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Lot 2120
Early 20th Century Ladies' Costume, comprising a circa 1920's cream net sleeveless shift dress with floral embroidery; circa 1930's faded pink and green floral silk day dress, with long sleeves, shoulder mount with lace trim and waist ties; purple crepe full length dress with smocking detail to the waist and shoulders, V-neck and short sleeves; a pale blue and metallic long evening dress with capped sleeves, scooped neckline, multi button fastening to the reverse, waist tie; blue lace and crepe mounted full length evening dress with short sleeves; a Macphail Model London pale pink silk taffeta full length evening dress with gathered capped sleeves, gathered skirt appliqué with large flower heads; white evening dress with tiered skirt, later red velvet trim to the bust; black full length dress with floral bodice with peplum waist; Binnie Model red crepe day dress with gathered collar, patch pocket, elbow length sleeves; and a short sleeved day dress with multi coloured striped floral bodice and black skirt (10). Shift dress - some discolouration, couple of small stains, and thread pulls. Floral silk dress - lace trim later addition, hole and part repaired to the front where waist ties start, slight fading and wear otherwise. purple dress - some fading to the shoulders, smocking stitches loose, some thread pulls and wear. Blue metallic dress - rubbing and wear, some loose threads, one button missing and others rubbed. lace dress - several small holes and tears to the lace, some fading and discolouration, some wear and rubbing to crepe. Pink dress - fading toward the hem and some discolouration, wear around the neckline. White and red velvet dress - some discolouration, general wear overall, velvet mount later, alterations. Black dress - slight wear, stitched repairs. Red day dress - repairs above zip, some loose threads/stitches under the arms and to the back with a stitiched repair. Black and coloured dress - small split to the neck, possible stitched repairs to waist, loose threads and repairs to side opening, slight fading.
Lot 2199
Calvin Klein Brown Wool Full Length Coat, double breasted, with matching wool belt; Escada Yellow and Grey Windowpane Checked Long Coat by Margaretha Ley double breasted with side pockets, drawstring detail to the waist area (size 36); Jean Claude Paris Cream Wool and Cashmere Long Swing Coat with dark brown mink trim to collar, front opening and cuffs (size 36); Escada Brown Wool Long Jacket by Margaretha Ley, with double breasted button fastening, wide collar, front pockets with zip fastening and wool belt (size 38); and a Fagin Roots Barcelona Pink Wool Checked Tailored Jacket with fur trim, pockets to the side (size 10) (5). Calvin Klein coat - slight rubbing to the wool, 23'' bust, slight rubbing to the leather buckles on sleeves. Escada - slight rubbing and wear. Jean Claude swing coat - split to the lining near the sleeve hole, may need a couple of stitches to the back of the collar, slight wear. Escada jacket - slight rubbing, probably had a detachable collar originally. Fagin Roots jacket - some bobbling and wear to the wool.
Lot 2168
Circa 1960's Christian Dior Boutique London Candy Pink Silk Evening Gown, fabric label with serial no. 52053, the deep V-neckline and short sleeves trimmed with bead and diamante embellished fabric flowers, with attached bow belt beneath the bust, zip fastening to reverse (32'' bust), together with a matching shawl . Dress with some fading to one side of skirt and sleeve.
Lot 2154
Assorted Circa 1950's and Later Ladies' Costume, comprising Le Rose taupe and cream spotty woven shift dress and matching jacket (size 12); Feminella green two piece suit; Downs London gold and pale blue rose pattern brocade full length evening dress (size 42); another similar in green; red silk brocade full length evening dress, with large bow to the back, pleated skirt; Jay De-Ar sheer green and metallic green striped day dress with capped sleeves; Julian Rose London pale green and gilt woven full length evening dress with spaghetti straps; black shot blue midi-length dress with flared skirt, 3/4 length sleeves (size 40); another Rose full length dress in pale gold satin with spaghetti straps and matching stole; pink and black spotty long sleeve mini dress with round collar; pale blue floral chiffon printed sleeveless dress with pleated trim under the bust; Max Finberg of London gold metallic sleeveless shift dress with tunic top embroidered with threads and yellow plastic flower heads, pleated hem; turquoise satin type full length evening dress with spaghetti straps; Montigo Bay bronzed metallic printed chiffon type full length dress with long sleeves; black and white floral printed sleeveless evening dress in the Grecian style; green, blue and gold sleeveless dress with Nehru collar; black sequin top dress with jersey skirt (size 12); royal blue full length evening dress with long sleeves, high neck and cut out detailing; two Chinese style brocade coats, jacket and a Japanese kimono (22)
Lot 2161
Circa 1970's Long Evening Dresses, comprising a Jean Allen red floral printed chiffon type evening dress, with gathered lower sleeves and deep hem to the skirt, (size 14); California orange multi faded Grecian style sleeveless silk dress, with deep v to the bodice, pleated waistband (size 16); Miss Parisienne green A-line evening dress with ruffle trim to scooped neck and to cuffs, matching belt (size 14); John Charles of London pink tiered knee length dress with V-neck to front and back, rose corsage (size 10); another similar style dress by John Charles in olive green, sleeveless with sheer mount to the bodice and later velvet trim (size 14); Shubette of London purple long sleeved dress with round neck, shaped waistband, four buttons to the front above a split; John Marks brown lace mounted bodice with long sleeves, high collar, gathered cuffs and long flared skirt (size 12); Graham Price London floral printed silk type dress with scoop neck, gathered lower cuffs, three tiered gathered hem (size 14); St Michael floral pattern dress with long black sleeves, black fabric tie collar, buttons to the front (fit bust 34''); David Butler Collection by Pressler black dress front with pleats and multi pleated long skirt printed with floral motifs, sheer yellow long billowing sleeves and yellow trimmed neckline (size 10); Your Sixth Sense green sleeveless dress with multi tiers and corsage; similar style dress in pink floral fabric and fabric tie spaghetti straps (12). Jean Allen dress - slight wear. California dress - slight wear/staining under both arms, small hole next to hem, lining of skirt hanging below the top skirt - slight wear. Miss Parisienne green dress - slight wear and belt is worn. John Charles pink dress - slight wear. John Charles green dress, velvet ribbon added and slight wear. Shubette purple dress - couple of stitches loose to the side seam, under the arm and waistband to the back. John Marks brown dress - slight fading to the bodice, slight wear, gathered cuffs possibly altered and lots of loose threads. David Butler dress - slight wear. Your sixth sense dress - slight wear, one strap repaired. pink floral dress - straps pulled.
Lot 2170
Circa 1970's/1980's Ladies' Clothing, comprising a Delba Boutique pink suede three quarter length coat, with Nehru collar and belt, press stud fastenings (size 44); John Bates Designs for Austin Garritt soft tan suede jacket, with wide leather trimmed collar, gathered shoulders and sleeve ends with leather mounts, zip fastening; John Bates black leather tunic dress with long sleeves, V-neck, button fastening, side pockets (lacking belt); Loewe grey suede tunic top with long sleeves, elasticated cuffs and hem, buttons to one shoulder, horizontal trim to the bust and back; and Marie Helene Italy mid tan soft leather coat with collar and button strap, side pockets, rounded edges to the hem and vents to the side seam (size 40) (5)
Lot 2160
Circa 1970's Evening Dresses, comprising a Jean Allen pale pink floral printed dress with V-neck, long sleeves and gathered hem to the hem, pink ribbon to waistband, ribbon ties to the gathered cuffs, (size 38); Jean Varon cream chiffon mounted A-line dress with attached shoulder capelet embroidered with a pink and blue floral spray, blue and white chevron trim to the neck and arm holes (size 12); Gina Bacconi pale blue dress with spaghetti straps, bodice with chevron stripes to the centre and ruched detailing to the sides (size 10); Richard Shops brown floral sleeveless dress, with a lace style mount to the bodice (size 10); Eastex brown full length dress with sheer striped sleeves, scooped neck and ribbon under the bust (size 16); Berkertex full length sleeveless dress in pale green with shoulder mount; similar dress in darker green by Debenhams (size 10); two others similar but unlabelled in pink floral and purple; Roger Kyson turquoise full length dress, with black and turquoise striped skirt, matching belt (size 16); black and white sleeveless full length dress, with elasticated frill to the shoulder and tiered skirt; black and white lace style long dress with long sleeves, black bodice, black velvet waist tie; similar style dress in red with lace mounts (13)Jean Allen - slight wear. Jean Varon, slight pulling to the underside of the sleevehole, slight wear. Gina Bacconi dress - couple of small marks to the front. Richard Shops dress - slight wear, numerous loose threads to the bodice. Eastex - slight wear. Berkertex dress - slight wear. Debenhams dress - couple of small marks to the front. Pink floral and purple dress - slight wear. Roger Kyson dress - fabric worn to the buckle. black and white tiered dress - slight wear. black and white lace type dress - some wear.
Lot 2194
Modern Aquascutum Trench Coat, in dark stone colour, with checked lining, side pockets and belt; Henry White Dublin Wool Checked Double Breasted Long Coat, patch pockets to the front; Gordon Lowes of Knightsbridge Herringbone Double Breasted Long Coat, in black and white, with black velvet trimmed collar and covered buttons, pockets to the front (3). Aquascutum coat - small mark to the back of one arm, will possibly wash off. 20'' bust, rubbing to the leather buckles. Henry White coat - slight rubbing, 22'' bust. Gordon Lowes coat - rubbing and wear to the lining, slight wear to wool, 20'' bust.
Lot 739
WW2 Third Reich Bronze Bust of Adolf Hitler. Signed "P. Eschert". Mounted on a turned circular wooden plinth 235mm in diameter. Height of the bronze bust is approx 33cm. Approx overall height including the wooden plinth is 42cm. Paul Eschert was a renowned sculpter during the Third Reich era. He exhibited many works during the period and had a work displayed in the Haus der Deutschen Kunst ("House of German Art") in 1940.
Lot 744
WW2 Italian Fascist Patriotic Rings: One with bust of Mussolini wearing steel helmet flanked by Fasces with the motto "Noi Tireremo Diritto" (We will not relent.) White metal. No makers markings. The other being a steel Wedding Ring given by Mussolini to women who donated wedding rings to raise money for the State. Inscribed inside the band "Oro Alla Partria 18-11-35 XIV ". ("Gold for the Fatherland") (2)
Lot 222
Letters.- Collection of letters to Richard Curle, including: Arnold Bennett ("As... you are collecting Conrad firsts & I am not, I shall be happy to let you have mine in exchange for another set not a first"); Norman Douglas; G.K. Chesterton, ("When my wife woke up in her in bed this morning she found she was practically strapped down to it with muscular pains..."); Sir Jacob Epstein; Margaret Epstein ("Mr Epstein wishes me to send you 2 photo graphs of his bust of Joseph Conrad"); Marie Belloc Lowndes; Edward Marsh, together c. 25 letters & several envelopes, numerous pp., folds, v.s., v.d., 1906-26 (c. 25).⁂ Richard Curle (1883-1968), Scottish author, traveller and bibliophile.
Lot 456
Constable (John) Various Subjects of Landscape, Characteristic of English Scenery, principally intended to display the phenomena of the Chiar'oscuro of Nature, signed presentation inscription from Constable to Edward Davies dated April 1836 to upper cover, 22 fine plates by David Lucas after paintings by Constable, including the frontispiece and vignette, text comprising title, list of engravings, half-title with verses, introduction and 1p. descriptive text for East Bergholt, Suffolk (frontispiece), mezzotints with etching and drypoint, excellent well inked impressions on cream laid paper, some sheets with partial watermarks of the letters 'F . D', each leaf approx. 295 x 425 mm. (11 1/2 x 16 3/4 in), the frontispiece and 'Noon' with small repairs to upper right corners, and 'A Seabeach' with lower right corner margin repaired, occasional very light finger-soiling to margins, but a remarkably clean and fresh example overall, later cloth-backed wrappers with original printed upper cover laid down, initialled 'J.C.' to lower corner, partial ring mark visible, preserved in chemise and broken slip-case, oblong folio, 1833.⁂ Presentation copy of Constable's superb set of mezzotints.Edward Davies is probably Edward Davis (1813-1878), Welsh portrait sculptor. He would have been 23 at the time of this inscription and would go on to exhibit nearly 100 works of sculpture at the Royal Academy including a bust of Constable in 1875.
Lot 465
Rembrandt van Rijn (1606-1669) The artist's mother, head and bust: Three quarters right, etching, 1628, a good lifetime impression of this delicate subject on laid paper without watermark, New Hollstein's second state (of four) without the rework behind the sitter's head, and before the later strengthening with burin, sheet 70 x 67 mm. (2 3/4 x 2 3/4 in), thread margins, some minor surface dirt visible (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:Hind 1; New Hollstein 5 ii/iv
Lot 467
Rembrandt van Rijn (1606-1669) Bust of an old man with flowing beard and white sleeve, etching, circa 1630, a good early impression of the first state (of two) with faint cracks in the plate visible over the chest of sitter, the forehead, and to the right of the face [Hinterding/Rutgers note such cracks are visible in 'early impressions'], light wear above the left eye, on laid paper without watermark, platemark 72 x 64 mm. (2 3/4 x 2 1/2 in), thread margins, tipped at corners onto album leaf, some small brown spots, mostly to the lower edge and white sleeve of the sitter, some scattered surface dirt (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:New Hollstein 65⁂ Scarce. One of Rembrandt's early tronies. 'The cracks visible in the etching ground may indicate that Rembrandt encountered a problem biting the original plate, and subsequently reduced it to the bust only'. [Hinterding/Rutgers, New Hollstein, no. 65, p. 98]
Lot 475
Beardsley (Aubrey) Roses encircling a Bust of a Female Figure, original illustration for Le Morte d'Arthur, pen and Indian ink with thin piece of buff paper affixed over the text box, wove paper without watermark, sheet 90 x 78 mm. (3 1/2 x 3 in), indistinct ink inscription verso, tape affixed verso with stain showing through, light spotting and surface dirt, marginal pin hole in each corner, unframed, [1893].Provenance:J.M. Dent;Tregaskis 1898, Catalogue 420 (possibly 483G);Anonymous sale;Sale. Sotheby's, 25th June to 6th July, 1932, lot 18;bought by R. A. Walker;Elkin Mathews Walker sale Quarto 8, May 1950 (6);bought by G. F. Sims, London;Private collection, London;Then by descent to the present ownerLiterature:Vallance 1897 (p. 202), 1909 (no. 59.xx);Gallatin 1945 (nos. 345-624);Samuels Lasner 1995 (no. 22)Zatlin 2016, no. 495Illustrated:Le Morte D'Arthur 1893-94 (p. 305) ⁂ Zatlin notes 'the woman has the nude bosom, hair and stare of the woman in Rosetti's Venus Verticordia, who is also framed in roses'. [p. 309]
Lot 138
Elizabeth I Sixpence 1580 fifth issue, another 1592 6C bust sixth issue, Edward III Penny x 2 and two silver Farthings, James I Shilling, Austrian states Salzburg Silver 4 Kreuzer 1726 x 5 & one 1681 3 Kreuzer (Buttons). Mughal Empire Silver Coin cuff links and broach & a bag of metal detector finds.
Lot 138
Bronze Sculpture (Italian, 20th Century or earlier) Attributed to Roman Style Head of a Hero, possibly Emperor Hadrian Bronze Bust: 14 1/2 in. x 10 1/2 in. x 12 1/4 in.; Base: 12 in. x 12 in. x 3 in. Condition: Good condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Collection Hans Traine, Zurich; John and Johanna Bass Collection; Bass Museum of Art after 1963. Literature: The John and Johanna Bass Collection, Miami Beach, FL, 1973, no. 87. Museum Inventory No. 1963.087 Collection of the Bass Museum of Art - Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Lot 139
G. Andreinoi (Italian, 19th Century or Later) Bust of Mary Marble Signed, Lower verso. Bust: in. x in. Condition: Good overall condition with wear to frame. Detailed condition report available upon request. Provenance: Property of a Hollywood socialite Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Lot 140
Adrian Charles Prosper D'Epinay (French, 1836-1914) Bust of A Lady with Fringed Lace Marble Signed on Verso Bust: 32 in. x 10 in. x 18 in. Condition: Good overall condition with wear from exposure. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Property of a Palm Beach estate. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Lot 141
Civitali; Desiderio Da Settignano, manner Italian Renaissance School Florentine Style, Antique Bust of a Woman Polychrome on Wood Sculpture: 19 1/4 in. x 18 1/2 in. x 8 1/4 in.; Base: 22 in. x 11 1/2 in. x 6 in. Condition: Good condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: John and Johanna Bass Collection; Bass Museum of Art after 1963. Literature: The John and Johanna Bass Collection, Miami Beach, FL, 1973, No. 69; Schuyler, Jane, Florentine Busts: Sculpted Portraiture in the Fifteenth Century, Garland Publishing, New York, 1976, p. 174. Museum Inventory No. 1963.069 Collection of the Bass Museum of Art - Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Lot 142
Andrea Del Verrocchio, manner of (Italian, 1435-1488) Florentine Style, Bust of a Woman Terracotta Cast Italy, 15th Century or later Sculpture: 23 1/2 in. x 16 in. x 9 in. Condition: Fair condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Duveen Brothers; Norton Simon Foundation, Los Angeles; John and Johanna Bass Collection; Bass Museum of Art after 1963. Additional Info: Parke-Bernet sale catalogue May 7th-8th, 1971, lot no. 111, "terracotta bust of a lady, late 15th century Florentine style cast", dedicated sale of the property belonging to the Norton Simon Foundation. Literature: The John and Johanna Bass Collection, Miami Beach, FL, 1973, No. 323.; Schuyler, Jane, Florentine Busts: Sculpted Portraiture in the Fifteenth Century, Garland Publishing, New York, 1976, p.174; Bode, Wilhelm von Denkmaeler der renaissance - Sculpture Toscanas, Munich, 1892-1905, p. 178, pl. 554-B; Kurz, Otto, 1948, p. 152-153; Vitroy, Paul, "La Collection de M., Gustave Dreyfus", les Arts Vol. 2, 1907, p. 25,28; Wittkower, Rudolph, "Sculpture in the Mellon Collection," Apollo Vo. 26, August 1937, p. 84. Museum Inventory No. 1979.323 Collection of the Bass Museum of Art -Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Lot 52
A terracotta bust of Marie Antoinette after the model by LecomteOn an integral square socle, together with a terracotta washed plaster bust of a French nobleman wearing the Order of the Golden Fleece on circular socle, 33cm wide, 16cm deep, 49cm high (12 1/2in wide, 6in deep, 19in high) and 50cm high, (2)
Lot 327
A FRENCH BRONZE-MOUNTED SIENA MARBLE INKSTAND, PARIS, LATE 19TH CENTURY oblong, on gilt-bronze button feet, with pen depression before the inkwell and socle mounted with a patinated bronze bust of Diana after Jean-Alexander Joseph Falguière (1831-1900) signed in the bronze and inscribed for the foundry Thiébaut Frères 25cm long
Lot 398
A SET OF EIGHTEEN VICTORIAN SILVER ICE CREAM SPOONS, WILLIAM & CHARLES EDWARDS FOR RETAIL BY ELKINGTON & CO., LONDON, 1873 each gilt 'spade' bowl with twisting flute and bead stem terminating in a Renaissance style bust of Bacchus, in original leather case lined and fitted in purple silk and velvet with gilt stamped Elkington label 12cm long, 319gr (10oz)
Lot 451
A GEORGE IV SILVER TEAPOT, JOHN EDWARD TERREY, LONDON, 1822 the spout cast with a bust of Bacchus drinking from a cornucopia emerging from acanthus leaves, the compressed vase shaped body chased with a band of alternating bulrushes and matted leaves, engraved below with small initials MAKI, chased or applied with formal leaf borders, with cast leafy gourd finial, silver branch-like handle embellished with oak leaves, on short pedestal foot 26.5cm long, 913gr (29oz)
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109378 item(s)/page