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Lot 469
Lots 469 - 520 comprise 506 silver denarii discovered by an amateur detectorist in March 2018 on cultivated land in Lincolnshire - the proceeds to be divided equally between the landowner and the finder in accordance with the Treasure Act 1996. The coins span the period from Mark Antony (32-31 BC) to Antoninus Pius (147 AD) and are mostly of the Trajan and Hadrian periods. Eight denarii: 3 x Mark Antony (32-31 BC), 2 x Nero and 3 x Galba; from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 1-8) 1 x RRC 544/16. Obverse: [ANT AVG] III VIR R P C (ship). Reverse: LEG XIII (eagle between two standards) (Triangular punchmark). (3.05g)1 x RRC 544/27.Obverse: [ANT AVG] III VIR R P C (ship). Reverse: LEG XIII (eagle between two standards). (3.48g)1 x RRC 544. Obverse: [ANT AVG III VIR R P C] (ship). Reverse: LEG […] (eagle between two standards). (3.18g)1 x RIC I 47. Obverse: NERO CAESAR. Reverse: AVGVSTVS [GER]MANICUS (Nero standing left holding branch and Victory). (3.26g)1 x RIC I 53. Obverse: NERO CAESAR AVGVSTVS. Reverse: IVPPITER CVSTOS (Jupiter seated left). (3.17g)1 x RIC I 167. Obverse: IMP SER GALBA AVG (legend unbroken), (bare head of Galba, right). Reverse: S P Q R /OB/ C S (in oak wreath). (3.30g)1 x RIC I 186. Obverse: IMP SER GALBA CAESAR AVG (laureate head of Galba, right). Reverse: DIVA AVGVSTA (Livia standing left). (3.23g)1 x RIC I 189. Obverse: (laureate bust of Galba, right). Reverse: DIVA [AVGVSTA] (Livia standing left). (3.34g)
Lot 491
Ten Trajan denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 123-130) 1 x RIC II 52. Obverse: IMP CAES NERVA TRAIAN AVG GERM (traces of drapery to front of truncation). Reverse: P M TR P COS IIII P P (Mars advancing right). (3.30g)1 x RIC II Cf 52. Obverse: 1 x IMP CAES NERVA TRAIAN AVG. [GERM] (traces of drapery to front of truncation). Reverse: P M TR P […] (1 x Mars advancing right). (Early bust style, cf COS II series, possibly plated) (2.93g)1 x RIC II 58. Obverse: IMP CAES NERVA TRAIAN AVG GERM. Reverse: P M TR P COS IIII P P (Victory standing and facing, head left). (3.18g)1 x RIC II 58. Obverse: IMP CAES NERVA TRAIAN AVG GERM (traces of drapery to front of truncation). Reverse: P M TR P COS IIII P P (Victory standing and facing, head left). (3.32g)2 x RIC II 59. Obverse: IMP CAES NERVA TRAIAN AVG GERM. Reverse: P M TR P COS IIII P P (Victory standing right on prow). (3.36 and 3.22g)1 x RIC II 59 var. Obverse: IMP CAES NERVA TRAIAN AVG GERM (traces of drapery to front of truncation). Reverse: P M TR P COS IIII P P (Victory standing right on prow). (3.26g)2 x RIC II 60. Obverse: IMP CAES NERVA TRAIAN AVG GERM. Reverse: P M TR P COS IIII P P (Victory walking left). (3.40 and 3.19g)1 x RIC II 91. Obverse: IMP TRAIANO AVG GER DAC P M TR P drapery - front & rear of truncation. Reverse: COS V P P S P Q R OPTIMO PRINC / AET AVG (Aeternitas standing left). (3.29g)
Lot 498
Twelve Trajan denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 158-167) 1 x RIC II 191. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P (drapery - front & rear of truncation). Reverse: S P Q R OPTIMO PRINCIPI (Spes advancing left). (3.23g)1 x RIC II 193 variant. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P (drapery - front & rear of truncation). Reverse: S P Q R OPTIMO PRINCIPI (Victory standing left). (3.17g)1 x RIC II 203. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P (drapery - front & rear of truncation, aegis). Reverse: S P Q R OPTIMO PRINCIPI (Virtus standing right). (3.21g)2 x RIC II 212. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P. Reverse: S P Q R OPTIMO PRINCIPI (Trajan crowned by Victory). (3.00 and 3.35g)1 x RIC II 212. variant Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P (drapery - front & rear of truncation). Reverse: S P Q R OPTIMO PRINCIPI (Trajan crowned by Victory). (3.16g)1 x RIC II 216. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P. Reverse: S P Q R OPTIMO PRINCIPI (Dacian seated right). (3.51g)1 x RIC II 217. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P (draped & cuirassed bust viewed from rear). Reverse: S P Q R OPTIMO PRINCIPI (Dacian seated right). (3.27g)1 x RIC II 220. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P. Reverse: S P Q R OPTIMO PRINCIPI (Dacian seated right below trophy). (3.47g)1 x RIC II 220. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS V P P drapery - front & rear of truncation, aegis. Reverse: S P Q R OPTIMO PRINCIPI (Dacian seated right below trophy). (3.29g)2 x RIC II 252 variant. Obverse: IMP TRAIANVS AVG GER DAC P M TR P COS VI P P drapery - front & rear of truncation. Reverse: DIVVS PATER TRAIAN (Trajan senior seated left). (3.28 and 3.09g)
Lot 499
Ten Trajan denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 168-176) 1 x RIC II 243. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (drapery - front & rear of truncation). Reverse: S P Q R OPTIMO PRINCIPI // ALIM ATAL (Abundantia standing left with child). (3.23g)1 x RIC II 254. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (drapery - front & rear of truncation). Reverse: S P Q R OPTIMO PRINCIPI // FORT RED (Fortuna seated left). (3.18g)1 x RIC II 266. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (drapery - front & rear of truncation). Reverse: S P Q R OPTIMO PRINCIPI // VIA TRAIANA (Via Traiana reclining left). (3.14g)2 x RIC II 270. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (drapery - front & rear of truncation). Reverse: (Mars advancing right). (3.39 and 3.08g)1 x RIC II 280. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (drapery - front & rear of truncation). Reverse: (Victory advancing right). (3.09g)1 x RIC II 292. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (draped bust viewed from rear). Reverse: (Trajan’s column). (3.05g)1 x RIC II 294. Obverse: IMP TRAIANO AVG GER DAC P M TR P COS VI P P (draped bust viewed from rear). Reverse: (Aquilla between vexillum and standard). (3.32g)1 x RIC II 301. Obverse: IMP TRAIANO AVG GER DAC P M TR P (draped bust viewed from rear). Reverse: (Felicitas standing left). (3.44g)1 x RIC II 303. Obverse: IMP TRAIANO AVG GER DAC P M TR P (draped bust viewed from rear). Reverse: (Genius standing left). (3.20g)
Lot 500
Thirteen Trajan denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 177-182) 1 x RIC II 316. Obverse: IMP CAES NER TRAIAN OPTIM AVG GERM DAC (aegis). Reverse: PARTHICO P M TR P COS VI P P S P Q R // FORT RED (Fortuna seated left). (3.33g)1 x RIC II 318. Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Fortuna seated left). (3.40g)2 x RIC II 331. Obverse: IMP CAES NER TRAIAN OPTIM AVG GERM DAC (draped bust viewed from rear). Reverse: PARTHICO P M TR P COS VI P P S P Q R (Mars advancing right). (3.33 and 3.20g)1 x RIC II 332. Obverse: IMP CAES NER TRAIAN OPTIM AVG GERM DAC (draped bust viewed from rear). Reverse: PARTHICO P M TR P COS VI P P S P Q R (Felicitas standing left). (3.52g)3 x RIC II 337. Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Mars advancing right). (3.28, 2.94 and 3.15g)5 x RIC II 343. Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Felicitas standing left). (3.33, 3.43, 3.22, 3.30 and 3.31g)
Lot 501
Ten Trajan denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 183-188) 1 x RIC II 345. Obverse: IMP CAES NER TRAIAN OPTIM AVG GER DAC PARTHICO (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Felicitas standing left). (3.53g)2 x RIC II 347. Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Genius standing left). (3.42 and 3.36g)1 x RIC II 349. Obverse: IMP CAES NER TRAIAN OPTIM AVG GER DAC PARTHICO (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Genius standing left). (3.33g)4 x RIC II 355. Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Virtus standing left). (3.04, 3.20, 3.16 and 3.26g)1 x RIC II 356. Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC (draped bust viewed from rear). Reverse: P M TR P COS VI P P S P Q R (Trajan’s column) (3.25g)1 x RIC II 361. Obverse: IMP CAES NER TRAIAN OPTIM AVG GERM DAC (draped bust viewed from rear). Reverse: PARTHICO P M TR P COS VI P P S P Q R / PRO-VID (Providentia standing left). (3.29g)
Lot 502
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 189-197) 1 x RIC II 4c. Obverse: IMP CAES TRAIAN HADRIAN OPT AVG GER DAC (draped & cuirassed bust viewed from front). Reverse: PARTHIC DIVI TRAIAN AVG F P M TR P COS PP // CONCORD (Concordia seated left). (3.04g)1 x RIC II 6. Obverse: IMP CAES TRAIAN HADRIAN OPT AVG GER DAC (draped & cuirassed bust viewed from front). Reverse: PARTHIC DIVI TRAIAN AVG F P M TR P COS PP // IVSTITIA (Justitia seated left). (3.26g)1 x RIC II 9. Obverse: IMP CAES TRAIAN HADRIANO AVG DIVI TRA (draped & cuirassed bust viewed from front). Reverse: PARTH F DIVI NER NEP P M TR P COS // CONCORD (Concordia seated left). (3.33g)1 x RIC II 11. Obverse: IMP CAES TRAIAN HADRIANO AVG DIVI TRA (draped & cuirassed bust viewed from front). Reverse: PARTH F DIVI NER NEP P M TR P COS // IVSTITIA (Justitia seated left). (3.21g)1 x RIC II 39b. Obverse: IMP CAESAR TRAIAN HADRIANVS AVG (drapery - front of truncation). Reverse: P M TR P COS II // CONCORD (Concordia seated left). (3.17g)1 x RIC II 41. Obverse: IMP CAESAR TRAIAN HADRIANVS AVG (drapery - front of truncation). Reverse: P M TR P COS II // FORT RED (Fortuna seated left). (3.11g)1 x RIC II 41. Obverse: IMP CAESAR TRAIAN HADRIANVS AVG (draped & cuirassed bust viewed from front). Reverse: P M TR P COS II // FORT RED (Fortuna seated left). (3.60g)1 x RIC II 42. Obverse: IMP CAESAR TRAIAN HADRIANVS AVG (drapery - front of truncation). Reverse: P M TR P COS II // IVSTITIA (Justitia seated left). (3.50g)2 x RIC II 44. Obverse: IMP CAESAR TRAIAN HADRIANVS AVG (drapery - front of truncation). Reverse: P M TR P COS II // PAX (Pax standing left). (3.43 and 3.23g)
Lot 503
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 198-206) Obverse: IMP CAESAR TRAIAN HADRIANVS AVG. 1 x RIC II Cf44. Obv. drapery - front of truncation. Reverse: P M TR P COS [II] // PAX (Pax standing left). (3.33g)1 x RIC II Cf45 Obverse: IMP CAESAR TRAIAN HADRIANVS AVG(drapery - front of truncation). Reverse: P M TR P COS [II] PIE-TAS (across field) (Pietas standing left). (3.50g)1 x RIC II 67b. Obv. drapery - front of truncation. Reverse: P M TR P COS III (Mars advancing right). (3.18g)1 x RIC II 69b. Obv. drapery - front of truncation. Reverse: P M TR P COS III (Minerva advancing right). (3.43g)1 x RIC II 69b. Obv. drapery - front & rear of truncation. Reverse: P M TR P COS III (Minerva advancing right). (3.44g)1 x RIC II 77a. Reverse: P M TR P COS III (Roma seated left holding Victory). (3.52g)2 x RIC II 77b. Obv. drapery - front of truncation. Reverse: P M TR P COS III (Roma seated left holding Victory). (3.36 and 3.19g)1 x RIC II 77 var.. Obv.draped bust – viewed from front. Reverse: P M TR P COS III (Roma seated left holding Victory). (3.48g)1 x RIC II 77c. Obv. draped & cuirassed bust viewed from front. Reverse: P M TR P COS III (Roma seated left holding Victory). (3.49g)
Lot 505
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 213-221 and 223) Obverse: IMP CAESAR TRAIAN HADRIANVS AVG 1 x RIC II 88a. Reverse: P M TR P COS III (Genius sacrificing over altar left). (3.40g)1 x RIC II 94b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III (Pax standing left). (3.59g)1 x RIC II 95b. Obv.: drapery - front & rear of truncation. Reverse: P M TR P COS III (Pietas seated left). (3.31g)1 x RIC II 96b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III (Pietas standing facing, head left). (3.09g)1 x RIC II 98b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III (Salus seated left). (3.59g)1 x RIC II 98b. Obv.: drapery - front & rear of truncation and at back of neck. Reverse: P M TR P COS III (Salus seated left). (2.98g)1 x RIC II 100a. Reverse: P M TR P COS III (Spes advancing left). (3.22g)1 x RIC II 101a. Reverse: P M TR P COS III (Victory flying right with trophy). (3.36g)1 x RIC II 101b. Obv.: drapery - front & rear of truncation Reverse: P M TR P COS III (Victory flying right with trophy). (3.28g)1 x RIC II 101c. Obv.: draped & cuirassed bust viewed from front Reverse: P M TR P COS III (Victory flying right with trophy). (3.61g)
Lot 506
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 224-230) Obverse: IMP CAESAR TRAIAN HADRIANVS AVG 1 x RIC II 110c var. Obv.: draped bust – viewed from front. Reverse: P M TR P COS III (Hadrian standing left with rudder on globe and spear). (3.44g)1 x RIC II 114b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III / AET AVG (across field), (Aeternitas standing left). (3.32g)1 x RIC II 115b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III / AETER AVG (across field), (Aeternitas standing left). (3.57g)2 x RIC II 118b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III // CONCORD (Concordia seated left). (3.43g with conucopiae under chair). (3.23 and 3.43g)2 x RIC II 118b. Obv.: drapery - front & rear of truncation. Reverse: P M TR P COS III // CONCORD (Concordia seated left). (3.37g with conucopiae under chair). (3.29 and 3.37g)2 x RIC II 120a. Reverse: P M TR P COS III // FEL PR (Felicitas seated left). (3.15 and 3.45g)1 x RIC II 120 variant. Obv.: drapery - front & rear of truncation. Reverse: P M TR P COS III // FEL PR (Felicitas seated left). (3.21g)
Lot 508
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 239 and 241-243) Obverse: IMP CAES TRAIAN HADRIANVS AVG 3 x RIC II 137 variant. Obv.: draped bust – viewed from front. Reverse: P M TR P COS III // SAL AVG (Salus seated left). (3.35, 3.37 and 3.38g)1 x RIC II 138b. Obv.: drapery - front of truncation? Reverse: P M TR P COS III // SAL AVG (across field) (Salus standing left). (3.31g)4 x RIC II 139b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III // SALVS AVG (Salus seated left). (3.13, 3.35, 3.24 and 3.00g)2 x RIC II 141b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III / VOT PVB (across field) (Pietas standing right). (3.22 and 3.05g)
Lot 510
Nine Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 252-259) Obverse: HADRIANVS AVGVSTVS drapery - front of truncation. (1 variation) 1 x RIC II 173d. Reverse: COS III (Genius sacrificing left). (3.48g)1 x RIC II 175 variation. Obv.: HADRIANVS AVGVST (draped bust – viewed from front). Reverse: COS III (Libertas standing left). (3.39g)1 x RIC II 178d. Reverse: COS III (Pudicitia seated left). (3.42g)1 x RIC II 179d. Reverse: COS III ((Pudicitia seated left, globe in ex.). (3.61g)2 x RIC II 181d. Reverse: COS III (Spes advancing left). (3.26 and 3.38g)1 x RIC II 182d. Reverse: COS III (Victory standing right). (3.27g)1 x RIC II 197d variation. Reverse: COS III (Modius with poppy and corn-ears). (3.36g)1 x RIC II 198d. Reverse: COS III (priestly implements). (3.37g)
Lot 514
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 285-288 and 290-293) Obverse: HADRIANVS AVG COS III P P 2 x RIC II 266d. Obv.: head laureate. Reverse: ROMVLO CONDITORI (Romulus advancing right). (3.17 and 3.09g)1 x RIC II 267a. Obv.: head bare. Reverse: SALVS AVG (Salus standing right feeding snake round altar). (3.29g)1 x RIC II 267b. Obv.: head bare, drapery - front. Reverse: SALVS AVG (Salus standing right feeding snake round altar). (3.22g)1 x RIC II 268d. Obv.: head laureate. Reverse: SALVS AVG (Salus standing left before altar). (3.17g)1 x RIC II 274Aa. Obv.: head laureate. Reverse: SPES P.R. (Spes advancing left). (3.30g)2 x RIC II 276a. Obv.: head laureate. Reverse: TELLVS STABIL (Tellus standing left; two corn-ears to right). (3.36 and 3.38g)1 x RIC II 290a. Obv.: head laureate. Reverse: VOTA PVBLICA (Emperor sacrificing left over tripod). (3.45g)1 x RIC II 297c. Obv.: draped bust – viewed from rear, head bare. Reverse: AEGYPTOS (Egypt reclining left). (3.33g)
Lot 515
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 294-301) 2 x RIC II 297d. Obverse: HADRIANVS AVG COS III P P (head laureate). Reverse: AEGYPTOS (Egypt reclining left). (3.35 and 3.44g)1 x RIC II 299Ad. Obverse: HADRIANVS AVG COS III P P (head laureate). Reverse: AFRICA (Africa reclining left) (Basket of corn leaves rather than fruit before Africa). (3.54g)1 x RIC II 301a. Obverse: HADRIANVS AVG COS III P P (head bare). Reverse: ASIA (Asia standing left). (3.57g)1 x RIC II 310d. Obverse: HADRIANVS AVG COS III P P (head laureate). Reverse: NILVS (Nile reclining right). (3.07g)1 x RIC II 324f. Obverse: HADRIANVS AVG COS III P P draped bust – viewed from rear, head laureate. Reverse: RESTITVTORI GALLIAE (Hadrian raising kneeling Gallia). (3.32g)1 x RIC II 326d. Obverse: HADRIANVS AVG COS III P P (head laureate). Reverse: RESTITVTORI HISPANIAE (Hadrian raising kneeling Hispania). (If present, rabbit unclear, appears to be Hispania’s leg.) (3.37g)2 x RIC II 398. Obverse: SABINA AVGVSTA HADRIANI AVG PP (Bust of Sabina). Reverse: CONCORDIA AVG (Concordia seated left with patera, arm on back of chair). (3.60 and 3.31g)1 x RIC II 399. Obverse: SABINA AVGVSTA HADRIANI AVG PP (Bust of Sabina). Reverse: CONCORDIA AVG (Concordia seated left with patera and sceptre). (3.08g)
Lot 516
Seven Antoninus denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 302-307) 1 x RIC II 390. Obverse: SABINA AVGVSTA (Bust of Sabina). Reverse: CONCORDIA AVG (Concordia standing left). (3.66g)2 x RIC II 395a. Obverse: SABINA AVGVSTA (Bust of Sabina). Reverse: IVNONI REGINAE (Juno standing left with patera and sceptre). (3.50 and 3.32g)1 x RIC II 432. Obverse: L AELIVS CAESAR (Head of Aelius - head bare). Reverse: TR POT COS II (Pietas standing left sacrificing over altar). (3.47g)1 x RIC II 436. Obverse: L AELIVS CAESAR (Head of Aelius - head bare). Reverse: TR POT COS II // CONCORD (Concordia seated left). (3.57g)1 x RIC II 448. Obverse: [IMP T AEL] CAES ANTONINVS (Head of Antoninus Pius Caesar - bare). Reverse: TRIB POT COS (Minerva standing left). (3.45g)1 x RIC II 449. Obverse: IMP T AEL CAES ANTONINVS (Head of Antoninus Pius Caesar - bare). Reverse: TRIB POT COS (Concordia standing left, leaning on column). (3.00g)
Lot 518
Ten Antoninus denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 320-321 and 323-329) 1 x RIC III 111b. Obverse: ANTONINVS AVG PIVS P P TR P COS III. Reverse: IMPERATOR II (Victory standing left). (3.84g)1 x RIC III 127c. Obverse: ANTONINVS AVG PIVS P P. Reverse: COS IIII (Aequitas standing left). (3.45g)1 x RIC III 137. Obverse: ANTONINVS AVG PIVS P P. Reverse: COS IIII (Thunderbolt on throne). (3.44g)1 x RIC III 155. Obverse: ANTONINVS AVG PIVS P P. Reverse: TR POT COS IIII // LIB IIII (Liberalitas standing left with abacus and cornucopiae). (3.51g)1 x RIC III 350a. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: AETERNITAS (Providentia standing left with globe and sceptre). (3.50g)1 x RIC II 394a. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: PIETAS AVG (Pietas standing left before lighted altar). (3.41g)2 x RIC III 395c. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: PIETAS AVG (Pietas standing left before candelabrum). (3.46 and 3.40g)1 x RIC III 396. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: PIETAS AVG (Hexastyle temple). (3.66g)1 x RIC III 344. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AETERNITAS (Juno? standing left). (3.60g)
Lot 519
Thirteen Antoninus denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 330-337) 2 x RIC III 356. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AVGVSTA (Ceres standing left holding torch and sceptre). (3.70 and 3.65g)4 x RIC III 358. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AVGVSTA (Ceres standing right holding sceptre and corn-ears). (3.45, 3.27, 3.12 and 3.10g)1 x RIC III 360. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AVGVSTA (Ceres standing left holding corn-ears and torch). (3.37g)2 x RIC III 362. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AVGVSTA (Ceres standing left holding torch and fold of skirt). (3.27 and 3.33g)1 x RIC III 368. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AVGVSTA (Vesta standing left holding simpulum and Palladium). (3.30g)1 x RIC III 429a. Obverse: AVRELIVS CAESAR AVG PII F (Head of Marcus Aurelius Caesar). Reverse: COS II (Honos standing left). (3.33g)1 x RIC III 501. Obverse: FAVSTINA AVG ANTONINI PII FIL (Bust of Faustina II). Reverse: CONCORDIA (Concordia standing facing, head right). (3.50g)1 x RIC III 502a. Obverse: FAVSTIN[A AVG] PII AVG FIL (Bust of Faustina II). Reverse: CONCORDIA (Concordia seated left). (3.67g)
Lot 20
Spanish school of the seventeenth century. Follower of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660)."Portrait of Pope Innocent X".Oil on canvas. Relined.Size: 59 x 47 cm.Velázquez portrayed Innocent X between early 1649 and mid 1651, during the artist's second trip to Italy. From the original portrait preserved in Rome derive several versions of disputed authorship, scattered in several countries. As in the present work, all of them are of smaller format, with the personage reduced to a bust, omitting his hands and the armchair visible in the original painting. Velázquez's biographers mention that the artist returned from Rome to Madrid with a replica of the portrait, which in the opinion of many experts must be the copy kept at Apsley House, London (Wellington Museum). This work was included (catalogued as autograph) in the exhibition Velázquez and the family of Philip IV held at the Museo del Prado in 2013-14. Another copy, also in a reduced format, is preserved in the National Gallery in Washington; it is one of the paintings that the Hermitage Museum agreed to sell in the 1930s to obtain foreign currency, and which ended up cementing the museum in Washington. It has sometimes been considered to be the replica that Velázquez brought back from Italy, but recent reviews tend to give primacy to the London version, so the Washington version has a better chance of being an alien copy. Another copy, considered a workshop product, is preserved in the Isabella Stewart Gardner Museum in Boston.
Lot 29
Dutch school; first half of the seventeenth century."Portrait of a gentleman".Oil on panel.Presents restorations, repainting and slight damage.Size: 71 x 58 cm; 92 x 77 cm (frame).We see in this work a male portrait that presents us a gentleman of mature age, with a thick beard, soberly dressed in a suit of armor, on which is superimposed a large white ruff. The luminosity of the face stands out in this work, contributed by the flesh tones and a spotlight, directed towards the face. The author has wanted to emphasize especially the look, which the protagonist fixes directly on the spectator, a feature that tells us about the psychology of the character, breaking in part the protocol distance typical of the baroque portrait. The composition is sober, typical of the Dutch portrait painting of the time: the character appears with a long bust, turned three-quarters with his head slightly turned to the front, in the foreground, against a neutral, dark background, although somewhat more illuminated around the head of the character. His face is modeled through a contrasting light of tenebrist heritage.The portrait, both individual and group, and even the character portrait, embodies the relationship of the individual with society and, therefore, with the State. This genre covers a third of the total production of the Dutch Baroque, and its main renovator in Holland is Frans Hals who, thanks to the power with which he marked the character of his models, penetrating their personality to the point of giving them vitality and spontaneous truth, was able to free himself from the prevailing late mannerism, giving rise to a new conception of the portrait. Faced with the exuberant and elegant Mannerist portrait, of virtuous and elaborate execution, at the beginning of the 17th century a general reaction was unleashed, based on compositional austerity and operational sobriety. Thus, against the desire for virtuosity of the previous century, the portraitists of the Dutch Baroque recovered the previous models in a more sober and solid way, focusing on the characterization of the characters, the elegance of the poses and the delicate capture of the qualities of the different objects.Italian school; 17th century.
Lot 491
Richard Bankes Harraden (1778-1862)Silhouette side profile of The Honourable Frederick John Robinson, 1st Earl of Ripon, bust length and inscribed to mount, 10 x 7.5cm, rosewood frame; and one further similar – Silhouette side profile of Charles John Purling of St John’s College, Cambridge, bust length, 10 x 8cm oval (2)* F.J. Robinson, also known as The Viscount Goderich, Prime Minister from 1827-1828
Lot 572
Bronzed Table Bust Figure of a German Soldier in Steel Helmet, known as the hero range, the table bust produced in a alloy metal and finished in a bronzed colouring to resemble a bronze statue. The bust shows the German soldier wearing the early double decal transitional style steel helmet. No makers or artists marks. Stands 21 ½ cms.
Lot 166
LORD BYRON: An English bisque porcelain bust of Lord Byron, early 19th century, modelled with bare torso set above a rectangular cartouche with impressed 'BYRON', the waisted pedestal on octagonal base, impressed '312' and '3' to the hollow interior, 20 cm high CONDITION REPORT:The piece shows a small moulding fault to the left eyebrow, which is full of dirt. There are similar smaller faults to the right of the neck, the lower left of the torso, and the lower edge of the plinth. There are two small losses to the lower edge of the base. The piece shows general light wear with some areas of surface dirt, and would benefit from cleaning.
Lot 285
Pre-Raphaelite school (19th century),A bust length portrait miniature depicting a young lady with flowing red hair,Watercolour on ivory,In oval gilt mount,10.5cm x 7.5cm,Gilt framed, 18.5cm x 17cm overall CONDITION REPORT:The paint surface appears to be in good overall condition. Examination under UV light shows no visible evidence of repair or restoration. There are pale areas to the cheek and neck on the right side of the image. These areas appears to have been painted in the underlying skin tone, and then shaded around to create highlights. There is no indication that anything has been rubbed away in these areas, however buyers should satisfy themselves by viewing prior to bidding. Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
Lot 14
ENIGMA (2001) - HESTER WALLACE'S DRESS - PLAYED BY KATE WINSLETCustom made crepe floral skirt and top, the skirt is 28 inches at waist and 26.5 inches in length, the short sleeved fitted top features front pockets, with six transparent through buttons to front, to fit 36 inch bust, labelled 'Act on Hire' to the top. The film also stars Dougray ScottNote: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007
Lot 15
ENIGMA (2001) - HESTER WALLACE'S DRESS 2 - PLAYED BY KATE WINSLETturn of the century style, custom made long cotton dress with cream floral design, featuring a back bustle and button up front, to fit a 36 inch bust and 27 inch waist, with hand written label reading 'Kate Winslett'. The film also stars Dougray Scott.Note: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007
Lot 193
TWO VINTAGE MINI DRESSEScomprising a Mod 1960s geometric colour block dress in green, white and purple, with button detail to the shoulders and two front pockets, by Jantzen, USA, size 34; and a 1970s long sleeved mini dress by Alan Gray Dublin, in white and black, with decorative red, grey and yellow scroll decoration running down the front and to the shoulders; together with a 1960s swimsuit, the Bri Nylon blue black and white striped suit by St Michael, bust 36 inches and hips 38/40 inches (3)
Lot 194
TWO VINTAGE 1970s DRESSESone by DL Barron London in bright pink, purple, black and white geometric pattern, the long dress with tie detail to waist and tasselled sleeves, size 12, hips 36 inches; and the other by Kitty Copeland London, with olive green and pink circular and linear pattern, with tie to neck, size 16 to fit hips 39/40 inches and bust 37/39 inches; together with a burgundy long negligee by Biba, with spaghetti straps, no size but measures 36 inch bust (3)
Lot 38
THE CRUCIBLE (1996) - HANDMADE PALE GREEN AND IVORY SILK DRESSCustom made by western costumes, the fitted bodice with pleated and button detail, with cream silk half sleeve and collar to match, the skirt with pleated detail to hem, 27 inch waist and 36 inch bust, accompanied by a Hollywood movie costumes certificate of authenticity. The film stars Daniel Day-Lewis and Winona Ryder
Lot 545
LOUIS LEOPOLD BOILLY (FRENCH, 1761-1845)Bust Portrait of Auguste de LamoignonOval, oil on canvas, 21.5 x 17.75cmProvenance: With Christie's, London (label verso).Auguste de Lamoignon was the son of Francois-Chrétien de Lamoignon (the Marquis of Basville) and Elisabeth Berryer (lineage printed verso).Boilly was one of France's most noted and prolific painters of the late 18th/early 19th centuries, known for his portraiture and genre scenes of Parisian life and society during the French Revolution and the French Empire.
Lot 573
SIR MARTIN ARCHER SHEE PRA (1769-1850)Portrait of Master George O'Connor of Castleknock, (1778-1842) Dressed in Red with Buff Breeches Sitting in a ChairOil on canvas, 76 x 64cmIn a Georgian carved and gilded frameProvenance: Painted circa 1786, and then by family descent until sold at Christie’s, 13 December 1912 (as by George Romney) for 720 guineas; Private collection, USA; Mallet, Bond Street, London where acquired in 2009 by the present owner; Private collection since 2009.Literature: W.G. Strickland, Dictionary of Irish Artists (Dublin and London, 1913) Volume 2, p. 343, as by Martin Archer Shee and painted in Dublin about 1786.Exhibited: An Age of Elegance, Irish Art in the Eighteenth Century, Mallett, Lyons Village, County Kildare, 2008.Sir Martin Archer Shee, the only Irish President of the Royal Academy, was born in Dublin on 20 December 1769, into a family originally from Kilkenny which had subsequently moved to County Mayo. He was sent to school in Dublin and there first evinced the talent as a draughtsman, which subsequently became his hallmark. Shee entered the Dublin Society’s Drawing Schools in 1781, at the age of twelve, where under the tutelage of Francis Robert West he won virtually all the medals and prizes for which he was entered, notably the medal for landscape (1782) and portraiture (1783). At the age of 16 or 17, he set up his own studio at 32 Dame Street, Dublin, and, by 1786, was ‘as busy as anyone with one head and two hands can possibly be….. I have pictures in hand to the amount of more than 50 guineas…..I am also to receive a silver palette from the Dublin Society in token of the approbation of my pictures’. The present painting dates from these years of early success in Dublin and is a very rare example of Shee’s short period working in his native land.Encouraged by Gilbert Stuart, the American painter then working in Ireland, in June 1788 he moved to England, working initially as a copyist for the engravers Macklin and Boydell. He was subsequently introduced to Sir Joshua Reynolds, who advised him to join the Royal Academy Schools, to which he was admitted in November 1790, just before his 21st birthday, and by the following year he was showing the first of his very many exhibits at the Royal Academy Summer Exhibitions. He was admitted an Associate of the Academy in 1798 and henceforth his career was that of the hugely successful portrait painter, especially when, after the death of Sir Thomas Lawrence in 1830, he was elected by a large majority as President of the Royal Academy; in the same year he was knighted. Shee was a member of the Society of Dilettanti, the Royal Society and several overseas cultural institutes and academies. Painting apart, he was a poet, critic, and playwright. He died at Brighton on 19th August 1850.George O'Connor was the son of the Rev. John O'Connor of Tipperary (1738-1803), who became vicar of Arboe in 1773, and Rector of Castlenock, County Dublin, in 1794. Like his father before him, George was educated at Trinity College Dublin, where he matriculated on 6 October 1794 at the age of 15, proceeding Bachelor of Arts in the Winter Term of 1799. He was received, like his father, into the ministry, and for more than thirty years was a prebendary of St. Patrick's Cathedral, also serving in succession to his father as rector of the united parishes of Castleknock and Clonsilla in the Dublin Diocese, and of Donaghpatrick in the Diocese of Meath. George died on 14th November 1842 aged sixty-four, and a memorial and bust were erected to his memory at the church in Castleknock.According to the inscription he was ‘a fond and affectionate husband, a wise and tender parent, a tried and valued friend, excelled by none’.
Lot 583
ATTRIBUTED TO LOUIS-SIMON BOIZOT ( FRENCH, 1743-1809)Portrait bust of Marie-AntoinetteCarrara marble, 42cm high.Boizot was an artistic director at the Sevres Porcelain Factory who produced models for Sevres biscuit figures.A comparative bust by the Sevres porcelain factory (c. 1785) forms part of the permanent collection in the Victoria and Albert Museum in London.
Lot 33
A King George IV Coronation 1821 medal in copper by Benedetto Pistrucci, Laureate Bust 1, Georgius IIII DG Britanniarum Rex FD, rev depicts the King enthroned, crowned by Victory with Britannia, Hibernia and Scotia in attendance, Proprio Jam Jure animo paterno, in ex inauguratus die julii XIX anno MDCCCXXI
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