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Lot 172
A Zandra Rhodes `Mexican Turnaround` printed pink chiffon evening gown, 1977, labelled and size 10, with feather shaped pearlised sequins to the bodice, grey ribbed satin waistband, ruched panels of chiffon are caught in a band of pearls at the front, pink silk jersey underskirt, bust approx 86cm, 34in
Lot 183
An Ossie Clark/ Celia Birtwell printed chiffon top and wide crepe trousers, circa 1971, bearing early black on white printed satin label, with flower and mountain print in green and pink, the pale salmon chiffon top with ties to neck, flounces to upper sleeves; the white crepe pants with shirred bands to the front, bust approx 92cm, 36in, waist 68cm, 27in, (2)
Lot 196
Bill Gibb/ Kaffe Fassett `Moon and Buddha` Collection knitwear, Autumn-Winter 1975-76, in mainly sage green and purple wools, comprising: full length kimono coat, tank-top, fringed scarf and headband, sweater top bust 86cm, 34in; together with xerox designs of the coat and tank top (5). cf Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.75 for a contemporary fashion photograph of this collection.
Lot 199
A group of Bill Gibb/Kaffe Fassett knitwear, Autumn-Winter 1977-78, in lilac with pink, cream and jade green pine cones and sprigs, comprising: full-length kimono jacket with ties, a sleeveless cardigan with deep shawl collar; a long sleeved tunic sweater with side splits, long scarf, matching knitted skirt; together with a cream silk blouse with pleated collar, Autumn-Winter 76-77, pink pleated chiffon skirt and scarf, blouse bust 86cm, 34in; together with xerox designs of the skirt, jacket, blouse, scarf and long sleeved top, (10)
Lot 201
Bill Gibb/Kaffe Fassett ensemble, Spring-Summer 1977, comprising: carnation and geometric patterned knits in mainly primrose yellow, brick-red and blue, comprising: full length kimono coat with draw-string waist and wide sleeves, a swimsuit shaped body; plunging bodice also open at the sides; bodice with frilled shoulders and waist, a batwing sweater and two scarves of each knitted design, bodice bust 86cm, 34in, (7). cf `Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.57 for backstage photographs of Gibb`s 10th anniversary show at the Royal Albert Hall, 1977 which shows similar ensembles
Lot 203
Bill Gibb/Kaffe Fassett knitwear, Autumn-Winter 1977-8, comprising: terracotta wool smock dress with deep rolled collar, overall pine-cone and window pane check pattern; together with matching pair of leggings, beret; a roll neck sweater, a tartan skirt; a short jacket with box pleat to the back and blouson sweater with deep ribbed V-neck, sweater bust 97cm, 38in; together with xerox designs of the smock dress, blouson sweater and polo-neck sweater, (11). cf `Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.77 for a contemporary fashion photograph of the smock dress ensemble
Lot 207
A Bill Gibb black and white printed silk Medieval style blouse, Autumn-Winter, 1972, labelled, with `Woodland` print by Sue Kemp, bust approx 92cm, 36in. This blouse was photographed by Lord Snowdon for Brides magazine, September 1972, cf `Bill Gibb, Fashion & Fantasy` by Iain R Webb back cover for a reproduction of the image. Exhibited: Museum of Costume, Bath, 2009-`Bill Gibb, A Personal Journey`
Lot 208
A Bill Gibb black velvet evening gown, Autumn-Winter 1976, labelled with Kate Franklin name tag, the draped gown piped in gold, adorned with beaded and embroidered bees and shell motifs to the bodice front, shoulders and cuffs, bust approx 102cm, 40in. This gown was designed by Bill Gibb for Kate to wear at the British Embassy, Paris, 1976. See following lot for matching sketch
Lot 212
A Bill Gibb whitework and sequined ensemble for Kate Franklin, mid season, 1973 and matching sketch, un-labelled, comprising cream cheesecloth halter-neck dress with cream embroidery; the matching jacket embroidered in pink with green and silver sequins, jacket bust 97cm, 38in; the ink sketch with attached fabric swatch annotated `To my dearest Kate who I hope never suffers from anorexia looking at this jacket. In joke!! Fondest love always Billy x`, 25 by 20cm within frame and mount, (3)
Lot 224
An early John Galliano bias-cut cream wool dress, probably Autumn-Winter, 1985, un-labelled, of heavy woollen blanket material with curved sleeves cut very narrow at the shoulder, ties to front high waist, bust approx 86cm 34in. An identical dress was sold in these rooms as lot 243, December 4th, 2008
Lot 240
An Alexander McQueen for Givenchy caramel pashmina orientalist robe, Autumn-Winter, 2000, model no 7, defile labelled `at.Catherine, Givenchy, a/h 2000,` with beaded undulating bands to the midriff above harem pants, knotted tie to the rear neck, bust approx 82cm, 32in. cf `L` Officiel 1000 modeles no 12 Haute Couture Hiver 2000-2001, p24.
Lot 250
A group of black/steel-grey Azzedine Alaia garments, late 1980s-early 90s, comprising: black knitted dress with broad waistband; elastane body with narrow back-straps; knitted cross-over bodice; gored faggotted skirt; and a simple knitted viscose tunic dress, average size bust 86cm, 34in, M, S, MS; together with a photograph of Marie wearing the body, (5)
Lot 254
Three Azzedine Alaia dresses, late 1980s-90s, comprising: golden brown knitted silk with scooped neck and plunging back; navy wool with zippered pockets and neck opening; black stretch rayon and elastane with ribbed boat neckline; together with an Alaia broad leather belt, approx bust 86cm, 34in, sizes S, M, XS, (4)
Lot 256
An early Stella McCartney bottle green and black lace bias-cut chemise dress, circa 1995, with simple school-style name tag to the interior and size 10;, together with a print by David Downton of Marie Helvin wearing the gown, bust 86cm, 34in (2). This gown was purchased from Stella`s graduation collection, from the small boutique Tokio.
Lot 258
A group of mainly black evening ensembles, 1980s-90s, including black lace corset-style Norma Kamali cocktail dress and a black jersey body with cross-over front; an unlabelled Georgio St Angelo stretch-velvet cocktail dress; a Gnuyki velvet gown with sequined skirt and a halter-neck of plain black jersey; an unlabelled Dolce & Gabbana cutwork `black widow` dress, and others, average size bust 86cm, 34in; together with a photo of Marie wearing the cutwork dress and the Kamali corset dress, (11)
Lot 259
A Thierry Mugler voided velvet jacket and skirt, 1990s, labelled, the oyster satin jacket woven with bows, flowers and eyes, the black wool skirt with shaped hem, bust 86cm, 34in, waist 61cm, 24in; together with a Mugler black crepe cocktail gown with velvet detailing accentuating the neckline and waist, bust 89cm, 36in, waist 63cm, 26in, (3)
Lot 260
Two Azzedine Alaia cocktail dresses, late 1980s, early 90s, comprising: a black knitted figure-hugging dress, labelled size S; together with a dark brown jersey halter-neck dress with draped bust panels, average size bust 86cm, 34in; together with a photograph of Marie wearing the black dress (3)
Lot 266
A group of mainly black evening wear, 1990s, comprising: unlabelled Lagerfeld for Chloe black crepe gown with stockinette side panels; Lagerfeld for Cadette printed floral crepe de chine gown with tiered skirt; Chloe black wool coat with faux fur cuffs; Jasper Conran black velvet halter-neck cocktail gown and an unlabelled black organza jacket, average bust size 86cm, 34in (5)
Lot 270
Antony Price evening wear, mid 1980s-1990s, comprising three cocktail ensembles including black crepe gown the cowl neck with spiked brass adornment; simple black velvet gown; skin-tight black satin gown with brass zip detailing; together with an Ossie Clark black ottoman bustier and skirt with bustle-effect back, average size bust 86cm, 34in, waist 64cm, 25in (5)
Lot 273
An Ossie Clark cut velvet and chiffon evening gown, late 1980s, with narrow gold and black gold label applied to one shoulder, bias-cut, the plunging neckline with ties, elongated gothic sleeves with pointed cuffs, bust approx 81cm, 32in. Marie Helvin modelled for Ossie in his fashion show on 11th November 1975. She remained a friend and a client until his death in 1996. This gown was a special one-off for Marie and bears the narrow gold label he used in the latter years of his career.
Lot 276
Bruce Oldfield cocktail dresses, 1990s, comprising: black velvet gown with petrol blue satin embroidered panels; black bugle beaded and sequined example with plunging back, custom-made label, black crepe with pleated satin panels, ready to wear label; average size bust 86cm, 34in, UK size 10 (3)
Lot 293
The Givenchy haute couture black chantilly lace cocktail dress, worn in ÒHow to Steal a MillionÓ, 1966, comprising: lace cocktail gown with wrap-over back, high neck with scalloped edge, side fastenings, the full skirt edged in a flounce stiffened with horsehair, narrow black patent belt, worn over a black silk petticoat, labelled and numbered 30.361, the matching jacket with narrow Givenchy label to the neck, bust 86cm, 34in, waist 61cm, 21in; together with a photograph of Audrey wearing the gown, (5). Audrey wears this ensemble in the Ritz bar scene of the film, where her character dons a matching lace face mask over glittery eye-makeup in order to disguise herself. Her attempt not to draw attention to herself in this stunning creation spectacularly failed! Hubert de Givenchy created a similar, though not identical, cocktail gown as part of the haute couture collection, Autumn-Winter 1966, model 432.
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110054 item(s)/page