SOUTH AFRICA. Gold krugerrand, 2020. Pretoria. Proof. Bust of Paul Kruger facing right. / Springbok walking right divides date. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Diameter: 40 mm.Weight: 67.8 g. (AGW=1.9991 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
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UNITED KINGDOM. Elizabeth II, 1953-2022. Silver 10 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847, the third in a series of coins in the Great Engravers series. The third release consists of two coins - one featuring the Gothic Crown reverse, and this one featuring the Gothic Crown obverse, with the iconic Gothic portrait of Queen Victoria.Fifth crowned portrait of HM Queen Elizabeth II, facing right, wearing the George IV State Diadem, legend around; ELIZABETH II·D·G·REG·F·D·10 POUNDS·2021· J.C. Design by Jody Clark. / Young crowned bust of Queen Victoria (widely known as her "Gothic Portrait"), facing left, monarch's legend around; Victoria dei gratia britanniar. reg: f: d. Design by William Wyon. Milled Edge. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 2127794-001. NGC Census in this grade: 32.NGC Census in higher grade: 102Total NGC Census: 141Mintage: 506.Diameter: 65 mm.Weight: 156.3 g. (ASW=5 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-. Silver 5 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847.The second coin in this series is dedicated to Queen Victoria's Gothic portrait, which was on the obverse of the original crown. This release commemorates the Gothic Crown, an 1847 Queen Victoria design by former Royal Mint engraver William Wyon. Fifth crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 ·. Design by Jody Clark. / Young crowned bust of Queen Victoria (widely known as her "Gothic Portrait"), facing left, monarch's legend around; Victoria dei gratia britanniar. reg: f: d. Design by William Wyon. Milled Edge. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6320493-002. NGC Census in this grade: 1148, equal-finest graded.Total NGC Census: 1538Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-. Silver 5 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847.The second coin in this series is dedicated to Queen Victoria's Gothic portrait, which was on the obverse of the original crown. This release commemorates the Gothic Crown, an 1847 Queen Victoria design by former Royal Mint engraver William Wyon. Fifth crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 ·. Design by Jody Clark. / Young crowned bust of Queen Victoria (widely known as her "Gothic Portrait"), facing left, monarch's legend around; Victoria dei gratia britanniar. reg: f: d. Design by William Wyon. Milled Edge. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6320496-001. NGC Census in this grade: 1148, equal-finest graded.Total NGC Census: 1538Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-. Silver 5 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847.The second coin in this series is dedicated to Queen Victoria's Gothic portrait, which was on the obverse of the original crown. This release commemorates the Gothic Crown, an 1847 Queen Victoria design by former Royal Mint engraver William Wyon. Fifth crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 ·. Design by Jody Clark. / Young crowned bust of Queen Victoria (widely known as her "Gothic Portrait"), facing left, monarch's legend around; Victoria dei gratia britanniar. reg: f: d. Design by William Wyon. Milled Edge. Please note that there are two "burn marks" on the edge of the coin. In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6320496-002. NGC Census in this grade: 1148, equal-finest graded.Total NGC Census: 1538Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-. Silver 5 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847.The second coin in this series is dedicated to Queen Victoria's Gothic portrait, which was on the obverse of the original crown. This release commemorates the Gothic Crown, an 1847 Queen Victoria design by former Royal Mint engraver William Wyon. Fifth crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 ·. Design by Jody Clark. / Young crowned bust of Queen Victoria (widely known as her "Gothic Portrait"), facing left, monarch's legend around; Victoria dei gratia britanniar. reg: f: d. Design by William Wyon. Milled Edge. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6671297-006. NGC Census in this grade: 366.NGC Census in higher grade: 1151Total NGC Census: 1545Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-. Silver 2 pounds, 2008. Royal Mint. Proof Piedfort. Commemorating the Centenary (100th anniversary) of the London 1908 Olympic Games, held at the purpose-built stadium in White City.Fourth crowned bust of Elizabeth II within beaded circle facing right; ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Ian Rank-Broadley. / Squares representing finish line of running track set diagonally through the inner disc of the coin, 'TWO POUNDS' and anniversary dates '1908' and '2008' set within the squares; 'LONDON OLYMPIC CENTENARY' above to right. Design by Thomas T Docherty. Edge milled and inscribed (incuse lettering); THE 4TH OLYMPIAD LONDON.In secure plastic holder, graded NGC PF 68 ULTRA CAMEO, certification number 6031405-010. NGC Census in this grade: 7.NGC Census in higher grade: 1Total NGC Census: 10Reference: S-1105Mintage: 1,619.Diameter: 28.4 mm.Thickness: 5 mm.Weight: 24 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Victoria, 1837-1901. Gold sovereign, 1899. London. Older crowned and veiled bust facing left; VICTORIA · DEI · GRA · BRITT · REGINA · FID · DEF · IND· IMP. / St George on horseback slaying the dragon; date and B.P. in exergue.Reference: Fr-396; KM-785; Marsh-1450; S-3874Mintage: 7,515,978.Diameter: 22.05 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1953-2022. Gold sovereign, 1974. Royal Mint. Second crowned and draped bust of Elizabeth II facing right; ELIZABETH · II · DEI · GRATIA · REGINA · F : D :. Design by Arnold Machin. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC MS 64+, certification number 2116745-002. NGC Census in this grade: 2.NGC Census in higher grade: 26Total NGC Census: 92Reference: S-SC1 (was 4204); KM-919Mintage: 5,002,566.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1953-2022. Gold sovereign, 1976. Royal Mint. Second crowned and draped bust of Elizabeth II facing right; ELIZABETH · II · DEI · GRATIA · REGINA · F : D :. Design by Arnold Machin. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC MS 64, certification number 2116745-007. NGC Census in this grade: 36.NGC Census in higher grade: 48Total NGC Census: 103Reference: S-SC1 (was 4204); KM-919Mintage: 4,150,000.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1953-2022. Gold sovereign, 1978. Royal Mint. Second crowned and draped bust of Elizabeth II facing right; ELIZABETH · II · DEI · GRATIA · REGINA · F : D :. Design by Arnold Machin. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC MS 66, certification number 2116745-016. NGC Census in this grade: 5.NGC Census in higher grade: 2Total NGC Census: 47Reference: S-SC1 (was 4204); KM-919Mintage: 6,550,000.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1953-2022. Gold sovereign, 1978. Royal Mint. Second crowned and draped bust of Elizabeth II facing right; ELIZABETH · II · DEI · GRATIA · REGINA · F : D :. Design by Arnold Machin. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC MS 65, certification number 2116745-012. NGC Census in this grade: 15.NGC Census in higher grade: 7Total NGC Census: 47Reference: S-SC1 (was 4204); KM-919Mintage: 6,550,000.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1953-2022. Gold sovereign, 1979. Royal Mint. Second crowned and draped bust of Elizabeth II facing right; ELIZABETH · II · DEI · GRATIA · REGINA · F : D :. Design by Arnold Machin. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC MS 66, certification number 2116745-018. NGC Census in this grade: 8.NGC Census in higher grade: 1Total NGC Census: 43Reference: S-SC1 (was 4204); KM-919Mintage: 9,150,000.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
AUSTRALIA. Victoria, 1837-1901. Gold sovereign, 1899 P. Perth. Old, veiled bust left, T.B. below; VICTORIA · GRA · BRITT · REGINA · FID · DEF · IND · IMP ·. / St George on horseback slaying the dragon right; mintmark P in groundline; date and B.P. in exergue. Edge milled.Reference: S-3876; Marsh-171; McD-203Mintage: 690,992.Diameter: 22.05 mm.Weight: 7.99 g. (AGW=0.2355 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
λ JO SYKES, A CARVED OAK BUST OF SIR WINSTON CHURCHILL 1970S With presentation plaque to front, signed Jo Sykes Sc. to rear 31cm highJo Sykes is the daughter of the celebrated artist and sculptor Charles Robinson Sykes (1875 - 1950), whose most famous work, The Spirit of Ecstasy, has adorned nearly every Rolls-Royce car since 1911
AN ITALIAN MARBLE BUST OF A YOUNG CHILD IN SECOND HALF OF THE 19TH CENTURY Depicted in the Renaissance manner with draped upper torso, on waisted shaped rectangular and semi-circular base, unsigned39cm highThis lot is to be sold without reserve, proceeds of this lot will be donated to the Ukraine Crisis Appeal.For a similar example of this style of late 19th century Italian revival of depiction of children in the early 15th century Florentine manner- please see lot 76, Dreweatts 30th March 2021, sold for £1,200Condition Report: Generally good condition, some darker vein inclusions visible, small edge fritting and chips to socle base.Condition Report Disclaimer
A collection of bronze busts of Napoleon,comprising a small gilt example after Garnier, signed, 10.3cm high, a larger gilt example, unsigned, to a veined marble base, mounted on a bronze plinth modelled with drapery, 17cm high, and an example depicting a young Napoleon, on a rogue marble socle, 31.5cm high,together with a bisque porcelain bust of Napoleon,no. 1245,18cm highand a gilt bronze figure,unsigned, of a French Hussar, 18.5cm high (5)Condition ReportWear to the gilding throughout. Dents to three corners of the base of the smallest Napoleon bust. The bisque porcelain is in need of a clean.
A vintage Burberrys' or Burberry classic trench coat in honey, lined in the iconic "Burberry check" or Nova plaid, with removable winter lining in a matching wool Nova tartan, (loose-fit), bust approximately 42", waist approximately 44", together with two spare Burberry winter wool linings for coats. (3)
Two vintage Burberrys' or Burberry coats, comprising; navy blue wool pea coat, with mandarin collar embroidered with the pre-2000 Burberrys logo, and red plaid lining revealed at rolled cuffs, chest 44", and a scarlet-red mackintosh raincoat with belt and iconic "Burberry check" bias binding within, post-2000 label, bust 44". (2)
A Victorian white marble bust of a gentleman, wearing classical robes with a medal hanging from his breast, on reconstituted stone pedestal, overall height 40cm bust width 60cm height 80cm***CONDITION REPORT***Bust is fairly heavily weathered with litchen and other staining from exposure to the elements, some very slight scuffing around the socle but otherwise looks to be in good original condition, the bust is inscribed to the back but the weathering is so severe that it is now illegible, stands upon a reconstituted stone pedestal which is equally weathered.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
LA GUERINIÈRE, François Robichon de.- Ecole de cavalerie, contenant la connoissance, l'instruction, et la conservation du cheval.- A Paris: Jacques Collombat, 1733.- [8], 276, [8] p.: 1 portada gravada, [24] gravuras; 44 cm.- E., First folio edition of a classic work in the field of equestrian art, considered one of the most beautiful French editions of the 18th century (the first two, small format, were published between 1729 and 1731, this being the third). François Robichon de la Guérinière (1688-1751), recognized as the founder of the French riding school, began his activity as a squire to the Count d'Armagnac who, in 1715, commissioned him to found an equestrian academy in Paris. From 1730 until his death, with his brother Pierre as a partner, he directed the Académie des Tuilleries, having as patron Prince Charles de Lorraine, chief-squire of King Louis XV. The edition is illustrated with an engraved title, representing the education of Achilles (with the bust of Louis XV in a medallion) and 24 intaglio engravings, three of which are double, 12 full-page (separately) and eight in the text (full page, with text on verso). It also includes three large allusive vignettes (140x235 mm), one at the beginning of each of the three parts of the work, opened in copper plate by the best engravers of the time (Cars, Aveline, Cocart, Audran, Lebas, Beauvais et Desplaces), according to originals by Charles Parrocel and Antoine Coquart. Copy slightly handled, with some imperfections, namely: lower outer corner of the first four leaves with signs of handling and fungus; first double engraving with slight (tidal) stains; occasional smaller stains. It is however complete and solid and generally clean, with all the prints well placed. Ex-libris of D. Diogo de Bragança, VIII Marquis of Marialva. Contemporary binding, full sheepskin, a little worn with the heraldic book stamps of the House of Lafões, gold engraved at the centre of the covers (probably gauffered later). Keep the original endpapers on marbled paper. Cohen, 588. Graesse, IV, p. 79. Brunet, III, 769. Mennessier de La Lance (Bibliographie hippique), II, p. 27.
Flemish school of 1620-1630. Workshop of PETER PAUL RUBENS (Siegen, Germany, 1577 - Antwerp, Belgium, 1640)."Self-portrait.Oil on canvas. Relined.With repainting.The frame shows slight lack of polychromy.Size: 75 x 57 cm; 103 x 85 cm (frame).Excellent painting of Flemish school, belonging to the workshop of Rubens, in which we recognise the self-portrait of the baroque genius. It is a work of great artistic quality, which faithfully follows the original model produced by Rubens around 1618, now in the collection of self-portraits in the Uffizi Gallery in Florence. The one in the Uffizi collection shows Rubens at the age of about 41, when he was still living in Antwerp. The artist depicts himself bust-length, with a stern gaze fixed on the viewer, with no other symbols of his rank than the dignity of his face. In the present work, which belongs to the workshop of the Baroque genius, we can appreciate the energy and direct teaching of the master: both the figure and the background share shadows and lights, the spotlight sliding across the flushed complexion and the dark eyes, playing with thousands of nuances that extract velvety textures and naturally capture the boldness of the gallant countenance. As for Rubens's workshop, it is worth noting that the prolific artist could not have tackled the abundant creative fecundity of his work alone. He employed expert collaborators and enlisted the help of external painters, who helped to satisfy the fertile demand for commissions.Peter Paul Rubens was a painter of the Flemish school who nevertheless competed on an equal footing with contemporary Italian artists and was of major international importance, as his influence was also key to other schools, as in the case of the transition to the full Baroque in Spain. Although born in Westphalia, Rubens grew up in Antwerp, where his family originated. After completing his training Rubens joined the Antwerp painters' guild in 1598. Only two years later he travelled to Italy, where he stayed from 1600 to 1608. During this decisive period, the young Flemish master had first-hand experience of naturalism and classicism, the works of Caravaggio and the Carracci. During his visit to Mantua he was impressed by Mantegna, especially by his "Triumphs of Caesar", which influenced his later "Triumph of the Eucharist", where we see the same classical theatrical sense of Mantegna. It was also in Mantua that he would see at first hand the giants of Giulio Romano's Tea Palace. He visited Rome on several occasions, and also studied the art of Classical Antiquity, which influenced his early sculptural and monumental style, which evolved over time towards a more pictorial language. In the Italian capital Rubens also became acquainted with Italian Renaissance painting and the works of Michelangelo, Raphael and Leonardo. On his tour of Italy he also visited Florence and Parma, where he came into contact with the work of Correggio. In Venice he learned the sense of ostentation of Veronese and the dramatism of Tintoretto, and in 1609 he returned to the Low Countries to serve the governors of Flanders, Archduke Albert and the Infanta Isabella Clara Eugenia. In addition to being a court painter, Rubens carried out diplomatic work for the court, which took him to Spain, London and Paris. In 1609 he married Isabella Brant in Antwerp and organised his workshop, recruiting excellent collaborators with whom he worked side by side, many of whom were specialist painters (Frans Snyders, Jan Brueghel de Velours, etc.). He also took on pupils and created an excellent workshop of engravers, who worked from drawings by his own hand and under his supervision. During these years he produced important commissions such as "The Elevation from the Cross" (1610) and "The Descent from the Cross" (1611-14), both for Antwerp Cathedral.
Four late 19th/ early 20th century garments including the following; full length ivory silk dress with pin tucks, lace trim and drawstrings at neckline and under bust; an ivory silk damask fitted bodice with stays at side and front and with hook fastenings at the back; a fitted black silk jacket with sequin and beaded trim, pleated georgette cuff frills and ivory coloured lining; a man's dress waistcoat with low shawl collar in black wool with ivory coloured lining (4)
Ca. 650-480 BC.This is a beautiful example of archaic Greek statuary. The bust is buff colour formed of terracotta, originally from a figure depicting a broad chested male holding his left arm to his chest. Wearing a pointed, brimmed pilos helmet and large disc earrings, his hair falling forward over each shoulder, with horizontal bands and falling in ringlets below, with a moulded bust, one arm hanging by side.Size: L:193mm / W:120mm ; 952g.Provenance: Property of a London Art Gallery; formerly in a Private New York city collection, previously acquired on the US Art market (Fortuna Fine Arts).
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