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Lot 40

*Tegniza of Cremona, Marco Girolamo Vida (1485-1566), Bishop of Alba from 1533, bronze medal, bearded and tonsured bust right, rev., Pegasus at the spring of Hippocrene, 38.2mm (Attwood 132 = Cyril Humphris, European Medallions, 58; Arm. II, 161, 17), very fine contemporary cast with dark patina [Clifford lot 170]. Formerly attributed to Giovanni Battista Caselli, Attwood noticed its similarity to another version of this medal, an example of which, in the Oppenheimer collection, bore the signature tegniza cremon (Attwood 133). The Humphris example of the present medal is now in the British Museum.

Lot 405

*George IV, sovereign, 1821 (Marsh 5; S. 3800), test file-mark on rim before bust and with two small gouges probably also made as test-marks, otherwise about very fine

Lot 41

*Milanese School (mid-16th century), Maria of Aragon, wife of Alfonso II of Aragon (d. 1568), uniface bronze medal, her bust right with coronet behind, 48.2mm (Attwood 142; Arm. II, 163, 2; Pollard Bargello 810 = Vannel & Toderi 1450), very fine early cast with integral rope border and with four bronze loops fitted to the reverse for attaching to a cap ­[Clifford lot 157]. Ex Sotheby’s, 27 April 1977, lot 397. For a very similar example see Gaines collection part II, sold in these rooms, 8 December 2005, lot 17.

Lot 42

Milanese School, Carlo Borromeo, Cardinal and Archbishop of Milan, gilt-bronze medal, bust left, rev., Agnus Dei, 48mm (Attwood 199), mount removed, some wear to gilding [Clifford lot 160]; together with bronze uniface reverse of a medal of Domenico Grimani with Theology taking the hand of Philosophy, 50mm (cf. Hill 863), very fine old cast; and gilt-bronze medal of Pope Sixtus V, by Michele Balla, rev., obelisk in the Piazza del Popolo, 44mm (Arm. I, 294; Pollard Bargello II, 669 = Vannel & Toderi 1299), pierced, fine [Clifford lot 117] (3). The medal of Borromeo includes the letter B before the bust, indicating that it was made between his beatification in 1601 and his canonization in 1610 (whereupon an S replaced the B).

Lot 43

Venetian School (1560s), Tommaso Rangone (149-1577), of Ravenna, Professor of Philosophy and Astronomy, bronze medal, bust right, rev., Jupiter as an eagle brings the infant Hercules to Juno’s breasts while she reclines in a starry sky, 38mm (Attwood 236; Arm. II, 196, 20; Kress 419b = Vannel & Toderi 551-54), fine old cast [Clifford lot 136]

Lot 44

*Venetian School (mid-16th century), Beatrice Roverella Rangoni, wife of Ercole Rangoni of Venice, bronze medal of square format, bust three-quarters left, rev., three-masted ship without sails in a stormy sea, 57 x 61mm (Attwood 419; Arm. II, 196, 17; Kress 499 = Pollard 576), very fine old cast with chasing to the reverse [Clifford lot 167]

Lot 45

*Gian Antonio Signoretti (d. 1602), Giulia Pratonieri, uniface lead medal, three-quarter length bust facing right set on a voluted plinth, wearing elaborate helmet and drapery, two spears tucked under her left arm; signed on volute below her right arm, s, 68mm (Attwood 653; Arm. I, 213, 3; Clifford 154), pierced, some marks but an extremely fine contemporary cast [ex Clifford collection]. Ex Michael Hall collection, Baldwin’s, 4 May 2010, lot 168. Pollard mentions that aside from the Kress example (Pollard 522 = Kress 453, in a lead alloy) only two specimens of this medal are recorded, being those in Berlin (Bange 261, a later cast in bronze) and the Bargello (Vannel & Toderi 630, also in bronze). To these should be added the damaged gilt-lead specimen in the Ashmolean Museum, Oxford (Attwood 653a) and the lead specimen formerly in the Clifford collection (1996 catalogue, lot 154). As noted in Currency of Fame the finest examples of these uniface medals of the Emilian school are cast on wafer-thin lead flans, as is the case with the present medal and the piece formerly owned by Clifford. Signoretti’s fine mannerist style along with that of other members of the Emilian school of medallists such as Ruspagiari and Bombarda has been connected to the art of the painter Lelio Orsi of Novellara (c. 1511-87) who had an involvement with the mint of Reggio. Signoretti himself wrote two letters to Alfonso Gonzaga, Count of Novellara in December 1569 describing the coins to be struck there under Orsi’s supervision.

Lot 46

*Giambattista Cambi called Bombarda (d. c.1582), Giovanni Battista Pigna, doctor, historian and poet (1503-75), uniface bronze medal, bust left wearing shirt and gown, 64mm (Attwood 668; Arm. II, 195, 11; Brettauer 884), pierced, some marks, a fine contemporary cast, brown patina [Clifford lot 156]

Lot 47

*The Master F.V., Duarte, 5th Duke of Guimaraes (1541-76) and nephew of King John III of Portugal, bronze-gilt medal, half-length portrait left in armour, holding baton and helmet; signed below right arm, f.v., rev., Athena standing left, holding spear, olive branch and shield (by Bombarda), 68mm (Arm. III, 99, A; Lamas 2 (an electrotype); cf. Attwood 655), pierced, an old cast with later incised inscriptions [Clifford lot 132]. Ex Jacques Schulman, Amsterdam, Auction 161, 31 October 1927, lot 19. The reverse is by the Emilian artist Bombarda (as Arm. III, 95, C) and does not belong to the obverse. Nevertheless, as a mule, Armand cited an example in the Royal Coin Cabinet in Parma so the combination of obverse and reverse is known. However, the present medal has been intriguingly adapted at a later date so as to pretend to depict King Edward V of England (the elder of the two “Princes in the Tower”) who reigned for two months in 1483 between the death of his father Edward IV and the crowning of his uncle Richard III. The baton held by the sitter is incised r.a. regnavit menses ii (“He reigned for two months as King of England”), the bust itself is incised aet xiii (“aged 13”, Edward V’s age when king) and on the helmet there is the date ann. 1483. With renewed interest in the English monarchy following the Restoration and the discovery of children’s bones in the Tower of London in 1674 which were assumed to be those of the princes (and are buried in Westminster Abbey) it is tempting to believe that someone at that time (or of course later) created this medal out of one with a very appropriate obverse inscription and with a portrait of a young prince - but as the portrait shows, not young enough!

Lot 48

Bolognese School (1530s), Gregorio Magalotti, Bishop of Lipari from 1532 and of Chiusi from 1534, died 1537, bronze medal, bust right, rev., figure of Fortune standing on a globe, holding up a sail, 78mm (Attwood 713; Arm. III, 229, 1), old cast taken from a pierced example, dark patina [Clifford lot 32]

Lot 49

*Benvenuto Cellini (1500-71), François I of France (1515-47), bronze medal, laureate bust left with sceptre tipped with fleur-de-lis before, rev., horseman galloping right wielding club and riding over fallen female figure; below exergual line, benvenv.f, 41mm (Attwood 768; Arm. I, 147, 3; Pollard Bargello 341 = Vannel & Toderi 663), very fine early cast, some pitting, with brown patina [Clifford lot 79]. The original medal was struck from dies by Cellini. The occasion for its production was probably Cellini’s first visit to Paris in 1537 and there is mention in an inventory of the artist’s goods made in the following year of “una testa del Re de Francia de piombo” which may refer to a trial striking of the medal in lead. In fact, the Fitzwilliam Museum possess a lead striking of the obverse (Attwood 769) which shows a die crack behind the head of the king which is reproduced on the present cast medal as well as on other examples. Perhaps the dies broke at an early stage – which would explain why most surviving examples of the medal are casts. The reverse represents Fortune as the fallen female figure, her rudder and globe beside her, defeated by Virtue as the horseman, a design borrowed from Roman coinage.

Lot 50

*Domenico Poggini (1520-90), Domenico Fontana (1543-1607), architect in Rome, bronze medal, 1589, bust right, rev., four obelisks each surmounted by a cross, 40mm. (Attwood 825; Arm. II, 63, 6; Pollard Bargello 840 = Vannel & Toderi 811), pierced, very fine contemporary striking [Clifford lot 161]. The four obelisks re-erected by Fontana on the instructions of Pope Sixtus V are the ones in front of St. Peter’s (1586), Sta. Maria Maggiore (1587), S. Giovanni in Laterano (1588) and in the Piazza del Popolo (1589).

Lot 51

*The Master P.P.R. (formerly Pietro Paulo Galeotti), Francesco Guereri de’ Fermi, bronze medal, cuirassed bust left; signed behind truncation, p.p.r., rev., standing figures of War and Peace; et belli et pacis amator, 50 mm (Attwood 840; Arm. I, 230, 12), somewhat rubbed but a very fine contemporary cast with brown patina [Clifford lot 163]. Traditionally the medals signed p.p.r. were given to Pietro Paolo Galeotti who worked in the mint at Florence and was responsible for a series of struck medals of Cosimo I de’ Medici. But none of the cast medals signed p.p.r. depict Florentines and they are of infinitely finer style and composition to the struck medals. They are the work of another artist whose identity has yet to be revealed. According to Attwood nothing is known of the sitter although he may be the same individual portrayed on a small medal by Leone Leoni (Attwood 4). The reverse design of the present medal may be after Battista Franco, the Venetian mannerist painter and print-maker.

Lot 53

*Giovanni Melone (fl. 1570s), Antoine Perrenot, Cardinal Granvelle (1516-86), bronze medal, bust left wearing hooded cassock; trace of signature on truncation, rev., Aeneas’s ship in stormy waters, 42mm (Attwood 987; Kress 635 = Pollard 432), suspension loop damaged, fine contemporary cast with brown patina [Clifford lot 135]

Lot 58

*Gaspare Mola (1567-1640), Cosimo II de’ Medici, 4th Grand Duke of Tuscany (1609-21), lead medal, 1610, young bust right, rev., Grand Ducal coronet and sceptre with the Medici balls, 40mm (cf. Pollard Bargello 461 = Vannel & Toderi 64-65 in gold), pierced, very fine and rare [Clifford lot 92]. The reverse design is copied from an earlier Medici medal by Michele Mazzafirri. Mola’s head of the young Cosimo influenced the portrait medal by Dupré of 1613 and, later on, Selvi’s version from the Medici series made in the 18th century.

Lot 61

*Gioacchino Francesco Travani (fl. 1634-75), Fabio Chigi, Pope Alexander VII (1655-67), bronze foundation medal, 1662, for the church of Sta. Maria in Campitelli, Rome, bust left in papal tiara; signed g.f.t., rev., a view of the façade of the church to the original design of Carlo Rainaldi, 70mm (Vannel & Toderi, Bargello, 509; Bonnani II, 641, 34), extremely fine contemporary cast (with collector’s number in white enamel on truncation) [Clifford lot 195]. Ex Stonyhurst College, Christie’s, 6 March 1990, lot 733.

Lot 64

Livio I Odescalchi, Duke of Bracciano (1652-1713), a series of three medals comprising, rev., bust of his sister Giovanna, 1677, in bronze by Giovanni Hamerani, 26mm (Mirnik 2); rev., a female reclining and examining estate maps, in bronze by Ferdinand de Saint Urbain, 42mm (Mirnik 5); and rev., winged Genius, in silvered bronze by Antonio de Gennaro, 36mm (Mirnik 7), mainly very fine, the last better [Clifford lots 257, 260, 261] (3) References are to Ivan Mirnik, “Livio Odescalchi on Medals”, The Medal, Autumn 1994, pp. 50-55. A nephew of Innocent XI, Livio Odescalchi inherited his uncle’s wealth and was a major patron of artists in Rome including Bernini. He bought the numismatic collection of Queen Christina of Sweden.

Lot 640

Miscellaneous: Victoria, sovereign 1853, raised ww, very fine; with crowns (2), 1928, 1935, very fine, halfcrowns (2), 1689, 1823, second with ‘x’ countermarked on bust, fine, twopence 1797, penny 1857, both very fine and a Royal Mint cupro-nickel die trial, 1957, extremely fine (8)

Lot 646

*Henry I, Facing Bust/Cross Fleury penny (c. 1117), Warwick mint, moneyer Ailwine or Godwine, 1.40g, official edge snick, flat in places and creased, fine

Lot 65

*Massimiliano Soldani-Benzi (1656-1740), Francesco Redi (1626-98), poet, philosopher and scientist, bronze medal, 1684, bust right, signed and dated below, rev., Minerva revealing Nature, 87.8mm (VT 37; Vannel & Toderi, Bargello, 179-82), pierced, casting flaw behind bust, very fine [Clifford lot 298]

Lot 650

*Edward IV, First Reign, Light coinage (1464/5-70), groat, Coventry mint, type VI, m.m. sun, C on breast, civi/tas/cove’/tre, 2.80g (N. 1581; S. 2008), creased to right of bust, otherwise very fine

Lot 652

Henry VII, facing bust issue, groat, m.m. pansy and profile issue, groat, m.m. pheon, halfgroat, Canterbury, m.m. rose; Henry VIII, First Coinage (1509-26), penny, Durham, m.m. star and Second Coinage (1526-44), groat, m.m. lis, halfgroat, m.m. arrow, halfpenny, m.m. sunburst, fair to fine but Henry VII profile groat pierced (7)

Lot 653

Edward VI, Fine silver coinage, shilling, mm y (N.1937; S. 2842), light crease, good fine; James I, shillings (2), First coinage, m.m. thistle, second bust left (N. 2073; S. 2646), obverse slightly pitted, good fine, reverse better and Second coinage, m.m. lis, third bust, about fine; and Charles I, shillings (3), group E (2), m.m.’s tun, crown and York Mint, m.m. lion (S. 2564, 2791 (2), 2873), fair to fine (6)

Lot 654

James I, Third coinage (1619-25), sixpence, 1621, m.m. rose (N. 2126; S. 267o), upper left of shield weak, very fine; with First coinage (1603-04), penny, m.m. thistle, second bust right (N.2077; S. 2650A) and Charles I, halfpenny (N. 2274; S. 2851), very fine (3)

Lot 655

*Charles I, York Mint (1643-44), shilling, mm lion, bust left with scalloped lace collar, rev., square topped shield, ebor above (N. 2316; S. 2870), good fine

Lot 656

*Charles I, Oxford Mint (1642-46), shilling, 1643, mm plumes, large bust of fine workmanship left, rev., ‘Declaration’ ends liber: pa. (SCBI Brooker 932; N. 2444; S. 2972), lightly creased, otherwise very fine and well struck

Lot 661

*Charles II, shilling, 1668, second bust, four strings to harp (E.S.C. 1030; Bull 511; S. 3375), weak in places including at French shield, good very fine and attractively toned

Lot 663

Charles II - William III, crowns (4), 1679 fourth bust, 1692 quarto, 1695 octavo (2), one 1695 with ‘O’ punched on bust, fair to fine (4)

Lot 669

*William III (1694-1702), crown, 1695 OCTAVO, first laureate and draped bust right, rev., crowned cruciform shields, Lion of Nassau at centre, date above, lettered edge reads OCTAVO (E.S.C. 87; Bull 991; S.3470), attractively light tone, two small flaws to rim and light haymarking as struck, a few tiny marks to cheek of portrait and faint adjustment marks, otherwise practically as struck, with underlying lustre

Lot 671

William III, sixpence, 1697, third bust right, large crowns on reverse (E.S.C. 1566; Bull 1233; S.3538); Anne, sixpence, 1711, large lis in French shield (E.S.C. 1596A; Bull 1461; S. 3619), good very fine or better, both well-toned (2)

Lot 672

*William III, shilling, 1700, fifth bust right, rev., plain, tall 0s in date (E.S.C. 1121; Bull 1150; S. 3516), better than extremely fine and toned

Lot 673

Anne, shillings (3), 1703 vigo (E.S.C. 1131; Bull 1388; S.3586), very fine, 1709 E* (E.S.C. 1152; Bull 1444; S. 3615), about fine, scarce, 1711 fourth bust (E.S.C. 1158; Bull 1408; S. 3618), good very fine (3)

Lot 674

*Anne, shilling, 1711, fourth bust (E.S.C. 1158; Bull 1408; S. 3618), good very fine

Lot 675

*George I, shilling, 1723 ssc, first bust, rev., 7 strings to harp (E.S.C. 1176; Bull 1586; S. 3647), extremely fine

Lot 681

*George III, Bank of England dollar, 1804, :c.h.k. below bust (E.S.C. 144; Bull 1925; S.3766), scratch to left of bust, very fine with some under type visible

Lot 682

*George III, Bank of England dollar, 1804, :c h k below bust (E.S.C. 148; Bull 1929; S. 3766), cleaned, very fine

Lot 685

*George III, penny, 1806, apparently a late Soho proof or specimen striking from slightly flawed currency dies, laureate and draped bust right, perfect date letters, incuse hair curl by tie knot, 9 brooch jewels, rev., Britannia seated left, edge grained (S. 3780; cf. B.M.C. 1342), with characteristics not specifically listed as a proof by Peck but sharply struck with prooflike fields, good extremely fine, lightly toned and with traces of lustre

Lot 691

*George IV, penny, 1826, Second Issue, laureate bust left, date below truncation, rev., Britannia seated right, plain saltire to shield, emblems below in exergue (S.3823; Peck 1422), toned, two tiny blemishes to portrait, mark to cheek and single edge nick, otherwise good extremely fine

Lot 70

Gioacchino Fortini (1672-1736), Francesco Riccardi (1648-1719), major-domo to Cosimo III de’ Medici, bronze medal, 1715, bust right, rev., Charity and Abundance seated before the Palazzo Medici-Riccardi, 86.4mm (VT 86; Molinari 150), very fine early cast; together with The Villa Tempi del Barone, bronze reverse of a medal of Lodovico Tempi, Abundance and Painting seated before a view of the building, 86mm (cf. VT 88), very fine early cast [Clifford lots 309 and 310] (2)

Lot 71

*Antonio Selvi (1679-1753), John Molesworth (1679-1726), British diplomat and ambassador in Florence, later second Viscount Molesworth, bronze medal, 1712, draped bust right, rev., Prudence, Abundance, Peace and Commerce standing around an altar decorated with the Molesworth arms; signed below a. selvi. f, 91.5mm (VT 132; MI 390/244; Eimer 452; Avery, The Medal, Spring 1994, fig. 10), very fine and rare [Clifford lot 315]. Ex Christie’s, 6 March 1990, lot 663. Of Anglo-Irish descent, John Molesworth’s diplomatic career also took him to Sardinia, Venice and Switzerland. He was succeeded as viscount by his younger brother Richard Molesworth of whom Selvi also made a medal.

Lot 715

*Scotland, Mary Queen of Scots (1542-67), portrait testoon, 1553, type I, first period (1542-58), before marriage to the Dauphin François (II), crowned bust right, rev., da pacem domine 1553, crowned shield flanked by cinquefoils, 4.84g (S. 5401; St. 166; Burns I, fig. 780; Richardson 1), flan split and creased, otherwise about very fine and very rare. Ex Spink, 26 September 2012, lot 620. See also the portrait medal included in this sale, lot 111.

Lot 72

*Antonio Selvi (1679-1753), Sir Thomas Dereham (1674-1739), bronze medal, 1715 or 1719, bust right, aged 36, rev., Virtue resting her arm on an angel and turning her back on Fortune, 85.5mm (VT 143 [86.5mm]; MI, 447/54), some weakness in the cast, very fine and rare [Clifford lot 316]. Thomas Dereham of Norfolk was brought up in Tuscany. He embraced the Catholic faith and endowed the College for the Propagation of the Faith in Rome with a grant for two students to be sent as missionaries to England.

Lot 73

*Antonio Selvi (1679-1753), Sir Andrew Fountaine (1676-1753), celebrated archaeologist and numismatist, bronze medal, 1715, bust right, rev., per ardva, Bellona catching the arm of Fortune, 86mm (VT 146 [89mm]; MI 434/32; Eimer 474 var.), cast from a pierced example, extremely fine with dark patina, rare [ex Clifford collection]. Fountaine succeeded Sir Isaac Newton as Master of the Mint in 1727. He visited Florence twice in 1701 and 1715 where he was befriended by Cosimo III and to whom he evidently presented a gold medal of John VIII Palaeologus by Pisanello. The reverse of the present medal is also found on a Selvi medal of Richard Molesworth.

Lot 74

*Antonio Selvi (1679-1753), Alamanno Tommaso Pazzi (1647-1735), bronze medal (1735), bust right, aged 88, rev., the famous Scoppio del Carro carriage decorated with the Pazzi arms; signed below, a.s.f, 87.3mm (VT 190; Rizzini 1174), very fine and rare [ex Clifford collection]. The medal names Pazzi as a Senator of Florence and Prior of Urbino and was cast in the year of his death, 1735. The reverse relates to the famous annual ceremony in the Piazza Duomo, Florence when fireworks are exploded on the Pazzi carriage on Easter Sunday set off by a mechanical dove that flies down a wire from the high altar of the Duomo. The spectacular ceremony continues to this day.

Lot 75

Antonio Selvi (1679-1753), The Medici Series, two bronze medals depicting (i) Silvestro de’ Medici di Alamanno (1331-88), bust right, rev., inscription, 83.5mm (VT 243); and (ii) Cosimo II de’ Medici, 4th Grand Duke of Tuscany (1590-1621), bust right, rev., two crossed anchors, 86mm (VT 320), first very fine, second extremely fine [Clifford lots 322 and 339] (2)

Lot 76

Antonio Selvi (1679-1753), The Medici Series, three bronze medals depicting wives of the Medici comprising (i) Margaret of Austria (married Alessandro de’ Medici in 1536), bust left, rev., lioness with paw on globe, 86mm (VT 273); (ii) Eleonora of Toledo (married Cosimo I de’ Medici in 1539), bust left, rev., peahen protecting her young, 84mm (VT 291); and (iii) Camilla Martelli (second wife of Cosimo I, married 1570), bust left, rev., a fountain, 84.5mm (VT 292), first and second with chased fields and the first with mount removed from edge, very fine [Clifford lots 331, 335, 336] (3)

Lot 77

*Giovanni Zanobio Weber (c. 1737-1806), Giovan Battista Fagiuoli (160-1742), Florentine writer of comedies and satirical poetry, bronze medal, bust right, rev., Poetry standing amid architectural monuments, Pan kneeling at her feet, 88mm (VT 398; Börner 650), pierced and with plug behind bust, very fine [Clifford lot 349]

Lot 78

*Anonymous, Dominico Lazzarini (1668-1734), professor of classics at the university of Padua from 1711 and founder member of the Accademia dell’ Arcadia, bronze medal, bust right, rev., allegorical figure with scholastic emblems at the temple of Honos, 89.5mm (Johnson III, 678), some light scratches, high relief, extremely fine and rare [ex Clifford collection]

Lot 80

Attributed to Etienne Delaune, Victories in Italy celebrated by Henri II, 1552, gilt-bronze medal, bust right, rev., nine line inscription, 54mm (Jones 67; Mazerolle 101), early cast; Guillaume Dupré, Henri IV, uniface bronze medal, 1601, in integral frame, 56mm (cf. Mazerolle 631), with suspension loop, fine old cast [Clifford lots 426 and 429] (2)

Lot 81

*After Guillaume Dupré (c. 1579-1640), Henri IV (1589-1610), oval uniface bronze medal, king’s bust facing three-quarters right wearing doublet, coat and ruff and collar of the Saint Esprit, 91.6mm x 69.4mm (cf. Jones 21), extremely fine cast taken from a pierced example, traces of gilding, background chased smooth [ex Clifford collection]

Lot 83

*Guillaume Dupré (c. 1579-1640), Louis XIII (1610-43) and Anne of Austria, bronze medal, 1620, bust of Louis right, rev., bust of Anne right, 59.5mm (Jones 52-53; Mazerolle 685; Kress 565 = Pollard 648), very fine early cast, brown patina darker on the obverse, trace of mount [Clifford lot 443]

Lot 84

*Guillaume Dupré (c. 1579-1640), Marie de Médicis (1573-1642), wife of Henri IV and regent for Louis XIII, bronze medal, bust right in elaborate ruff, rev., Marie as Cybele surrounded by her children as Olympian deities, 52.5mm (Jones 61; Mazerolle 694), pierced, very fine early cast [Clifford lot 447]

Lot 85

*Guillaume Dupré (c. 1579-1640), Christine, Duchess of Savoy (1606-63), bronze medal, 1635, crowned bust right, rev., a diamond mounted on pin, entwined by inscribed ribbon, 53mm (Jones 70; Mazerolle 706; cf. Kress 571 = Pollard 653), with integral suspension loop, very fine early cast with brown patina [Clifford lot 449]

Lot 86

Guillaume Dupré, Jean Louis de Nogret de La Valette, gilt medal, 1607, bust right, rev., a Fury holding torch over lion, 55mm (Jones 22), with suspension loop, gilding worn away in parts; Jean Warin, François de Bassompierre, bronze gilt medal, 1633, bust right, rev., lighthouse and shipping, 54mm (Jones 194), pierced, gilding scratched [Clifford lots 435 and 459] (2)

Lot 87

*Josias Belle (b. 1624), Pierre de Maridat (1612-84), conseiller to the Grand Conseil, bronze medal, bust right, rev., the de Maridat coat of arms, 53mm (Jones 77), ex mount, a very fine early cast [Clifford lot 451]

Lot 88

*Jean Warin (1606-72), Cardinal Mazarin (1602-61), struck silver medal, 1660, bust right, rev., the sun’s rays dissipating clouds over a landscape, 52.5mm (Jones 220; Mazerolle, Warin, 34), slight edge knocks, good very fine [Clifford lot 463]

Lot 89

Jean Warin, Cardinal Mazarin, bronze medal, as previous lot but cast, 50mm (Jones 222), old cast; Anne of Austria, gilt-bronze medal, 1660, bust right, rev., lily, 59mm (Jones 215), with suspension loop, old cast; Louis XIV, Huisser Ordinaire badge, in gilt-bronze, bust right, rev., arms of France flanked by sceptres, 51mm (Mazerolle -; cf. Hall collection part 3, 2123), edge damaged from mount, old cast [Clifford lots 462, 464 and 472] (3)

Lot 90

*Claude Warin (c. 1612-54), Jean Louis de Faulcon de Ris, first president of the Parliament of Normandy, uniface bronze medal, bust in high relief right, 97mm (BDM VI, 353) three piercings, extremely fine cast, slight casting flaws [ex Clifford collection]. Ex Michael Hall collection, lot 362.

Lot 95

Francesco Bertinetti (fl. 1653-86), Michel Le Tellier (1603-85), Chancellor of France from 1677, large uniface bronze medal, 1678, bust right in skull-cap and robes, wearing the Order of Saint Esprit; within wreath border, 130mm (Rouhette & Tuzio, Musée des Beaux-Arts de Lyon, 166), plugged at top and with loop soldered to back, a very fine old cast [Clifford lot 470]

Lot 96

*Great Britain, Charles II, Peace of Breda, 1667, gold medal by John Roettiers, laureate and draped bust right, rev., favente deo, Britannia seated on the shore reviewing her fleet; in ex., britannia, 56.5mm (MI 535/185; MH 64; Eimer 241), abrasions in field and to rim, about extremely fine and extremely rare, in shagreen case. Ex Spink, 27 February 1980, lot 437, Glendining, 4 November 1992, lot 272 and Spink, 9 July 1997, lot 439. As is well known, the figure of Britannia on coins and medals was modelled on the king’s favourite, Frances Stuart, Duchess of Richmond and Lennox. On 25 February 1667 Pepys wrote in his diary, “At my goldsmith’s did observe the King’s new medal, where in little there is Mrs. Stewart’s face as well done as ever I saw anything in my whole life, I think: and a pretty thing it is, that he should choose her face to represent Britannia by.”

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