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Lot 2344
A Charles I Silver Royalist Badge, Probably by Thomas Rawlins, Circa 1640, Later Retailed by Fattorini and Sons Ltd., Bradford oval, the obverse cast and chased with the bust of Charles I uncrowned and in profile, facing right and wearing a lace ruff, the border with inscription, the reverse engraved with the Royal coat-of-arms within garter motto, with suspension loop, in later fitted case41mm high excluding suspension loopThere is overall surface scratching and wear. The wear is noticeable as a softening to the high points. There are some scuffs and marks to the later case.
Lot 2054
A Lava Cameo Bracelet and Broochten oval lava cameo bust portraits in shades of cream, brown, beige and black, chain linked in yellow rubbed over settings, the brooch of similar design comprised of three graduated oval lava cameo bust portraitsbracelet length 17.5cm, brooch length 3.8cmThe pieces are in fair condition with slight damages throughout. The bracelet fastens with a tongue and box catch and features a safety chain. The brooch fastens with a pin and C-hook catch and features a safety chain. They bear no hallmark nor stamp but in our opinion would test as gold. Gross weight 17.7 grams. CR made 03.08.23.
Lot 289
Local Interest: Ashbourne, Derbyshire.An antique carved double sided bust, made from Derbyshire Gritstone, believed to be the original carving for 'The Blackamoor's Head' (he Black's Head', now the 'Green Man' public house on Church Street, Ashbourne, 41cm tall, 29cm wide, 29cm deep. This amazing local discovery has various tales as to what it symbolizes before being assosciated to The Blackamoor's Head pub in Ashbourne.It is thought that this is the orignal stone head that would've been displayed in close proximity to the pub before being replaced by several wooden adaptations over the last few hundred years.It has been suggested that the bust could have been modelled on Francis Barber, a Jamaican servant boy of Samuel Johnson in the mid 18th century as Johnson spent a lot of his time around Ashbourne and neighboruing Wootton. Local Folklore suggests that Francis fell in love with Ashbourne as the local villagers did to him also. It is double sided and supposedly show Francis to be happy when entering Ashbourne with Johnson whilst the other side is sad when they were due to leave the settlement for their next adventure. Other sources suggest the head derives from the Shirley family, and was included within their heraldic crest.We are extremely proud to offer this item for public auction on behalf of our client for something that is completely unusual and is so significant and recognisable to the town of Ashbourne. Collection only or by arranged courier.
Lot 81
A Wedgwood Parian Bust of William Shakespeare, 1864, modelled after the original by F. M Miller, "The Shakespeare Memorial Bust", on an ovoid oak plinth with silver presentation plaques for the Rochdale & District Drama League41cm highA Victorian Mahogany Table Top Bookcase, with shaped pediment inscribed "Shakespeare" in gilt lettering and having turned column supports, housing ten volumes of The Works of William Shakespeare, London: George Newnes, 1896, 12mo (2)Parian with restoration to the socle, some engrained dirtBookcase in good overall condition, some expected superficial marksVolumes 1-6, 8, 9, 11 and 12 only, obvious signs of use and wear, some fading and discolouration, not collated
Lot 146
English School (early 19th century): A Miniature Portrait of a Military Gentleman, bust length in profile, wearing a white stock and blue jacket with gilt epaulettes, oval, on ivory 6cm by 4.5cm, in a gilt metal frame with plaited hair to reverseWith non-transferable Standard Ivory Exemption Declaration Number CKGGSBG2
Lot 219
Augustin: Miniature Bust Portrait of a Gentleman, wearing a white stock and waistcoat and dark blue jacket, signed Augustin Fils, on ivory 5cm by 4cm English School (early 19th century): Miniature Bust Portrait of a Lady, with ringletted hair, on ivory, oval 4.5cm by 3cm (2)With non-transferable Standard Ivory Exemption Declaration Numbers 8YVAU3UQ and N6R6X92J
Lot 219A
French School (early 19th century): Miniature Bust Portrait of a Girl, with ringletted hair in profile, on ivory, oval 4cm by 3.5cm English School (19th century): Miniature Bust Portrait of a Lady, wearing a turquoise head scarf and lace-trimmed dress, on card, oval 7cm by 6cm A Photographic Reproduction of a Miniature, all contained in two glazed gilt metal trefoil frames with ribbon cresting (5)With non-transferable Standard Ivory Exemption Declaration Number DDY5HBU8
Lot 584
Adam Buck (1759-1833) Irish Portrait of a gentleman, bust length, wearing glasses and a dark suitSigned and dated 1821, pencil and watercolour, 12.5cm by 9.5cmLater frame with various knocks, chips, scuffs etc. Areas of distressed paint. Damage to top and lower edges (see images). Time staining, foxing and possible water damage to mount. Picture likely executed on buff paper, however still time staining - most notable to edges - and discolouration to sheet. One small sized foxing spot to left of sitter's hairline. No evidence of cockling. Not examined out of the frame.
Lot 1294
Clara Klinghoffer (1900-1972) - Bust portrait of a girl looking to dexter, pencil on paper, signed and dated October 1957 lower right, 27 x 21cm Consigned directly via Klinghoffer descendants.Framed, mounted and glazed.Some spotting and silvery tones to paper at top edge.Small area of surface debris to paper at lower right hand corner.
Lot 1286
Leo McDowell (1936-2011) - Four limited edition colour prints, comprising Cliffside, visible sheet dimensions 46.5 x 23cm; Golden Cups, visible sheet dimensions 43.5 x 18.5cm; Landscape I, visible sheet dimensions 33.5 x 33.5cm; and a Still life study with cello and bust portrait, visible sheet dimensions 32.5 x 28cm, each signed and numbered in pencil to the lower margins, the first three examples being artist proofs from editions of 10 (4)
Lot 1191
An Art Nouveau style stained hardwood and brass mounted photograph frame, with applied and stylised floral outer decoration, 18 x 14.3cm; together with a group of Austrian Secessionist brass door furniture, to include twin plates with stylised bust motifs, interlocking handle, and an associated Secessionist brass door knocker
Lot 2213
A 19TH CENTURY COPELAND PARIAN BUST OF THE BRIDE modelled by Raffaele Monti, stamped Copeland and incised R Monti 1861 to the back, impressed Crystal Palace Art Union to the front of the base pedestal, 38cm high Condition Report:Has a few firing cracks in folds and to head wreath. A small stain to the top of the head. Rubbed at edges. Please see images
Lot 2234
CHRISTINE GREGORY FRBS (1879 - 1963) An Art Deco ceramic bust titled Ariel, with green and blue glaze, mounted on a wooden base, incised signature to reverse and dated 1935, with paper label, 36cm high Christine Gregory was the first female artist to become a member of the Royal Society of British Sculptors Condition Report:Has overall crazing and a firing crack to the back and into the side. Please see image
Lot 1097
Royal Naval College Dartmouth, The King's Medal, 1913, in gold, by B Mackennal and G. W. de Saulles, obverse Georgivs V D. G. Britt: Omn: Rex F. D. Ind: Imp:, bust of King left, reverse His Majesty the King's Medal within legend, Royal Naval College Dartmouth in centre, 1913 engraved beneath, Chief Cadet Captain Lycett Gardner engraved to edge. D4.5cm, 55g, in fitted leather case
Lot 152
D*Face (British 1978-), 'Winston Churchill Deadhead', 2007, marble bust with brass wings and hand finishing, signed to the underside of the base, from an edition of 10; sculpture: 32cm tallARR sculpture: 32cm tall In very good condition No knocks, chips or cracks to the sculpture No apparent issues.
Lot 15
Two clan brooches and a Walter Scott broochThe bronzed metal clan brooch with motto inscribed Per Mare Per Terras, 52mm wide, the other inscribed Virtue Et Larbore, 50mm wide, and a silver brooch depicting bust of Sir Walter Scott, 40mm, registration mark for January 1871, all metals unmarked (3)For further information on this lot please visit Bonhams.com
Lot 283
James Tassie (Scottish, 1735-1799)A late 18th century portrait of James DonaldsonThe truncated bust signed 'Tassie F'., and ' James Donaldson 1796' in oval frame frame, inscribed to the rear in pen 'Property of Robt. J. Skinner', James Donaldson (1751-1830)', 'Dowells £8:15/-, 29th May 1926', 12cm wide, 15cm high (4 1/2in wide, 5 1/2in high) Footnotes:NotesEx lot 75, Bonhams Edinburgh, Selected Art & Antiques Includes property of Donaldson's College, 15th September 2005.ProvenanceDonaldson's College, EdinburghFor further information on this lot please visit Bonhams.com
Lot 17
A silver Edinburgh Skating Club medal and a 15ct gold Glasgow Haggis Club medalThe first: Depicting to one side a winged cherub on skates with banner inscribed Ocior Euro and to the reverse Edinburgh Skating Club to a puce ribbon, 42mm diameter, Glasgow hallmark, maker JMc; the second: Depicting a bust of Robert Burns within verse If ye wish her gratefu' pray'r Gie her a haggis, the reverse with the Glasgow coat of arms, 40mm long, stamped JM 625 Birmingham 1871 (2)For further information on this lot please visit Bonhams.com
Lot 581
Mid 19th Century - Oil on canvas - Bust-length portrait of a soldier, in Regimental uniform with red jacket and tasselled gilt epaulettes, holding plumes, canvas verso stamped 'Aux Beaux Arts / Rue Dauphine 25 / Lebeaux...', 37.5cm x 29.5cm, in gilt slip and rosewood frame with vestiges of red wax seal
Lot 180
Sir Thomas Farrell RHA PHRA (Irish, 1827-1900),Sir Arthur Edward Guinness Bt, 1st Baron Ardilaun (1840-1915),a marble portrait bust, carved wearing fur-trimmed robes, a tasselled jacket and a lace neckerchief, on a socle plinth, inscribed to the reverse 'Sir Arthur Edward Guinness Bt, Baron Ardilaun, born 1 Nov 1840' and 'Thomas Farr',89cm high,together with a Siena marble column,with white marble bands, grey marble octagonal top and base,41cm diameter110cm high (2)Provenance: The Guinness Brewery.Sir Thomas Farrell (1827-1900) was the third son of Terence Farrell and the most successful sculptor in Ireland in the second half of the 19th century. Thomas studied first in his father's studio and then at the modelling school of the Royal Dublin Society from 1842. He exhibited at the Royal Hibernian Academy for over fifty years and was elected its President in 1893. Farrell was responsible for many public statues in Dublin, including a bronze statue of Sir Arthur in 1891, placed at St Stephen’s Green, Dublin, on which this appears to be based.Condition ReportCrack to the back. Plinth with chips to top and base edges.
Lot 283
A BOER WAR SOUTH AFRICA 1900 CHOCOLATE TIN the lid with a bas-relief bust portrait of Queen Victoria and a printed New Year message; together with a Wiltshire Regiment belt buckle; and approximately forty-seven black and white snapshot photographs of Boer War interest, mainly topographical, including military camps and troop movements, each approximately 7.5cm x 7.5cm, (album).
Lot 319
A large late 19th Century European (likely Austrian) crackled porcelain urn / cassolette with gilt metal ormolu decorations, including two putti cherubs, two musical boys sat on the handles, female bust atop of the lid. Base stood on four feet. Stamped to the bottom with Hapsburg crest, dated 1894. Height 49cm.
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