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Lot 159
George II (1727-1760), The Official Coronation Medal, silver, 34mm, by John Croker, laureate, draped and cuirassed bust of George left, GEORGIVS•II•D:G•MAG:BR:FR:ET•HIB:REX•, rev., the King, seated on King Edward's chair, holds the sceptre and orb and is crowned by Britannia who is holding a cornucopia and leaning on the fasces, VOLONTES . PER . POPULOS. (By a willing people), in exergue: CORON . XI . OCTOB . MDCCXXVII, (MI I, 479/4; Wollaston 12; Eimer 510
Lot 160
Queen Anne (1702-1714), The Peace of Utrecht 1713, silver Medal, by J Croker, bust left ANNA. D:G:MAG: BRI FR: ET. HIB: REG:, rev. Anne, standing, as Britannia holding olive branch, spear and shield, ships and farming scene beyond, COMPOSITIS. VENERANTVR. ARMIS,, in exergue, MDCCXIII, 34mm (Eimer 460; MI ii 400/257).
Lot 336
Copeland Parian Ware bust of Ophelia after an original by W. C. Marshall RA, published by Crystal Palace Art Union, 28cm high.Condition report:No chips to actual bust but small chips to top of socle base, as images. Some grubby marks and staining to ground. Two very fine hair cracks to top right of dress and bottom of hair as images.
Lot 81
A French gilt metal mounted porcelain vase, late 19th century, probably originally part of a clock garniture, painted with panels of a young woman at a waterspout and a water landscape, 30cm high, and a Jando, Spanish bisque bust of a child, on a cobalt blue socle with gilt bands, 35cm high (2).
Lot 488
A French terracotta bust of a young child on porphyry soccle base together with a stone head fragment of a youththe first probably late 18th/19th century, the second after the antiquethe bust of the child looking slightly to sinister ,the head fragment modelled full face with curling hair, mounted on a black painted metal and wooden stand, the first 32cm high, the second 31.5 cm high (2)
Lot 497
After Antonio Canova (Italian 1757 -1822): A late 19th/early 20th century carved white marble bust of Napoleonmodelled full face on integrated shouldered rectangular base, 51cm high.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.
Lot 498
A late 19th/early 20th century Italian carved white marble bust of the Apollo Belvedereafter the antiquethe draped god looking to sinister, on a turned socle base, 55cm high approximately.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.
Lot 515
Francois Rude (French 1784-1855): A mid 19th Century patinated bronze bust of 'Tête De Gaulois (Head of a Gaul)'modelled with curling hair and beard looking up to dexter, signed RUDE and raised on a swept moulded rouge marble veined square socle base and square plinth base, 47.5cm highFootnotes:Provenance: Property of a Gentleman CollectorFootnote: Francois Rude was known for his social art including public monuments such 'La Marseillaise' or 'The Departure of the Volunteers of 1792 conceived and produced 1833-36 which captured the subject in a dynamic and emotional stylised way. Wining the prestigious Prix de Rome in 1812 he was unable to train in the city due to the Napoleonic Wars. First attracting public attention with his statue of 'Mercury Attaching His Winged Sandals' in 1828 which was still very much in the Neo-Classical tradition he quickly moved into more naturalistic expressive subjects such as 'Young Neapolitan Fisher boy Playing with a Tortoise' in 1831. By the time his statue of 'Marshall Ney' was unveiled in the Place de l'Observatoire in Paris he had completely rejected all Neo-Classical principals for sculpture with his sculpture depicting the Marshall holding a sword raised above his head and his mouth open. The monument of 'La Marseillaise' although classical in detail was however very romantic and impetuous in feeling causing his critics to rally against this work and one of his last works was 'Bonaparte Awakening to Immortality' unveiled in 1847.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.
Lot 521
Nine late 18th/early 19th century Oval bust profile portraits of gentlemen on plaster including examples by John Miers (1771-1841), John Field (1756-1821) and Mary Lightfoot (1750-1837)depicting various named and anonymous sitters, eight mounted within papier mache frames with brass mounts, the last within a brass oval frame, various sizes between 8.5cm x 6.5c to 8cm x 6cm (9)Footnotes:
Lot 3130
Medals, World War Two, Burma and Gurkhas - Lieutenant Colonel "Roddy" William Rodney Villiers Russell MC (1914-1994) of the Rifle Brigade (Prince Consorts Own) - Group of 5: as Captain (temporary Major) in the Burma Rifles, Frontier Force I and the Chin Hills 'Hand-To-Hand Fighting' MC and 4 Campaign Stars and Medals, comprising George VI MC dated 1942 to verso, 1939-1945 Star, Burma Star, Defence Medal and War Medal 1939-1945, bar-mounted for wear, original Royal Mint MC fitted presentation case of purple morocco gilt; the then Major's dogtag, 62669 C.E. Russell W.R.V; contemporary ephemera referring to the MC citation and subsequent investiture, typed citation submitted by G.O.C.-Chief Burma in Support of [...] Award of Military Cross: 'During operations South of Toungoo subsequent to 11th March, 1942, Major Russell was in command of a column which through no fault of his had lost touch by wireless with the remainder of the force and had of necessity to be left behind during the withdrawal. In spite of many vicissitudes and brushes with the Japanese Cavalry (the column was for some time behind the Japanese lines) Major Russell managed to bring out his column complete, men and animals, across the Pegu Yomes living on the country wherever food could be found for two weeks and marching 25 to 30 miles daily. Rations were approximately a handful of rice per man a day. The morale of the small force under Major Russell's leadership never waned and on all rejoining the Division although tattered, thin and exhausted, their spirit was magnificent [...]', a contemporary clipped newspaper adds, more salaciously: '[...] During the storming of a Japanese hill position, led by a young British officer - the son of a General [Brig. Gen. Hon. Alexander Villiers Russell CMG, MVO (1874-1965)] - they fired Bren guns, tommy-guns, and rifles as they advanced, and when they began to use their kukris in hand-to-hand encounters at the top of the hill the Japanese fled', clipped and mounted on a ledger leaf with a b/w bust-length photographic portrait of Russell by Reeves, Lewes, flanked by the investiture tickets at Buckingham Palace, numbers 1930 & 1931, to verso the letter from the Central Chancery of the Order of Knighthood at St. James's Palace to Russell explaining protocol, etc., dated 24th February, 1945, on headed notepaper; b/w photoraph of Major Russell and his mother Marjorie (née Guiness) (1888-1949), by Paramount Press Pictures, stamped to verso; further b/w photographs of "Roddy" Russell, studio images but for one in the field, inscribed [...] Burma and dated 1943; typed family pedigree, Descent of Russell Family from King Charles II, showing the monarch's great-grandaughter Lady Elizabeth Keppel marrying Francis Russell, Marquess of Tavistock [heir of John, 4th Duke of Bedford]; The Royal Green Jackets Chroncile, 1994, with Lieutenant-Colonel Russell's obiturary at pages 303/304, [archive collection]Lieutenant-Colonel Russel's father's archive - Brigadier-General the Honourable Alexander Villiers Russell CMG, MVO (1874-1965) - is being offered for sale in this auction, Lot 3130A Provenance: Direct family descent until consigned for sale by the recipient's eldest son.
Lot 440
Five antique gold rings to include a Victorian blue enamel, seed pearl and diamond cluster ring, size L½, 18ct gold signet ring with engraved cross decoration, size J, another gold signet ring with enamel monogram on shield shaped panel, size L, oval lava shell cameo depicting a female bust, size J and a Victorian gold hair work ring, size Q
Lot 205
MORBID CURIOSITIES, 20th century, a collection of strange curios to include: four porcelain glove moulds, the cast of a skull, a Donnie Darko-style horned mask, a concrete top hat, two cast iron door knobs, and a plaster bust of a baby, largest 33cm high (9) Provenance: From the Harry Diamond 'Le Dark Fantastique' Collection.
Lot 93
AN 18TH CENTURY POSSIBLY WORCESTER SUCRIER AND COVER together with a Royal Crown Derby Imari pattern pin dish, a Spode bisque porcelain bust of Winston Churchill from the first edition of 1965, a cut glass celery vase, four plates depicting famous politicians to include Lloyd George and Disraeli, a Wedgwood ring stand etc
Lot 226
British Empire Medal, South African War, 1901Large bust of King Edward VII to left; around are supporting figures of Justice and Industry, Equestrian figure of Lord Roberts with Victory and Fame hovering above; beyond, column of troops advancing. Designed by Frank Bowcher, bronze 100mm No. 12
Lot 2055
A 1920's Black Beaded Sleeveless Dress, the chiffon ground embellished with a geometric design of black silver coloured beads; A Black Lace Drop Waist Dress with short sleeves; and A Black Silk Under Dress with tiered chiffon hem (3) . Tear to seam under one arm hole. Some bead losses in places. Some loose threads. 34'' bust, 40'' shoulder to hem. Labelled size 46.
Lot 2056
Five Circa 1920's-1930's Evening Dresses, comprising a black chiffon evening dress with gathered skirt over a petticoat, ruched and gathered detail to waist, beaded and jewelled decoration to the bodice; a black silk and velvet tiered short sleeve dress with shaped neckline; a purple silk taffeta evening dress with 3/4 length sleeves, diamante applied circular shaped detail to the front with blue velvet bows, paste clip to the reverse, waist tie; a pale pink silk crepe bias cut dress, sleeveless with a two tier smocked shoulder mount, attached flowers and blue waistband; an eau de Nil crepe dress with three quarter length sleeves, panelled and gathered bodice and skirt, decorated with 'spotted' design (5). Black dress - 36'' bust, slight wear. Black velvet tiered dress - 36'' bust, belt missing, stitched repair near to the press stud opening, wear towards the hem and additional silk to the collar. Purple dress - 34'' bust, slight discolouring under the arms, two ribbons missing, side seam has small opening, slight wear overall. Pale pink dress - 36'' bust, some brown stains to the centre of the skirt, couple to the bodice, wear to the hem. Eau de nil dress - 38'' bust, slight discolouration.
Lot 2057
Five Items of Circa 1920's-1930's Ladies' Evening Wear, comprising a black cut velvet long sleeve dress with trimmed V-neck and attached ruffle, panelled skirt (size 46); a similar style dress in black velvet; a black chiffon and lace drop waist dress with long sleeves; a black velvet evening coat with smocked trim to the collar, cuffs and button placket; and a black velvet 3/4 length evening coat with smocked detail to the collar and across the bust and back, button fastening (5). Black cut velvet dress - missing belt, slight wear. Similar dress - slight fading, cuffs loose, alterations to the back of the neck and a small holes, belt missing, slight wear overall. Black chiffon drop waist dress - hole to the top of one of the sleeves, slight fading, lace trim to the hem is loose in parts, slight wear overall. Velvet evening coat - slight wear, stitched repair to sleevehole lining. Black velvet smocked coat - patched repairs to the lining, loose threads and wear to the collar, slight fading.
Lot 2058
Four Circa 1920's-1930's Day Dresses, comprising a stylish cream and cotton drop waist day dress, with printed top and long sleeves and cream slubbed faux wrap skirt; a cream wool long sleeved top with lace trimmed collar and cuffs; a blue crepe dress with lace capped sleeves and shoulders, two paste set buttons to the neckline, matching fabric belt with lace mounted buttons; and a long sleeved blue velvet day dress, with pleated crepe contrasting to the sleeve ends and neck (4) . Cream day dress - several tiny holes and areas of wear to the front of the skirt. Wool top - wear to the lace and rubbing. Blue crepe dress - 35'' bust, holes and stitched repairs to the lace, some light staining overall. Blue velvet dress - 36'' bust, crepe has couple of holes, fraying near the neck, stitched repair to one sleevehole and to skirt, velvet worn and faded, couple of possible holes/or just wear to skirt.
Lot 2062
Three Circa 1920's Dresses, comprising an orange textured crepe day dress with long sleeves, panelled hem and attached scarf; a black crepe and satin day dress with long sleeves, stylised multi-buttons to the upper sleeves and to front of skirt, a clear plastic and gold decorated buckle; and a black wool crepe 3/4 length jacket with black grosgrain trim to the collar and butter plackets and faux pockets to the chest (3) . Orange dress - 36'' bust, some wear to shoulders and some slight wear overall. Black crepe and satin dress - 34'' bust, couple of small holes to sleeve hole, slight wear overall. Black wool crepe dress - 38'' bust, small hole to the hem, slight fading and wear.
Lot 2063
Three Items of Circa 1920's and 1930's Ladies' Evening Wear, comprising a purple wool crepe full length evening dress with capped sleeves, sequin and bead decoration to the bodice and collar; a purple woven silk dress with 3/4 length sleeves, gathered bodice and multi-buttons to the reverse; and a Dumaros Model black wool crepe jacket with diagonal scalloped detailing to the front panels, together with fabric belt (3) . Purple wool dress - 32'' bust, very slight fading overall and a couple of stitched repairs to existing seams. Purple silk dress - 36'' bust, some staining under both arms, stitched repairs to the front near the waist, general wear overall. Jacket - 40'' bust, slight fading and wear overall, couple of areas of wear to back of shoulder, some loose threads by the waist.
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110054 item(s)/page