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Click here to subscribe15th-16th century AD. A painted glass composite panel with bust-length figure of a bearded saint wearing a travelling hat; French workmanship.797 grams, 31cm (12 1/4"). Ex central London gallery; previously with Woolley & Wallis Salisbury, 03 October 2018, lot 27. [No Reserve] Fine condition, repaired.
17th century AD. A ceramic maiolica dish with lustrous glaze, low flared foot, depicting the bust of a woman on a blue field wearing a yellow cap; after the 'In Castel Durante' painter.Cf. maiolica dish attributed the 'In Castel Durante' painter in the Metropolitan Museum of Art, accession number: 1975.1.1084.503 grams, 24cm (9 1/2"). Ex central London gallery; previously with Carl D. Lobell, circa 2000. [No Reserve] Fine condition, repaired.
A Modern Bronze Bust of Christ, on an ebonised socle, 20cm high overall together with a spelter bust of Dante, three resin busts and a dog (6)n/aCondition report: At present, there is no condition report prepared for this lotThis in no way indicates a good conditionPlease contact the saleroom for a full condition report
Early 19th century school- Bust length portrait of a gentleman with floral waistcoat and dark coloured coat with gilt buttons, oil on canvas, 54 x 40cm approx, together with a early 19th century school bust length portrait study of gentleman in white cravat holding a snuff box, 55 x 40.5cm approx, both framed (2)
Collection of 18th and 19th century and other prints and engravings including an unusual black and white lithograph showing a scene at Newnham Gloucestershire, with gentleman carrying alligators, with letter verso dated 1845 describing the scene, 27.5 x 35.5cm approx, a bust length pencil drawing of an elderly bearded man, signed with initials LB and dated 1763, 29 x 23cm approx, an 18th century black and white engraving after G Schalcken, engraved by J Gole, showing a young artist drawing a classical bust by candle light, 27 x 21.5cm approx, a three sectional hunting engraving, The Dying words and Confessions of Matthew Gillingham, executed 1792, etc, all framed (12)
Attributed to Martha Dale Coope (American 1916-2004) - Bust length portrait of Christopher David Jenkins (owner of collection of folk art) as a choir boy, oil on board, signed, with inscription 'Christopher Jenkins, born December 27th 1951, in Youngstown, Ohio, USA, with further Ohio address details, 75 x 50cm, together with a further portrait by the same artist of a young woman in blue, 60 x 50cm, with funeral sheet for Martha Dale Coope verso and Cunard shipping labels verso, both framed (2)
A collection of pictures and prints including a bust length 19th century charcoal portrait of a gentleman, 30.5 x 24cm, an 18th century black and white engraving - portrait of a gentleman after Lely, and an 18th century black and white engraving of Eclipse the racehorse after George Stubbs, all in frames with marbled mounts, together with a pair of coloured engravings of 19th century racing scenes - Preparing to Start and Weighing and Rubbing Down, etc, all framed (11)
NATIVE ART INTEREST to include a hardwood carving of men climbing over each over, height approximately 46cm, a carved hardwood footed floor vase having floral and geometric covered patterns, height 61cm, a carved figure of a man with a walking stick, height 63cm, a carved figure of a woman, height 69cm, a carved figure of a Rhino (damage to front horn), a carved figure of an Ibix (damage to antler), a carved hardwood bust, height 22cm, two carved figures of warriors both having beaded decoration, each approximately 24cm high, a hardwood spear end, length 50cm, a metal spear blade (handle missing), length 88cm and a metal throwing spear (handle missing) length 62cm (12)
Two 19th century yellow metal and coral set oval brooches (one adapted from a clasp?), each coral carved as the bust of a lady, largest 27mm, gross 10.1 grams.CONDITION: A few natural flaws/surface abrasions to the bust with the clasp setting. A few minor dings to the setting.Other brooch has a later mounted pendant loop.
A CARVED HARDSTONE CAMEO HABILLÉS RING, depicting the bust of a Blackamoor, wearing a diamond earring and necklace, within a textured border, to forked shoulders and a c-scroll shank, ring size N. 3.9 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The nose into the cheek is chipped, there is some light scratching, appearing dark around the white edge, the shank is carved and subsequently quite thin in places. The cameo measures 1.25cm by 1cm approximately. It is not hallmarked or stamped but in our opinion would test as gold. Condition report made 270421.
A 19TH CENTURY ITALIAN CARVED HARDSTONE INTAGLIO PENDANT/BROOCH, depicting the bust of Antinous, facing left and wearing a floral garland, in an oval corded wire frame. Measures 2.8cm by 2.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition. It fastens with a pin and fancy wire hook and has a hook for use as a pendant. It is not hallmarked or stamped but in our opinion would test as gold. Condition report made 040521.
A LARGE LAPIS LAZULI CAMEO CARVING, depicting the bust of a snarling lion. Measures 20cm by 15cm by 3cm. 2.3kg. In a fitted red silk lined boxThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The carving is in good condition.
THREE ITEMS OF CAMEO JEWELLERY, COMPRISING; A 9 CARAT GOLD CAMEO BROOCH, carved depicting a female bust, within a pierced frame, hallmarked Birmingham 1974, measures 3.5cm by 3cm; A 9 CARAT GOLD CAMEO BROOCH, the cameo, suspended from a bow bar, hallmarked import Birmingham 1967, measures 2.5cm by 5cm; AND A CAMEO RING; the cameo within a rope and pierced frame, to forked shoulders, ring size N. 10.1 grams gross (3)
A Victorian Silver Vesta-Case, by Walker and Hall, Sheffield, 1895, oblong, the front stamped with a female bust, the back engraved 'Charley's Aunt Dec 21st 1895', 4.5cm high, 15dwt, 23gr Charley's Aunt was a play written by Brandon Thomas and first performed in Bury St Edmunds in 1892. It was later to move to London where it played at the Globe Theatre from 1893, breaking records for number of performances. . Fully marked on bezel and part marked on cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving.
A Pair of Marble Relief Portrait Roundels of Napoleon and Empress Josephine, 19th century, carved in relief within arcaded rosette borders, 33cm diameter See illustrationThe profile of Josephine is possibly derived from the marble bust by Joseph Chinard, now in the National Gallery of Canada. For similar examples with the same model of Napoleon but a different model of Josephine see Christie's, London, 8 December 2011, lot 169 and Christie's, South Kensington, 28 September 2008, lot 62 CONDITION REPORT: . Typical small chips to edges of rim. Some surface scuffing and discolouration. Fault in stone to Josephine.
English School (late 18th century): Miniature Bust Portrait of Princess Louisa Maximilienne Caroline Emmanuele of Stolberg-Gedern, wearing a white dress, on ivory, 6.7cm by 5.5cm, in brass frame with glazed reverse containing handwritten labelPrincess Louisa was the wife of Charles Edward Stuart, the Young Pretender. The couple used the title Count and Countess of Albany after they moved to Florence in 1774 CONDITION REPORT: . Not examined out of frame. Miniature appears in good condition. Some typical wear and minor scratching to frame and glass.
French School (late 18th century): Miniature Bust Portrait of a Girl, wearing a blue Empire-style dress, on ivory, oval, 5.8cm by 4.5cm, in yellow metal frame CONDITION REPORT: . Not examined out of frame. Miniature appears in good condition. Frame with some typical minor wear and scratching
English Scholl (late 18th century): Miniature Bust Portrait of a Young Lady, wearing a headscarf and white dress, on ivory, 4cm by 3.2cm, in gilt metal frame cast with fruiting vine and with lyre finials set with a turquoise, the reverse with glazed panel enclosing a hair, pearl, mother-of-pearl and paste classical urn CONDITION REPORT: . Not examined out of frame. Contents appear to be in good condition. Some wear to frame.
Attributed to Henry Jacob Burch (b.1763): Miniature Bust Portrait of a Young Girl, with short hair, wearing a white Empire-style dress, on ivory, oval, 7.6cm by 6.2cm, in gilt metal frame CONDITION REPORT: . Miniature possibly with some fading and some surface staining. Frame with minor surface wear and scratching.
Continental School: Miniature Bust Portrait of a Lady, in 18th century dress, a blue ribbon in her hair, on ivory, oval, 7.8cm by 6cm, in brass frame; and Three Further Miniatures (4) CONDITION REPORT: . Miniatures not examined out of frames. Appear to be in good condition. Wear and splitting to frames.
Thomas Hazelhurst (c.1740-c.1821): Miniature Bust Portrait of a Gentleman, wearing a white stock and waistcoat and a grey coat, signed with initials TH, on ivory, oval, 6.8cm by 5.8cm, the gilt frame with further miniature to reverse depicting a lady and gentleman in landscape beside an altar, titled FRIENDSHIP within a blue guilloche enamel border CONDITION REPORT: . Some wear and losses to surface of frame. Other minor scratches to glass of frame. Not examined out of frame. Miniatures appear in good condition.
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