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French School (19th Century)Portrait of a gentleman, bust length, wearing a high collar, neck tie and medal Oil on canvas, together with a British pastel portrait of a lady wearing a mobcap, 46.5cm by 38cm (unframed) and 22cm dia. (oval)From the Estate of Stephen Hamilton Rawlings, Scarborough.
A 19th Century Goldscheider Painted Terracotta Head and Shoulders Portrait Bust, together with A 19th Century Spelter Figure Group of a Highlander with Hounds, on wood base, A Bronzed Composite Mounted Huntsman and An Earthenware Portrait Bust of a Gentleman (4)From the Estate of Stephen Hamilton Rawlings, Scarborough.
Quality "PERING" French couture designer ladies black lined probably cashmere heavy skirt suit with Persian lamb panels front and back and on the cuffs of the knitted sleeves of the jacket. Box Chanel style single breasted jacket with gold coloured metal buttons with suede insets. Two hidden hip pockets and fully lined in silk.Heavy black cashmere (?) circle skirt that is mid calf length. Fastens with side zip. UK12-14Approximate measurements are Jacket Pit to pit 45cm (Bust 36")Shoulder to hem 57cmShoulder to cuff 58cmPit to cuff 43cmSkirt Waist 74cmHips FreeLength 79cmPlease not lot contains suit only, any additional items in the images are included for illustrative purposes only. Condition Report: Excellent condition. Unworn
An original 1950s floor length red taffeta and velvet ballgown/evening dress. Zipped at the back with stiffened petticoats and red net lining and boned bodice. Embellished with red floral design with sequins. Red velvet yoke shoulders. Fits a modern size UK12 and is generous in the bust. 28" waist, 52" underarm to hem, 36" bust(Photograph in black and white is of original owner wearing the dress in 1956)Condition Report: Excellent condition commensurate with age.
Illuminated manuscript.- Single leaf from a Book of Hours with young male and female saints in the initials, in the hand of the Renaissance master-scribe Bartolomeo Sanvito, manuscript in Latin, on parchment, single leaf with a historiated initial on each side, the first a 'D' (opening "Deus in[adiu]torium [meum] ...", versicle for None in the Hours of the Cross) in gilt edged red, enclosing a bust of a young male saint with long flowing blond hair and a hairline thin gold halo, the whole initial on purple grounds, the second another 'D' (opening "Deus in adiutorium meum ...", versicle for Vespers in the Hours of the Cross) in same enclosing a young female saint with a headscarf and a liquid gold halo, all on green grounds with tiny flowers overlaid in liquid gold, one gilt-edged yellow initial on red grounds with similar gilt flowers in its upper and lower compartments, rubrics in liquid gold or blue ornamental capitals, two one-line simple blue initials, single column of 12 lines of the sublime humanist script of Bartolomeo Sanvito (from "...ficatus V. Adoramus te christe &c." at end of Sext, to "Sicut erat Alleluia. Hymnus ..."in Vespers), signs of offset from other facing pages when in parent volume (with a few characters from 4 lines of text damaged, and text in reverse offset over surface of second initial), small spots and stains, else in good and fresh condition, approximately 118 x 80mm. (written space: 67 x 47mm.), framed and glazed with glass on both side, [Italy (Rome)], [early 1480s].⁂ Bartolomeo Sanvito (1435-1511) was a Paduan, who blazed a path in Renaissance Rome as "one of the most active and famous scribes of his generation, one recognized by modern calligraphers as the greatest pioneer of a type of cursive humanistic script called 'italica'" (A.C. de la Mare and L. Nuvoloni, Bartolomeo Sanvito, 2009, p. 15). In addition he worked as a miniaturist, and in total his hand can be detected in over 120 manuscripts, as well as others to which he contributed headings or epigraphic capitals. His name appears in only two of these: the Evangeliary and Epistolary that he copied and probably illuminated for the collegiate church of Santa Giustina in Monselice, with seven others signed with his initials 'BS'. He collected Roman stone inscriptions, but maintained a scribal as well as antiquarian interest in them, and the impressions of these can be seen in the crisp, almost chiselled, initials on this leaf.The parent manuscript of the present leaf was evidently a Book of Hours in some form, with most surviving leaves coming from the Penitential Psalms, Litany and Office of the Dead, with a lavishly illuminated leaf once opening of the Hours of the Cross emerging in Christie's (online sale), 20 November 2013, lot 46 (see de la Mare and Nuvoloni, p. 276, Peter Kidd's online blog for October 2013, and C. de Hamel, Gilding the Lilly, 2010, no. 77). The present leaf also comes from the Hours of the Cross, and like the Christie's leaf has more significant illumination than almost all other recorded leaves. The parent volume came into the ownership of the teacher and bookbreaker Otto Ege (1888-1951), and was dispersed, with him giving two leaves to the calligrapher James Hayes in 1948-49. It is Gwara Handlist 79 in the list of books owned and dispersed by Ege (S. Gwara, Otto Ege's Manuscripts, 2013, pp. 146-47, with records of six individual leaves all in North American institutions). To this de la Mare and Nuvoloni added four more leaves in three private collections, one of which (the Takamiya collection) has now passed to the Beinecke in Yale (p. 276). This may well be among the last opportunities for a collector or institution to acquire a sample of this important scribe's hand. Leaves from this precious manuscript are of the utmost rarity on the market, and apart from the present leaf and the Christie's leaf only one other has appeared at auction: a text leaf sold in Sotheby's, 26 November 1985, lot 83.
‘KING EDWARD VII’S BED’: A MONUMENTAL VICTORIAN OAK DOUBLE BED the head and foot upholstered in striped cloth, flanked by gadrooned, leaf carved and square section pillars, 156cm wide x 120cm high, sold together with a Parian ware bust of Edward VII, 25cm high Note: by repute King Edward slept in the bed whilst staying at a friend's house in Christchurch.
After Antonio Canova (Italian 1757-1822); a carved white marble bust of Paolina Borghese (Bonaparte) probably styled as Helen of Troy (?) supported by a turned socle and a square plinth base bearing the name "Paolina Borghese", marked "Canova" to the rear of the figure 55cm highPrivate collection, deceased north London estate. No written history is available.No apparent major damage or repair. Surface marks, blemishes and discolouration in places, commensurate with age, and small nibbles to the corner of the base.One area of veining on the shoulder appears to be a natural feature of the marble rather than a fault.Please see the extra images.
Xbox & Playstation a group of boxed Games comprising of quantity of Xbox 360 Games to include "Halo 3", "Enslaved" (Odyssey to the West), "Harry Potter & The Deathly Hallows Part" along with others. Also to include is a quantity of Playstation PS1, PS2 and PS3 Games to include Playstation 1 "Bust-a-Move 4", PS1 "Rayman", PS2 "Ratchet Gladiator", PS2 "Ratchet Clank 3" along with others, also quantity of PS3 Games which includes "Tomb Raider Underworld", "Batman Arkham Asylum", "Batman Arkham City" along with others. Condition of the discs all generally appear to be Good although none have been checked for completeness or correctness or tested and are all in generally Good outer slip cases. (36)
Star Wars and other boxed Sci - Fi Figures - to include a Thinkway Star Wars Episode 1 Anakin's Pod Racer Wake Up System Remote Control Unit, an Applause Darth Maul Standing Figure 12"/31cm, a Darth Vader Bust Savings Bank and a Star Wars Episode 1 Diecast Watch 4 -Piece Collection, also included is a Vivid Imaginations (Carlton) Captain Scarlett 3-Piece Spectrum Vehicle Collection, together with a Manga Japanese Female Model Resin Kit - all are unchecked for completeness but appear Good to Excellent including assorted packaging. (6)
One Divus Nero and Claudius AR silver didrachm coin, Caesarea in Capadocia, ca. 54-68 CE. Issued in honor of Divus Claudius. The obverse with a bust of Nero with a laurel wreath adorning his head. The reverse with the bust of Divus Claudius with a laurel wreath adorning his head.Diameter: 20.9 mm.
One English Henry VIII four pence, S-2337E, ca. 1526-44. With his young portrait, Laker bust D with a larger, squarer face with a Roman nose, the crown does not break the inner circle, Lombardic lettering. Mint mark 105, lis. Graded NGC XF details, bent and cleaned.Diameter: 25.07 mm. 2.63 grams.
Full length long black mink fur coat with brown undertones. With a satin-lined interior printed throughout with leaves. With the name "Eilene" embroidered along the interior with silver thread. With an ornate top button in the style of a brooch.(Approximate) Shoulder-to-shoulder: 18 in x sleeve: 25 in x bust: 34 in x length: 54 in.
Group of two 1920s black flapper dresses and one slip. One dress with beaded flowers along the hem, waist, and skirt. One dress with lace detail along the neckline and sleeves and buckle details. One silk dress slip.Dresses without sleeves; (Approximate, flat) Bust ranges from 15 in to 20 in; Waist ranges from 14 1/2 in to 18 in; Length ranges from 40 in to 41 in. Dresses with sleeves; sleeve-to-sleeve: 25 in x Bust: 19 in x Waist: 19 in x Length: 40 in.
Group of three 1920s beaded black flapper dresses. Two profusely decorated with beads and one with beaded tassel details.(Approximate, flat) Slip dress; bust: 16 in x waist: 17 in x length: 43 in. Dress with fabric arm; sleeve-to-sleeve: 4 in x bust: 18 in x waist: 18 in x length: 46 in. Dress with beads arm; sleeve-to-sleeve: 2 in x bust: 14 1/2 in x waist: 16 in x length: 48 in.
Carved wood and plaster polychromed sculpture depicting the naturalistic bust of an old woman. Similar to work on santos figures or other large ecclesiastical sculptures of the 18th and 19th centuries. Likely once with glass eyes which are now missing.Height: 14 in x width: 7 in x depth: 8 1/4 in.
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109378 item(s)/page