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Lot 2757
A George V cut glass jar with gilt metal and shagreen screw cover, a moulded glass model of a dog`s head, a Mauchline ware box, transfer printed with a scene of `Folkestone, from the Lees`, two Chinese soapstone brushwashers, a carved ivory seated Buddha, three further soapstone figures, a soapstone seal and a Balinese carved wood bust.
Lot 438
A German silver gilt twin compartment snuff box, of shaped oval outline, each hinged lid moulded in relief with two circular bust portraits within scrollwork borders, on a shaped foot, Augsburg marks for 1737 to base, length approx 6cm, together with a Russian silver octagonal cup, Moscow 1760, height approx 4.2cm.
Lot 869
A 1914 Star with bar to `2802 Cpl W.J. Stephens. 4/D. Gds.`, a 1914-18 British War Medal and 1914-19 Victory Medal to `D-2802 Sjt. W.J. Stephens. 4-D. Gds`, a 1939-45 Defence Medal and Army Long Service and Good Conduct Medal, George V field marshal`s bust issue, to `392654 W.O. CL.11. W.J. Stephens. The Royals`, mounted on a bar as worn, and an enamelled lapel badge, detailed `4/7th D.G.P.& P. Assoc`.
Lot 554
Duke of Wellington interest 19th Century black basalt tea caddy, with a flower finial above a gadrooned lid, the main body with a leaf border, one side with a bust of Wellington having a wreath laid upon his head, the opposing side with the words India Portugal & Spain, Vittoria 21st June 1813, lion mask handles to each side, 15.5cm wide
Lot 17
USA coins (125), including Dollars: 1881 VF, 1882O VF, 1923 NF, large cents: 1798, 1801 poor, 1837, 1849 VF, Washington pieces: 1783 (2) military and draped bust fair, undated double head cent fair; Hard times tokens: Bentonian Currency Cent “Mint Drop” 1837 NVF, 1837 Executive Financiering VF and 1837 Executive Experiment NVF, 2 “Millions for Defence” tokens 1837 and 1841 VF and NVF.
Lot 46
Roman Catholic Emancipation 1829, an AE medallion, obv high relief bust of Duke of Wellington left, with legend, rev “Catholic Disabilities Removed April 13th 1829, Ireland Pacified” in centre and surrounded by “George IV King. Arthur Duke of Wellington Prime Minister”, diam 55mm (Eimer 1210), VF, some edge bruising and contact marking; together with approx 200 coins, mostly Geo V and VI including shillings (62) up to 1946, sixpences (23) ditto, Vic AR Jubilee head shilling 1887F. Average worn to VF and 6 EIIR £1 notes (1 large signed Page) VGC
Lot 60
AE tokens: Kendal, The Guard and Glory of Britain, obv with RD cypher, Payable in Dublin or at Ballymurtagh, ½d, VF/NVF; Glasgow Phoenix Iron Works Penny 1813 GF/NVF; Hackney, T Hall, 1795 “Sir Jeffery Dunston Mayor of Garrat”, NEF with traces of original colour; Non Local issues: 1d token 1812, bust of Geo III in oak wreath, rev seated figure of Commerce, VF (small stains to obverse), another, fair and ½d NF (cut to flan); ½d 1812 with bust of Nelson, reverse British Naval Halfpenny, VF; Wellington obverse ½d, reverse Britannia 1813 VF and 2 ½d sized; reverse legend starting Cuidad and ending Salamanca VF and similar ending Madrid, VF; and 13 sundry others.
Lot 466
Andrei Cambi (Italian 19th Century)-Marble bust depicting a lady wearing a head scarf and with a floral band in her hair, signed to the rear Prof.A. Cambi, Frenze 1884, on a circular socle, 64.5cm high, together with a tapered serpentine pedestal having carved arcaded decoration, octagonal marble top and standing on an octagonal foot, 109cm high
Lot 655
ENGLISH SCHOOL, C1800AN OFFICER AND A LADYseated arm in arm before drapery, ivory, oval, 7 x 8.5cm, papier mâché frame bearing label Lady S Mostyn, an English School miniature of an officer, bust length in a blue tunic, ivory, papier mâché frame and another miniature of a gentleman (3)++All with some faults but entirely unrestored
Lot 54
John Hogan (1800-1858) Bust of Francis Sylvester Mahony ("Fr. Prout") Marble, 50cm high (19.75") Made in Rome 1846 and signed Hogan Provenance, by descent in the family of the subject Literature "John Hogan, Irish Neoclassical Sculptor in Rome" (Irish Academic Press, 1982) where it is listed as No. 58 in the Catalogue Raisonné. Mahony wrote a description of Hogan's studio in Rome in the spring of 1847 which mentions his own portrait bust. "The locale which forms this sculptor's workshop (once tenanted by Canova) presents just now what may be termed a sort of Hibernian Valhalla…the bust of Father Mathew looks forth redolent of Christian philanthropy: on the same shelf is seen the mirthful brow of Father Prout…the late venerable Mr Beamish of Cork as well as his meritorious partner William Crawford, both models to any mercantile community, have their representations here, with several Murphies from that city." The bust was made before May 1847 so it is unlikely to have been this bust for which Mahony sat for Hogan in November 1847 as Turpin writes. The date is therefore likely to be 1846 rather than 1848. Turpin notes the low relief carvings on either side of the base. On one side an open chest with rolls of parchment and an antique lamp - an illusion to the 'discovery' of Fr Prout's literary remains in a chest - and on the other a book, a wine bottle, a chalice and a classical flask - apt symbols of Mahony's life. Francis Sylvester Mahony (Fr Proust) (1804-1866) "A very singular person, of whom the world tells a thousand and one tales, you know, but of whom I shall speak as I find him, because the utmost kindness and warmheartedness have characterised his whole bearing towards us….a most accomplished scholar and vibrating all over with learned associations and vivid combinations of fancy and experience - having seen all the ends of the earth and the men thereof, and possessing the art of talk and quotation to an amusing degree." Elizabeth Barrett Browning, 10th October 1848 Francis Mahony was born in Cork on 31st December 1804, the son of Martin Mahony a woollen merchant. He went to Clongowes in 1815, to the Jesuit college of St. Acheul at Amiens in 1819 and then to Paris as a Jesuit novice. From 1823-1825 he studied in Rome. He was "brilliant but intractable and ill-disciplined". Eventually he was told that he was not suitable for ordination as a Jesuit. Returning to Ireland still intent on ordination he was made Prefect of Studies at Clongowes and then Master of Rhetoric. Then disaster struck. He took a party of boys on an outing to have dinner in Maynooth. The boys got drunk and returned to Clongowes on turf-cutters' carts after midnight. Mahony resigned his post. He went abroad, continued his studies and was eventually ordained, but not as a Jesuit, in 1832. He served bravely in Cork during the Cholera epidemic of 1832 but again fell out with his superiors. After two years he went to London, gave up life as a priest and began the career in journalism for which he is remembered. His relations with the Church have continued to be uncertain. A friend wrote after his death that "he might have had a cardinal's hat but for that which is imputed to him as his one great fault - conviviality" Mahony loved the sociable, literary world of London. He wrote for Fraser's Magazine under the pseudonym of "Father Prout", allegedly the parish priest of Watergrasshill, near Cork. The editor William Maginn, Thomas Crofton Croker, the antiquarian and collector of Irish fairy stories and Daniel Maclise, the artist, were other Cork-born contributors. Mahony's writing shows him to have been a classical scholar, linguist and wit. He described himself as "an Irish potato seasoned with Attic salt." As a joke he alleged that Thomas Moore, then at the height of his success, was just a plagiarist, merely translating from French, Greek or Latin poems or other "originals" which Francis supplied. The Bells of Shandon - for long included in the Oxford Book of English Verse - was written as the supposed original of Moore's Evening Bells - a St Petersburg Air. Many of these articles were collected as The Reliques of Father Prout. From 1837 he wrote for Charles Dickens's Bentley's Miscellany from Italy. His contributions were collected and published in 1847 as Facts and Figures from Italy by Don Jeremy Savonarola - another pseudonym - with a brief foreword by Dickens. Mahony settled finally in Paris where for eight years he was the correspondent of The Globe and where he died in 1866. He is buried at Shandon in Cork. One of his obituarists wrote "Indeed Francis Mahony… was no common man, either in genius or expression. Many elements met in him, as in a mayonnaise, to make a piquant mixture. He was a Jesuit and a humourist; a priest and a Bohemian; a scholar and a journalist; a wag and a song-writer; a Cork man familiar to everyone in Rome, a Roman Catholic ecclesiastic well known in the convivial clubs of London."
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110054 item(s)/page