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Lot 1240
A late 19th century French gilt bronze twin handled comport, the circular dish with convex inset enamel and gilt decorated panel painted with Ottoman female bust portrait, monogrammed E.M, raised on floral scroll cast supports to integral white marble square base, with six loose blue glass beads, h.22.5cm, dia.34cm
Lot 199
A COPELAND PARIAN BUST OF OPHELIA after the original by W C Marshall, the reverse with impressed marks, and inscribed CRYSTAL PALACE ART UNION, 42cm high together with an alabaster bust of a girl in headscarf (2) Condition Report:"Some minor marks, a scratch to alabaster maidens shoulder.Ophelia is chipped to base and another corner has had an impact mark which as caused a crack. some very minor wear to gilding in one place. The bust seems to have a small stress crack from the manufacture"
Lot 361
Enamelled silver pill pill box, red guilloche enamel to the hinge lid, makers WHS, London 1922, diameter approx 5cm, a Victorian silver salt spoon, the finial formed as a Gentleman's bust, makers William Evans, London 1886; and a silver bladed mother-of-pearl fruit knife, makers John Yeomans Cowlishaw, Sheffield 1907 (3)
Lot 429
Early 20th century silver maidenhead spoon, the terminal modelled as the bust of a woman, fig shaped bowl, import marks for Louis Landsberg, London 1900, length approx 17.5cm; together with a late 19th century apostle spoon, import marks for Samuel Boyce Landeck, London 1893, and another similar (3)
Lot 41
Black net Victorian stole, having frilled layers, approx 167 width, some small tears to the netting; a 1940's black rayon long length evening dress with V-neck to front and back. The shoulder straps of 6 cms. The material is embossed with a pattern complete with a long-sleeved jacket having a collar, fitted sleeves and a separate belt in black approx 83 cms. 1920's black long length evening dress with a bias-cut flounce to the skirt, chiffon over jacket with scalloped back, very fine material. Black lace and silk long length evening dress dating from the 1930's. The garment benefits from a full length silk petticoat. The lace dress has a v-neck and back with puff sleeves, poppers and hooks side opening. Black crepe-effect full length evening gown (Harrods) size 12, this dress has spagetti straps and dropped shoulder with black velvet ribbon encircling the bust line, side zip and underskirt. Lastly a russet early 1940's chiffon evening gown with ruched bodice and spagetti shoulder straps, silk-lined.June 16th Condition Reports(a) The Victorian stole has some small tears to the netting, very pretty item.(b) The black dress has no tears, stains and hem is in good condition, beautifully cut.(c) Very fine fabric, with slight wear to the material on the underarms, hand made by a seamstress size 10, side zip.(d) Beautiful dress with no tears, hems are complete overall good condition, size 10.(e) No tears, no stains, hemline in good condition with a stiffened underskirt and a black velvet belt.(f) damage to the underarm area, hemline in good condition, small tear to the bodice, no other visible damage, size 10.
Lot 42
Late 1920's-30's black velvet evening dress with wide shoulder straps approx 3cms, slimline floor length skirt with hand-covered buttons to the rear of the dress, round brass filigree clasps that hook together. 1930s purple satin and blue straight full length evening dress with a satin under-garment, high square neckline bordered with purple satin. 1920s/30s slimline velvet evening gown having a cross-banded front and twenty covered buttons as a feature. Late 1920s dark blue three tier fringed crepe dress. The dress is likely handmade, sleeveless with a short bolero jacket with fringes. There is a blue silk under-garment which has been torn, it appears that each fringe has been hand-sewn onto the crepe, a stunning dress. June 16th Condition Reports(a) There is some loose stitching to the top bust area an 8cms tear to the material just below back buttons, velvet belt approx 27 cms. No visible stains, hemline in good order, size 10(b)Small holes in the net to ront and one tear to hemline size 10/12.(c) There is wear to the lining of the dress it is delicate and has some discolouration to the material in patches on the section below the waist, size 8/10. (d)There is some minor staining to the under arm area.
Lot 45
1940's vintage spagetti strap evening gown with ruched bodice in satin material with cerise,blue,white and green floral design on black. The dress has two large net black bands to the skirt each approx 17cms in depth. The skirt appears to be in good condition, with a matching evening bag containing some hair ornaments, however there are a few holes in the fabric. Side zip opening approx 30 cms. 1950's mushroom-pink satin with pleated halter neck and strapless bodice with painted floral designs in white, blue, turquoise and ceriese made by Adrian of 65-67 Regent Street London, having a black velvet ribbon band to bust with a satin underskirt and stiffened petticoat. 1940's gold colour sain strapless evening dress with boned bodice, the top section is ruched in pleated satin witha short over-section to waist. The dress has a long skirt and a train attached to the waist at the rear. May Sale 12/05/2022(a) There are some light stains to the bodice, the skirt appears to be in good condition. There are some holes to the evening bag. (b) No visible stains but there is very slight wear to the bust area, side zip of 38 cms. (c) Good condition overall, rear zip 36 cms.
Lot 69
Bust of a Roman barbarian. Ancient Rome, circa 300 AD.Marble.Damaged, nose restored. There is a crack in the tunic and a hole in the back and support.Provenance: Ex collection C. Mercier, 1960 / Baidun Gallery, Israel, 2015; Exhibited: Ifergan Collection, Malaga (2018-2020).The bust is still on its original pedestal.The lower part is a later addition from the 17th and 18th centuries.Measurements: 50 cm.This bust is a faithful representation of one of the many non-Roman citizens who made up the population of the region. It is a male figure who only covers one of his shoulders with his tunic, baring the rest of his chest to the viewer. Although he is vulnerable as a non-citizen, he has the inherent strength of a man outside the law of the Empire, evident in his muscular torso and scowl.The Romans brought two important innovations to the world of sculpture: portraiture and historical relief, neither of which existed in the Greek world. However, they followed Greek models for much of their sculptural production, a basis which in Rome was combined with the Etruscan tradition. After the first contacts with Classical Greece via the Magna Graecia colonies, the Romans conquered Syracuse in 212 BC, a rich and important Greek colony in Sicily, which was adorned with a large number of Hellenistic works. The city was sacked and its art treasures taken to Rome, where the new style of these works soon replaced the Etruscan-Roman tradition that had prevailed until then. Cato himself denounced the looting and decoration of Rome with Hellenistic works, which he considered a dangerous influence on native culture, and deplored the Romans' applause of statues from Corinth and Athens, while ridiculing the decorative terracotta tradition of ancient Roman temples. However, these oppositional reactions were in vain; Greek art had subdued Etruscan-Roman art in general, to the extent that Greek statues were among the most coveted prizes of war, being displayed during the triumphal procession of the conquering generals. Shortly afterwards, in 133 BC, the Empire.
Lot 321
EMERALD AND ENAMEL RENAISSANCE REVIVAL RING, 19TH CENTURYSet with a carved bust of a boy in a ruff in high relief, the gallery and scrolling shoulders decorated with red, black and white enamel, the underside with black enamel cross motif, enamel loss, ring size very approx. MFor further information on this lot please visit Bonhams.com
Lot 28
A Nelson Trafalgar Memorial Medal by Boulton, in bronzed white metal, the obverse with profile bust portrait, HORATIO VISCOUNT NELSON. K.B. DUKE OF BRONTE. &, the reverse with ENGLAND EXPECTS EVERY MAN TO DO HIS DUTY around the Trafalgar battle scene, the sky engraved Isaac Tindel, Africa, the edge engraved TO THE HEROES OF TRAFALGAR FROM M.BOULTON, 4.7cm
![Kings of Mercia, Coenwulf (798-821), Penny, Gp IV, Sigestef, [–]vvlf rex m, around diademed and draped bust right, rev. +si[–](https://cdn.globalauctionplatform.com/1ea0ffeb-8ed4-4612-bb8e-aea0011ef661/c00d8c50-d472-4c67-a45f-aea101067a6c/468x382.jpg)
Lot 128
Æthelred II (978-1016), Penny, Last Small Cross type, Stamford, Svartgeir, spertgar mo stan, Lincoln B dies, 1.41g/9h (Lyon, BNJ 1998, p. 25; BEH 3551; SCBI Norwegian Collections 1548, same obv. die; N 777; S 1154). Flan slightly crimped, otherwise good very fine, grey tone; the bust type unusual for this moneyer £300-£360
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110054 item(s)/page