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Lot 225
A Roberto Capucci couture steel grey suit, mid 1980s, labelled, the short, boxy jacket with huge obi-style bow to the back, the borders and tails entirely edged in a chequer of silver-black long bugle beads, over slim pencil skirt, broad beaded belt, bust approx 86cm, 34in, waist 66cm, 26in, (3)
Lot 252
A Thierry Mugler black velvet cocktail dress with diamante encrusted collar, circa 1985, labelled and size 40, the curved, wired collars `windswept` to one side, black patent belt, bust 97cm, 38in, (2). See KT Auctions 24th May 2005 for a diamante studded ensemble owned by Princess Gloria von Thurn und Taxis now in the Los Angeles County Museum of Art permanent collection. See `Breaking the Mode` p.106.
Lot 266
A Jean-Paul Gaultier for Gibo Russian inspired dress, `Constructivist` Russian collection for Autumn-Winter 1986-7, labelled and size 44, of blue and brown waterproof fabric with padded shoulders and sleeves, navy and purpled knit to the waist, zip fastened down one side, with red and black Russian script down one sleeve and 1986 to the collar, metal roman numerals to the rear waist, zip pockets to the hips, bust 86cm, 34in. cf Jean Paul Gaultier by Colin McDowell p.125. "The power of post-revolutionary Soviet graphics, and experiments by artists like Rodenchko in the twenties to find a form of non-status dress for the proletariat, have exerted considerable influence on twentieth century thinking about design, but surprisingly had little effect on fashion until Gaultier`s `Constructivist` Russian collection for Autumn-Winter 1986-7, which captured all the power of the original and was taken up by the designers of motorbike leathers who are still following his guidelines today. Gaultier himself considers this one of his most important and influential collections and it was also memorable for its presentation. Each of the 120 models wore one outfit only and all were on stage at the same time. Gaultier was also one of the models."
Lot 271
A Jean Paul Gaultier grey wool evening gown, probably `Forbidden Gaultier` collection, 1987-8, labelled Femme, GB 8, the strapless bodice with boned side panels, sash that rises over the shoulder sari-style, with leather bracelet, bust approx 81cm, 32in (2). In the Forbidden Gaultier collection he juxtaposed vinyls and leathers with fabric. For a vinyl bodiced version of this gown see KT Auctions, 10th June 2008 lot 333.
Lot 292
A Vivienne Westwood/Malcolm Maclaren knitted "Smiley Face" bodice and skirt using Keith Haring print, Witches collection, Autumn-Winter 1983-4, World`s End labelled, the top with angular short sleeves, dark grey ground, the skirt dark brown, with flurorescent yellow graphics, bust 81cm, 32in, skirt 81cm, 32in (2)
Lot 306
A Rachel Auburn/Leigh Bowery swastika print bodice, early 1980s, labelled Rachel Auburn, London`, edged in navy cotton jersey, together with an image of Leigh Bowery making a similar swastika top his face painted in polka dots; together with a grey and white degrade nylon jersey dress, labelled `World`, the low back with tie, bust 81cm, 32in, (3)
Lot 307
A Rachel Auburn star-printed synthetic silk jersey dress, early 1980s, labelled, with cross-over empire style bodice lined in sporty gortex-type fabric, shirred sleeves, draped panniers to the hips, narrow hobble skirt, bust approx 86cm, 34in. In 1985 Rachel & Leigh opened a stall at Hyper Hyper in Kensington called `Spend Spend Spend`. Working together they created designs mostly based on Leigh`s current nightclub looks including exaggerated shoulder suits, swatstika printed ruffle shirts and pink feather wigs.
Lot 59
An Austrian terracotta bust of a negro youth, wearing a straw hat and white shirt and grasping a basket, on an oval and canted rectangular plinth, late 19th century, unmarked, 72.5cm high (restorations to hat and cigarette, slight chipping to plinth). Visit www.dnfa.com for condition reports.
Lot 85
Rigo Righi (Italian, early-mid 20th century), a sculpted pietra serena stone bust of an old man, on a square base, incised and dated `R Righi 52` with a fleur de lys, 31.5cm high. Provenance: the daughter of the artist. Righi worked in Florence in the 1920s to the 50s. Visit www.dnfa.com for condition reports.
Lot 86
Rigo Righi (Italian, early-mid 20th century), a terracotta sculpted bust `La Nonna`, on a square base, incised `Righi Rigo XVIII` and a fleur de lys, 33.5cm high. (see illustration on our website). Provenance: the daughter of the artist. Righi worked in Florence in the 1920s to the 50s. Visit www.dnfa.com for condition reports.
Lot 245
A 19th century mounted leather blackjack, the cover inset with a struck silver medal for the death of Oliver Cromwell 1658, of Dutch manufacture, his laureate bust left, rev. a young olive tree, sheep attended by shepherd nearby, 47mm (MI i 435/85) and engraved `I intended not only to oblige My friends but Mine Enemies Also Exceeding even the desires of those that were factiously discontented if they did but pretend to any modest and sober scence` and `As the sins of our peace disposed us to this Unhappy War so let this War prepare us for thy blessed Peace- Barrington`, 22.5cm (8.75in) high. The first quotation from `Eikon Basilike`. The arms for JOSEPH BARRINGTON (born 21 Feb 1764) who, with his five sons, founded the Barrington Hospital and Infirmary in Limerick. This was incorporated by Act of Parliament in 1831 and Joseph Barrington was created a baronet later that year. He died in 1846 and was succeeded by his son Matthew who was crown solicitor for Munster. Visit www.dnfa.com for condition reports.
Lot 315
English School (circa 1820). Portrait of a gentleman, bust length. 7cm x 5.5cm, oval. In a giltmetal frame with plaited hair and seed pearl monogram verso;. English School (circa 1820). Portrait of a lady wearing a cap, bust length. 5.4cm x 4.8cm, oval. In a giltmetal frame with plaited hair and seed pearl monogram verso. Visit www.dnfa.com for condition reports.
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110041 item(s)/page