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Click here to subscribeEnglish School, 1829PORTRAIT OF COLONEL WILLIAM SKENE, EAST INDIA COMPANY SERVICE, HALF LENGTH, IN UNIFORMInscribed and dated on a piece of writing paper verso, miniature on ivory104 x 96mm;and another,English School, early 19th centuryPORTRAIT OF A YOUNG OFFICER, BUST LENGTH IN PROFILE, IN UNIFORM53 x 44mm (2)
English School, early 19th centuryPORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A BLACK COAT AND YELLOW WAISTCOATMiniature on ivory, oval50 x 36mm;another,English School, late 18th centuryPORTRAIT OF AN ELDERLY GENTLEMAN, BUST LENGTH, IN A BLACK COATSigned with initials GH and dated 179(?), miniature on ivory, oval57 x 46mm;and another,English School, early 19th centuryPORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A BLUE COATMiniature on ivory, oval70 x 60mm (3)
Cope & CutlerPORTRAIT OF JOHN HARRISON ESQ., BUST LENGTH IN PROFILE, IN A BLACK COAT AND YELLOW WAISTCOATInscribed and dated 1818 on old label verso, watercolour heightened with white on card78 x 64mm;and a pair silhouette portraits, by Hervéof JOHN HARRISON AND HIS WIFE, BUST LENGTHWatercolour heightened with white on card, oval70 x 60mm (3)John Harrison is believed to have been one of the founders of the Art Union.The concept of art unions originated in Switzerland around 1800, subsequently spreading around Europe and to Australia, New Zealand and the United States. In Britain there were some thirty unions by 1850, in the cities of London, Liverpool, Edinburgh and Manchester amongst others. The institutions existed to promote and give greater access to works of art by distributing these to members via a lottery process. Later, in order to increase the number of works available, the unions began to commission their own prints, bronzes, medals and porcelain statuary, and
English School, early 19th centuryPORTRAIT OF A YOUNG GENTLEMAN, HALF LENGTH, IN A BROWN COAT AND YELLOW WAISTCOATMiniature on ivory, oval70 x 55mm;another,English School, early 19th centuryPORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A BLUE COAT AND CREAM WAISTCOATMiniature on ivory75 x 60mm;and another,Attributed to Edward Foster (19th century)PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN PROFILE, IN A RED COATWatercolour and bodycolour on paper, oval80 x 63mm (3)
Andrew Robertson (1777-1845)PORTRAIT OF MAJOR GENERAL THE HON. SIR ARTHUR WELLESLEY KCB (LATER 1ST DUKE OF WELLINGTON), BUST LENGTH IN A BROWN COATMiniature on ivory70 x 53mm, in a gilt metal frame, engraved with the sitter's and artist's names and dated 1807, now contained in a blue leather and gilt-decorated fitted case by D J Lavender
Circle of Andrew Robertson (1777-1845)PORTRAIT OF A YOUNG LADY, BUST LENGTH, IN A GREEN DRESS AND FUR STOLEMiniature on ivory70 x 50mm;and another,English School, c.1830PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE DRESS, PINK WRAP AND WHITE BONNETIndistinctly inscribed on label verso, miniature on ivory, oval70 x 57mm (2)
Six Henry VII half groats, all crowned bust facing, c.1486-1504, S.2211, N.1712 IIIC, comprising: 19.99mm, 1.4g. Good//Fine, short of flan; 1954mm, 1.5g. Good/Fine; 20.07mm, 1.5g. Good/Fine +; 19.71mm, 1.3g. Good/Fine, short of flan; 19.93mm, 1.4g. Fine, irregular, short of flan; and 19.86mm, 1.4g. Fine +, short of flan. (6 coins)
A silver plated and mother-of-pearl vesta case, the cover with carved scene of fishergirl, 6cms (2 1/2in.); a late Victorian plated vesta case incorporating a miniature photograph frame, with registered design no. 398045, 4.25cms (1 3/4in.); and an early 20th Century silver plated vesta case, decorated with brass bust of Edward VII, 4.5cms (1 3/4in.). (3)
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