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Lot 976
* Verdi (Giuseppe, 1813-1901). Italian composer. Signed cabinet card photograph, G. Ricordi & Co., 1889, vignetted albumen print bust portrait, showing the composer in bow tie and jacket, signed ‘G. Verdi’, dated 15 October 1889 and inscribed to Gaston Mayer in lower part of image, a few spots, ink slightly faded, 14 x 9.5cm, publisher’s printed label pasted to verso, original window-frame mount in poor condition with some splits and brittling with card loss, but with the framer’s label for W. Mann, Bloomsbury loose but present, overall 28 x 23.5cmQty: (1)Footnote: Gaston Mayer may be the son of Marcus Mayer, director of the Royal Lyceum Theatre, where Verdi’s opera Otello was performed the same year.
Lot 492
An 18 carat yellow gold, ruby and diamond half hoop ring. The boat-shaped plaque with a circular cut ruby in claw mounts; together with a five stone half hoop ruby and diamond ring in 9 carat rose gold mount; a garnet and clear stone five stone half hoop ring and a 9 carat rose gold shell cameo ring depicting a bust portrait of a lady. Gross weight 10.1 grams
Lot 190
Two Ugandan bowl lyres, Endongo, the bowls covered with either monitor or ant lizard skins, 57cm & 60cm, two African Zeze, the smaller example with bust terminal, 81cm & 64cm and a Morrocan painted guitar, the body formed from an enamel bowl covered in animal skin, the neck painted in coloured bands, 92cm
Lot 295
A rare Lambeth stoneware inkwell, modelled as a bust of a gurning old maid, mid - late 19th century, a hole in the crown of her head leads to her open dished mouth, on shaped pedestal, 11.5cm; and a shallow stoneware inkwell, 8cm diaFootnote: An ink inscribed label attached to the underside of the maid reads ' 888 Lambeth, c.1840, given to me by Mr. Guedalla, J.D. London 1936'.Condition report: A small chip top the front left upper knop, otherwise in good order. The shallow inkwell is also in good order.
Lot 65
A good late 17th/early 18th century silver-mounted turtleshell-veneered table clock with pull quarter repeatG.Etherington, LondonThe caddy top surmounted by a silver handle with central foliate and bud knop, over a moulded cornice, and four rectangular repousse side panels depicting flowers in an urn and bust portraits, on cast squat ball and claw feet, both front and rear doors with applied escutcheon plates.The 6.25 inch square brass dial with subsidiaries in the top corners for rise-and-fall regulation and strike/silent over the silvered Roman and Arabic chapter ring signed between V and VII, with blued steel hands the matted centre with chamfered mock pendulum and date apertures decorated with characteristic decorative ringed detailing, the lower corners with winged cherubs spandrels. The twin fusee movement with six knopped and ringed pillars and a seventh plain but latched uniting the two plates, the backplate deliberately larger in order to fill as much of the rear of the case as possible and signed within a flat oval palm-frond reserve amid a symmetrical pattern of foliate scrolls and strapwork. The going train terminating in a verge escapement with rise-and-fall regulation effected via a shaped steel lever on a rack and pinion set-up on the backplate, the pendulum with hook fixing to the top and terminating in a lenticular bob, with unusual shaped steel securing bracket. The strike train sounding the hours on a single bell, with pull quarter repeat sounding the quarters on a run of three bells and hammers. Ticking, striking and repeating. Together with a case key. 33.5cms (13ins) high (3)Footnotes:George Etherington was free of the Clockmakers Company in 1684 and Master in 1709. He attended until 1720 and supposedly died in 1729.This lot is subject to the following lot symbols: * Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 1113
20th century school - Shoulder length study of a brown eyed boy, oil on board, no visible signature, 32.5 x 20.5cm approx, together with two further oil paintings on board, shoulder length studies of young boys and a bust length pastel study of a boy in a smock, indistinctly signed M Grayson? with label verso 'Philip Mascie Donville Wynter, aged 5 and a half years, born September 2nd 1892,' 38 x 30cm, all framed
Lot 118
A William IV silver Coronation mug of campana form on stemmed foot, with foliate scroll handle, richly embossed and chased with profile bust of the monarch within a floral border embellished with roses, thistles, daffodils and shamrock, Joseph and John Angel (I), London 1831, 6.1oz (191g), 11cm highNo signs of repairs or restoration. There is one small dent below the profile bust of the monarch, overall good condition
Lot 1523
EDMOND LEFEVER (FRENCH 1839-1911); a large bronze Art Nouveau bust 'Fleurs Des Champ', with gilt heightening to the flower heads, signed and also with stamped mark to the reverse 'Usines Vajave Ste. Ame. Bruxelles', height 47.5cm.Additional InformationSome rubbing to the tip of her nose and to raised areas elsewhere but a good even colour. Dark brown patination throughout with a greeny hue to her face. Overall in good condition.
Lot 1527
An Italian carved marble bust of a senator raised on a stepped Sienna white marble and black slate base, height 46cm.Additional InformationThere is a sliced section missing to the top of the head, quite heavy surface wear around the edges. Some repairs to the base and chips to the corners and to the black slate base.
Lot 1528
A 19th century bronze of a young gentleman possibly Napoleon I, raised on a socle inscribed 'N.P' above a marble base, height 41cm.Additional InformationThe upper bust section is crudely applied to the socle, there are chips around the edges of the marble base and the underside of the bust itself has a very rough finish. A few knocks to the edges.
Lot 57
EMMANUEL VILLANIS (France, 1858 - 1914)."Female bust".Bronze sculpture.Signed.Measurements: 60 cm (height).French sculptor of Italian origin, associated with the Art Nouveau movement, Emmanuel Villanis studied at the Academy of Fine Arts Albertina in Turin, where he counted among his teachers Odoardo Tabacchi. After his return from Italy, Villanis settled in 1885 in Montmartre, a Parisian neighborhood he would never leave. One of the most productive sculptors of the late 19th century, he was an artist of his time, reflecting in his work heroines of opera, literature, sacred history and mythology, such as Aida, Judith, Delilah, Lucretia or Cendrillon. He also tackled types such as "La bohemia", "La castellana" or "La parisina", as well as allegories ("La Pintura", "La Escultura"). He also made female busts in bronze, cast by the Societé des Bronzes de Paris. His pieces were exported from Paris all over the world, especially to the United States. Villanis was also known for his chryselephantine sculptures, always in a personal Art Nouveau style. He exhibited at the Salon des Artistes Français between 1886 and 1910, being awarded an honorable mention in 1892, and participated in the Universal Exhibitions of Paris in 1889, where he was awarded a prize, and Chicago in 1903. Today Villanis is mainly represented in private collections.
Lot 67
BENEDICT ROUGELET (France, 1834-1894)."Three putti or lovebirds playing".Bronze.Boudet Editeur, Paris.Signed.Measurements: 61 x 56 x 30 cm.Benedict Rougelet offers us a sculpture in round bulk worked in a delicate tone, faithful to his style, with soft and warm finishes, endowed with grace and naturalism in gestures and movements. The piece, of classical inspiration, shows three putti playing.French sculptor born in Tournus, he was initially trained in the drawing workshop for young masons inaugurated by Father Philibert Garnier, a priest in Tournus, who was the brother of Alceste Milk de Chapuys-Montlaville. Senator during the Second Empire. With the support of this senator, he obtained a scholarship from the General Council to study in Lyon and Paris. In 1862, he was in Lyon, where he worked under the direction of Guillaume Bonnet. In 1866, in Paris, he entered the studio of Francisque Duret at the Ecole des Beaux-Arts. He won the competition for the creation of a monument dedicated to Greuze, in Tournus, inaugurated in 1868. Works: Décoration sculptée du musée-bibliothèque de Grenoble, 1876.Décoration sculptée de l'hôtel Salomon de Rothschild, à Paris, 1876.La jeunesse de Bacchus, Salon de 1876. Bust of François Joseph Lionnet, 1879, cimetière du Montparnasse.La toupie, Salon of 1880. Le petit malin, Salon of 1880, musée de Tournus Bust of Jean-Marie Berthellier, 1882, cimetière du Père-Lachaise. Bust of Jacques-Édouard Gatteaux, Salon of 1884, Condé Museum, Chantilly. Médaillons, comprising the effigies of the actors Samson and Melle Mars, to decorate the south courtyard of the Paris City Hall, 1882. Le fil rompu, Salon de 1885, in marbre au Salon de 1889, Exposition universelle de 1889.
Lot 77
A GOLD COIN CHARM BRACELET, formed as seven graduated gold coins and a pendant, each contained within circular bezel and joined by bar-link chain (stamped .750) comprising: An Austrian 4 Florins/10 Francs dated 1892, a full Sovereign dated 1931, a Tunisian 20 Franc Coin dated 1903, an unidentified large coin, marked 'ANNO I' below a bust of a man with hat, probably Italian, struck with standard mark .800, an Iranian 1/2 Pahlavi, a Dutch 10 Guilder dated 1875, an Ottoman (Turkish) gold coin Kurush and an Italian gold pendant formed as postage stamp, all suspending from a fancy-link 18K gold chain, length 19.8cm, total gross weight approx. 93.10gCondition Report: Total gross weight approx. 93.10gNormal signs of wear, overall in good condition
Lot 321
After Jules Bastien-LepagePortrait of Sir Henry IrvingOil on canvas44 x 46.5cm (17¼ x 18¼ in.)Together with a letter and a telegram between Dr J. Schwartz and Mr Lawrence Irving discussing the exchange of the paintingProvenance: In the collection of Miss Nora Robbins 1945Sale, Sotheby's, 24 January 1951, Lot 40Sale, Christie's, 12 June 1953, Lot 145, where purchased by Dr J. SchwartzAcquired by Mr Lawrence Irving, the sitter's grandson, 1953Thence by descent Sir Henry Irving (1838-1905) was one of the most prolific English stage actor and managers during the Victorian era. During his time at the Lyceum theatre from 1878, Bram Stoker worked for Irving as his business manager and it is widely acknowledged that the actor provided at least some of the inspiration for the latter's title character in his 1897 novel Dracula. In 1895, Irving became the first actor to receive a knighthood.The portrait offered here is a direct copy of a portrait on display at the National Portrait Gallery, London, painted by Jules Bastien-Lepage (1848-1884). The original work was painted by the artist in one or two sittings during the spring of 1880, when Lepage was spending a second season in London exhibiting at the Royal Academy. As a rather serious individual who always maintained an air of professionalism, the unexpected intimate composition of the portrait was disliked by Irving who would not agree to attend any further sittings, and therefore meant that both the original and this later copy, remain unfinished.In December 1909, the portrait was donated by Dame Ellen Terry, Irving's long term acting partner to whom he had previously gifted the work, to the National Portrait Gallery in London. To celebrate this new acquisition, a full page plate appeared in the Burlington Magazine in 1910.It wasn't until 1951, that this second version of the picture appeared for sale at Sotheby's in London. Three years later the picture was sold again, this time by Christie's. The successful buyer, a Dr Schwartz, contacted Henry Irving's son Lawrence Irving soon after the sale offering to swap the portrait for some letters by George Bernard Shaw. The portrait has been in the possession of the Irving family ever since.An attribution for the second portrait has never been established, but it is generally accepted that it is not the hand of Bastien-Lepage. There has however been some suggestion that the portrait could be an early work by William Nicholson. As well as being a good friend of Ellen Terry, Nicholson also lived for a short period with Terry's son and his wife during the 1890s, so it is absolutely possible that he would have seen the portrait and had chance to copy it during this time. In addition, records indicate that a Miss Nora Robbins was the owner of the painting in 1945. Little is known about Robbins although it is believed she was the owner of Robbins Gallery on Southampton Row in London.Miss Nora Robins was the subject of a bust by Barbara Hepworth in 1926 (see Bonhams sale 26 November 2011, Lot 142). In 1938, Hepworth married her second husband, Ben Nicholson - son of William. Of course highly speculative, but it is therefore not impossible that if Hepworth was still friends with Robbins during this time, that the latter could have acquired the portrait through Barbara and Ben. The present lot is the feature of a 15 minute pilot podcast by Adam Scourfield.
Lot 99
A composition stone bust of a ladyModelled wearing an elaborate hat, mounted on a swept socle, 40cm wide, 36cm deep, 64cm high (15 1/2in wide, 14in deep, 25in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 265
A BRONZED PLASTER BUST OF GEORGE IIIBY ROBERT SHOUT, HOLBORN, DATED 1802Together with a bust of Queen Caroline, by Brucciani; a bust of a gentleman by Addison; and a bronzed plaster bracket supported by satyr mask by Delane, 1825 George III, 33 cm. high; Queen Caroline, 47 cm. high (4)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 113.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 255
A WHITE MARBLE BUST OF A LADY TOGETHER WITH A MARBLE COLUMNThe bust, by Joseph Gott (1785-1860), Early 19th centuryLooking slightly to sinister on a circular socle, the column associated. 55cm wide, 29cm deep, 64cm high (21 1/2in wide, 11in deep, 25in high) the column: 116 (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 27.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 275
A PLASTER BUST OF WILLIAM SHAKESPEAREBy Agostini, first half 19th centuryTogether with a plaster bust of Lord Eldon by P. Mazzolli, Shakespeare - 47 cm. high; Eldon - 45 cm. high (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 82.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 272
A PLASTER BUST OF THE SCULPTOR'S SONBy Robert William Sievier, dated 1830Together with a black painted plaster bust of Albert Edward, Prince of Wales, after Nevil Northey Burnard; and a bust of Queen Victoria after W. Behnes dated 1828, the tallest 53 cm. high (3)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 88.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 201
An Italian framed Siena marble portrait bust of the Emperor Titus19th century Carved in high relief and mounted on a slate roundel within a grey painted frame, measurement including frame: 28.5cm wide, 4cm deep, 29cm high (11in wide, 1 1/2in deep, 11in high) For further information on this lot please visit Bonhams.com
Lot 271
A PLASTER BUST OF LORD BYRONAfter Edward Hodges Baily (1788-1867), 19th centuryLooking to sinister wearing Classical robes on a circular socle, 53cm wide, 31cm deep, 76cm high (20 1/2in wide, 12in deep, 29 1/2in high) Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 25.Edward Hodges Baily R.A. (1788-1867) began his career modelling portraits in wax and working in the studio of John Flaxman. He attended the Royal Academy schools and became chief designer for silversmith Paul Storr and chief modeller for Rundell, Bridge and Rundell. He is best known for his public sculpture, such as the figure of Admiral Lord Nelson in Trafalgar Square. Baily exhibited the original marble version of this posthumous bust of Byron at the Royal Academy, London, in 1826. It is believed that the model was presented in 1863 to Harrow School, where Byron was a pupil. In 1827 Baily also exhibited two busts of Byron at the Royal Society of British Artists, London, one of which is possibly the example on display in the British Embassy in Athens, Greece (GAC number 15267).This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 276
A VICTORIAN PLASTER BUST OF NICCOLO DA UZZANOBy D. Brucciani, London, late 19th century, after DonatelloTogether with a Victorian plaster bust of Voltaire by Charles Smith, after Houdon, Da Uzzano - 18 in. (46 cm.) high; Voltaire - 19 in. (48 cm.) high (2)Footnotes:Provenance: Christie's, South Kensington, 26 October 2016, The Hone Collection, lot 24.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 321
A TERRACOTTA BUST OF ISAAC NEWTONBy John Marriot Blashfield, Stamford Pottery, circa 1850Together with a plaster bust of The Reverend W. Harcourt, after Matthew Noble, dated 1868, Newton - 17 ½ in. (44.5 cm.) high; Harcourt - 13 ¾ in. (35 cm.) high (2)Footnotes:Provenance: The Hone Collection; Christie's, South Kensington, 26 October 2016, lot 16.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 74
A collection of seven matched painted plaster library busts depicting various male and female classical subjects19th century and laterIncluding busts of Minerva, Hadrian, Diana, and Apollo, above square tablets on circular socle bases, The largest bust: 50cm wide, 29cm deep, 79cm high (19 1/2in wide, 11in deep, 31in high) (7)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 293
After the Antique, a marble bust of AjaxLate 18th / early 19th centuryThe warrior looking slightly to sinister on a circular socle, weathered, 36cm wide, 29cm deep, 73cm high (14in wide, 11in deep, 28 1/2in high) Footnotes:Provenance: Christie's, London, South Kensington, The Hone Collection; Christie's, 26 October 2016, lot 26.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 500
A French marble bust of a lady19th centuryOn a waisted socle, 50cm wide, 29cm deep, 73.5cm high (19 1/2in wide, 11in deep, 28 1/2in high) This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 294
A group of three plaster busts19th century Comprising a bust of George Stephenson, after Christopher Moore, dated 1831, together with a plaster bust of Major General Sabine by Joseph Durham, signed and dated 1852 and another of William Gladstone, unsigned, the bust of Stephenson: 49cm wide, 30cm deep, 68cm high (19in wide, 11 1/2in deep, 26 1/2in high) Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 80.Christopher Moore (1790-1863) exhibited at the Royal Academy from 1821-1860 and at the British Institute from 1821-1834. He exhibited a bust of George Stephenson at Liverpool Academy, which currently resides in the Newcastle Literary and Philosophical Society.General Sir Edward Sabine (1788 –1883) was an Irish astronomer, geophysicist, explorer, soldier and the 30th President of the Royal Society. Two branches of Sabine's work are notable: determination of the length of the seconds pendulum, and his research on the Earth's magnetic field.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 274
A GEORGE III BRONZED ARTIFICIAL STONE BUST OF ADMIRAL LORD NELSONBy William John Coffee, dated 1806Signed to the reverse, 29 cm. (11 ½ in.) highFootnotes:Coffee established his own business as a sculptor and modeller in Derby by 1803. He had previously worked for Coade in London and the Derby China Manufactory.Provenance: Christie's, London, South Kensington, The Hone Collection, 26 October 2016, lot 126.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 295
A TERRACOTTA BUST OF FREDERICK THE GREAT OF PRUSSIA (1712-1786)In the manner of Daniel Rauch, late 18th centuryHis head turned slightly to dexter on a circular socle, 45cm wide, 29cm deep, 66cm high (17 1/2in wide, 11in deep, 25 1/2in high) 27 in. (68.5 cm.) highFootnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 106.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 101
A marble bust of a gentlemanAfter Jean Antoine Houdon (1741–1828), 19th centuryFacing sinister and wearing a curled wig, inscribed HOUDON to reverse on socle base, and a modern white painted wood short pedestal, 73 cm. high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 100
A large plaster bust of a Classical male20th centuryOn a square tablet and a circular socle, 68cm wide, 40cm deep, 79cm high (26 1/2in wide, 15 1/2in deep, 31in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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110041 item(s)/page