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Click here to subscribeSmithfield Club, a silver award medal by W. Wyon, bust of Earl Spencer left, rev. bust of the Duke of Richmond right, edge named (As Breeder Best Beast in Class XXXIV, 1865, James Bannerman, Kelthall, Aberdeenshire Hill), 49mm (BHM 2218; E 1400). Sometime lightly wiped in fields and now re-toned, otherwise good very fine £60-£80 --- Provenance: A Collection of Historical Medals, the Property of a Gentleman, DNW Auction 164, 9-10 October 2019, lot 3607
The 56 medals awarded between 1874 and 1897 to the pioneering photographic artist Frank Sutcliffe, from Whitby, Yorkshire, one of the first photographers to create 'art' from his images: International Exhibition of all Fine Arts Industries and Inventions, 1874, a bronze medal by G.T. Morgan, bust of Prince of Wales left, rev. Albert Hall, named (Francis Meadow Sutcliffe, Catalogue No. 4425 etc), 52mm (BHM 2992; E 1633); Un-named Society [perhaps Liverpool or Newcastle-upon-Tyne-related], a bronze medal, unsigned, robed and winged female inscribing tablet on pillar, rev. wreath, named (Swan Plate Competition, 1881, Awarded to Mr F.M. Sutcliffe, for Landscape), 50mm; Dundee and East of Scotland Photographic Association, 1882, a silver medal, unsigned [by Whytock & Sons, Dundee], arms and supporters, rev. exhibition dundee, un-named, 41mm, 27.54g (cf. DNW M11, 1121); Photographic Society of Great Britain, bronze medals (4), unsigned [by W.J. Taylor], bust of Prince Albert left, revs. female driving quadriga, named (Frank M. Sutcliffe, Exhibition 1882; F.M. Sutcliffe, Exhibition 1886; Frank M. Sutcliffe, Exhibition 1887; Frank M. Sutcliffe, Exhibition 1889), all 64mm (cf. BHM 2525; E 1478); Royal Cornwall Polytechnic Society, First Class, a bronze medal after W. Wyon, bust of James Watt left, rev. legend, named (Frank M. Sutcliffe, for Instantaneous Views, 1882), 45mm (E 1272); Bristol & West of England Amateur Photographic Association, medals by J.A. Restall for Lavars (4, two silver, two bronze), arms and supporters, revs. international exhibition, named (silver: Frank M. Sutcliffe, 1883-4, F.M. Sutcliffe; bronzes: F.M. Sutcliffe), all 55mm, silver total wt. 132.58g (cf. DNW 64, 1136); Photographic Exhibition, Northampton, Prize Medal, a bronze medal by J.S. & A.B. Wyon, arms and supporters, rev. legend, named (F.M. Sutcliffe, 1884-5), 51mm; Cardiff Photographic Society Exhibition, medals by J.A. Restall (3), in silver (2) and bronze, female seated left, head reverted, shield with Welsh dragon below, revs. wreath, named (silver: 1886, Figure Study, F.M. Sutcliffe, 1888, F.M. Sutcliffe, Class XXIIII; bronze: 1888, F.M. Sutcliffe, Class III), all 51mm, first hallmarked London 1887, silver total wt. 126.50g; Dundee and East of Scotland Photographic Association, 1886, a silver medal, unsigned [by Whytock & Sons, Dundee], arms and supporters, rev. exhibition dundee, un-named, 41mm, 28.45g (cf. DNW M11, 1121), reverse with brooch mount; Photographic Society of Ireland, a bronze medal, unsigned [by Woodhouse], cruciform shields, rev. wreath, named (Triennial Exhibition, Awarded to Frank M. Sutcliffe, Class 6 No.16, 1887), 51mm (cf. DNW 188, 757); Borough of Nottingham, Art Museum, Medal for Success in Art, a silver medal, unsigned, arms, rev. legend, named (Exhibition of Photographs, 1887, to Frank M. Sutcliffe for No. 47), 72mm, 119.67g; Crystal Palace Photographic Exhibition, 1888, a bronze medal by J. Pinches, Britannia holding caduceus and key, opening the doors to the exhibition, lamb and helmet at her feet, rev. legend above wreath, un-named, 41mm (Allen p.138; MJP p.33); Dundee and East of Scotland Photographic Association, 1888, a silver medal, unsigned [by Whytock & Sons, Dundee], arms and supporters, rev. exhibition dundee, named (Awarded to F.M. Sutcliffe), 41mm, 25.76g (cf. DNW M11, 1121); Gloucestershire Photographic Society, a silver medal by H.B. Sale, arms and supporters, rev. wreath, named (April 1888, F.M. Sutcliffe, Class 9), 45mm, 50.22g; Liverpool Amateur Photographic Association, Prize Medal, silver medals by Brookes & Adams (2), arms and supporters, revs. tablet above wreath, named (International Exhibition 1888, F.M. Sutcliffe), both 44mm, total wt. 79.00g (cf. DNW 131, 514); Borough of Oldham, bronze medals (2), unsigned, arms and crest, revs. wreath, named (Photographic Exhibition, F.M. Sutcliffe, 1888), both 45mm (cf. DNW 64, 1132); Coventry & Midland Photographic Society, a silver medal, unsigned, arms and crest, rev. camera within elaborate wreath, named (F.M. Sutcliffe, Champion, Class 5, 1889), 45mm, 42.65g; Crystal Palace Photographic Exhibition, 1889, a bronze medal by J. Pinches, Britannia holding caduceus and key, opening the doors to the exhibition, lamb and helmet at her feet, rev. legend above wreath, named (F.M. Sutcliffe, Series-Cl. A, Sec. 2), 41mm (Allen p.139; MJP p.33); Derby Corporation Art Gallery, 1882 [struck 1883], Industrial Art Prize Medal, a bronze medal by Phillips for P. Vaughton, crowned arms, rev. robed female with accoutrements of art, building in background, named (F. Sutcliffe, Whitby, June 1889), 39mm; Mechanics’ Institute, Keighley, bronze medals by J. Moore (2), robed female standing in landscape, camera at right, revs. legend, named (F. Sutcliffe, 7 Jany. 1889, Champion; F. Sutcliffe, 7 Jany. 1889, Picture), both 45mm; Photographic Exhibition, Richmond, Surrey, a silver medal, unsigned [by J.A. Restall], crowned arms, rev. wreath, named (Awarded to F.M. Sutcliffe for Series of Landscapes, 1889), 45mm, 48.33g; Photography, bronze medals by J.A. Restall (2), seated robed female, camera equipment at left, revs. wreath, named (Medal for General Study won by F.M. Sutcliffe, ‘Coventry’ Exhibition, 1889; Medal for Best Picture, won by F.M. Sutcliffe, Royton, 1890), both 38mm; FRANCE, Exposition Universelle, Paris, 1889, a bronze medal by L.A. Bottée, Marianne crowning seated artisan, Exposition pavilion and Eiffel Tower below, rev. Fame seated on branch of tree, blowing trumpet, named (F.M. Sutcliffe), 63mm (Maier 131; PBE 9; ANS Exh. Cat. 1910, 15; BDM I, 231; cf. DNW 176, 373); GERMANY, Photographische Jubiläums Ausstellung, Berlin, 1889, a silver medal by O. Schultz, male bust right, rev. radiant tablet, named (Zuerkannt Herrn Frank M. Sutcliffe), 45mm, 50.80g; U.S.A., Photographic Society, Chicago, Art Institute, bronze medals (3), unsigned, eagle with feet resting on U.S. shield of arms, revs. 1st annual exhibition may 1889, named (F.M. Sutcliffe), all 38mm; Crystal Palace Photographic Exhibition, 1890, a bronze medal by J. Pinches, Britannia holding caduceus and key, opening the doors to the exhibition, lamb and helmet at her feet, rev. legend above wreath, named (Frank Sutcliffe, Class C, Sec. 1), 41mm (Allen p.140; MJP p.33); Mechanics’ Institute, Keighley, medals by J. Moore (2), in silver and bronze, robed female standing in landscape, camera at right, revs. legend, named (silver: F.M. Sutcliffe, Champion, 1890; bronze: F.M. Sutcliffe, Subject Pictures, 1890), both 45mm, silver 46.70g; Newcastle-on-Tyne and Northern Counties Photographic Association, a bronze medal by J.A. Restall, elevation of church, rev. camera, central tablet named (Awarded to F.M. Sutcliffe, 1890), 45mm (cf. DNW M11, 1105); Liverpool International Photographic Exhibition, a silver medal by J.A. Restall, arms and supporters, rev. camera, tablet and portrait on easel, named (1891, F.M. Sutcliffe), 45mm, 39.00g; International Photographic Exhibition, Leeds, medals (3), unsigned [by J.A. Restall], in silver and bronze (2), classical male head right, radiant star around, revs. crested arms and supporters, municipal art gallery above, named (silver: F.M. Sutcliffe, Marine and Clouds, Leeds, 1891; bronze: Landscapes, F.M. Sutcliffe, Leeds, 1891, Outdoor Groups, F.M. Sutcliffe, Leeds, 1891), all 45mm, silver 40.17g (cf. DNW M11, 1119); U.S.A., The Society of Amateur Photographers of New York, Fourth Annual Exhibition, a silver medal, unsigned, American eagle above camera on radiant sun, rev. wreath, named (Frank M. Sutcliffe, for Artistic and Technical Excellence, 1891), 57mm, 53.78g; U.S.A., World’s Columbian Exposition, Chicago, 1893, a bronze medal by C.E. Barber, figure of Christopher Columbus mode...
Charles I (1625-1649), Tower mint, Shilling, Gp E, type 3b, mm. bell, bust 1, plume over shield, pellet stops both sides, 5.21g/9h (Sharp E1/3; SCBI Brooker –; N 2226; S 2793). Fair to fine, extremely rare; only three specimens known £200-£300 --- Provenance: R. Lyall Collection, Part I, DNW Auction 133, 12 November 2015, lot 436 [from B.J. Dawson 2004]
Charles I (1625-1649), Tower mint, Shilling, Gp E, type 3a, mm. bell, bust 2, pellet stops both sides, 5.86g/5h (Sharp E2/2; SCBI Brooker 490, same dies; N 2225; S 2791). A fine work striking, good fine, very rare £400-£600 --- Provenance: R. Lyall Collection, Part I, DNW Auction 133, 12 November 2015, lot 439 [from I. Jones 2005]
Charles I (1625-1649), Tower mint, Shilling, Gp E, type 3b, mm. crown (over bell), bust 2, plume over shield, mint-mark to right, pellet stops both sides, 6.08g/8h (Sharp E2/3; cf. SCBI Brooker 492, 495-6; N 2226; S 2793). Bust weak, otherwise good fine, rare £100-£150 --- Provenance: R. Lyall Collection, Part I, DNW Auction 133, 12 November 2015, lot 446
Charles I (1625-1649), Tower mint, Shilling, Gp F, type 4.1 var, mm. triangle (over anchor, flukes to right on obv., over anchor flukes to right over tun on rev.), bust 5, large mark of value, pellet stops both sides, 5.99g/7h (Sharp F5/1; SCBI Brooker –; N 2230/1; S 2797). Better than fine but portrait weak, the reverse overmarks very rare £150-£200 --- Provenance: R. Lyall Collection, Part I, DNW Auction 133, 12 November 2015, lot 469 [from T. Owen 2012]
Charles I (1625-1649), Tower mint (under Parliament), Shilling, Gp H, type 4.6, mm. sceptre, bust 2, pellet stops both sides, 6.16g/10h (Sharp H2/1; SCBI Brooker –; N 2234; S 2803). Reverse struck from the larger H1 die, good fine, very rare £100-£150 --- Provenance: R. Lyall Collection, Part I, DNW Auction 133, 12 November 2015, lot 490 [from Spink 2006]
Greek Coinages, THRACE, Byzantion, Tetradrachm, in the name and types of Lysimachos, 90-75, diademed and horned bust of Alexander the Great right, rev. βασιλεωσ λυσιμαχου, Athena Nikephoros seated left, holding transverse spear and resting elbow on shield, trident in exergue, 16.33g (Callataÿ Gp 3; Wheaton 138; ANS 1944.100.81519, same rev. die). Good fine, broad flan, small areas of hard green cuprite £180-£220
Greek Coinages, SELEUKID KINGS OF SYRIA, Demetrios I (162-150), Tetradrachm, Antioch-on-the-Orontes, c. 162-155, diademed bust right within garland, rev. Tyche seated left on backless throne decorated with winged tritoness, holding short sceptre and cornucopia, 16.50g (SC 1635b; Münzkabinett Wien 126157, same obv. die). Light porosity, very fine, grey tone £180-£220
Greek Coinages, PTOLEMAIC KINGS OF EGYPT, Kleopatra VII (52-30), Tetradrachm, Alexandria, yr 2 [51-50], diademed bust of Ptolemy Soter right, wearing ægis as chlamys, rev. πτολεμαιου βασιλεωσ, eagle standing left on thunderbolt, palm frond over shoulder, lβ above Isis head-dress in left field, πα in right field, 13.66g (Mørkholm, Alexandria, p.22; Svoronos 1817; SNG Copenhagen 398; BMC Neus Dionysus 2). A few marks on edge at 11 o’clock, otherwise about very fine, reverse better, good metal for issue £150-£180
Roman Imperatorial Coinage, POMPEIANS, Sextus Pompeius, Denarius, Sicily, 42-36, bust of Pompey the Great right, jug to left and lituus to right, rev. Neptune standing between Anapias and Amphinomus, 3.93g (Craw. 511/3a; BMCRR Sicily 7-12; RSC 17). Struck off-centre, otherwise better than very fine £300-£400 --- Anapias and Amphinomus find prominence in mythology for their actions during the eruption of Mount Etna. The two brothers slowed their escape from Catana in order to carry their parents from the city, a scene visualised on the reverse of this coin. The subsequent lava flow from the volcano is said to have consumed those citizens who troubled only to save gold and silver but spared the pious Catanæan brothers. Sextus’ use of the scene parallels his familial piety to that of Anapias and Amphinomus
Roman Imperial Coinage, Vespasian, Denarius, c. 70, laureate bust right, rev. Libertas standing left holding garland and spear, 2.65g (cf. RIC 105). A contemporary imitation, apparently in good metal, with blundered but recognisable legends, rare £30-£40 --- Provenance: Found in Norfolk. The figure described as ‘Libertas’ is shown helmeted and holding a garland instead of a pileus
Roman Imperial Coinage, Eugenius, Siliqua, Mediolanum or Trier, pearl-diademed bust right, rev. Roma seated left, holding Victory, 0.99g (cf. RIC IX 106d; cf. RSC 14a); together with a Denarius of Severus Alexander [2]. First clipped and porous, otherwise fine, second better but with surface deposits £60-£80
Roman, a bronze Chariot or Cart Fitting, 2nd-3rd cent. AD, 13.5cm x 8.5cm, modelled as a bust of a young man dressed in a paludamentum (a cloak fastened with a circular clasp at the right shoulder), the head moulded in the round with long hair brushed forward, looking straight ahead with large lentoid eyes, silver inlaid pupils and closed mouth, the bust set on a decorated plinth with flaming torches at each side and open at the back with semi-circular attachments, the base showing the remains of an iron nail for attachment. Excellent condition, smooth light green green patina £2,000-£2,400 --- Provenance: Gorny & Mosch Auktion 218 (Munich), 18 December 2013, lot 304. The symbolism of the upright torch indicates the regenerative power of the flame, life and truth
Kings of Mercia, Cynethryth (wife of Offa), Penny, Light coinage, c. 785, Canterbury, Eoba, draped bust right, eoba in field to right, pellets between letters, rev. cyneðryð regn’, Mercian M in centre, contraction bar above, pellets in field, 1.07g/12h (Chick 143; SCBI BM 658, same obv. die; N 339; S 909). Some slight porosity, otherwise better than very fine, very rare £6,000-£8,000
Scotland, James I, First coinage, Groat, Third Fleur-de-lis issue, Edinburgh, mm. cross pattée, bust with bushy hair and tall crown, sceptre to left, three pellets in first and fourth quarters, lis in second and third quarters, 1.72g/3h (SCBI 35, 679ff; B 1, fig. 495; S 5225); together with Sterlings (3) of William the Lion and Alexander III (2) [4]. First two chipped, otherwise about fine and better £100-£150
An Honor Prize to Civilian Wehrmacht Workers from Prince Hessen by K.P.M.Oval white porcelain sculpture of an Adolf Hitler bust by K.P.M., signed on back, dated 1933, wooden frame with hammered silver front facing, suspension ring at top. Reverse has silver presentation plaque marked “Stiehl-Kassel 800” riveted to wooden frame, engraved inscription reads “Betriebssportfest des Standortes Kassel der D.A.F. Abt. Wehrmacht Ehrenpreis des Oberpräsidenten Prinz Philipp von Hessen”. Crack at reverse of wooden frame. Diameter circa 19.5 cm.USA-Los: Versand aus den USA.Zustand: IIAn Honor Prize to Civilian Wehrmacht Workers from Prince Hessen by K.P.M. Oval white porcelain sculpture of an Adolf Hitler bust by K.P.M., signed on back, dated 1933, wooden frame with hammered silver front facing, suspension ring at top. Reverse has silver presentation plaque marked “Stiehl-Kassel 800” riveted to wooden frame, engraved inscription reads “Betriebssportfest des Standortes Kassel der D.A.F. Abt. Wehrmacht Ehrenpreis des Oberpräsidenten Prinz Philipp von Hessen”. Crack at reverse of wooden frame. Diameter circa 19.5 cm.USA-Lot: Shipping from the USA.Condition: II
MONUMENTALE BÜSTE NAPOLEON I. BONAPARTE ALS MARS PACIFICUS. Italien. Datierung: Wohl 19.Jh. Meister/Entwerfer: Nach Antonio Canova (1757-1822). Technik: Weißer Marmor. Maße: Höhe 93cm, Breite 46cm. Das Vorbild der kolossalen Büste Napoleon I. als Mars Pacificus, schuf Antonio Canova 1803-1806 in Form der überlebensgroßen Skulptur, die heute in Apsley House in London aufgestellt ist.Auch wenn Napoleon I die Kolossalfigur aufgrund ihrer Nacktheit ablehnte, fand die daraus abgeleitete Büste großen Anklang.Sie wurde zu einem der offiziellen Porträts des Herrschers und erfuhr dadurch eine weite Verbreitung innerhalb Europas.Um die hohe Nachfrage bedienen zu können wurde sie nicht nur in Canovas Werkstatt gearbeitet, auch eine von Napoleons Schwester Elisa Bonaparte Baciocchi gegründete Akademie und Werkstatt in Carrara fertigte Reproduktionen der Büste.Die beeindruckende Büste steht in der Tradition der kolossalen Porträts römischer Kaiser und ist so auch Zeugnis und Ausdruck des Selbstverständnisses Kaiser Napoleon I. Erläuterungen zum KatalogItalien Einrichtungen und Dekorationen MONUMENTAL WHITE MARBLE BUST NAPOLEON I. BONAPARTE AS MARS PACIFICUS. Italy. Date: Presumably 19th century. Maker/Designer: After Antinio Canova (1757-1822). Technique: White marble. Measurement: Height 93cm, width 46cm. The model for the colossal bust of Napoleon I as Mars Pacificus, was created by Antonio Canova in 1803-1806 in the form of a larger-than-life sculpture that is now displayed in Apsley House in London.Even though Napoleon I rejected the colossal figure due to its nudity, the bust that was created from it was very well received.It became one of the official portraits of the emperor and thus experienced a wide distribution within Europe.In order to meet the high demand for the bust, it was not only produced in Canova's workshop, but also at an academy and workshop founded in Carrara by Napoleon's sister Elisa Bonaparte Baciocchi. The impressive bust follows the tradition of the colossal portraits of Roman emperors and is thus also a testimony and expression of the self-image of Emperor Napoleon I. Explanations to the Catalogue
Napoleon Bonaparte – Bronzebüste als Erster Konsul Bronze, Hohlguss, schwarzgrün patiniert, rs. bezeichnet "Canova 1808". Napoleon mit Halsbinde und reich verziertem repräsentativen Rock. Profilierter runder Bronzesockel. Gebrauchs- und Altersspuren. Höhe 43 cm.Vom 10.11.1799 bis zum 1.12.1804 regierte Napoleon als Erster Konsul. Das Konsulat wurde mit der Kaiserkrönung Napoleons I. am 2.12.1804 durch das Premier Empire abgelöst. Zustand: IINapoleon Bonaparte – a bronze bust as First Consul Bronze, Hohlguss, schwarzgrün patiniert, rs. bezeichnet "Canova 1808". Napoleon mit Halsbinde und reich verziertem repräsentativen Rock. Profilierter runder Bronzesockel. Gebrauchs- und Altersspuren. Höhe 43 cm.Vom 10.11.1799 bis zum 1.12.1804 regierte Napoleon als Erster Konsul. Das Konsulat wurde mit der Kaiserkrönung Napoleons I. am 2.12.1804 durch das Premier Empire abgelöst. Condition: II
Kaiserin Elisabeth von Österreich – elegantes Salonkleid mit Etikett des Achilleions der Münchner Schneiderin Marie Braun, um 1870/80 Das Oberteil mit eingearbeiteten Verstärkungen aus Fischbein (?) und der Rock aus cremefarbener Seide, beides bedeckt mit ebenfalls cremefarbener und floral verzierter Spitze. Die kurzen Ärmel mit feinem Tüll gefüttert. Im Oberteil Seidenetikett mit gesticktem Delphin unter Krone sowie Seiden/-ripsband mit gewebter Schneiderbezeichnung "Marie Braun - München". Das Oberteil mit gegenläufigen Haken, der Rock mit Druckknöpfen zu verschließen. Die Brust und der Rücken (in späterer Zweitverwendung?) mit Goldbrokat auf dunkelbraunem Seidentuch sowie einer lachsfarbenen Schärpe verziert. Die Taille etwas erweitert, die Seide partiell geschlissen, ansonsten aber in gutem Zustand.Provenienz: Hermann Historica, 26. Auktion im Mai 1992, Los 2978, die damals zugehörigen Schuhe sowie der Schirm werden als separate Lose angeboten.Zustand: II -Empress Elisabeth of Austria – an elegant salon gown with an Achilleion label by the Munich dressmaker Marie Braun, circa 1870/80 The bodice with whalebone (?) reinforcements sewn into the lining, the skirt made of cream-coloured silk, both covered with matching cream-coloured, florally embellished lace. The short sleeves lined with fine tulle. A silk label in the bodice with an embroidered dolphin surmounted by a crown and a silk/ribbon band with the dressmaker's woven name "Marie Braun - München". The bodice fastened with two rows of hooks, the skirt with press studs. The bust and the back decorated with gold brocade on dark brown silk cloth and wrapped with a salmon-coloured sash, perhaps for its secondary use. Somewhat taken out at the waistband, the silk worn in places, otherwise in good condition.Provenance: Hermann Historica, 26th Auction in May 1992, lot no. 2978, the matching shoes at that time and the parasol are being offered separately.Condition: II -
Kaiserin Elisabeth von Österreich – kleine edle Bronzebüste Massive Bronze. Vollplastisches Portrait der legendären Kaiserin in voller Schönheit und mit entschlossenem Blick, unten bezeichnet „K. Elisabeth“. Montiert auf edlem grünen Marmorsockel (kleine Chips), abgesetzt mit vergoldeten Profilen. Gesamthöhe 33,5 cm.Zustand: IIEmpress Elisabeth of Austria – a small, noble bronze bust of Sisi Massive Bronze. Vollplastisches Portrait der legendären Kaiserin in voller Schönheit und mit entschlossenem Blick, unten bezeichnet „K. Elisabeth“. Montiert auf edlem grünen Marmorsockel (kleine Chips), abgesetzt mit vergoldeten Profilen. Gesamthöhe 33,5 cm.Condition: II
Friedrich II. von Preußen – Portraitbüste, 19./20. Jhdt. Buntmetall, dunkelbraun patiniert. Figur des "Alten Fritz" mit Dreispitz und schlichtem Uniformrock mit Bruststern. Grüner, lebendig geäderter Marmorsockel von achteckigem Grundriss (minimal bestoßen). Etwas berieben, Gebrauchs- und Altersspuren. Höhe 40 cm, Gewicht ca. 12 kg. Sehr eindringliche, lebensechte Darstellung in großem Format.Zustand: IIFrederick II of Prussia – a portrait bust, 19th/20th century Buntmetall, dunkelbraun patiniert. Figur des "Alten Fritz" mit Dreispitz und schlichtem Uniformrock mit Bruststern. Grüner, lebendig geäderter Marmorsockel von achteckigem Grundriss (minimal bestoßen). Etwas berieben, Gebrauchs- und Altersspuren. Höhe 40 cm, Gewicht ca. 12 kg. Sehr eindringliche, lebensechte Darstellung in großem Format.Condition: II
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![Greek Coinages, PTOLEMAIC KINGS OF EGYPT, Kleopatra VII (52-30), Tetradrachm, Alexandria, yr 2 [51-50], diademed bust of Ptol](https://cdn.globalauctionplatform.com/5ae6d278-8449-4139-967c-ad2d00068188/08fbe525-201c-44cd-9ae1-ad2d00a5f555/468x382.jpg)
![William III (1694-1702), Shilling, 1697, third bust (ESC 1128; S 3505). Good extremely fine [slabbed NGC MS 64] £400-£500 --](https://cdn.globalauctionplatform.com/5ae6d278-8449-4139-967c-ad2d00068188/019ba12d-8416-4551-9284-ad2d00a81b8e/468x382.jpg)
![George I (1714-1727), Shilling, 1723 ss c, first bust, arms of France at date (ESC 1589 [1177]; S 3647). About very fine, rar](https://cdn.globalauctionplatform.com/5ae6d278-8449-4139-967c-ad2d00068188/bdfc921a-7564-4c24-8c3a-ad2d00a4e0e1/468x382.jpg)
