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Lot 252
*Portraits. Smith (J.), Mr. Grinlin Gibbons, circa 1710, uncoloured mezzotint on laid after Godfrey Kneller, with margins, 340 x 260 mm, together with Faber (John),Edmunous Halleus, Astronomus Regis et Geomestric Professor Savilianus, sold by Faber, 1722, uncoloured mezzotint on laid after T, Murray, with margins, 350 x 255 mm, with Green (Valentine), John D'Oyly Esq, circa 1800, uncoloured mezzotint on laid after L. F. Abbott, small margins, 515 x 380 mm, plus Meyer (Henry), Ralph Clayton Serjeant at Law, 1814, uncoloured mezzotint on laid after L. F. Abbott, with margins, 350 x 250 mm, and Smith (John), W, Wycherley, 1703, uncoloured mezzotint on laid after P. Lely, thread margins, 265 x 190 mm, together with Williams( J.), Untitled portrait of Prince Charles Edward Stuart in disguise as a woman in an lace cap and dress, circa 1745, uncoloured mezzotint, trimmed to image and laid on later card, six lines of verse below image, 325 x 225 mm, with Kyte (Francis), Mr. John Sturgess, 1733, uncoloured mezzotint on laid after J. Vanderbank, small margins, 345 x 250 mm, plus McArdell (James), Untitled portrait of a lady, 1753, uncoloured portrait bust of a lady in a lace cap, laid on card, 325 x 225 mm (On the Strawberry Hill impression Walpole wrote 'Mrs. Gumledon, a Finland lady'. Pencil annotations on the wrapper, mount and recto of impressions in the British Museum identify the sitter as Lady Mackintosh), and Smith (J.), Jacobus secundus dei gratia Angliae, Scotiae, Franciae et Hiberniae Rex &c., circa 1680, uncoloured oval mezzotint on laid after N. de Largillierre, trimmed to image, one repaired closed tear, repairs to right hand margin, 340 x 245 mm, with Haid (Johann Elias), D. Benjamin Franklin..., 1778, uncoloured mezzotint on laid, large margins, 220 x 140 mm, mounted (10)
Lot 580
*Paper dolls. A head and shoulders portrait of a lady with thirteen costume overlays, circa 1830, pen, ink, and watercolour bust portrait of a young lady, facing front, blank margins slightly soiled, and thirteen similar watercolours, some heightened with gold, all upper body costume illustrations with cut-out face, designed to be superimposed on the portrait, each captioned beneath image in contemporary manuscript, blank margins slightly soiled, each 15 x 11.5cm (6 x 4.5ins), loosely contained in unrelated board and cloth portfolio case, upper cover with pictorial lithographed label 'The Family Coach, A Merry Round Game, William Spooner 379 Strand', 12 x 16cm (4.75 x 6.25ins) Manuscript titles as follows: 'Costume de Cherbourg'; 'Servante de Salamangne'; Costume de Mayorque'; 'Costume of the Isle of Syra'; 'Costume Russe'; 'Costume Suisse'; 'Costume Albanese'; 'Donna di Parga'; 'A Greek of Constantinople'; 'Suisse'; 'Costume Parisien - 1829'; 'Costume de Valence'; '1827'. (1)
Lot 1162
Pair of Edward VII silver gilt tazzas, the centres embossed with a bust of a bearded man, on shaped columns and round feet, by Crichton Brothers, London, 1907, engraved on the feet as follows 'Copy of tazza 1582 formerly the property of the corporation of Boston, Lincs., ' Made by Crichton Brothers 22 Old Bond Street, London', 39.4oz, 1226g, (boxed),.
Lot 33
A Charles l silver counter box,by or from the workshops of Simon and William de Passe, of cylindrical form, the cover pierced with a bust portrait of Charles l, the base similarly decorated with a bust of Henrietta Maria, the sides with two panels of fanciful birds and scrolling foliage, containing thirty-one gaming counters, die struck with portraits of English monarchs,box 2.7cm highProvenance: The Property of a Lady.
Lot 568
A Copeland Parian bust 'The Veiled Bride',after Raffaele Monti Issued for the Crystal Palace Art Union of London 1861,38cm highRaffaele Monti (1818-81) specialised in carving marbles with illusionistic veils. The Bride was derived from the head of a full-length marble of a kneeling Veiled Vestal of 1847, which was exhibited by Copeland at the Great Exhibition in 1851 and was acquired by the Duke of Devonshire. The Parian version was first issued as a two guinea prize to Ceramic and Crystal Palace Art Union subscribers in 1861.
Lot 991
Early 19th century French cut glass scent / moon flask with sulphide portrait bust of Emperor Napoleon I to front and diamond cut back, small glass stopper under silver screw-top, 8cm high CONDITION REPORT Couple of minor flea bites/chips to neck and stopper. Some dents to lid, some dirt to interior and minor chips to high points of glass to reverse
Lot 682
A collection of items of or related to Vladimir Ilyich Ulyanov - Lenin, to include a moulded plaster bust signed 'Patray', a silvered bust signed in Cyrillic and with label, 25cm high, three smaller busts, fourteen socialist / communist booklets by Lenin; three banners and a Soviet flag etc (Qty)
Lot 2196
After Sir Francis Chantrey - An early 19th century bronze bust of King George IV, posed in uniform with epaulettes and wearing the Order of the Golden Fleece and the Garter Star, on ormolu socle to a sienna marble plinth, unsigned, h.38.5cm Condition Report / Extra Information Large chip to rear right left corner at base.Further chips and losses to base.Square pedestal support in largely good and complete condition.Surface grubbiness to marble.Socle with 'age' patina wear - this could only be countered if re-gilded (which we wouldn't recommend).Bronze surface marks also permanent, but overall patina is good considering age.
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110041 item(s)/page