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Lot 244

A Reconstituted Marble Bust in the form of a boy, bearing signature Daniel, 25cm tall

Lot 670

A large 19th century Victorian ' Industrial Age ' wrought and cast iron bust of the Greek poet Homer. The large bust having good detail. Measures 72cms high

Lot 131

An original retro vintage 20th century cast metal wall mounted double sided bank sign. Central oval sign reading ' Bank ' in gilded large lettering with gilt bust of Hermes to top having original rectangular wall mount. Cast, forged and fabricated components. Measures: 92cm x 80cm.

Lot 548

A 20th century decorative aluminium bust statue of a Greyhound / Whippet racing dog. Detail to face, and mounted on a squared aluminium base. Measures approx; 23cm tall. 

Lot 2206

A heavy stone bust of an African tribesman.

Lot 6015

A 19th Century French slate mantel clock with ormulu mounts, feet and gilt spelter bust of Napoleon, Roman enamelled dial, (signature faded) 8 day movement with countwheel strike on a bell, keys and pendulum, 45cm high

Lot 624

African hardwood short spear, with carved bust of a stylised gentleman to the butt, 38" long, with a small collection of antique and more recent daggers and blades, including eastern etc. and a carved hardwood truncheon

Lot 616

Faux marble resin bust of a lady, upon a circular marble base, 9" high

Lot 435

Three carved giltwood Florentine frames, 12.5" high, two set with mirrors, one enclosing a Berlin style porcelain plaque painted with a bust of a lady, 3.5" x 2.5", inscription verso (3)

Lot 90

A stone bust of a lady, H.33cm,

Lot 131

Gold Coins - Charles II half guinea, 1681 (with elephant and castle below bust)

Lot 337

STUART DEVLIN: A heavy silver and silver gilt ball commemorating the Royal Wedding of Prince Charles to Lady Diana Spencer in 1981, with hinged mount and bust figures of the couple encased inside. London. Approx. 523 grams. Est. £300 - £400.

Lot 412

SANTA CLAUS FAIRGROUND BALL GAME depicting a polychrome decorated bust of Father Christmas with open mouth, above the playing area with painted numbers and instructions "All balls must score" on a blue painted wooden base 76cm x 56cm x 73cm

Lot 267

•EDMOND XAVIER KAPP (1890-1978) Bust length portrait of a moustachioed gentleman, signed lower right, charcoal on paper, 36cm x 25cm Provenance: Emil Otto Hoppé (1878-1972) and thence by descent

Lot 1454

AFTER THE ANTIQUE, a bronze male bust on marble base. 7.5ins high overall.

Lot 1346

A BRONZE BUST OF NAPOLEON, on a marble base. 11.5ins high.

Lot 1460

A CIRCULAR OAK PANEL, carved with a male bust. 16ins diameter.

Lot 1333

AFFORTUNATO GORY (fl. 1895-1925) ITALIAN A SUPERB GILT BRONZE AND SCULPTED WHITE MARBLE BUST OF A YOUNG LADY, on a veined marble base. Signed A. GORY . Bust: 13ins high.

Lot 348

PIERRE VAN RYNEVELD A PAIR OF BROWN PATINATED BRONZE BUST SCULPTURES depicting a Zulu Nduna and Woman with Child - each inscribed, signed and dated 1938 on reverse - on shaped hardwood plinth bases 24cm and 23cm high

Lot 297

A 19TH CENTURY WHITE MARBLE SCULPTURE depicting the head and bust of a young girl 20cms high 16cms across base

Lot 635

A RARE GROUP OF THREE 15THCENTURY POLYCHROME CARVED OAK FRAGMENTS probably depicting bust portrait subjects from the tree of life 22-24cm across 23-26cm high

Lot 340

A 19TH CENTURY ALABASTER CARVED BUST PORTRAIT OF KING GEORGE V mounted on a turned green-veined marble socle 26cm high.

Lot 298

AFTER H MÜLLER AN ART NOUVEAU STYLE BUST SCULPTURE of a young lady, on rouge marble plinth base 16cms wide 16cms high

Lot 454

Benin style bust, Meissen style figure, two Staffordshire flat-back figures, Worcester match holder and Studio pottery vase. We are unable to do condition reports on our Interiors Sale

Lot 87

A carved and part ebonised hardwood bust of a boy holding a cat, 67 cm high

Lot 263

Four 19th Century gold plated seal fobs, one with a large oval intaglio with the bust of a gentleman (4).

Lot 273

18th Century South Staffordshire enamel on metal oval patch box, the black printed lid printed with the bust of a woman and inscribed 'When this you see remember me', the hinged lid interior with mirror, the box with pink enamel, width 40mm (AF).

Lot 972

GREEK BUST AND TWO TRIBAL HEADS

Lot 189

Antique Period 19th Century Stunning Quality Platinum Set Diamond and Carved Opal Pendant with Attached Platinum Chain. The Central Carved Opal Portrait Bust of a Young Woman of Wonderful Colour. Surrounded by Old Cut Diamonds. Pendant 1.5 Inches - 3.75 cm High & Chain 18 Inches - 45 cm. Wonderful Quality and Condition.

Lot 430

Royal Doulton Limited Edition Bust of Princess Anne commemorating the Royal Wedding To Captain Mark Phillips, Numbered 350/750, height 11 Inches, Complete In Fitted Box With Certificate

Lot 227

Victorian Period Fine Quality 18ct Gold Oval Shaped Raised Cameo Pendant / Brooch, Button Size, Depicts a Portrait Bust of a Young Woman. 3.8 grams. Please See Photo.

Lot 375

A 9ct Gold Mounted Cameo Brooch with 9ct Gold Safety Chain of Square Form, Depicting a Portrait Bust of a Young Woman. Fully Hallmarked for 9.375 Gold. Size 3.25 x 3,25 cm. Weight 9.5 grams. Excellent Condition.

Lot 314

Antique Parian Ware Group Study,  'The Three Graces' approx 30 cms h, on an oval base, nr 1281 together with two Parian ware busts of Joseph Haydn and Franz Schubert, approx 10.5 cms and a small white marble bust of a girl together with W.H Goss Lion of Lucerne.

Lot 59

Miscellaneous Brass Items. This lot includes an antique brass letter opener the finial modelled on a bust of Napoleon signed d'apres Messonnier, approx 28 cms l; a Cairo-ware silver, brass and copper trinket box signed to the cover (hinges are loose) approx 12 x 9 x 4.5 cms ; a small brass jug; an Indian Sadeli Micro-Mosaic Card Case, circa 1900, approx 9.3 x 7 cms together with a brass pillow purse, approx 11 x 8 cms. (5)

Lot 6

A Bronze Bust of King Edward VII, raised on a circular rose-marble plinth, approx 15 cms h.

Lot 82

Enrico Caruso (Italian, 1873-1921) Bronze Bust, depicting Caruso as the Laughing Buddha, approx 15.5cms h, signed Enrico Caruso dated 1907, stamped on the reverse Roman Bronze Foundry NY. Note: Property of a Lady Madame da Costa - a cherished friend of Enrico Caruso and his family.

Lot 84

ROMAN COINS, LICINIUS II (CAESAR, AD 317-324), GOLD AUREUS, 5.3G. MINT OF NICOMEDIA, AD 321/2. D N VAL LICIN LININIVS NOB C, BARE-HEADED, DRAPED AND CUIRASSED BUST FACING. REV. IOVI CONSER-VATORI CAES, JUPITER SEATED FACING ON THRONE SET ON PLATFORM, HOLDING VICTORY ON GLOBE AND SCEPTRE, PLATFORM INSCRIBED SIC V/SIC X IN TWO LINES, EAGLE STANDING LEFT AT FEET TO LEFT, HEAD RIGHT, HOLDING WREATH IN BEAK, SMNE TO BASE OF PLINTH

Lot 1497

A COMPOSITION BUST OF A CLASSICAL LADY WITH RIBBON TIED HAIR. H 53cms. TOGETHER WITH A SQUARE SECTIONED STAND. H 48cms

Lot 508

A LOUGHTON OF BIRMINGHAM TERRACOTTA BUST OF CARDINAL NEWMAN SCULPTED BY W S MOORE IN DECEMBER 1890. H 34cms.

Lot 308

A GRAND TOUR POTTERY BUST of the Roman Emperor Titus, mounted on marble column and bronze plinth, early 19th Century, the underside etched 'Dwight Fulham Stoneware', 26cm high

Lot 187

D. BRUCCIANI & CO A painted plaster classical portrait bust, on socle base, 75cm high

Lot 273

A 19TH CENTURY WHITE METAL SEAL, modelled as an elegant lady, the oval hardstone seal intaglio carved with a cherub, unmarked, 4cm high; another modelled as a young lady with cornucopia, 5.5cm high, another in the form of a male bust, on green hardstone plinth, 5cm, and a silver plated example modelled as a classical male bust, 6.5cm (4)

Lot 7

A Rare Resolution and Adventure Medal, 1772, in bronze coloured 'platina', the obverse with bust r., laureate, GEORGE III KING OF GR. BRITAIN. FRANCE. IRELAND. ETC., the reverse with two ships at sea. RESOLVTION. ADVENTVRE., the exergue SAILED FROM ENGLAND MARCH MDCCLXXII, the top edge above the King's head bearing traces of original suspender ring, later drilled to take a ribbon suspender, with later case Footnote:- These medals were made for distribution to indigenous people by James Cook and his men of the ships 'Resolution' and 'Adventure' during the Second Voyage of 1772-75.Provenance:- The Resolution and Adventure Medal was given to the vendor by his grandmother when he was young, and he always kept it in his 'treasure box'. However, the early provenance of the medal has been lost to time.

Lot 4

J Hirsch and Sons Limited, Montreal - an early 20th century rectangular cigar tin, inscribed Irving Cigars and printed in polychrome with a titled portrait oval of Our Future King, H.R.H Edward Prince of Wales, leafy swags, royal arms and regalia, on a faux mosaic ground, 3cm high, 21.5cm wide, 12.5cm deep, c.1911Prince Edward, later briefly Edward VIII, was officially invested as Prince of Wales at Caernarfon Castle on 13th July 1911. This was the first time that the ceremony had been held in Wales since at least 1616; Queen Victoria - South Africa 1900 - a rounded rectangular tin, the cover embossed with portrait bust in gilt, Royal Cipher, crown, inscribed South Africa 1900, facsimile script, I Wish You a Happy New Year Victoria, 1900, on a red ground, blue border, reg 349850, 2cm high, 15.5cm wide, 9.5cm deep, c.1900; a circular plate, printed in colours with The Four Generations of Our Royal Family, the border with named views, Windsor Castle, York Cottage, Buckingham Palace and Marlborough House, and Royal Arms and flowers of the British Isles, 30cm diam; etc (5)

Lot 8

Victory Factories, Nelson - an early 20th century tapered rectangular tin, embossed and printed in polychrome with a mounted Native American Indian, to verso with a Moor, on a faux leather ground, 'brass mounts' to angles, lion mask handles to sides, verso of cover inscribed The World's Winter Sweetmeats Victory-V For Cold Journeys, Gums and Lozenges Sold All Over The World, Nothing Like "Victory", 28.5cm high, 15.5cm wide, 10.5cm deep;Banner, Wallis and Manners, Ltd - an early 20th century commercial sample cover, printed in polychrome with bust length portrait of John Spencer Churchill, The 1st Duke of Marlborough, with embossed laurel leaf border, 21cm high, 16.5cm;etc

Lot 106

MIXED LOT OF VARIOUS TRIBAL STYLE CARVINGS INCLUDING TWO PAIRS OF WALL PLAQUES, BUST, FIGURES AND HINGED STORAGE BOX, ETC.

Lot 272

EGYPTIAN STYLE GILDED BUST, APPROXIMATELY 31cm HIGH

Lot 122

MIXED LOT OF VARIOUS TRIBAL STYLE CARVINGS INCLUDING FIGURES, PAIR OF WALL MASKS, INLAID PANEL, BOOMERANG, PAIR OF MARACAS AND PAIR OF CERAMICS BUST FORM VASES

Lot 275

GILDED BUST DEPICTING F CHOPIN, APPROXIMATELY 29cm HIGH

Lot 710

A 19TH / 20TH CENTURY SANDSTONE BUST OF BUDDHA wearing a headdress, with polychrome decoration, on later stand. 63cms high.

Lot 74

Mary Winifred Jule Hayes, maquette type ceramic portrait bust of a lady, possibly self portrait. The bust 40cm high approx, on plinth. (B.P. 24% incl. VAT)

Lot 185

Mid-20th century Far Eastern carved hardwood bust of a chieftain with feather and floral head-dress, 32cm tall

Lot 297

g Elizabeth II (1952 -), gold proof Fifty-Pence, 2003, struck in 22 carat gold for the 100th Anniversary of the Suffragette Movement, crowned bust right, IRB below for designer Ian Rank Broadley, legend surrounding, ELIZABETH II D. G. REG. F. D.2003, rev. design by Mary Milner Dickens of a suffragette chained to railings and holding a banner on which appear the letters WSPU, to the right a ballot paper marked with a cross and the words GIVE WOMEN THE VOTE, to the left 50 PENCE, and below and to the right 1903 and 2003, 15.5g (S.H12). As struck, lustrous mint state, in original Royal Mint box with certificate of authenticity numbered 0318 of 942 pieces issued. g This item is sold under the investment gold scheme. VAT may be reclaimed on investment gold lots by VAT registered traders.

Lot 76

Pleasing Example of the 1562 Milled Sixpence of Queen Elizabeth IElizabeth I (1558-1603), silver Sixpence, 1562, milled issue by E. Mestrelle, elaborate crowned bust left, small rose in field behind, initial mark star both sides, outer beaded circle and legend surrounding both sides, cross on crown below centre of E, ELIZABETH. D. G. ANG. FRA. ET. HIB. REGINA, rev. long cross fourchée over quartered shield of arms, date above between pellets, left pellet below V of legend, POSVI DEVM. AD IVTORE M. MEVM, weight 3.11g (Borden and Brown 27, O1/R1; N.2027; S.2596). Toned, with underlying brilliance, extremely fine for issue and rare and highly desirable this nice. Elloye Mestrelle likely arrived from Paris with his family in 1559, and along with his sibling Philip was already a skilled engraver. It is thought that he came to England to sell his skills to the Mint, as the Queen was concentrating her energy into the recoinage, having ascended the throne the year before. He may well have lost employment engraving in France, as the first mention of him is in a pardon by Queen Elizabeth of 24th March 1561 where he is forgiven for any treasons, felonies or offences before his arrival at the Mint dating before 1st March 1559. He seems to have secured a contract during 1560 at the Mint, and the first fruits of his experimental machine-made labour appear in late 1561. To make such milled coins metal ingots were first cast and then a cutter was employed to cut individual blanks, which turned out to be 10% overweight. Therefore, the individual blank flans had to be adjusted by hand cranking through roller presses to flatten them out. The eventual coins were struck by a screw press method and the first denominations were the undated silver Shilling, Groat and Half-Groat, and a limited number of gold Half-Pounds and Crowns perhaps produced to celebrate the Queen’s visit to the Mint in July 1561. The silver at least features in a Pyx trial of October 1561, but not the gold. These silver denominations were then dropped in favour of new silver Sixpences, Threepences, Three-Halfpence and Three-Farthings, as of a new Proclamation issued 15th November 1561, all featuring the rose behind the bust, and Elloye was awarded £25 from the Queen. Elloye worked within the Mint for the next eight years, but fortunes changed on 1st September 1568 when his brother Philip was arrested for counterfeiting Burgundian Crowns and Elloye was implicated in the crime. Philip was subsequently hanged after his conviction of 12th January, and Elloye though once again pardoned on 2nd May 1569 returned to the Mint in 1570; but not in as much favour as previously as he now had only limited access to letter punches for engraving. The Under-Treasurer Stanley suddenly died in December 1571 and the change in master-ship to John Lonison meant changes were afoot. It was decided the experimental machinery would be put to the test against the hammermen in 1572, and its production rate of a mere 22 blank Sixpence sized flans an hour could not compete with the hammermen’s 280 in the same timeframe and theirs were more accurately hewn. Therefore, Lonison denied Elloye further access to the Minting area in the Tower though he remained in lodgings with his family, and not much more is known for the succeeding years and months. That is until in October 1577 when Elloye is arrested in London and later appears at the Norfolk Assizes charged with counterfeiting and is convicted. His possessions and family are evicted from the Tower, and alas it seems he met the same fate as his brother Philip in Spring 1578. For further reading see the article in the British Numismatic Journal 1983, volume 53, “The Milled Coinage of Elizabeth I” by D. G. Borden and I. D. Brown Provenance: Ex St James Auction 35, 9th February 2016, lot 40.

Lot 287

g Elizabeth II (1952 -), gold proof One Pound Coin, 2006, struck in 22 carat gold, crowned bust right, IRB below for designer Ian Rank Broadley, legend surrounding, ELIZABETH. II. D. G REG. F. D. 2006, outer beaded border surrounding, rev. struck en medaille, the Egyptian Arch Bridge County Down, tiny incuse back to back Es at lower left of design for designer Edwina Ellis, denomination below, outer border of arcs and linear circle surrounding to represent bridges and paths, edge milled with woven cable pattern incuse, weight 19.61g (S.J19). As struck, lustrous mint state, in original Royal Mint box and card case with certificate of authenticity numbered 1010 of 1195 issued. g This item is sold under the investment gold scheme. VAT may be reclaimed on investment gold lots by VAT registered traders.

Lot 125

Charles II (1660-85), silver Shilling, first hammered issue (1660-61), crowned bust left, plain field, legend and outer toothed border surrounding both sides, initial mark crown, CAROLVS. II. D. G. MAG. BRIT. FR. ET. HIB. REX, rev. long cross fourchée over quartered shield of arms, .CHRISTO. AVSPICE. REGNO., weight 6.03g (Bull 273; ESC 1009; N.2762; S.3308). Toned, a little double-struck in parts, some light hairlines, rim chip on reverse, otherwise very fine and scarce. Provenance: Ex A. H. Baldwin, Auction 77, 27th September 2012, lot 2716.

Lot 265

g Elizabeth II (1952 -), gold thirteen-coin proof Set, 2002, struck for the Golden Jubilee of the Reign, the current denominations all struck in 22 carat gold, proof Golden Jubilee Five Pounds, 2002, crowned bust of Queen right enrobed, IRB on truncation for designer by Ian Rank Broadley, denomination below, rev. Queen enrobed on horseback left, IRB incuse below rear hoof, date in exergue either side of Order of the Garter, two lines of legend surrounding, ELIZABETH. II. DEI. GRA. REGINA. FID. DEF / .AMOR. POPULI PRÆSIDIUM REG, edge milled, weight 39.94g; gold proof Two Pounds, 2002, crowned head left, IRB below for designer Ian Rank Broadley, beaded circles and legend surrounding, ELIZABETH. II. DEI. GRA. REG. FID. DEF., rev. concentric symbols to depict the advance of technology from the Iron Age to the Internet, incuse italic BR in stripe on right side for designer Bruce Rushin, denomination and date surrounding, edge milled, weight 15.97g; gold Proof One Pound, 2002, similar obverse to previous coin without beaded inner circle, rev. three heraldic lions left, denomination below, modelled by Norman Sillman, edge milled and inscribed with incuse letters DECUS ET TUTAMEN, weight 19.61g; gold proof Fifty Pence, 2002, struck on heptagonal flan, similar obverse, rev. Britannia seated right with trident shield and lion, holding spray of leaves, 50 in exergue, FIFTY PENCE above, designed by Christopher Ironside, weight 15.58g; gold proof Twenty Pence, 2002, struck on heptagonal flan, similar obverse, legend incuse on raised border, rev. crowned rose, date either side, denomination at stem 20 below, TWENTY PENCE incuse on raised border, designed by William Gardner, weight 9.74g; gold proof Ten Pence, 2002, similar obverse to One Pound, rev. crowned lion prancing left, 10 below, TEN PENCE above, designed by Christopher Ironside, edge milled, weight 12.65g; gold proof Five Pence, 2002, similar obverse, rev. crowned thistle, 5 below, FIVE PENCE above, designed by Christopher Ironside, edge milled, weight 6.32g; gold proof Two Pence, similar obverse, rev. Prince of Wales plumes with motto, 2 below, TWO PENCE above, designed by Christopher Ironside, edge plain, weight 13.96g; gold proof One Penny, 2002, similar obverse, rev. crowned portcullis with chains, 1 below, ONE PENNY above, designed by Christopher Ironside, edge plain, weight 6.98g; gold proof Maundy Set, Four, Three, Two and One New Pence, each with young laureate head of Queen right designed by Mary Gillick, legend and beaded border surrounding, +ELIZABETH.II. DEI. GRATIA. REGINA. F:D:, rev. crowned mark of value with date either side all within oak wreath, weights 3.16g, 2.37g, 1.58g, 0.79g respectively (S.PGJS1-2002). As struck, lustrous mint state with some coins toning, in original Royal Mint box and card outer with certificate of authenticity numbered 1221 of 2002 sets issued. (13) g This item is sold under the investment gold scheme. VAT may be reclaimed on investment gold lots by VAT registered traders.

Lot 239

Victoria (1837-1901), silver Florin, 1885, Gothic type, crowned Gothic type bust left, Latin legend in Gothic letters with linear and 33 longer arched border surrounding, date in legend in Roman numerals, Victoria d: g: britt: reg: f: d: mdccclxxxv, rev. crowned cruciform shields, emblems in alternate angles, quatrefoil at centre, denomination legend, One florin in upper half, one tenth of a pound in lower half, toothed border and rim surrounding, weight 11.30g (Bull 2909; Davies 777 dies 9+B; ESC 861; S.3900). Attractively toned, extremely fine.

Lot 211

Pleasing Example of the George III Oval Countermark on a Mexican Spanish Empire Eight RealesGeorge III (1760-1820), oval countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1793 FM, struck in Mexico City, Mexico, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon motto either side PLUS ULTRA, legend surrounding, .HISPAN. ET IND. REX. M. 8R.F.M., weight 26.66g (Bull 1852; ESC 129; S.3765A). Toned, host coin and countermark good very fine. These emergency countermarked coins were struck in relation to a crisis with the silver coinage at the end of the 18th Century where the supply of silver in commerce and for the Mint had dwindled due to the Wars in France after the Revolution in 1797. From March 1797 the Bank of England therefore released stocks of its Spanish dollars each with an oval countermark valued at 4s and 9d for currency. They did not really alleviate the problem of smaller change and were issued on an off with the oval countermark until a more complex larger octagonal mark replaced them from January to May 1804, as the oval pieces were being counterfeited. Eventually the octagonal replacements were also copied widely and the ultimate solution was to have the Soho Mint totally overstrike the Spanish Dollars with the Bank of England design. The initials F and M at the end of the reverse legend represent the names of the Mint Assayers who were Francisco Arance Cobos and Mariano Rodriguez.

Lot 387

Byzantine Empire, Maurice Tiberius (A.D. 582-602), gold Solidus, mint of Constantinople, O N MAVRC TIb PP AVI, draped and cuirassed bust facing, wearing a plumed helmet and holding a globus cruciger, rev. VICTORIA AVGGG I, Angel standing facing, holding a long rho-headed cross and a globus cruciger, a star on right, CONOB in exergue, 4.17g, 6h (S -; DO -; MIB -). Extremely fine, apparently unpublished with this reverse legend.

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