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Lot 618
Title: Louis Van Cutsem (1909-1992): The head of a young lady, patinated bronze, dated 1946 & two bronze busts, 20th C. Description: Dimensions: H 66 cm - 44,5 cm (the Van Cutsem sculpture with and without the black marble base) H 55,5 cm (the bust of the man) H 42 cm (the bust of the lady) Both busts signed.
Lot 207
A modern 9ct gold mounted and amethyst oval pendant, set with faceted stone (approximately 5ct), 13mm x 15mm, a 9ct gold mounted and amethyst pendant of open scroll form, hung with small amethyst drop, 30mm x 20mm (combined gross weight 7 grammes), and a gilt and silvery coloured metal mounted oval cameo brooch carved with the profile bust of a woman, 65mm x 55mm
Lot 432A
Matthew N Noble (1817-1876), a bust of the Reverend John Hodgson, marble, inscribed `Reverend John Hodgson' on the reverse, with another inscription on the socle and signed 'M.N. Noble Sc, London, 1870', 77cm high Noble was a leading British portrait sculptor.and carver of numerous monumental figures and busts, including work memorialising Victorian era royalty and statesmen displayed in locations such as Westminster Abbey and St. Paul's Cathedral. His figure of Sir Robert Peel stands in Parliament Square, London. Provenance: The Property of a Prominent West Country Collector.
Lot 450
After Alexander Nasmyth PORTRAIT OF ROBERT BURNS (1759-1796), BUST LENGTH, IN A GREEN COAT Oil on canvas, painted oval 35.5 x 30.5cm After the painting in the Scottish National Portrait Gallery. Robert Burns (1759-1796) also known familiarly as 'Rabbie' Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide.
Lot 430A
English School, a bust of Sir Thomas More, bronze, on a wooden base, the back inscribed 'Sir Thomas More' and signed indistinctly with initials, dated 2000 and numbered 1/12, 76cm wide 64cm high Sir Thomas More (1478-1535) was an English lawyer, social philosopher, author, statesman, and noted Renaissance humanist. He was also a counsellor to Henry VIII, and Lord High Chancellor of England from October 1529 to 16 May 1532. He was tried for treason at Westminster and, on 6 July 1535, was executed on Tower Hill.
Lot 130
Table Top Revolving Bookcase and Other Ornaments and Miniatures, a carved oak 1930s table top revolving bookcase 11" high, together with a leather model of a stallion 11" high, a faux marble bust of Herakles after Santini 14" high, a pair of oval miniature gouache continental landscapes signed in glazed Rococo style gilt cartouche frames and a miniature engraved portrait of an 18th Century lady probably after Gainsborough in ebonised frame, G, (6)
Lot 103
A collection of antiques and collectables, including a Wedgwood Jasperware bowl and pot, a Parker 61 fountain pen with an arrow motif clip, length 13.5 cm and a Pierre Cardin example, a set of five 'lettuce leaf' dishes, two papier mache boxes, a Coalport dish, studio pottery bowl (stamped to the underside), manicure set, a selection of enamelware, a stone and resin bust and more (25+)
Lot 356
A Grinch (Jim Carrey) makeup study head from Ron Howard's holiday comedy How The Grinch Stole Christmas. This head was created as a makeup study for the surly Grinch by makeup artist Rick Baker, who along with key hair stylist Gail Rowell-Ryan, won the Academy Award for Best Makeup for his work on the film. The head consists of a biscuit foam bust painted green and brown, featuring the Grinch's foam-latex facial components, including a brown nose and wrinkly jowls, as well as holes where the Grinch's ears would have been secured. The head is attached to a wooden display board with screwed-in polyester straps and plastic shoulder covers. The latex exhibits some colour fading from age, as well as minor signs of handling throughout. Dimensions: 44.5 cm x 44.5 cm x 48.5 cm (17 1/2" x 17 1/2" x 19")£1000-1500 Ω
Lot 347
A promotional Pinhead (Doug Bradley) bust from Clive Barker's British horror film Hellraiser. This bust was used to promote the film's initial release and was created by Bob Keen at Image Animation, who designed the makeup and special effects for the production. Made from fibreglass, the face is finished in pale skin-coloured tones and displays Pinhead's renowned carved grid pattern, with fixed metal nails. The upper torso features two sections of exposed skin with underlying tissue, and the shoulders and neck have been finished in black to replicate the character's costume. Corrosion is present on the nails, and the bust displays minor paint wear and marks, notably on the shoulders. Dimensions: 26 cm x 53 cm x 47 cm (10 1/4" x 21" x 18 1/2")£800-1200 M
Lot 264
Kyoko's (Sonoya Mizuno) severed jaw and robot components from Alex Garland's sci-fi thriller Ex Machina. The lower part of Kyoko's face was ripped away by Nathan (Oscar Isaac) as he attempted to kill Ava (Alicia Vikander). Robotic components were displayed throughout Nathan's high-tech laboratory. The jaw consists of a faux-silver fibreglass base with a layer of silicone skin adhered on top. The components comprise a hood and foam test bust of Ava; a white plastic face mould; a resin faux-silver skull and cap; a pair of plastic arm covers; and an assortment of nuts, bolt and cables. Signs of production use are present, including minor wear on the components, small rips and uneven edges on the jaw, and dried glue remnants on the skull's interior. Dimensions (jaw): 15 cm x 13 cm x 10.5 cm (6" x 5 1/4" x 6"); (test bust): 22 cm x 39 cm x 38 cm (8 3/4" x 15 1/4" x 15")£600-800 â€
Lot 257
A beaded silver-and-red evening dress worn by Arlena Stuart Marshall (Diana Rigg) in Guy Hamilton's Agatha Christie adaptation Evil Under the Sun.The dress is a long, figure-hugging maxi dress with a fishtail hem, higher at the front and dipping at the back. It heavily embellished all over with red-and-gold-coloured bugle beads, and features two front straps and a single back strap, which are garnished with diamante and bugle beads - as is the bust, which gathers to a horseshoe shape. This item is quite fragile and shows some signs of age. It is missing some beads and diamante, and the weight of the garment has caused it to fray away from the back strap. The lot is accompanied by an original 11" x 14" lobby card featuring Rigg wearing the dress.£500-700 M
Lot 356
Ca.400 AD. A finely moulded Gandhara Stucco bust of a Buddha; finely carved details. Good Condition, on a custom made stand; Size: 380x200mm; 14.96x 7.87in; over 5kg; Provenance: Private Kent collection, formed in the 1980s on the UK art market, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
Lot 113
A GREEK TERRACOTTA FEMALE BUST, SICILY, circa 4th century B.C., moulded hollow with opening to back of torso, back of head and top. Possibly of Demeter, depicted wearing a necklace of acorn pendants, 26.5cm high (bears an old collector's label to the back) (Provenance - Ex Bonhams, lot 360, Oct.2009, sold for £1,440 inc. premium)
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110041 item(s)/page