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Lot 158
Early 19th century Napoleonic circular papier mache snuff box, the lid decorated with central circular reserve depicting dual bust portraits of Napoleon Bonaparte and Marie-Louise in neoclassical style surrounded by text reading 'NAPOLEON Ier, L'EMPEREUR DES FRANCAIS N� le 15 A�ut 1769 - MARIE LOUISE IMPERATRICE N� le 12 Xbre 1791', D9cm
Lot 173
Two 20th century Parian ware female busts, the first modelled in the classical manner in draped fabric, emerging from a foliate border upon a tapering circular bust, the second modelled in a classical manner with foliate decoration in her hair upon a tapering circular bust, tallest example, H26cm
Lot 9
A WWII Defence Medal, a pendant with Royal lady in relief, inscribed Al Fante Sostegno, with a flaming grenade, inscribed 49 above crossed cannons, a pendant depicting the bust of a Royal woman, military bar brooch, and souvenir charm in form of photo album with Prince Victoria, King Edward VII and other Royals (a lot)
Lot 115
*ARTHUR HENRY ANDREWS (1906-1966) 'Miss Sushila Singh' The wife of the Artist, depicted bust-length, her left hand raised to her collar, wearing a red hat and matching scarf, signed lower right, oil on canvas, 53cm x 47cm; together with another portrait of the Artist's wife 'Sushila, 1930' depicted half-length seated in profile before a plain background, signed lower right, oil on canvas, 51cm x 41cm (unframed on stretcher) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.
Lot 8
Lekitos; Italian school, following Greek models of the 5th century BC; late 19th century.Bronze.Measurements: 32 x 16 x 22 cm.Sculptural lekitos made in lost-wax bronze. This piece stands out for the presence of the male face that serves as a belly for the vessel. Both the vessel and the aesthetic finish of the male bust are inspired by Greek models. This is why symmetry and harmony stand out, with features such as the straight nose that determines the configuration of the face. The main figure has a ribbon running across his forehead, so that he is probably a representation of an athlete. The lekitos or lekitos is a type of Greek pottery used to store perfumed oil for body care. This type of vessel was also often used as funerary vessels, not only in Greek cities, but also by other peoples who had contact with this culture. They are characterised by their elongated shape, narrow neck and wide mouth, which both limits the flow of oil and facilitates its application.The term 'Grand Tour', which first appeared in Richard Lassels's 'Voyage d'Italie', was used to define the long journey through Europe, especially Italy, which was regularly undertaken by young British aristocrats from the 17th century onwards, but especially throughout the 18th and 19th centuries. The purpose of the journey was for young people to become acquainted with the art and culture of mainly France and Italy, to admire classical art at first hand, to learn or improve their knowledge of languages, and to establish contacts and relations with the cultural and political elites of these countries. Travellers were often looking for pieces with which to start their own art collections, objects to take back to their places of residence as souvenirs. For this reason, workshops specialising in the replication of Roman pieces, both in bronze and marble, sprang up, some of which acquired a great reputation.
Lot 105
A LARGE AND MASSIVE FAHUA-GLAZED STONEWARE BUST OF GUANYIN, MING DYNASTYChina, 16th century. The scarves, jewelry, and crown are glazed turquoise, the hair is glazed black, and the face is detailed with pigment. Exposed areas of flesh are fired in the biscuit to lend a greater naturalism to the figure.Expert's note: This impressive statue is a classic example of the vibrant fahua-decorated Buddhist images made at Jingdezhen in the mid-Ming period. Fahua wares have been produced since the 14th century in the north in Shanxi, during the Yuan dynasty, and in the south at Jingdezhen during the 15th century. The distinct alkaline glazes of fahua wares were mainly used for large objects and it is likely that the present lot was used in a temple or shrine for many centuries.Guanyin's left hand is raised and held in vitarka mudra. She wears billowing scarves and is adorned with a floral necklace. Her serene face shows heavy-lidded downcast eyes, gently curved brows, plump cheeks, and full lips, all framed by long pendulous earlobes and neatly incised hair falling elegantly in strands over the shoulders, tied up into a high chignon behind the foliate tiara, which is centered by a small image of the Buddha Amitabha.Provenance: French trade. Condition: Excellent condition, commensurate with age, with extensive old wear and expected firing flaws, intentional glaze crackling, one finger missing, some glaze flaking, remnants of ancient pigment.Weight: 9,760 g Dimensions: Height 55 cmLiterature comparison: Compare a related polychrome figure which may represent the Daoist deity Yuan Shi Tian Zun (The Primal Celestial Excellency) of the San Qing (Three Pure Ones), dated to the Ming dynasty, circa 1488-1644, in the collection of the British Museum, museum number 1930,0719.62. Compare with a closely related sancai Buddha from the Avery Brundage collection, now in the Asian Art Museum, San Francisco, object number B60P139.Auction result comparison: Type: Related Auction: Christie's Hong Kong, 1 June 2011, lot 3767 Price: HKD 4,580,000 or approx. EUR 781,000 converted and adjusted for inflation at the time of writing Description: A rare Ming sancai glazed stoneware figure of Guanyin, Ming dynasty, 16th century Expert remark: Note the sancai glaze and larger size (89.8 cm).明代大型法華釉觀音半身像中國，十六世紀。觀音的飄帶、瓔珞和王冠是綠松石色釉，頭髮施黑色釉，面部彩繪。身體部分為素抷。觀音的左手舉起結安慰印。觀音身披飄帶，戴著瓔珞，面容平靜祥和，眼睛微垂，微彎的眉毛，臉龐豐滿，長耳垂，頭髮優雅披在肩上，葉冠後有高髻，葉冠中央有阿彌陀佛像。 專家注釋：這尊造像可以説是明代中期景德鎮法華佛教造像的經典例子。十四世紀北方山西以及十五世紀南方景德鎮開始生產法華器。法華釉主要用於大型物件，這件造像很可能在寺廟裏使用了多個世紀。 來源：法國古玩交易。 品相：品相極佳，有大量磨損和燒製缺陷，釉面開片和剝落，一根手指缺失，一些釉剝落，顏料殘餘。 重量：9,760 克 尺寸：高 55 厘米 文獻比較： 比較一件相近的1488-1644年明代可能為彩釉元始天尊，收藏於大英博物館，編號1930,0719.62。比較一件非常相近的三彩佛陀，來自 Avery Brundage collection，現藏於舊金山亞洲藝術博物館，編號B60P139。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2011年6月1日，lot 3767 價格：HKD 4,580,000（相當於今日EUR 781,000） 描述：十六世紀明代三彩觀音像 專家評論：請注意三彩和尺寸較大(89.8厘米)。
Lot 242
A PINK SANDSTONE BUST OF A GODDESS, GUPTA PERIODNorthern India, c. 5th-6th century. Finely carved with prominent, voluptuous breasts, adorned with beaded jewelry, the serene face with almond-shaped eyes below gently arched eyebrows and full lips forming a gentle smile, the curly hair tied into a high chignon, backed by a circular mandorla.Provenance: Stefaan Grusenmeyer, Brussels, Belgium, 1990. A French private collection, acquired from the above. Old inventory number '285' to the stand. Stefaan Grusenmeyer was a Belgian art dealer initially based in Ghent. In 1983, he opened a gallery in Brussels, which his son Karim took over in 2000. The gallery specializes in sculpture, archaeology, jewelry, and decorative arts from Southeast Asia, China, and India. Condition: Good condition, commensurate with age. Extensive wear, weathering and erosion, minor losses, encrustations, a minor old repair to the chin, nicks, scratches, few structural cracks.Weight: 10.9 kg (incl. stand) Dimensions: Height 35.3 cm (excl. stand) and 47.8 cm (incl. stand)Mounted to a modern metal stand. (2)Literature comparison:Compare a related terracotta head of a female deity, dated 5th century, in the collection of the Brooklyn Museum of Art, accession number 81.288.Auction result comparison: Type: Related Auction: Bonhams New York, 18 March 2013, lot 39 Price: USD 40,000 or approx. EUR 49,500 converted and adjusted for inflation at the time of writing Description: A red sandstone stele of Durga, Central India, Madhya Pradesh, Gupta period, circa 5th century Expert remark: Note the size (31 cm high)
Lot 236
A SANDSTONE BUST OF A FEMALE DEITY, CHAM PERIODVietnam, Tam-Ky or Phu-ninh, former kingdoms of Champa, 10th-12th century. Finely modeled with voluptuous breasts below the serene face with thick-lidded almond-shaped eyes below elegantly curved brows and full lips forming a calm smile, flanked by long pendulous earlobes, the neatly incised hair arranged into a high chignon secured by a broad tiara.Provenance: From an old French private collection, assembled in Vietnam between 1920 and 1955, and thence by descent within the family.Condition: Good condition, commensurate with age. The head has been reattached. Extensive wear, signs of weathering and erosion, losses, some nicks and cracks.Weight: 5,347 g (excl. stand) Dimensions: Height 31 cm (excl. stand) and 37.5 cm (incl. stand)Literature comparison: Compare a related sandstone figure of a female dancer, dated approx. 1075-1125, 71.1 cm high, in the collection of the Asian Art Museum in San Francisco, object number BL77S3. Compare a related sandstone figure of a flying celestial, dated approx. 950-1000, 48.3 cm high, in the collection of the Asian Art Museum in San Francisco, object number B70S9.
Lot 254
A JAIN WHITE MARBLE BUST OF THE CHILD KRISHNA, 14TH-15TH CENTURYIndia, Rajasthan. Well carved, the face with large almond-shaped eyes below thick arched brows, full lips forming a subtle smile, the hair tied in a simple bun on top of the head and flanked by two ears suspending heavy circular earrings.Provenance: Doris Wiener, New York, USA. A private collection in New York, acquired from the above. The stand with an old label of the Doris Wiener Gallery with inventory number 'R521-4'.Condition: Good condition, commensurate with age. Extensive wear, signs of weathering and erosion, encrustations, a minor structural crack at the shoulder, losses and dents.Weight: 3,478 g (incl. stand) Dimensions: Height 26.3 cm (incl. stand), 18.6 cm (excl. stand)Mounted on an associated wood base.Jainism flourished in Western India between the 10th and 12th centuries, with many temples commissioned under the Solanki and Later Pratihara dynasties. The apex of craftsmanship is embodied in the most famous Dilwara temples, five buildings constructed between the 11th and 16th centuries, famous for their masterful, intricate carvings of white marble on Mount Abu itself. The present white marble bust is carved in a particular style found only in a small number of Rajasthani temples, including Dilwara.The account of infant Krishna, rescued from his uncle after a prophecy of his death, tells how he was secretly sent away and raised in the village of Gokula as a cowherd. According to the legend, Krishna delighted in the indulgence of milk and would stealthily try to steel butterballs, or navanita. Upon his triumph, he would dance joyfully and gleefully at his prize.Literature comparison: Compare two related architectural marble sculptures, also attributed to Rajasthan, dated 13th-14th century and circa 1450, respectively, in the Los Angeles County Museum of Art, accession numbers M.71.73.132 and M.80.62. Note the similar manner of carving to the faces with large almond-shaped eyes and thick arched brows, as well as the heavy circular earrings.Auction result comparison:Type: RelatedAuction: Christie's New York, 19 March 2014, lot 1087Price: USD 11,875 or approx. EUR 14,500 converted and adjusted for inflation at the time of writingDescription: A black marble figure of Krishna Venugopala, India, Gujarat, circa 15th centuryExpert remark: Compare the related manner of carving with similar facial features, hair, and earrings. Note the size of the full figure (66 cm).
Lot 246
A GRAY SCHIST BUST OF VISHNU, KASHMIR, 8TH-9TH CENTURYThis is a superb example of its type, expressively carved and subtly blending purity of form with intricate detail. The four-armed deity expressively carved standing, holding a conch and lotus flower in his main hands, the muscular body adorned with fine jewelry, the serene face with wide almond-shaped eyes below gently arched eyebrows. The finely incised curled hair elegantly falling over his shoulders and surmounted by a tall crown, the face framed by pendulous ears and backed by a halo.Provenance: British trade. Condition: Excellent condition, commensurate with age. Extensive wear, losses, signs of weathering and erosion, structural cracks, nicks, shallow surface scratches. All as expected from a stone figure of over 1000 years of age.Weight: 528.3 g Dimensions: Height 16 cmLiterature comparison: For a stylistically similar example with comparable iconography, see P. Pal, Indian Sculpture, vol. II, 1988, p. 71, cat. no. 14b.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 20 March 2008, lot 338Price: USD 39,400 or approx. EUR 50,500 converted and adjusted for inflation at the time of writingDescription: A rare green stone figure of Vishnu, Kashmir, 8th centuryExpert's remark: Note the size of 26 cmAuction result comparison: Type: Closely related Auction: Christie's New York, 20 March 2012, lot 42 Price: USD 20,000 or approx. EUR 24,500 converted and adjusted for inflation at the time of writing Description: A green stone figure of a deity, Kashmir, 9th centuryExpert's remark: Note the size of 25 cm
Lot 167
A LARGE FRAGMENTARY BUST OF A FEMALE DEITY, GILT COPPER-ALLOY, PROBABLY DENSATIL, TIBET, 14TH-15TH CENTURYOpinion: The particularly well-proportioned female image, possibly Prjanaparamita, with its simple yet sensuous appearance is - at first glance - evocative of high Newari craftsmanship, popularly commissioned by wealthy Tibetan monastic patrons during the 14th and 15th centuries. However, after looking at some of the characteristics more closely, several distinct features make an attribution to the Densatil monastery seem more appropriate. Chief among the diagnostic traits that can identify a work from the Densatil are the convexly stepped eyebrows and the precisely incised double-lined eyelids and lips. The oval pinna, remotely signifying a lotus-petal, from which the lavish hairbands issue seamlessly, is another unequivocal feature, as are the extra-thick and heavy casting overall and the leaning head, which indicates that the present lot may once have been part of a larger supporting structure. For example compare a gilt bronze support, Densatil, 15th century, at Christie's New York, 27 March 2003, lot 105.Finally, the harrowing brutality to which this image was evidently exposed is a silent monument to the destruction of Densatil during China's Cultural Revolution (1966-1978), where one of the most inspiring cultural heritages of mankind became victim to an unconscionable mob.Superbly cast, richly adorned with a beaded and a floral necklace above her voluptuous breasts as well as lotiform armlets, the face with a serene expression, the eyes with distinct sinuous lids and raised brows, both heightened with subtle incision work, as well as full lips forming a calm smile, the neatly incised hair parted in the middle and secured by a tiara.Provenance: From a private collection in Paris, France.Condition: Condition overall as expected and commensurate with age. Extensive wear and losses. Dents, nicks, scratches and battering. Wear to gilt. All semi-precious stone inlays are now lost. Several distinct ritual patches.Weight: 3,472 g Dimensions: Height 33 cmHeavily cast gilt copper-alloy figures of this type are characteristic of the Densatil style, a Kagyu monastic complex in central Tibet, southeast of Lhasa, that has long been considered one of the great treasures of Tibet. Founded in the late 12th century, it enjoyed generous patronage and was lavishly decorated during a period of expansion from circa 1360 until the early 16th century. The monastery was known for eight extraordinary memorial stupas symbolizing Buddha's first teaching in Benares. These stupas were called tashi gomang, meaning "many doors of auspiciousness," and were multi-tiered copper-alloy structures filled with deities such as the present example, standing more than ten feet tall and resplendent with inlays of semiprecious stones. Prior to the destruction of Densatil during China's Cultural Revolution (1966-1978), eight of them dating between 1208 and 1432 stood in the Monastery's main hall.Followers of the charismatic Phagmo Drupa Dorje Gyalpo (1110-1170) constructed the Densatil Monastery. His school, which came to be known as Phagmo Drupa Kagyu, was one of the four primary schools of the Kagyu lineage of Tibetan Buddhism. Its noble house became so powerful that their dynasty ruled from the mid-fourteenth to the mid-fifteenth century. Eventually it had died out by the end of the seventeenth century, but the Densatil Monastery survived intact under the control of other Tibetan Buddhist schools until it was eventually destroyed. Today the monastery is undergoing reconstruction thanks to the efforts of the Tibetan Autonomous Region Ministry of Culture and the Drigung (Drikung) Kagyu school.Literature comparison: Compare with a statue of Prajnaparamita from tier 3 of the tashi gomang stupas, dating to 1370, in About the 18 stupas and other treasures once at the Densatil monastery, by Jean-Luc Estournel, September 2020.Auction result comparison: Type: Related Auction: Christie's New York, 19 March 2014, lot 1016 Price: USD 617,000 or approx. EUR 731,000 converted and adjusted for inflation at the time of writing Description: A gilt bronze figure of a Nagaraja, Densatil Style, 15th century Expert remark: Compare the heavy and massive casting as well as the similar treatment of the eyes, lids, brows, breasts and pinna.十四至十五世紀西藏大型銅鎏金女神半身像專家注釋：特別勻稱的女性形象，可能是般若菩薩，其簡單而感性的外觀 - 乍一看 - 令人回想起十四世紀和十五世紀西藏寺院富有的贊助人經常委託的紐瓦里工藝。然而，在更仔細地研究了一些特徵之後，幾個不同的地方，讓人更能確定，這座半身像可能來自丹薩替寺，比如她凸出的階梯式眉毛和清晰的雙眼皮和嘴唇。橢圓形耳廓，蓮花髮帶，是另一個明確的特徵。整體厚重，包括傾斜的頭部，這表明本拍品可能有更大的支撐結構。例如，比較一個鎏金青銅支架。丹薩蒂爾寺，15世紀，紐約佳士得，2003年3月27日，編號105。 丹薩替寺在中國文化大革命（1966-1978）期間被毀，實在令人痛心。 來源：法國巴黎私人收藏。 品相：整體狀況符合預期，大面積磨損和缺損。凹痕、刻痕、劃痕，鎏金磨損。很多寶石遺失，幾個修補。幾個儀式留下來的明顯斑塊。 重量：3,472克 尺寸：高33厘米 由於字數限制，完整中文敘述請至www.zacke.at查看。
Lot 1458
Star Wars - Collection of Star Wars figures to include 21 x carded Hasbro/Kenner figures (Luke Skywalker, Han Solo, Darth Maul, Queen Amidala, Darth Vader, Deluxe Boba Fett, etc), 3 x Bend-ems 4 Piece Gift sets, Gentle Giants Bust-Ups Micro Bust Model Kits Trade Box (missing 3 boxes, built & unbuilt examples) 9 x figures & quantity of various weapons & accessories, plus Parker Star Wars Saga Edition Monopoly
Lot 138
60S/70s dresses to include a cream pin cord dress by Radley, a cream maxi dress with crochet inserts, an emerald green shantung dress by Harrods, a floral Susan Small shirtwaist dress, a green maxi dress by Dolly Day, a printed marcella dress and a mocha shift (7)sizes are mixed and condition is good with minor age related weargreen dolly day maxi is labelled 34" bust, 36 hipscream Simon Ellis maxi is a 36 inch bustmocha shift is a 44 inch bustfloral stuart allen dress is 24-32 inch waistfloral marcella shift is 36 inch bustHarrods emerald green silk shantung dress is 42 inch bustcream pin cord Radley dress is marked 12 uk, measures 34 inch bust
Lot 158
1950s/ 60 clothing to include a Peggy Page dress suit, an abstract floral dress with box pleated skirt, bottle green jacket with braid trim, a sundress with watteau back, a check shift dress, an oatmeal wool jacket, a wheat burlap coat by jaeger, a shift in navy and orange and a taffeta dress with gathered shelf bust (9)
Lot 183
A documented 1954 Lilli Ann jacket in wool with an almost snakeskin effect. Velvet trim and inserts. 28 inch/ 71cm waist, 36 inch/92 cm bust (1)Good condition with minor issues. hand stitching at shoulder seam, a couple of tiny spots on front between buttons, a couple of tiny nibbles and grazes, frayed fabric on button. Presents well.
Lot 193
3 vintage dresses to include a bubble gum pink crepe mousseline gown, early 60s 'Polmarks model', a kingfisher blue 1950s gown with deep, sequined waist and shelf bust 'a Rivera model' (sz 38) and a shot black and teal damask 1950s cocktail dress 'designed and produced by Fred Howard' to fit 39 inch hips (3)both full length gowns have some marks on the skirt, but they aren't instantly obvious, kingfisher gown has some tiny nibbles and scuffs
Lot 203
3 vintage floral dresses to include a late 60s maxi dress with empire bust, and two Laura Ashley dresses, one ballerina length with a belt, and one full length with very 80s puffed sleeves (3)good vintage condition, LA gown has some fade on the shoulder, the black and white dress has a mark on the front of the skirt
Lot 220
two vintage 1950s dress suits, one by Roter Couture in silk with a vibrant blue lining, the dress having an unusual swag across the back. This comes with a duster coat with 3/4 length sleeves. The second suit has a pencil dress with shelf bust and a boxy jacket with patch pockets. Made by Mandell Couture of London. (2)blue suit has some small nibbles to the collar and a patch of discolouration to the lining, silk suit has a small underarm repair and a couple of inconspicuous marks
Lot 238
mostly 1950s clothing to full length 1940s dress in a broderie anglaise type voile with a pink lining, a 50s bombshell dress with shelf bust and back drape in black and gold, a black velvet dress with wide v neck and ivory yoke, a deep cream strappy lace wiggle dress with silk lining by Mary Louise of Cleveland and a short sleeved ivory silk damask dress with inverted pleat (5)
Lot 244
4 vintage 1950s and 60s dresses to nclude a rayon jersey dress by Jeannie Brand Jersey, a carnagie dress wth ruched central panel and faux wrap bodice, a brown lace dress with long sleeves, pencil style and a spotted Frank Usher dress with ruched shelf bust (4)tiny holes and a split on the shoulder of jersey dresscarnegie dress goodfrank usher dress goodlace dress good, small break at wrist, a few loose threads
Lot 249
6 1950s dresses to include a striped voile dress (looks unworn), a fitted dress with shelf bust in navy blue, an ice blue brocade halter neck prom dress, a 40s/50s blue cotton two piece with coloured spots in blue, pink, green, white and yellow, a subtle floral dress with belt and a spotted day dress with wide belt (6)
Lot 67
A rare 1810s-1820s silk evening gown. This Georgian or regency period dress is complete, but deconstructed. The skirt of the dress turned into a skirt and the bodice unpicked. The upper part of the dress, from waist to under bust has not been cut away, it has been folded inside and a waistband hand stitched into position. The silk is in good, strong condition.
Lot 99
A 1957 going away dress and mother of the bride dress. The mother of the bride dress is navy blue lace with a shelf bust, and the going away dress is a floral cotton in a similar shape by Rembrandt Originals, it comes with yellow gloves and headpiece and a photo pf them being worn (4)all in good condition, dresses could do with a wash to freshen up
Lot 99
Rory Breslin (b.1963)General Michael CollinsBronze, 71cm high, 63cm wide (28 x 24¾")SignedEdition 3/3Michael Collins bust is based on the interpretation of two images of him. The first is believed to have been taken not long before the Treaty negotiations where his countenance is determined, his gaze fixed and his hair slightly tousled. The second from a Pathé news reel possibly taken in Richmond Barracks in full uniform.By combining elements of the images; the aura of resolve and tenacity, the uniform and subtly adjusting some aspects of the presentation, i.e., bowing the head slightly in thought, and unbuttoning the uniform; the bronze depicts a Collins resolute yet perhaps reflective. Deep in thought, he emanates the presence of a man with many things to contemplate and difficult decisions to make. “To me the task is a loathsome one. I go in the spirit of the soldier who acts against his best judgment at the orders of his superior.” On being sent to Downing St. for the negotiations.
Lot 359
Carved wood and plaster polychromed sculpture depicting the naturalistic bust of an old woman. Similar to work on santos figures or other large ecclesiastical sculptures of the 18th and 19th centuries. Likely once with glass eyes which are now missing.Height: 14 in x width: 7 in x depth: 8 1/4 in.
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110054 item(s)/page