lantern slides, silver pocket watch case (only), pewter snuff box, pocket knife with silver blade and mother of pearl handles etc

Lot 525

A reproduction German desk seal, surmounted by a bust of Hitler; together with two reproduction bronzed WWI type plaques in ebonised surrounds (3)

Lot 57

A reproduction phrenology bust, h.30cm; together with a pair of Rococo style figural table candelabra; and a similar centrepiece (3)

Lot 61

A 20th century black glazed and gilt heightened pottery bust of Tutenkamen, h.40cm

Lot 77

Bust of Beethoven - Approx H: 25cm

Lot 1525

A GROUP OF EIGHT STICK PINS, including; A FOSSILISED TOOTH EXAMPLE; A CAMEO EXAMPLE DEPICTING THE BUST OF MARS; AND A DIAMOND SET EXAMPLE (8)

Lot 1537

A PAIR OF 19TH CENTURY SMALL PORCELAIN BROOCHES, each oval plaque painted depicting the bust of a Tryolean boy, in scroll frames, each marked '9CT'. Measure 2.5cm by 2cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Both with light wear to the design, fitted with pin and c-hooks.

Lot 1664

THREE ITEMS OF CAMEO JEWELLERY, COMPRISING; A 9CT GOLD CAMEO BROOCH, carved depicting a female bust, within a pierced frame, hallmarked Birmingham 1974, measures 3.5cm by 3cm; A 9CT GOLD CAMEO BROOCH, the cameo, suspended from a bow bar, hallmarked import Birmingham 1967, measures 2.5cm by 5cm; AND A CAMEO RING; the cameo within a rope and pierced frame, to forked shoulders, ring size N. 10.1 grams gross (3)

Lot 260

Large bust figure measures approx 24" tall

Lot 1024

Contemporary school - Bust portrait, oil on canvas, unframed, 75 x 91cm; and two others (3)

Lot 1060

Late 20th century school - Bust portrait of a girl, oil on canvas (a/f); together with an after Peploe still life study of oranges oil on canvas (2)

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