A good group of Galliano clothing 1987-early 1990s approx. seventeen pieces including black jacket and trousers with shirred waist 1987; silver velvet shorts (catwalk) two ‘waterfall’ jackets cream lace tunic wine cutwork tunic 1889-90; ‘Galleon Girl’ green trousers suit early 1990s approx bust 81cm 32in waist 66cm 26in. (qty)
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Charles I and Henrietta Maria A silver cast and chased loyalty badge, circa 1649, Obverse: bust of Charles I facing left. Lovelock on left shoulder, in falling lace collar, armour and scarf across the breast Reverse: bust of Henrietta Maria facing left, crowned, in pearl necklace and ear-ring, lace collar, stiff and erect and bodice ornamented with jewels The badge has an engraved border on both sides and a ring for suspension. The medal is hung from a parchment inscribed This medal of Charles I was given to one of the Hotham family for his devotion to The Royal Cause and has been in the possession of the Cockerills for 3 or 4 generations. It came to my father with a crownpiece of the same King which is lost Signed J Cockerill Note; Examples of the two sides of one of these badges are fixed to the covers of a New Testament bible in the British Museum. This medal is one of a number of badges evidently intended to be worn by friends or supporters of Charles I. These medals are of various sizes and workmanship and were executed at various times. Some were worn as ornamental or honourable decorations conferred for services performed and were struck before the King's execution. Others were struck after the King was deposed and were worn in a concealed manner as tacit memorials of the monarch or of the cause where an open avowal of such attachment would have been troublesome or dangerous to the wearer.
A Cartier Paris gold, coral, diamond and enamel blackamoor clip, the black enamelled female bust wearing small seed pearl earrings, a cream enamelled turban with a rose diamond plume and a coral bun, and a multi-hoop collar necklace, French marks and engraved Cartier Paris and numbered 6040 marks (see illustration and back cover)
An early 20th century Continental gold, sapphire, moonstone cameo and diamond cluster brooch, centred with a round moonstone cameo carved in high relief with a head and shoulders bust depicting a lady in Elizabethan dress, within an old-cut diamond 20 stone border, approx. 2.00ct total, with round mixed-cut sapphire raised collets at the cardinal points, set in silver and gold
A late 19th Century ormolu mantel clock by Kay Cunningham, Paris, with ornate arabesque case decorated with limoge enamel panels depicting armour and the bust of a knight in armour, the dial with roman numerals, fitted eight day striking movement, the case with numerous turned finials and decorated with suspended chains and heraldic figures, raised on turned tapering feet, 13in. high. (see lot 1253 for illustration)
Ralph Hedley 19in. x 12 1/2in. (48 x 32cm) Houses on Old Elvet Bridge, Durham - charcoal; and 15 1/4in. x 9 3/4in. (38.5 x 24.5cm) A bust portrait of a man wearing a dark coat and cravat - pencil. (2) #50-80 . 226. Ralph Hedley 19in. x 10in. (48 x 25.5cm) 12in. x 9in. (30.5 x 23cm) 10 3/4in. x 14 3/4in. (26 x 37.5cm) A study in black and white chalk on grey paper of a memorial angel Signed and dated 1906; A drawing in black chalk of lumber men chopping down a tree; and A pen and ink study of a young harvester. (3)
Ralph Hedley 12in. x 9 3/4in. (30.5 x 25cm) on board 11 3/4in. x 9in. (30 x 23cm) on unstretched canvas 8in. x 6 3/4in. (20 x 17cm) canvas laid on board A sketch of an old man sitting on steps 'The Beggar' (EB143); A sketch of an elderly couple: and A bust portrait of a young woman All unframed. (3)
19th Century English School 2 3/4in. x 2 1/2in. (7 x 6.3cm) oval A miniature bust portrait of a grey-haired man posed in profile wearing a blue coat and a white cravat Unframed in silk-lined case; together with a gold-coloured-metal pendant miniatures-frame containing memorium locks of hair and blue enamel panel to the reverse, set seed pearls and initial 'L'. (2)
19th Century English School 5in. x 3 1/2in. (12.5 x 9cm) A papier-mache folder containing two miniature bust portraits of gentlemen with engraved silver surrounds against a green silk interior, the front cover inlaid with foliate and floral pattern silver and central miniature coloured-enamel panel depicting the Madonna Della Sedia after Raphael.
Twelve Edward VII coronation souvenir teaspoons and a pair of matching sugar tongs, by Pearce & Sons, Sheffield 1901, heart shaped bowls, iris stems, the terminals with a bust of the king and a crown, and with a monogram, rose, thistle and shamrock to the reverse, in velvet lined presentation case.
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