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Henriette Descat (French, 19th century) , bronze, a bust of a bearded gentleman dressed in a fur-lined coat and wearing the Legion d'Honneur, raised on an integral waisted plinth, bearing a signature and a Thiebaut Brothers Paris foundry mark, 78cm high Provenance: Upper Swell Farm, Gloucestershire.
Various Board Games and Jigsaws 1930's-1970s, including L'Attaque (two types), Corlette, Scotland Yard, Sherlock Holmes, Spill and Spell, Build or Bust, Le Loto des Magasins, Scrabble for Juniors, Spirograph, Formula 1, Society or High Hat, Joe Davis Snooker Dice, Magnastiks, Cress Boards circular word game (pre 1920), Jigsaws, Tucks Zag Zaw 'Post and Rails' and 'Houses of Parliament', Victory Geographical, Lake Louis and Moment Musicale, Chad Valley GWR Vikings and Stratford on Avon, most items in original boxes, some additional boards, Harrod's Badminton Set, in original box, F-VG, not checked, boxes P-G (qty)
A mixed group of various gold and other coins to include, Honorius, Solidus, Ravenna AD 402/408, gold RIC:1287 diademed, draped and cuirassed bust right Honorius standing right holding standard and victory on globe, foot on captive; Venice - Ranieri Zeno 1253-1269, silver Grosso; Giovanni Dandolo 1280-1289, Grosso; Roman Denarius, Hadrian AD 117-138 silver; three other silver coins, similar period; together with two early 20th century lady's gold wrist watches, Elgin, small rectangular dial, gold case and gilt bracelet, the other by Vertex, gold case and expanding bracelet (Qty: qty)Condition report: Personal viewing strongly advised
Scotland, a rare James VIII (1688-1766) pattern crown, 1716, in silver, type II, by Norbert Roettier, signed R on foot of harp on reverse, struck c.1828, by Matthew Young, IACOBVS VIII DEI GRATIA, laur. and dr. bust right, rev. crowned arms, edge plain, light toning, minor nicks otherwise AEF 28.7g,
Attributed to Frans Pourbus The Younger (Flemish, 1569-1622): Portrait of a Noble Woman, possibly Margaret (Margarita) Gonzago Duchess of Savoy, bust length facing dexter, wearing a pearl hairpiece centered by a circular jewel and with a white feather, pendant earrings, and a pearl necklace, fine high lace collar, her blue grey silk dress richly embroidered in gilt thread, a pink ribbon rosette fixed to her breast with a further large gold jewel with pendant baroque pearl, a pink silk band with silvered motifs is tied around her left arm, against a dark background, inscribed upper left '1611', oil on oak panel, probably cut down from a full length portrait, 76.5 by 58.5cm (30 by 23 inches), in a varnished wooden frame with giltwood slip, 82 by 75cm (32¼ by 29½ inches).Provenance: Private Collection, purchased Christie's, Old Master Pictures, Sale 1996, 27th February 1981, Lot 81.Notes: with original receipt, Christie's sale catalogue, and receipts for restoration work. Card label '9553' to frame and white chalk '81' lot number.
CATALOGUE AMENDMENT: ONE FLAT BACK FIGURINE HAS BEEN DAMAGED DURING VIEWING. LOT WILL STILL BE OFFERED FOR SALE.A collection of Lorna Bailey pottery, comprising a variety of sugar sifters, including 'Bewitched', 'Thunderbolt', and a rare sifter with applied caterpillars, one of seven, a completed set of the 'Twenties Elegance' series of flat back figurines, comprising 'The Bell Hop Boy', 'The Jazzband', 'Ocean Liner' and 'Manhatten Skyline', together with two cat figurines, one in a witches hat, a caterpillar figure and a Lorna Bailey head/bust vase, largest 19cm high. (14)
A group of modern decorative sculptures, comprising a bust of the head of an old man, cream glaze, bears signature / numbers to base, 13cm high, two bronze sculptures, one cold painted as a fig, 8cm, the other polished in the form of an egg, 6cm, both on hardwood stands, and Tang style horse, 31cm high. (4)
A 19th century Italian Cantagalli maiolica pottery relief plaqueOf circular form, centred with the bust of a child, in a fruiting border; together with another 19th century Italian maiolica pottery relief plaque, centred with the Madonna and child flanked by angels in a fruiting border. The former 43 cm diameter. (2) CONDITION REPORTS: Some glaze wear/pitting, some firing faults, some glaze loss, some small chips, general wear.
Anton Rudolf Mauve (Dutch 1876-1962): Bust Portrait of a Young Woman, oil on canvas signed 28cm x 23cmDDS - Artist's resale rights may apply to this lot Condition Report Very good condition - Ready to hang (white vertical line above the head appears to be the same paint as the bonnet) Click here for further images, condition, auction times & delivery costs
An Italian Ebonised Walking Cane, the large silver pommel modelled as the bust head of the Austro-Hungarian Emperor Franz Josef I, his stand-up collar stamped .925, R within a square, Gr.10, and with a star 30 PN within a rectangle, with brass ferrule and later rubber sabot, 95cm Slight damage to his right ear, otherwise in good condition.
A British 1855 Lancaster Sword Bayonet, the 60.5cm quill back steel blade stamped at the ricasso with a helmeted bust, the opposing side with War Department arrow and crown/20, the brass hilt with chequered black leather grip scales, with brass mounted black leather scabbard. Some black patching to blade. Wear to chequering of grip around the spring. Some flaking to the surface of the leather scabbard with a crease towards the locket.
A Georgian Spadroon, the 77.5cm single edge fullered steel blade engraved with a crowned bust portrait and tendrils, the steel stirrup hilt with pierced bowed guard and reeded ivory grip, 82cm, lacks scabbard; a 19th Century Sidearm, with 55cm broad fullered steel blade, steel stirrup hilt with ribbed fishskin grip, 68cm, lacks scabbard; an Early 20th Century Court Sword, the 79cm triangular section fullered steel blade etched with stands of arms, the steel hilt with cut steel beads to the shell guard and knuckle bow, 96cm (3). 1 - Nicks to edge of blade, with pitting to the tip. 2 - Nicks to edge and back edge of blade, leather washer missing. Some wear to the fishskin grip. 3 - Minor black patches to the hilt, otherwise good. All lack scabbards
A late 19th/early 20th century fabric evening bag, with gilt metal mounts, inset an oval miniature bust portrait of a lady, initialled E H, and a gilt metal evening purse (2)Report by RBFabric purse, some wear/rubbing, a little staining, the clasp is bent, the interior is fitted with a sewn in mirror, which is crazed.The gilt metal evening purse, the clasp is bent, lacks one of the paste stones, a little staining to the interior
A late 19th century carved ivory bust, of a Greek god, on a base, probably Dieppe, 15.5 cm high See illustrationReport by KBNo noticeable damage, there are some cracks, approx. 2 cm to the back, another to the square base and with several to the socle.There are a few marks and stains, in particular a small burn? to the tunic, with a further mark to the helmet
* Dress. A printed cotton day dress, 1830s, hand-stitched gown, with vertical striped pattern of flowers and leaves in blue, pink, and brown, printed on cream cotton, lined fitted bodice with fine piped edges, close-gathered skirt (lower portion lined), front opening fastened with metal hooks and eyes (some missing), several small repairs where hooks have pulled fabric (including small inserted patch of matching fabric on front), long gigot sleeves, cuffs fastened with two buttons, all non-matching and probably later, some fading, sporadic brown spotting (mainly to skirt), bust 71 cm (28 in), waist 64 cm (25 in), sleeves 71 cm (28 in), length 140 cm (55 in), together with another 1830s printed cotton day dress, somewhat worn and repaired (Qty: 2)NOTESProvenance: From the families of Marie Carmichael Stopes (1880-1958) and Sir Barnes Neville Wallis (1887-1979) by direct family descent.
* Dress. A stipple-printed cotton day dress, 1830s/40s, pink and black striped pattern of leaves and berries printed on fine white cotton, mostly hand-stitched, but some machine-stitching and signs of unpicked seams (evidence of later re-modelling?), gathered and fitted bodice lined with cotton, long sleeves, front fastening of mother-of-pearl buttons (8 to bodice all matching, 7 to skirt with two different designs), some overall discolouration and marks, occasional small holes and repairs (mostly to skirt), bust 92 cm (36 in), waist 78 cm (30 in), sleeves 53 cm (21 in), length 152 cm (60 in) (Qty: 1)
* Clothing. A lady's walking dress, circa 1870s, hand-made two-piece silk gown, with bands of fine brown and white stripes between wider purple stripes, mostly hand-stitched, but some machine-stitching (e.g. to hem of skirt), comprising: a boned and fitted cuirass bodice with stand-up collar (latter with metal hook and loop), terminating in a 'v' waist at front and back embellished all round with a tassel trim, long sleeves with wide tucked cuffs, front opening with 8 domed covered buttons and corresponding button holes, 3 further buttons to either side below waist, and 4 buttons to each cuff, buttons all matching (some surface wear and indentations), lined with brown cotton twill, and sleeves lined with fine linen, light staining to underarms, some minor soiling and wear to cuffs, bust 72 cm (30 in), waist 61 cm (24 in), length excluding trim 63.5 cm (25 in); and a matching long gathered skirt, linen waistband with later non-matching hook and eye, one large patch pocket mimicking tucks on cuffs, embellished with three more matching buttons and tasselled fringing, length 101.5 cm (40 in), together with several other items of Victorian clothing, comprising: a boned striped silk bodice and several matching pieces of fabric (including an unfinished skirt); a black damask fitted and boned long jacket, internal black twill ribbon waist band with dressmaker's details in gold 'Kerkham & Son, Costumiers, High Street, Kings Lynn'; and another boned jacket, of black satin lined with crimson satin, plus some hand-made Edwardian clothing: a matching embroidered cream muslin skirt and blouse (latter lace-trimmed), and 2 cream skirts, one of plain silk, the other with herringbone stitch and large floral cutwork insertions, various sizes and condition (Qty: 10)
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110041 item(s)/page