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Lot 66
Mid-19th century carved marble bust Mid-19th century carved marble bust depicting young woman with hair tied back with ribbon, unsigned, original turned pedestal missing.height 40cm (16")Generally in good order, would benefit from cleaning, some weathering to top of head suggesting the carving might be exposed to weather, although the surface damage is minor.
Lot 39
Francis Hayman (British c.1708-1776) Portrait of Peregrine Bertie (1709-1777), bust length, in a green coat Signed and dated 1744 on verso, oil on canvas.74.5cm x 61.5cm (29.25in x 24.25in)The painting is in good, restored condition. There is a visible patch on the reverse with subsequent overpainting at the lower edge of the painting. There are several holes and areas of inpainting across the canvas as well as areas of varnish and bitumen deformation. There is extensive craquelure and one or two minor flecks of paint loss across the surface of the painting. The painting is ornately framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
Lot 1241
A 19th century weathered marble or stone carved bust of William Nicholas Darnell (1776 - 1865), Church Of England clergyman and Rector of Durham Cathedral, height 74cm, together with family provenance and papersWell weathered, no repairs to bust, overall good condition. Cover of Bible is loose
Lot 335
A yellow metal cigarette box, bearing Artists Rifles crest to the lid, with wood interior, together with a yellow metal daisy shaped ashtray, engraved 28 Artists Rifles J S Perry, 1915 764379 1918, a yellow metal ashtray, embossed with bust of Winston Churchill smoking a cigar to the centre, and a Christmas 1944 tin, containing penknives and ammunition
Lot 144
Clothing. A 1930s wedding or court dress, full length fitted cream lamé gown with train, handmade, patterned with leaves and fully lined with cream sillk, with round neck, long sleeves (padded on shoulders and buttoned at cuffs), and metal eye and stitched hook closure to side, a few pulled threads, staining to underarms, lining of train marked, bust 90 cm (35.5 ins), waist 74 cm (29 ins), sleeves 63 cm (24.75 ins), length 139 cm (109.5 ins), length including train 213 cm (84 ins), together with 6 items of 1920s clothing, comprising: a rare girls' robe de style dress of gold lace over silk, with ribbon straps, metal stud closures at back, flower trim at neck and around waist and stiffened panniers, and a corsage of grapes at waist, somewhat damaged, with losses, bust 66 cm (26 ins), waist 62 cm (24.5 ins), length 61 cm (24 ins); a gold lamé dress with foliate pattern, with lined and boned fitted bodice, padded bust, metal zip closure at back, narrow self straps, and a flared skirt with gathers at rear, occasional light marks, bust 82 cm (32 ins), waist 66 cm (26 ins), length 97 cm (38 ins); a pink and silver lamé unstructured jacket, with 3/4 length sleeves, silk-lined patch pockets at front, and 3 short slits in hem at rear, bust 117 cm (46 ins), sleeves 39.5 cm (15.5 ins), length 61.5 cm (24.25 ins); a gold lace overdress, with pattern of stylised roses, round neck (self button at rear), petal sleeves of net (one with loss of gather stitching), and short train at rear, bust 84 cm (39 ins), waist 60 cm (23.5 ins), sleeves 19.5 cm (7.75 ins), length 107 cm (42 ins); a full-length bias-cut lamé flapper dress, sleeveless, with floral pattern in orange and yellow, and self pendant to neck, small hole to left shoulder, v-neck at rear slightly torn, short tear in hem, bust 90 cm (35.5 ins), waist 80 cm (31.5 ins), length 140 cm (55 ins); and a sleeveless cutwork black overdress with cream stitching, bust 83 cm (33.5 ins), waist 86 cm (34 ins), length 113 cm (89 ins), plus a 1940s full-length chiffon and embroidered net gown (some damage), and a 1950s full-length blue taffeta evening dress with ruched bodiceQTY: (9)
Lot 150
Clothing. An Edwardian tea gown, circa 1910, & others, full-length dress of fine white cotton lawn, with high neckline, long sleeves, and asymmetrical fastening at front with 10 self buttons, heavily embellished with pin tucks and lace insertions/trims, a few minor fox spots, bust 80 cm (31.5 ins), waist 70 cm (27.5 ins), sleeves 58.5 cm (23 ins), length at front 141.5 cm (55.75 ins), length at back 24.5 cm (62 ins), together with an Edwardian overdress of net, with short-sleeved unstructured lace bodice (some short breaks in lace), pale green silk sash, side panels of net lace and ribbon embroidery (one panel missing), and decorative diamanté buttons at waist and shoulders (a few stones missing), and an Edwardian gown of stiff striped white cotton, with metal hook and eyelet closure to front, and bow decoration, long sleeves with ruffled cuffs, a small and large v-shaped pocket, and a ruffled hem, some scattered fox spots, plus 7 other early 20th century garments, various sizes and condition QTY: (10)
Lot 154
Dress. An Arts & Crafts velvet gown, circa 1900, handmade full-length dress of black velvet, with scooped neckline ornamented with a cream hand-embroidered trim of crescent moons and floral stems incorporating sequins (some missing), long overlaid sleeves terminating in long handmade lace cuffs fastened with 3 mother-of-pearl buttons and trimmed with black narrow plaited braid (cuffs toned, with 1 or 2 breaks, and with scant remains of oyster silk lining), and a flared double-layered skirt, the shorter outer skirt terminating to a point at the sides, lightly boned bodice, middle section of sleeves, and hem of outer skirt embellished with black soutache embroidery, front of bodice with 3 decorative velvet buttons at each side, front of under skirt with double row of cream trim of moons and flowers as before (short section becoming detached), fully lined with black sateen, hook and stitched loop fastening to rear (and further hook and eye fastening to lining of bodice), stitched underarms pads printed 'The Treasure, Washable, Made in England', bust 89 cm (35 ins), waist 72 cm (28 ins), sleeves 59 cm (23.25 ins), length at front 151 cm (59.5 ins), length at back 162.5 cm (64 ins)QTY: (1)NOTE:A rare example of a dress which embodies the aesthetics of the Arts & Crafts Movement at the end of the 19th century, when the call for dress reform that had begun in the middle of the century gained momentum. This gown is quite different to the heavily corseted and formal gowns more common of the period, and it exhibits many of the design features which had been espoused by the Pre-Raphaelite Brotherhood. With its medieval overtones and less restrictive, soft flowing line, it does away with the exaggerated silhouette, and its use of natural forms as the basis for pattern and decoration, as well as the utilisation of handmade lace and trim, exemplify the importance of nature and craftsmanship to those harking back to a pre-industrial world.
Lot 283
A Medieval lead-alloy pilgrim badge of St Thomas Becket, 14th-15th century, showing the bust of the martyred Archbishop wearing a mitre, incomplete, 4cm highProvenance: by repute, found in the Thames.The estate of the late designer, Anthony Powell.Please refer to department for condition report
Lot 408
A French gilt-bronze drum cased mantel timepiece case, late 19th century, the gilt-bronze case with twin masks to sides, surmounted by a porcelain head and shoulder bust of a Classical male, on scrolling supports with floral swags, on a porcelain plinth base with purple panels above stepped brass base, stamped to underside of base BOINTABURET A PARIS and numbered 31383, the white enamel dial with Roman and Arabic numerals, with modern movement, with key, 26cm high, 12cm wide, 6cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 876
Beano – Robert Harrop – a collection of figurines / statues to include CBD13 Jonah, BDFC01 Beano Front Cover 1973, BDY006 Teacher Bust with another Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
Lot 178
British Medals, Queen Victoria, a modern silver medallic reproduction of the Una and Lion five-pound coin, 1839, the original by William Wyon, bust l., rev. the Queen as Una stands before the British Lion,87mm diameter, approximately 289 grams, together with a base metal Liberty medallion, Medallic Art Co Lincoln college medallion and another
Lot 243
Jules-Constant Peyre, French, 1811-1870, (born-active), a pair of ‘ceramo-marbre’ portrait reliefs of Empress Eugenie and Napoleon III, third quarter 19th century, each signed J.PEYRE, and with maker’s stamp to reverse Nouveau Modeles Ceramo-Marbre, Propriété de L'Editeur, in brass slip frames, 18cm diameter Note: Peyre was born in Sedan, and having trained under the famous animalier sculptire Bayre he joined the Sevre porcelain factory as a modeller (1845-1848) and went on to become Chief Designer (1856-1871). During some kind of sabbatical in the early 1850s he took obe of the factory's most distinctive material formulations, bisque porcelain, and developed it into a much more durable and versatile synthetic marble, which he called "ceramo-marble". Exploiting this new product he began to commercialise a range of portrait medallions based on his own deisgns. In 1855 he sculpted a medallion of Princess Eugenie which was based on a life-size marble bust created in the previous year by Alfred-Emilien, comte de Niewerke. Peyre then sculpted a matching medallion of the Emperor himself, and marketed the resulting Imperial Pair in a range of different sizes, typically 7-10cm. The present lot is unusually large and rare example of this model.Please refer to department for condition report
Lot 249
A Regency wax portrait bust of a gentleman, possibly the Duke of Wellington, attributed to Peter Rouw, dated March 1818, on an ebonised base with glass dome, 10cm high Provenance: Chorley’s, 13 October 2015, lot 261 where it was sold with a note 'Given to C N Smith by the Sculptor Peter Rouw after he went blind'. Please refer to department for condition report
Lot 252
A French bronze bust of Minerva, late 19th century, after the Antique, on a gilt socle and square-section base, 49cm high Note: One of the major deities of ancient Greece and Rome, Minerva was the goddess of wisdom, arts and learning. The daughter of Jupiter and sister of Hebe, she is also associated with civilised war and the fighting of just causes. Please refer to department for condition report
Lot 197
1745 JACOBITE REBELLION, CARLISLE RECAPTURED MEDAL,the obverse inscribed 'WILL DUKE CUMB BRITISH HERO, BORN 15 APR 1721' and with portrait bust, the reverse 'FOR MY FATHER AND COUNTRY, CARLILE REDUCED AND REBELS FLEW DEC 1745' and with Cumberland as warrior attacking Hydra of rebellion, 3.5cm diameter
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110054 item(s)/page