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Lot 256
Two Continental enamelled ceramic plaques, late 19th century, probably German, to include a portrait of an officer, bust-length in dress uniform, 13 x 10cm, framed 29 x 21.5cm, a portrait of a young lady, bust-length in a blue dress, with a blue ribbon in her hair, 9 x 7.5cm, framed 19.5 x 16cm, both in Florentine-style frames (2)Condition ReportIn need of cleaning. A few surface scratches and dirty marks.
Lot 227
Justus Sustermans, Bildnis Caterina di Ferdinando de' Medici, flämisch, um 1620 Öl auf Leinwand. Bruststück der Caterina de' Medici, Herzogin von Mantua und Tochter des toskanischen Großherzogs Ferdinand I. Als Schmuck trägt die in Brokat gekleidete Herzogin ein reiches Perlen-Ensemble, den Hals ziert außerdem ein feiner Medici-Kragen aus Spitze. Mit würdevoller Ausdruckslosigkeit blickt sie den Betrachter an. Restauriert, durch Reinigung gut zu verbessern. Im zeitgenössischen ebonisierten und vergoldeten Rahmen aus Holz mit gewellter Stuckbordüre und gemalten Zierelementen. Der Rahmen leicht wurmstichig, kleine bis mittelgroße Bestoßungen bzw. Fehlstellen. Bildmaße 55 x 41 cm, gerahmt 73,5 x 62 cm.Justus Sustermans (1597 - 1681) war ein Maler des flämischen Barock. Als Hofmaler der Medici stieg er zu einem der angesehensten Künstler seiner Zeit auf; er ist insbesondere für Medici-Portraits berühmt, gleichwohl lassen sich in seinem Œuvre viele nicht minder bedeutende Zeitgenossen finden. Justus Sustermans, Portrait of Caterina di Ferdinando de' Medici, Flemish, circa 1620 Justus Sustermans, Portrait of Caterina di Ferdinando de' Medici, Flemish, circa 1620Oil on canvas. Bust-length portrait of Catherine de' Medici, Duchess of Mantua and daughter of Ferdinando I de' Medici, Grand Duke of Tuscany. Dressed in brocade, the Duchess wears an opulent pearl ensemble with a fine lace Medici collar around her neck. She gazes back at the viewer with a dignified, bland expression. Restored but can easily be improved by cleaning. In a contemporary ebonised and gilt wooden frame with an undulating stucco border and painted ornamental elements. The frame with minor worm damage, small to medium-sized knocks and flaws. Size of the picture 55 x 41 cm, framed 73.5 x 62 cm.Justus Sustermans (1597 - 1681) was a Flemish Baroque painter. As court painter to the Medici, he became one of the most respected artists of his time. He achieved particular fame for his Medici portraits, although his oeuvre also features many equally important contemporaries.Condition: II -
Lot 313
Vittorio Güttner (1869 - 1935), Büste des Winnetou Seltene Ausführung in Terrakotta mit Resten farbiger Fassung. Darstellung des jungen Apachen mit Haarknoten und Bärenhalskette. Starke Alterspatina, berieben, die Nase bestoßen. Höhe 31 cm. Vittorio Güttner (1869 - 1935), a bust of Winnetou Vittorio Güttner (1869 - 1935), a bust of WinnetouSeltene Ausführung in Terrakotta mit Resten farbiger Fassung. Darstellung des jungen Apachen mit Haarknoten und Bärenhalskette. Starke Alterspatina, berieben, die Nase bestoßen. Höhe 31 cm.Condition: II -
Lot 310
Vincenzo Cadorin (1854 - 1925), Mädchenbüste aus Marmor, Venedig, um 1900 Aus ebenmäßigem weißen Marmor gemeißelte Büste eines jungen Mädchens in Kleid mit drapiertem Kragen. Rückseitig signiert "Cadorin / Venezia". Sockel aus Veroneser Marmor mit minimal bestoßenen Kanten. Höhe 45 cm. Vincenzo Cadorin (1854 - 1925), a marble bust of a girl, Italian (Venice), circa 1900 Vincenzo Cadorin (1854 - 1925), a marble bust of a girl, Italian (Venice), circa 1900Aus ebenmäßigem weißen Marmor gemeißelte Büste eines jungen Mädchens in Kleid mit drapiertem Kragen. Rückseitig signiert "Cadorin / Venezia". Sockel aus Veroneser Marmor mit minimal bestoßenen Kanten. Höhe 45 cm.Condition: I - II
Lot 258
A SILVER MOUNTED GLASS CLARET JUG AND ANOTHER CLARET JUG (2)The silver mounted jug with beaded decoration to the handle, rims and foot and with undecorated glass, by Mappin and Webb, London 1907, also a Victorian silver plated metal mounted glass claret jug, the hinged lid with a bust finial, the body acid etched with fern sprays, (crack to glass body)
Lot 336
A ROYAL WORCESTER BLUSH IVORY COMMEMORATIVE SCENT BOTTLE, produced to mark Queen Victoria's Golden Jubilee in 1887, one side bearing a relief bust of the young Queen on a gilt ground, the other depicts English roses, Scottish thistles and Irish shamrock, the stopper in the form of a gilt crown (1) (Condition Report: appears in generally good condition, has a tiny chip to the raised border around the portrait, and a fault above the Queen's head, some gilding wear/loss)
Lot 632
EIGHT 20TH CENTURY PORCELAIN FIGURAL SCENT BOTTLES, comprising of miniature Goebel example approximately 8cm in height, a larger example with a yellow and floral dress, approximately 13cm in height, a female holding her skirt with a J.C. Boldoot stopper, a Pierrot figure impressed Germany to the base, a bust of female figure with a blue anchor mark to the base, others are unmarked, Condition Report: some stoppers may be replacements
Lot 491
TWO BOXES AND LOOSE MISCELLANEOUS SUNDRIES, to include a spelter bust, copper kettle, a children's painted wood Noah's Ark pull-a-long toy with Noah and his wife, two dogs, two elephants, two zebra, two donkeys, two lions, two sheep, one leopard, horse, chicken and duck (missing one wheel, paint flaking and chipped, some figures are damaged), a collection of over sixty L.P records to include David Bowie 'The Rise And Fall of Ziggy Stardust', 'Scary Monsters and Super Creeps, 'Heroes', The Cure 'Big Boys Don't Cry', Tchaikovsky, Des O'Connor, David Watkins 'Music For Harps', etc., vintage tins, lacquered serving tray, brass candle sticks, three cased porcelain dolls, three musical jewellery boxes, a Noris 150-A projector, a vintage 'Baby Brownie' camera, a Yashica M 1032227 camera, an Ensign Selfix 820 camera, a Canon AE-1, etc. (s.d) (2 boxes + loose)
Lot 1395
Mixed collectables - An early 20th century violin, interior label reads ‘Nicolaus Amatus fecit in Cremona 1651 Made in Czechoslavia’, an QEII General Service medal, CANAL ZONE bar, to AC1 P G DARLINGTON (2523204) RAF, a West Sussex Constabulary helmet, alabaster bust etc. Violin back 33cm; interior wood pillar to support bridge area is moving around freely inside; bridge missing; several surface scratches to exterior; a second label attached inside states ‘ The London Violin Co. Ltd., 25 Nottingham St., W1’. No case or bow.
Lot 196
A 19th style century sandstone bust of Helena Normanton, the first female barrister. Dressed in traditional court attire, with traces of colour to wig, hair , face and attire etc. H47cm Condition Report: this is not 19 th century but somewhat in that style. the wear is not enough to be that old but it is in renarkably good condition, just as you would like to find it !
Lot 40
A Late Victorian yellow metal tear drop brooch mounted shell carved cameo panel depicting a female bust and floral spray in rub over mount enclosed within a rope and beaded border missing pin from back L x 5cm and a Victorian yellow metal oval mourning brooch with rococo scroll to top and sides with later inset cameo oval panel and glass panel versos signs of hard solder verso H x 3cm L x 5.5cm (2)
Lot 54
A 1960's Ossie Clarke for Radley floral print dress, the cream dress with red, blue, green and black floral print, V-neck with empire line bust, short elasticated sleeves, tiered full skirt and zip back, approx. 29" waist x 41" longcolours slightly fadedpucker to reverse of sleeve (possibly original?)seam stress to waist, especially back near zip and around V-neck/waist arealight shoulder pads, one looseminor frays and marks to hemlinesmall amount of spottinglabel frayedfastening for hook at top of zip brikenelastic in sleeves feels perished/lost stretchlength 9from top of zip to hemline) approx. 108cm long
Lot 114
A quantity of lady's lingerie, to include silk and satin slips, French knickers, etc.pink embroidered knickers - okpink cotton slip - wear and repairs to straps, stain to reverse, matching knickers okblue slip and knickers - minor fraying & loose threads, otherwise oklong cream slip - a few small holes to bust and hem, dark spots to lower back, some staining throughoutblue spotted top and knickers - okpink patterned knickers - few small markspale pink chiffon teddy - repairs to button crotch, spaghetti straps frayed, couple of loose thresadspink slip - wear to straps and areas of join to the body, small frayed hole under bustline, some stains
Lot 621
Alexander III (1249-1286), Second coinage, Sterling, class A, mm. plain cross on obv. only, bust left with little backsweep to hair, reads alexsander dei : g’ra, rev. long cross, four mullets of six points in angles, reads rex scot:torvm, triple-pellet stop after rex, 1.33g/6h (cf. SCBI 35, 192-4; cf. B 6, fig. 147A; S 5050). Good fine, very rare, the reverse legend variety unpublished £200-£300
Lot 640
Alexander III (1249-1286), Second coinage, Sterling, class E2, mm. cross potent, lettering with incurved uprights, bust left, rev. long cross, two mullets of five and two of six points in angles, 1.29g/6h (SCBI 35, –; B 35, fig. 167; S 5056). Fine, reverse better, rare £100-£120 --- Provenance: Bt D.L. Cavanagh 1983 Possibly St Andrews, given that mint-signed coins of Baliol have this combination of stars and mullets totalling 22 points.
Lot 648
John Baliol (1292-1296), First coinage, Sterling, St Andrews, mm. cross pattée, small irregular lettering, crude bust left, rev. civitas sandre, two mullets of five, two stars of six points in angles, 1.50g/5h (Holmes and Stewartby dies s11-sl; SCBI 35, 296; B 11, fig. 214; S 5067). Good fine, rare £200-£300 --- Provenance: Bt M. Vosper November 2018
Lot 634
Alexander III (1249-1286), Second coinage, Sterlings (2), class Mb3, mm. cross pattée, bust left with wider hair, pellets on points of crown and on sceptre, rev. long cross, four mullets of six points in angles, 1.37g/10h, class Mb3/E mule, similar but no pellets on crown, rev. two mullets of six, two stars of seven points, 1.42g/6h (SCBI 35, –, 284; B 71, 73, figs. 189, 191; S 5054, 5054/5055) [2]. Nearly very fine, first sometime cleaned and a very rare variety, second toned £150-£200 --- Provenance: First bt ABC Coins June 2011, second bt eBay May 2007
Lot 646
Alexander III (1249-1286), Second coinage, Sterling, class D2, mm. cross potent on obv., pattée on rev., lettering straight-sided on obv., incurved on rev., bust left, rev. long cross, two mullets of six points and two stars of seven points in angles, 1.44g/7h (SCBI 35, 266; B 30, fig. 160; S 5057). About very fine £100-£120 --- Provenance: Bt eBay November 2008
Lot 643
Alexander III (1249-1286), Second coinage, Sterling, class D1/E mule, mm. cross potent, lettering incurved, bust left, rev. long cross, two mullets of six points, two stars of seven in angles, 1.36g/11h (SCBI 35, –; B 56/55, fig. 163/162; S 5057/5056). Sometime cleaned, very fine and unusually well struck for this issue £100-£120 --- Provenance: Reported to have been a stray metal-detector find from 2005. Found on a footpath following an old (now dry) waterway between Southampton and Winchester; bt eBay January 2006 The vendor notes the unusual lettering on the obverse of this coin. The first two as are unbarred, the third is from a punch normally found on coins of class E. He knows of no other die with unbarred as or with a class E a punch
Lot 626
Alexander III (1249-1286), Second coinage, Sterlings (2), class Ma/B mule, mm. cross potent on rev. only, bust left with little backsweep to hair, pellet after dei, reads gra, rev. long cross, four mullets of six points in angles, 1.28g/11h; class Ma, similar but mm cross potent on obv. plain cross on rev., pellets on intermediate points of crown, reads g’ra, rev. pellet after rex, 1.28g/1h (SCBI 35, –, –; cf. B 23, fig. 153, B p.169, 26 var. [?]; S 5053/5052, 5053) [2]. Good fine and both very rare varieties but both chipped £120-£150 --- Provenance: First bt eBay October 2009; second bt eBay October 2006
Lot 627
Alexander III (1249-1286), Second coinage, Sterling, class Mb1/B mule, mm. plain cross on obv., cross potent on rev., bust left with wider hair, rev. long cross, four mullets of six points in angles, 1.37g/8h (SCBI 35, –; B 25, fig. 158; S 5054/5052). Nearly very fine, lightly toned, the mule apparently extremely rare £120-£150 --- Provenance: Bt D.L. Cavanagh May 1982
Lot 677
David II (1329-1371), Second coinage, Class B, Groat, late class B, Edinburgh, mm. cross fourchée on both sides., second intermediate bust, tressure of six-and-a-half arcs, nothing in spandrels, saltire stops, mullet after scotorvm, small d under rgh, plain a both sides, 4.26g/7h (SCBI 35, 373, same obv. die; cf. B fig. 261 rev.; S 5097). Better than fine but weak in centres, extremely rare £150-£200 --- Provenance: Bt eBay September 2020 This coin belongs to an unpublished ‘Cross-Fourchy’ sub-group of David II coins (Groats, Halfgroats and Pennies) which seems to have been produced between the end of Class B and the beginning of Class C. Extensive research by the vendor, done over a number of years and based mainly on letter forms and fonts, places these coins with their forked initial crosses in the period c. 1364. It is clear that Groups A and B and Groups C and D form two distinct and discreet groups, with no overlap in portrait, crown or letter punches. This corresponds with the change of mintmaster in Edinburgh, with James Mulekyn leaving and being replaced by Bonagius of Florence who probably left his post at the English mint at Durham in 1363. During this changeover period, the Cross Fourchy coins seem to have been produced at a time when a person or persons unknown were overseeing coin production, apparently on fairly ad-hoc basis. Old dies were used or re-used, new dies were somewhat carelessly made from a large number of varied letter punches. Reverses so far identified include some early class A dies, 3 normal class B dies and 12 marked with the fourchy mint mark. These pair with Burns 1st Intermediate obverse dies 268 and 271a, B.271 being an example; four new Cross Fourchy obverse dies with varied portraits, three of these having a mullet after the legend leading Burns to include B261 in Class A; and the Burns 254a obverse, previously thought to only have been used at Aberdeen but now known to have been used in a somewhat dilapidated state at Edinburgh only during the Cross Fourchy series with a Cross Fourchy reverse die and an old, reused Class A reverse. Some lettering from Class B is found on the Cross Fourchy dies, the T and O positioning this group after the final Class B dies, but other letter punches unique to this small series vary almost on a die-to-die basis.
Lot 628
Alexander III (1249-1286), Second coinage, Sterling, class Mb1, mm. plain cross on obv., cross pattée on rev., bust left with wider hair, no pellets on points of crown, rev. long cross, four mullets of six points in angles, 1.37g/2h (SCBI 35, 197; cf. B 15, fig. 157; S 5054). Very fine or better, toned £100-£120 --- Provenance: Bt Vale Coins June 2005
Lot 773
Charles II (1649-1685), First coinage, Merk, 1672, leaved thistle below bust, reads dei : and fra ·, 6.07g/3h (Murray 19; SCBI 35, 1589; B. 10, fig. 1052, same rev. die; S 5611). Small edge flaw and some light adjustment marks, very fine, the die-axis unusual £200-£260 --- Provenance: Bt Edinburgh Coin Shop July 1982 It has been estimated that in excess of 212,000 Merks were struck in 1672.
Lot 673
David II (1329-1371), Second coinage, Class A, Sterling, class A5, Aberdeen, small young bust with sloping shoulder, crosslet stops, rev. vill a+a ber don, long cross, four large mullets of five points in angles, 1.09g/3h (SCBI 35, –; B 9, fig. 278, same rev. die; S 5121). Very fine and rare £800-£1,000 --- Provenance: Bt eBay March 2013
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110041 item(s)/page