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Benjamin Cheverton (1796-1876) General Wolfe, an ivory bust, inscribed to reverse, on a low socle and a marble plinth (detached), bust and socle 9.5cm, 20.5cm overall and an ivory bust of a gentleman, after Behnes, inscribed and dated 1835, on a square marble plinth, 7.9cm bust, 28.8cm overall
W Nicholl, A MARBLE BUST OF A GENTLEMAN WEARING THE ORDER OF THE GARTER, signed 'W. Nicholl, sculpt.', 71cm high, socle cut standing on a variagated green marble column and a dark coloured base, column 108cm high Probably William Grinsell Nicholl (1796-1871) Best known as the sculptor of the frieze above the entrance to The Fitzwilliam Museum in Cambridge
An engraved Holyrood Glassworks, Edinburgh sulphide oval panel of Robert Burns, the crystallo ceramie bust profile facing to dexter, J. Moore sc., within a leaf and berry wreath border, 6cm high, circa 1875 (rim chips) (see illustration on website) Cf. Barbara Morris, 'Nineteenth and Twentieth Century Commemorative Glass', The Glass Circle No.7, p. 26, figs. 25-27, where the author illustrates several sulphides of the Burns attributed to John Ford's Holyrood Glass Works circa 180-75 and made by the medallist Joseph Moore (d. 1901). Provenance: Sotheby's, ex-lot 143, The Royal Brierley Collection of English Glass, 3rd March 1998.
An engraved and dated Bohemian octagonal spirit flask, engraved with a shield with Cupid surmounted with a bust length figure of a man at arms above a canopy and inscribed Prinzisches andenden (a prince's gift), the reverse with monogram beneath coronet, initials FJH and date 1755, 21cm high; and a dated North German flared beaker of Potsdam type, with monogram beneath coronet and dated 1743, gilt-line rim, 9cm high
Camile Faure (1872-1947), a Limoges enamel rectangular plaque, circa 1910, painted with a wooded coastal landscape at dusk, signed 'C. FAURE LIMOGES' lower left, 11.5cm x 15.5cm, in a wooden frame; and an Arts and Crafts brass small wall mirror, the arched top inset with a profile bust of a maiden, 22cm x 12.5cm overall
A Delft Glorious Revolution commemorative dish, of lobed form, painted in shades of blue, ochre and green with a bust portrait of William of Orange, within a floral and tulip border, 34cm diameter, script 23 (damage and loss); and a smaller Delft William III commemorative dish, with bust portrait above inscription W R, 21.5cm diameter (broken and rivetted), circa 1690
A large 19th century composite stone garden urn cast in three sections, the urn with acanthus leaf moulding beneath the rim and scrolled acanthus mounts to the sides, decorated in relief with a bust of Queen Victoria, rose bushes and the Royal Shield, with remains of original painted decoration, mounted on a square plinth with inverted urn shaped column with laurel leaf edging and a laurel wreath to the front of the base, 74in (188cm) high x 30in (76cm) wide.
A Sunderland lustre plaque, 1820's, monochrome printed with a bust portrait of 'The Revd John Wesley A.M.' in profile and inscribed 'The Best of All God is With Us', cornered with pink scallop shells, a mottled pink border and a ropetwist frame, length approx 22.3cm, together with a Dixon Phillips & Co lustre plaque, circa 1840-65, monochrome printed with 'Adam Clarke L.L.D.F.S.A. Wesleyan Minister', within a mottled pink border and copper relief moulded frame, impressed factory mark to reverse, length approx 22cm.
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