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A flintlock blunderbuss dating: late 18th Centuryprovenance: ItalySmooth, two-stage barrel with strongly bell-mouthed nozzle, the octagonal part with a gilt mark and floral decorations in silver; lock with a crowned mark in gold and floral engravings, brass pan; wooden full stock sculpted and grooved at the butt featuring filigree decorations, engraved brass mounts and three silver shields, the one at the back with a bust; brass-tipped wooden ramrod.dimensions: length 72 cm.
A flintlock pistol by Zanoni dating: 18th Centuryprovenance: North ItalySmooth, round, 16 mm cal. barrel with square base, signed "PIETRO BONAFINO", the base with rings and the brass effigy of a bust; engraved lock signed "D.ZANONI", at the screw of the hammer a silver bust; slightly sculpted wooden full stock, with brass mounts, pierced counter-plate, pommel with bust. Horn-tipped wooden ramrod with iron cartridge extractor.dimensions: length 52 cm.
A beautiful double-barrelled flintlock pistol dating: last quarter of the 18th Centuryprovenance: TorinoSmooth, round, juxtaposed, 10 mm cal. barrels, featuring gold decorations on a dark ground, with rib; sighted tang; roman locks engraved with floral motifs; slightly sculpted, briarwood stock with engraved, silver mounts, butt-plate with bust; at the back filigree inlays. Iron ramrod.dimensions: length 20 cm.
An early 18th century Italian walnut serpentine tea table, the hinged fold-over top banded in ash and inlaid with a coat of arms with two crowned eagles above a bust of a man and with a dragon, the conforming interior inlaid with two monograms, on twin gate supports above a frieze drawer and on cabriole legs decorated with penwork leaves and on scroll and block feet, possibly Ferrara or Bologna, 80cm high, 89.5cm wide, 46.5cm deep.Provenance: Count Redmond Toler Clayton-Browne Clayton (1863-1937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.
Frederick W. Pomeroy (1856-1924). A late Victorian bronze relief double portrait rondel, of J. D. Sedding and his wife Rose, , 15.7cm diameter, and a gilt bronze relief portrait bust of Zavier Sigaloni by Preault, signed and dated 'AUG 1830', with suspension ring, 16.7cm diameter. (2) Provenance: the collection of Ralph Holland (1917-2012), art historian. John Dando Sedding (1838-1891) was an English Church Architect and an influential figure of the Arts and Crafts movement. He and his wife Rose died withing a few weeks of each other in 1891. The original memorial by Harry Wilson and Pomeroy was in St. Andrew'sHolborn. The church was largely detroyed in the Second World War. Lot 388 - A bronze plaque of the Seddings. The surface with some old dust in the crevices and minor verdigris spotting to the left side. Some small hairlines to the edge of the plaque visible. General surface wear and minor wear to high points. The preault; a little grubby in the crevices, minor dents to the end of the plaque. Small marks and dents to the portrait.
A classical carved marble portrait bust of a boy, with almond eyes and thick curling hair, possibly Roman 2nd / 3rd century A.D. or later, 21.3cm high, 16cm wide, 16.5cm deep. Provenance: By family repute this bust was discovered by German soldiers digging trenches when establishing a new line of defence in Romania in 1944. It was excavated near Cilibiu along with a torso and arms and a quantity of French gold coins minted for Napoleon. It is thought that these coins were left in Romania by Napoleon's army on its way to Russia. The bust was bought from the German soldiers for food by the previous vendor's grandfather who was a priest.
In the style of James Tassie, a moulded white glass paste portrait bust of a man, 19th century, modelled in profile, with hair in a chignon, dressed in robes and armour, moulded to the shoulder with the letter T, on an oval glass back, in a gesso frame, the profile 9cm high CONDITION REPORT: Cracking to frame, losses to gesso frame, losses to gesso
After Pierre Jean David D'Angers, French 1788-1856, a terracotta portrait bust of Baron Gros, modelled with his head to dexter, with wavy hair, wrapped in a flowing cloak, on a square base, inscribed and dated to back David D'Angers 1821, 34cm high (VAT charged on hammer price) CONDITION REPORT: minor chips and abrasions to high points, otherwise in good condition
An Italian alabaster bust of a Roman Emperor, 19th century, on a green marble cylindrical column, 33.5cm high, together with a model of Day after Michaelangelo from the Medici Chapel, Florence(2) CONDITION REPORT: bust has loses to ears, overall wear, chips to shoulder Day has losses to hand, drapery, abrasions
Follower of François Clouet (1510-1572) - Portrait of a lady, bust-length, in a jewel-encrusted red dress with a pearl headdress Oil on panel 29 x 24 cm. (11 1/2 x 9 1/2 in) Provenance: The Cutting family, New York (label on reverse); Sale. Christie's SK, London, Old Master & British Paintings, October 24th, 2012, lot 33; Private collection, UK.
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