Tabatiere, Iserlohn, Mitte 18. Jh.Messing / Kupfer. Abgerundete Reckteckform. Auf dem Deckel Brustbildnis Friedrichs des Großen im Profil im Medaillon, darüber Reiterdarstellung vor einem Zeltlager mit erhobenem Schwert mit folgender Inschrift "Fama Ingens Ingentior Armi...", unter dem Brustbild preußischer Adler, flankiert von Fahnenträgern, Rückseitig Aufreihung der Erfolge ("Triumphi Friderici Maiximi", Darstellung von Schlachtenszenen in den kleinen Kartuschen. Meister Johan Heinrich Giese, Iserlohn, datiert 1755/62. Vgl.: Dossmann, Abb. 33. L. 16 cm Tabatiere, Iserlohn, mid 18th century. Brass / copper. Rounded rectangular form. On the lid bust portrait of Frederick the Great in profile in medallion, above equestrian depiction in front of a tent camp with raised sword with the following inscription "Fama Ingens Ingentior Armi...", below the bust portrait Prussian eagle flanked by flag bearers, on the reverse string of victories ("Triumphi Friderici Maiximi", depiction of battle scenes in the small cartouches. Master Johan Heinrich Giese, Iserlohn, dated 1755/62.
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Portanier, Gilbert (1926 Cannes - lebt und arbeitet in Vallauris)Büste eines Mannes mit Schnurrbart. Keramik, farbig gefasst, 1995. Geritzt signiert und datiert an der Standfläche. H. 15 cm. Abstrakt geometrisch aufgebrochene Darstellung eines männlichen Kopfes. Bust of a man with mustache. Ceramics, coloured, 1995. Scratched signature and date on base. Abstracted head of a man.
A RARE BRONZE BUST OF QUEEN MARY WHEN DUCHESS OF YORK BY WILLIAM HENRY TYLER (1852-1906) with a dark brown patination, signed 'Will Tyler' and dated '1893' with the foundry mark 'Cie Des Bronzes, Bruxelles', on a green speckled marble column incised 'May' 33cm high overall Provenance Alfred de Rothschild (1842-1918) Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Catalogue Note This bronze bust of the future Queen Mary was made on the year of her marriage to George, Duke of York in 1893. She became Queen consort when her husband ascended the throne as King George V in 1910. 'May' was Queen Mary's informal name used amongst family members. See the Royal Collection Trust inv. no. RCIN54057 for another example. William Henry Tyler was born in Worcester and studied at the Royal Academy Schools and exhibited 15 times in the Royal Academy of Arts (Summer Exhibition). His studio was located at 26 Hereford Square, London.
A Hunters' Improvement Society presentation medal by Frank Hyams Ltd., obverse with hunter and hounds in relief beneath engraved date of 1923; together with a larger white metal medal commemorating the 1862 International Exhibition by Ottley, Birmingham, obverse with bust of "Her Most Gracious Majesty Queen Victoria" Condition Report:Available upon request
A group of four continental historical commemorative/presentation medals, comprising an example commemorating the bicentennial of the death of Peter Paul Rubens and commissioning of his monument in Antwerp, by Hart F; another with Louis XVIII bust by Andrieu; a smaller medal commemorating the death of French dramatist Jean-Francois Ducis in 1816 by R. Gatteaux; another French medal; and an Empress Maria Theresa coin (5) Condition Report:Available upon request
After Salvador Dali (1904-1989) - A contemporary oil on canvas painting of Dali's piece entitled 'Slave Market with the Disappearing Bust of Voltaire'. Unsigned. Measures approx; 62cm x 97cm diameter. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Valentino Couture: a Bright Red Silk Grecian Style Evening GownSpring/Summer 2007Draped design with ruching to the bustCondition Grade A32'/81cm chest, 30'/76cm waist, 38'/96.5cm hips, 150cm long, includes copy of original fashion sketchFor further information on this lot please visit Bonhams.com
Christian Dior Couture: a Black Tulle DressAutumn/Winter 1955Strapless design with ankle length layered tulle skirt and large silk bow from waist, black slip skirt, dated and numbered labelCondition Grade B-22'/56cm bust, 26'/66cm waist, 108cm longFootnotes:The W-Shaped underwire (to the bust area) is specific to Dior creations from this period. The tailoring shows darting which runs between the bust apexes, to give shaping that holds the bodice against the sternum.For further information on this lot please visit Bonhams.com
Gwen John (1876-1939)Portrait of Chloë Boughton-Leigh, bust-length signed 'Gwen John' l.l., pencil and grey washes20 x 15cmProvenance: Estate of the artist (E.J.170);the collection of Miss Leslie Thompson;with the Piccadilly Gallery, June 1966, when bought by Mrs K E Maison;The Estate of Sir Jack and Lady Baer.Exhibited: Matthiesen Ltd. London, 'Gwen John Memorial Exhibition', 1946 (as Portrait of Fanella Lovell);Arts Council of Great Britain, 'Gwen John', 1968, cat. no.56.Condition ReportFramed size: 35 x 28cmUnexamined out of glazed frame, pasted down at edges and glue shows through to front, a little staining to inner edges of mount, no other obvious flaws.
A PAIR OF GEORGE III GILTWOOD MIRRORSIN THE MANNER OF MATTHIAS LOCK, CIRCA 1750The shaped rectangular plates in pierced frames carved with C-scrolls, acanthus and bulrushes surmounted by a broken swan-neck pediment centred by a pierced scallop shell, the aprons with confronting C-scroll clasps headed by further scallops155cm high, 76.5cm wideProvenance:Possibly from the Messel family collection Supplied by Oliver Messel to the Bow Drawing Room at Flaxley AbbeyThis pair of mirrors are in the manner of Matthias Lock as published in his Six Sconces (1744), plate 2 (ed. E. White, Pictorial Dictionary of British 18th Century Design, Woodbridge, reprinted 2000, p. 325). The double scroll top features in Lock's designs of the 1740s, and marks the seamless transition from the late baroque to rococo styles (A. Bowett, Early Georgian Furniture 1715-1740, Woodbridge, 2009, p. 294). Such mirrors are known as 'tabernacle frames'; 'tabernacle' being a term for a niche in a wall housing a statue or bust. The first known tabernacle frame designs originated in James Gibbs' drawings of 1721-22 when they were associated with the neo-Palladian style although as in this example they could equally be interpreted with greater freedom.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses,Joints opening to the frame, elements lifting in these areasThe mirror plate appears to be laterDirt and discolouration to the giltwood frame Signs of previous hanging hooks and brackets having been fitted to the rearPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A GROUP OF LAMPS, VASES AND ORNAMENTS, to include a 1960s/1970s mustard glazed table lamp bearing a Herda label, fitted with a conical hessian and woollen banded shade, the bulbous shaped base with circular cut outs for the second bulb to light the interior, height including shade 86cm, a lamp base in the form of a shell encrusted bottle height 49cm, a stone bust of a bearded man and a similar bust of possibly Tutankhamun, an amber bottle fitted as a table lamp with vintage shade, etc (14) (sd)
A group of late 19th century Italian copper lustre-glazed maiolica comprising: a cup with serpent handle painted with a helmeted profile bust, painted "AS" mark to base; a small jug painted with leaves with the same mark; and a larger jug with a profile bust of a Renaissance gentleman amidst scrolling leaves, unmarked. (3) Height 8cm, 7.5cm and 11.5cm
A large carved native African hardwood figure of a crocodile, signed to the underside David Kimatu, Kenya, mid-20th century, L.80cm; and a traditional West African woven plant fibre and tanned leather hat, Fulani People, Senegal, together with a Senegalese leather clad wooden bust carved as a female with pierced ears and woven necklet, h.24cm, a leather clad figure of a rhinoceros, h.11cm and a calabash bowl, dia.31cmChip to lower jaw and tail.
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