Marvel - DC - Eaglemoss - Hulkbuster - Spider Girl - Rorchach. Two busts and One Figure, Two boxed and One loose. Lot consists of: A loose DC Rorchach 'Watchmen' by DC Direct #2507 of 6000 appearing in Excellent condition. A boxed #95003 Spider-Girl bust from Marvel by Dynamic Forces. Item appears in Excellent condition in a Fair box. A boxed #0016953 Hulkbuster Armour from Avengers, Age of Ultron by Marvel, Eaglemoss Collectibles appearing in Excellent condition with Certificate and Excellent box. (This does not constitute a guarantee).
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A CASED COLLECTION OF FIFTY 20TH CENTURY STERLING SILVER PROOF INGOTS, '1000 Years of British Monarchy', each ingot depicting a different British monarch's bust with associated scene, reverse with name and description, each ingot hallmarked 'John Pinches (Medallists) Ltd' London 1973, approximate gross weight of one ingot 65.6 grams encased in a wooden display case with fitted interior lined in red material, set number 1069 (condition report: all ingots present in case, plastic covering present, minor scratches to case)
A GROUP OF ASSORTED FIGURES, comprising a carved stone modernist figure marked on the base Zevieira- 1984, a bronzed resin bust of Bertram Russell signed by D. Kern, supported by a wooden plinth, height 22cm, a Naturalis Magistra figure of a bronzed horse, two boxed white Coalport Moment's 'Aren't I Clever 'cat figures, two carved wooden figures by Richard Hideaki, a set of five USSR leaders nesting dolls (8) (Condition report: a few paint chips on nesting dolls, others appear O.K)
TWO BOXES OF EPHEMERA AND TREEN, to include a Victorian architectural form black slate mantel clock with amber marble decoration, key and pendulum, height 30cm x 21.5cm, a Swiss metronome, a wooden jewellery box with mother of pearl inlay, width 28cm x 20.5cm, a desk globe, a collection of ladies fans, three pieces of an ebony dressing table set, an ebonised desk top pen box, an ebony maritime parallel ruler marked Hudson & Son Greenwich 30, length 38cm, a plaster bust of Beethoven, a handmade wooden photo frame dated 1914 decorated with a fuchsia design, arts and crafts style mirror, a souvenir postcard album of Torquay, a 1930's needlework sample book, a collection of Edwardian postcards, to include 'Anyway Fido Loves Me' by Mabel Lucie Attwell, 'The Introduction' by Louis wain, 'Mixed Bathing' by Mabel Lucie Attwell, etc. (s.d) (2 boxes + loose)
The "Head of a Youth" sculpture refers to various artworks depicting the head or bust of a young person. There have been numerous sculptures throughout art history that fall under this category. Since there isn't a specific artist or artwork mentioned, I'll provide a general overview of sculptures depicting the head of a youth.1. Ancient Greek and Roman Sculptures: In ancient Greece and Rome, sculptors often created lifelike and idealized representations of youthful figures. These sculptures aimed to capture the beauty and idealized proportions of the human form. Examples include the "Apollo Belvedere" and the "Antinous Mondragone."2. Renaissance and Baroque Sculptures: During the Renaissance and Baroque periods, artists explored the human form with a focus on naturalism and emotion. Sculptors such as Donatello, Michelangelo, and Bernini created exquisite busts and portraits of young individuals, showcasing their skills in capturing realistic features and expressions.3. Neoclassical Sculptures: In the late 18th and early 19th centuries, the Neoclassical movement drew inspiration from ancient Greek and Roman art. Artists like Antonio Canova and Jean-Baptiste Carpeaux produced sculptures depicting the idealized beauty of youth, often representing mythological or allegorical figures.4. Modern and Contemporary Sculptures: In more recent times, artists have continued to explore the theme of the head of a youth, sometimes offering abstract or stylized interpretations. Artists such as Auguste Rodin, Constantin Brancusi, and Henry Moore have created sculptures that express emotions, individuality, or symbolic meanings through their representations of youthful heads.It's important to note that without specific details about the artwork in question, it is challenging to provide a more specific analysis or interpretation. If you have a particular sculpture or artist in mind, please provide more information, and I'll be happy to offer a more focused response.Original is in the Israel Museum, Jerusalem.Measures 8 x 3.5 x 3.25.
The origins of Vanden Plas went back to Carrosserie Van den Plas, formed in Belgium in 1898, and an English subsidiary established in 1913. In the 1920s it went bust but was reformed and prospered making bodywork for the likes of Bentley and Alvis. Acquired by BMC in 1946. By the late 1950s the company was engaged in adding luxury fittings to a range of Austin-Morris models produced by BMC. In 1963, the ADO16 range of saloons began to be upgraded culminating in the lavishly equipped Vanden Plas 1300 Princess as offered here. Leather upholstery, wood veneer, a distinctive radiator grille and special badging distinguished these VDP examples, whilst the 1.3-litre twin carburettor engine shared with the MG models developed some 65bhp, resulting in a 90mph top speed.Having been registered on 7th February 1972. The car went through a comprehensive restoration in 2021. Appearing to have covered just 84,000 miles from new. The car now looks like the car could have concours winning potential. Whilst the Vanden Plas Princess isn’t considered something overtly special, or highly desirable, we have to say this car is! In the catalogue we can see why you might just flick past. However, everyone who has walked up to this car has been blown away by how good it looks and feels. In the flesh, it beats some other great cars we have to offer.The history file shows 4 previous keepers and comes with a document wallet with some photographic evidence as well as invoices and notes, of the work carried out in 2021. If you do nothing else take some time whilst you are at Bishton to pay homage to this beautiful piece of engineered luxury. You won’t regret it.
SPÄTBAROCKES FAYENCE NADELKISSEN, Frankreich, spätes 18. Jh., in Manganfarbe polychrom dekorierte, vollplastische Halbbüste mit Postament auf einer kleinen Konsole stehend, in dieser mittig angebrachtem ein Nadelkissen, im Rücken der Büste eine eingedrückte Nummerierung. H: 15 cm. Part. Alters- und Gebrauchsspuren.| LATE BAROQUE FAIENCE PINCUSHION, France, late 18th century, fully sculptured half bust decorated in manganese polychrome with a pedestal standing on a small console, a pincushion in the centre, an impressed number on the back of the bust. H: 15 cm. Part. Signs of age and wear.
An early 20th century Continental French hand cast plaster / gesso bust sculpture of Jesus Burning Heart. Jesus holding a gilt painted heart in his left hand. Raised on plinth base inscribed with ' Voilà ce Cœur qui a tant aimé les hommes ' (Here is this heart that loves men). Some damage to right hand. Measures approx. 40cm x 40cm.
English School (early C19th): bust length miniature portrait of a man in giltwood frame, watercolour, purportedly Sir William Templer Pole (1782-1847), contemporarily inscribed to reverse 'This portrait of my esteemed relation and friend Sir W. T. Pole was presented to me by himself Jan 30th 1813, 11x13cm incl. frame
Vintage Fashion: Four vintage swimsuits/ bathing costumes, c. 1950s/ 1960s including; A navy blue swimsuit, with white trim, laced front, labelled ‘Avro, Made in England’ and ‘Bust 34”’; bright blue striped swim suit by Catalina, bearing label to interior, metal zip fastening to back; a bright yellow swimsuit by Elisabeth Stewart, California, with belted waist, labelled to interior; and a navy blue bathing suit, with gold tone buckle two front, lace cups to interior (4)£70 – 100Elisabeth Stewart was the daughter of Catalina swimwear companies’ owner Ed Stewart. Her brand was established in the late 1950s, subsequent to the sale of her father’s business. From the collection of Kelly Brook. Kelly Brook can be seen wearing the swimsuit by Catalina included within this lot in promotional images for Celebrity Love Island. Additionally, Kelly can be seen wearing a similar lace fastening front during Celebrity Love Island aired 27th May 2005.
20TH CENTURY BRITISH SCHOOL, BUST OF A LADY CIRCA 1950/60s carved or moulded stone, on plinth base45cm highIt came to the vendor's father (surveyor) as part-payment for a job whilst living in Sunningdale Berkshire, England, during the 1960/70s.In overall good condition. Chips to several sections of the shoulders and back. Some flaking and scratches to the head. Wooden plynth with further scratches. Additional images now available.Provenance now stated in description, that is all the information we have unfortunately so cannot speak as to attribution whether individual or School;unsigned, bust itself 40cm high, 19.5cm wide, approx 26.5cm deepwe don't know the specific type of stone, close ups provided - POSSIBLY MOULDED AS OPPOSED TO CARVEDApprox 25kg overall
G.B. - Mixed 19th century copper Penny Tokens to include Sheffield Phoenix Iron Works 1813 AVF (N.B. Scarce variety - Ref: Galata 1041), Newark 1811 Rev: Castle x 2 F-AVF, (Ref: Galata 880-1), Bristol & South Wales x 2 AVF-GVF (Ref: Galata 518-43), Trade & Navigation 1813 DIG to Rev: Field otherwise AVF (Ref: Galata 1641-3), Bewicke Main Colliery 1811 GF-AVF (Ref: Galata 885), Fletcher & Sharrat 1811 Rev: Bear & Staff GF, (Ref: Galata 1145-51), Fletcher & Sharratt 1811 Rev: Church GF (Ref: Galata 1158), British Copper Co. 1812 Rev: Rollingmills Walthamstow F (Ref: Galata 560-74), Bristol Obv: draped bust of George III 1811 x 2 VF-GVF (Ref: Galata 1310-26) & Flint Lead Works 1813 x 2 GF-AVF (Ref: Galata 1310-26) (14 tokens)
G.B. - Mixed Tokens & Medallions to include brass, New Theatre Covent Garden 1809 (N.B. Inscribed BPS, Dia: 34mm) GVF 18th century copper Samuel Jacob's 'Will Pay The Bearer 1s', Rev: Joe's Coffee House (Dia: 26mm) fair-good, silver (Dia: 32mm) Obv: Coat of Arms, Rev: Inscribed James Horne 1756, Preliminaries of Peace Agreement Medalet 1801 VF & AE, Medallion commemorating Peace of Amien's 1802 Obv: Bust left Marquis of Cornwallis, Rev: Britannia seated beside a cherub etc. EF (Ref: Eimer 942, Dia: 38mm) (5 tokens & medallions)
G.B. - Mixed 19th century Copper Tokens to include Pennies Bilston Obv: View of Iron Furnaces, Rev: One Penny Payable & Bilston S. Fereday etc. 1811 GF-VF (Ref: Davis 41), Rushbury & Woolley Obv: Bust of George III, Rev: View of building 1811 GF-AVF, Halesowen 1813 Obv: Mounted Yeoman at Speed, Rev: View of church VF (Ref: Davis 3), Barnsley, Jackson & Lister Rev: Weaver at loom, (undated) GF (Ref: Galata 5-12), Cornish Mines 1812 AVF (Ref: Galata 675), Cornwall, County Issue 1811 Obv: Pumping Engine etc. Rev: Tin Ingots & Pilchard (N.B. Edge bruises) otherwise AVF (Ref: Galata 700-06). Tavistock Devon Mines 1811 Obv: Plumes, Rev: Mine buildings (N.B. Edge bruises) otherwise GF-AVF, Half Pennies to include Bristol Brass & Copper Co. 1811 GVF (Ref: Galata 450-3), Trade & Navigation 1813 Rev: Sailing ship GVF (Ref: Galata 1665-70) Birmingham, Rose Copper Co. 1811 GF-AVF (Ref: Galata 262-72). Non local, Trade & Navigation 1812 VF (Ref: Galata 1655-6), British Copper Co. 1813 VF Obv: Lion, Rev: Britannia (Ref: Galata 610-12), London Robert Warren, Blacking Manufactuer Rev: Bottle (Undated) GF-AVF (Ref: Galata 837), William Waterhouse Obv: Mail Coach Operator, Rev: Swan with two necks GF-AVF (Ref: Galata 840) and Penny non local, Obv: Bust of George III within oak wreath Rev: Female seated 1812 VF (Ref: Davis 19) (15 tokens)
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