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Lot 170
Miniature Furniture - a 19th century kitchen stool, 13cm diam, c.1880; a Ronson table lighter; a novelty pin cushion, in the form of a garden roller; a Laura Ashley candlestick, 43cm high; Tutankhamun bust; an E.P.N.S., epergne, with central circular dish, three smaller dishes on scroll arms, circular base, ball feet, 17cm high, c.1910; a silver baby spoon, Birmingham 1946 (2)
Lot 1250
Shakespeare (William), The Poems of, William Pickering 1842, in a Cosway style binding, Bound for Chas J Sawyer Ltd, London, the inside front cover inset with an oval bust portrait watercolour miniature of William Shakespeare, set within a gilt decorated surround applied seed pearls, with a later slip case, Ivory Exemption Registration ref. 9BXW8Q3NPreviously restored, probably about twenty years ago
Lot 346
Alfred Boucher, 1850 – 1934LA JEUNESSE, UM 1900Höhe: 64,6 cm. Länge: 33 cm. Tiefe: 21,5 cm.An der rechten Schulter „A. Boucher“ signiert.Carrara-Marmor. Die Büste, um 1900 gefertigt, zeigt ein junges Mädchen, das den Blick gesenkt nach rechts hält. Ihre streng zurückgekämmten Haare, die zu einem kunstvollen Dutt am Hinterkopf geformt sind, lassen die weichen Formen ihres Gesichtes in volle Erscheinung treten. Jacques Piette sieht hier das berühmte Modell Volubilis als Vorbild. Auf rundem, gekehltem Sockel.Eine Version der Büste ist im Museum Camille Claudel in Nogent-sur-Seine (Inv.Nr. 993.003; Piette, op. cit., Nr. PB73-2) ausgestellt.Alfred Boucher lehrte unter anderem Camille Claudel, die er später mit Auguste Rodin in Kontakt brachte. Boucher konzentrierte sich vor allem auf Büsten und die Darstellung des menschlichen Körpers.Literatur: Vgl. Jacques Piette, Alfred Boucher (1850-1934): L’oeuvre sculpté, 2014. (1370411) (19)Alfred Boucher,1850 – 1934LA JEUNESSE, CA. 1900 Height: 64.6 cm. Length: 33 cm. Depth: 21.5 cm.Signed “A. Boucher” on right shoulder. Carrara marble. The bust, created ca. 1900, depicts a young girl, her gaze lowered towards the right. A version of the bust is exhibited at the Museum Camille Claudel in Nogent-sur-Seine (inv. no. 993.003; Piette, op. cit., no. PB73-2).
Lot 83
Büste eines Mannes79 x 52 x 27 cm.Italien, 17. Jahrhundert.In weißem Marmor die rechteckige profilierte und konisch zulaufende Basis. Darauf die Büste eines bärtigen Mannes in mit einer Knopfleiste geschlossenem Gewand und leicht nach rechts gerichtetem Blick. (13512315) (13)Bust of a man 79 x 52 x 27 cm.Italy, 17th century.White marble, on rectangular, tapered, and profiled base.
Lot 84
Giovanni Lorenzo Bernini,1598 – 1680, nachBÜSTE DES PAPST ALEXANDER VII102 x 125 x 34 cm.Italien, 17. Jahrhundert oder später.Über doppelkonischem quadratischen Marmorsockel mit überkragendem Profil die mächtige Büste des Papst Alexander VII (eigentlich Fabio Chigi, 1599-1667). Nach dem Modell von Bernini von 1657 entstanden; dieser fertigte auch das Grabmal Papst Alexander VII im Petersdom. (1351237) (13)Giovanni Lorenzo Bernini, 1598 – 1680, afterBUST OF POPE ALEXANDER VII102 x 125 x 34 cm.Italy, 17th century or later.
Lot 87
Clodion, eigentlich „Claude Michel“,1738 Nancy – 1814 ParisBACCHUS BÜSTETerrakotta, geformt und gebrannt.Höhe inkl. Basis: 25,5 cm.Verso auf dem Büstenausschnitt ritzsigniert.Auf profiliertem Marmorrundsockel.Terrakotta, geformt und gebrannt. Lebendig wiedergegeben die leicht nach links gewandte Büste des Bacchus, erkenntlich an dem Weinlaub und den Früchten, die sein Haupt kleiden, wie auch an seiner arkadischen Kleidung, deren Fellbesatz mitunter dem Körper des Bocksbeinigen entstammen könnte. Auf profiliertem Marmorrundsockel. (1370627) (13)Clodion,also known as “Claude Michel”,1738 Nancy – 1814 ParisBUST OF BACCHUS Height incl. base: 25.5 cm.Scratched signature on the bust cut-out.Terracotta; modelled and fired.
Lot 324
Büste der Knienden, Bronze,, braun patiniert, 43 cm x 37 cm, 21 Nachguss der Bronze von 1912-1914, im Guss signiert, partiell kleine Kratzer und BereibungenWilhelm Lehmbruck (1881 Duisburg - 1919 Berlin)Bust of the kneeling woman, bronze, brown patina, 43 cm x 37 cm x 21 cm, re-cast of the bronze from 1912-1914, signed in the casting, partially small scratches and rubbings
Lot 268
An early George II white-metal mounted tortoiseshell and pique snuff box, second quarter 18th century, of oval clam shell shape, with a ribbed lid and body, restorations, 9.5cm wide; together with a German silver snuff box, pseudo Hanau marks, of oval form with a relief bust of George III, 8cm long (2)
Lot 3156
A Large Bells-In-Sight Musical Box, Playing Ten Airs Ser. No. 39349, with single-spring motor, single-section comb with the six bell teeth to extreme right on lever-select, linier-buffet mounted engraved tuned bells each with birds-in-flight gilt hammers, in ebonised interior under dustlid, lacking tunesheet, in part-grained case with the veneered lid geometrically inlaid in fruitwood, a Roman bust depicted in inlay to the front - 24in. (61cm) wide, the cylinder 14in. (35.5cm)Teeth and tips present, plays smoothly bells working
Lot 226
A Regence ormolu mounted kingwood, bois satine and amaranth bombe serpentine commode1725-1730The moulded marble top above two short lozenge tablet inlaid and elm lined drawers, with one concealed central elm lined drawer, over two long elm lined drawers each with conforming lozenge tablet inlay, flanked by angles mounted with acanthus cast and shell surmounted Flora bust clasps, terminating in splayed square section feet, each end inlaid with quarter veneered twin tablets, there a few indistinct stamps visible to the carcass top, 134cm wide x 65cm deep x 86cm high, (52 1/2in wide x 25 1/2in deep x 33 1/2in high)Footnotes:Among comparable Regence commodes to the offered lot, three similar examples have sold at auction; Christie's, London, 9 December 2004, Important European Furniture, lot 53; Christie's, London, 1 October 2014, European Noble and Private Collections, lot 634; and Christie's, London, 3 November 2016, Noble and Private Collections Part II, lot 541.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 310
After Bertrand Andrieu (French, 1761-1822): A 19th century patinated bronze profile bust relief of Napoleon and a similar period bronze profile portrait medallion of Napoleonthe relief bust marked to the lower edge ANDRIEU FECIT, later mounted and set within a glazed ebonised oval frame, the medallion marked to the lower edge of the bust ANDRIEU, later mounted and set within a circular gilt metal and velvet inset circular frame, the frames, 25cm x 22cm and 20cm diameter (2)For further information on this lot please visit Bonhams.com
Lot 53
After William Theed (British, 1804-1891): A third quarter 19th century artificial stone bust of Achilles together with a matching pedestal en-suitethe bust and pedestal apparently unmarked, circa 1860the classical warrior modelled full face looking slightly to dexter, wearing an elaborate helmet cast with twin griffins and anthemia above a frieze of hunting hounds, the feathered plume supported by a recumbent sphinx, raised on a circular moulded socle, the pedestal of plain columnar form terminating in a moulded base, traces of later grey painted paint, the bust 84cm high, the pedestal 104cm high (2)Footnotes:The original marble bust of Achilles by William Theed was part of a commission made for Prince Albert, consort of Queen Victoria in 1856. The commission, costing £504 (the bill dated 14 March 1857, for 'six colossal busts after the antique supplied by William Theed') comprised 'Juno' of the Ludovico Collection in Rome, 'Aesculapius', 'Alexander of the Capitol', 'Venus of Arles' 'Roma' and 'Achilles', all of which were made to be displayed in the gallery above the grand entrance and marble hall at Buckingham Palace.Numerous attempts were made to create a new building material from the 17th century onwards with architects searching for a usable, malleable but tough substitute for stone. Coade stone, marketed by its maker Mrs Eleanor Coade as the first ever 'artificial stone', was a mix of clay, terracotta, silicates and glass which was fired for four days at a time in incredibly hot kilns. First marketed at the turn of the 1770s, it was a tough and hard-wearing material which offered new opportunities for fine-detailed decoration. Coade initially went into partnership in 1769 with Daniel Pincot who had a business making artificial stone in south London. However, the pair soon fell out and by 1771 Coade had dismissed Poncot and substituted him with the sculptor John Bacon, whose inspired designs and workmanship helped establish the Coade Artificial Stone Company as the leading firm in the field. The success of Coade stone was also aided by changing architectural taste as more architects like Robert Adam were looking for a way of applying increasingly delicate ornament to their buildings. Coade offered the most reliable way of achieving this and her stone was soon used by the leading architects of the day, including Adam, Sir William Chambers, Sir John Nash, Sir John Soane, and James Wyatt. It proved suitable not only for all sorts of architectural details, but also for monuments, sculptures, ornaments and garden furniture. By the 1840s, tastes had changed and the Coade manufactory subsequently closed its door. However numerous other factories continued to produce variants of high fired artificial stone substitutes during the subsequent decades of the 19th century and the offered bust and pedestal after a model by Theed exemplifies the Neo-Grec revival style which became fashionable in the 1860s.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 388
Franta Belsky (Czech, 1921-2000) A small bronzed resin bust of Winston Churchillthe rear with facsimile signature F Belsky 15.5cm high overallThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 78
A Regency 'Egyptian revival' ebonised and parcel gilt low open bookcase1805-1810, the marble top with a reeded edge, above a Greek key frieze decorated with alternating opposing husks, over one adjustable shelf flanked by two pharaoh bust-headed stiff leaf wrapped and reeded herm tapering columns, each terminating in a pair of human feet (one pair now missing), on lion paw front feet, probably re-decorated in the late 19th century, 90cm wide x 34cm deep x 89cm high, (35in wide x 13in deep x 35in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 337
A late 19th century French gilt bronze and porcelain epergne centre piecethe porcelain in the Sevres style, the mounts in the Neo Grec style, c.1870the swept cylindrical vase with inverted rim, the body decorated with a band with a figural frieze decorated with classical figures and a figure of cupid, within Arcadian landscapes, reserved on a bleu celeste ground with lambrequin black and gilt borders, and further gilt tooled decoration, the pedestal stand with palmette girdle on scrolling feet, with twin classical bust term handles, united by palmette garlands, the dished stand with fruiting ivy cast border, the inset plate with corresponding jewelled and gilt tooled lambrequin border decoration on a matching ground, the whole raised on paw feet, 46cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 257
An early 20th century carved marble bust of a lady of fashionprobably French or Italian her elaborate coiffure adorned with feathers, raised on integral swept square plinth base, 50.5cm highThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 268
A Victorian Neoclassical revival green painted, parcel gilt and monochrome decorated Athenienne or wash standpossibly after or by John Gregory Crace (1809-1889) and/or John Diblee Crace (1838-1919)1865-1880, With a twin handled copper bowl or insert, the top with a stiff-leaf carved edge above a beaded frieze, on three slightly scrolled ram's bust headed monopodiae, terminating in hoof feet, with a concave tripartite undertier surmounted by an urn, on a conforming plinth base decorated with anthemia encompassing a central carved flowerhead, the underside with pencil inscription: 'Crace', diameter of the top: 66cm; 90cm high approximately.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 79
A Regency 'Egyptian revival' mahogany, ebonised line-inlaid and parcel gilt bowfront chest1805-1810, the top with a reeded edge, above three long graduated and oak lined drawers, flanked by engaged columnar monopodiae angles, each headed by a Pharaoh bust and terminating in a pair of human feet, on splayed front supports and square tapering rear feet, 96cm wide x 54cm deep x 79cm high, (37 1/2in wide x 21in deep x 31in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 50
* Devereux (Robert, 2nd Earl of Essex, 1566-1601). Portrait after Marcus Gheeraerts the Younger (c. 1561/1562-1636), early 17th century, oil on bevelled panel, bust-length, with the Devereux Order of the Garter Coat of Arms, 54 x 42 cm, in ebonised frame with inner gilt edging, 70.5 x 58 cm QTY: (1)NOTE:This portrait is a bust length variant the full-length portrait commissioned from Marcus Gheeraerts the Younger following Robert Devereux’s victorious return after the capture of Cádiz in 1596. Gheeraerts’ portrait of circa 1596, measuring 213.4 x 127 cm, is at Woburn Abbey, Bedfordshire. The choice of a white bodice and black riding cloak in the Woburn portrait is a clear allusion to Elizabeth I, whose colours were black and white. In the full-length portrait and in a further three quarter length portrait by Gheeraerts (with Philip Mould), measuring 127 by 94 cm, Devereux holds the baton of Lord Lieutenant of Ireland surmounted by the Royal Crest. The Gheeraerts commission projects Devereux’s capabilities and superiority as a prominent courtier.
Lot 48
▲Judith Holmes DrewrySeated Girl Bronze 140cm high, 87cm from seat to top of head Provenance: Apollo Galleries, WesterhamIn 1976 Tom was commissioned by the Society for West End Theatres to create the sculpture given to the winners of The Olivier Awards (then named the SWET Awards). For the next eight years he would spend months preparing the numerous pieces required for each ceremony which so many of theatre’s top talent now hold in pride of place on their mantelpiecesPossibly the most poignant of sculptures Tom has created is that depicting Diana, Princess of Wales. Having met and connected instantly with the Princess long before she died, Tom was considered by the British Red Cross to be best suited to create an exquisite bust of their former patron; now displayed at the Red Cross headquarters in London.Female SculptureCondition: Good condition no visible marks or lossesSRN: Please note this lot is by Judith Holmes Drewry and not Tom Merrifield.
Lot 6223
Quantity of super hero related collectables x six includes DC Direct Superman Returns Superman bust, DC Direct Superman Returns Lex Luthor bust, Diamond Select Toys Marvel Universe Silver Surfer bust Limited Edition number 424/600, Fusion Justice League, Flying Batman, Toy Biz Marvel Super Heroes Silver Surfer action figure, Tyco X-Men Iceman figure, all generally Excellent to Mint, within Good Plus to Near Mint packaging. (6)
Lot 6238
The Brewing Factory Women of Dynamite Vampirella 7.5" bust, Red Reign Edition, Limited Edition number 109/299, Near Mint to Mint, within Excellent opened packaging, includes insert and certificate. Gentle Giant Marvel Vision animated statue, Limited Edition number 2835/4000, Near Mint to Mint, within Near Mint opened packaging, includes insert and certificate. Vivid Imaginations Captain Scarlet and the Mysterons Angel Interceptors Jet Fighters, Mint, within Good Plus sealed packaging. (3)
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110041 item(s)/page