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Lot 416
TWO BOXES AND LOOSE SCULPTURES, to include a large terracotta Easter Island style bust height 43cm, eight gilt plaster corbels featuring cherubs, small gilt plaster cherubs, plaques relief moulded with a Tudor lady and a knight, plaster and resin busts and figures in classical and modern styles, etc (2 boxes + loose) (sd)
Lot 43
UNSIGNIERT (XIX). Portrait eines jungen Mannes.Circa 54 cm x 39,5 cm. Circa 62 cm x 47,5 cm mit Rahmen. Gemälde. Öl auf Leinwand, auf Holz aufgezogen. Portrait eines jungen Gentlemen als Brustbild mit schwarzer Jacke, weißem Kragen und Halstuch. Unter anderem restauriert, craqueliert. Farbfehlstellen.Unsigned (19th Century). Portrait of a young man.Approx. 54 cm x 39,5 cm. Approx. 62 cm x 47,5 cm with frame. Painting. Oil on canvas, mounted on wood. Portrait of a young gentleman as a bust portrait wearing a black jacket, white collar and neckerchief. Among other things restored, craquelure. Colour blemishes.
Lot 212
1915 Lanchester Sporting Forty Torpedo Tourer Registration no. O 7574 Chassis no. 1569 Engine no. 1569•The only survivor of six built•Retained as the company's 'publicity car'•Present family ownership since 1997•Restored between 1998 and circa 2004Footnotes:One of the greatest names in the history of the automobile, Frederick Lanchester began his career as an engineer at the Forward Gas Engine Co of Saltley, near Birmingham, where he rose to become its works manager and chief designer. He patented a pendulum inertia governor while there, and would go on to file a further 425 patents in the course of a remarkably inventive life. With his younger brother George taking his place as works manager, Frederick began experimenting with small gasoline engines. He began work on what would be the UK's first four-wheeled petrol car of entirely native design in 1895, producing a tiny handful of prototypes, and in December 1899 the Lanchester Engine Company Ltd was formed to manufacture motor cars. During 1900 six cars were built, all retained for the company's own use, with deliveries to paying customers commencing in 1901. The first production Lanchester was powered by a horizontally opposed twin-cylinder engine of 4.0 litres, which drove via three-speed epicyclic gearbox and worm-drive rear axle. Larger twins were introduced, but by 1904 the general expectation was that engines of this size should have four cylinders, and it was while Frederick was designing such a car that his company went bust. The firm was reorganised as the Lanchester Motor Company Ltd and duly introduced its first four-cylinder model – a 2½-litre rated at 20hp – towards the end of 1904. Despite the engine now being vertical and at the front, Lanchester's established 'bonnet-less' look was maintained by mounting the power unit between the driver and front passenger. All production Lanchesters would follow this layout up to 1914. Unusually, one lever operated the clutch, gears, and main brake. In 1906 a six-cylinder 3.7-litre model based on the existing four was introduced, which was followed by larger models of both engine types. By this time George Lanchester had become increasingly disillusioned with the company that bore his name, and George began to take on more of the design and engineering responsibilities. With bonneted cars now established as the norm, the bluff-fronted Lanchesters were looking increasingly old-fashioned in appearance, and in 1913, at the directors' instructions, the first conventional design was introduced: the 'Sporting Forty', which was the first Lanchester designed by George. Representing a quantum leap in style, this new type of Lanchester was powered by a 5½-litre sidevalve six that was carried beneath a lengthy bonnet. The result was one of the most stylish sports cars of its era and a worthy rival for Rolls-Royce's Silver Ghost. Only a handful had been completed when the outbreak of WWI saw Lanchester's factory redirected onto munitions and aero engine manufacture. This car is the only survivor. After the war the Sporting Forty was replaced in 1919 by a similar looking, but completely different, 40hp design. Lanchester made only six of this model and this example was retained by the factory as the company's 'publicity car. It was sold initially to an owner in Wales and then went to Australia; it is now the only known survivor. This car was the subject of a series of six articles in the VCC Gazette No. 294 (copy available) written by the late owner, Graham Pilmore-Bedford, who restored it between 1998 and circa 2004. The Lanchester is now owned by his family. Graham Pilmore-Bedford was an enthusiastic and active VCC member, and in the 1970s was the Lanchester Owners' Club Registrar and very friendly with Francis Hutton-Stott, the former VCC President and Lanchester authority. Graham first heard about this car in South Australia in 1974. The Australian owner wanted to get the car running; he had found it with the engine and front part of the chassis powering a generator, while the front suspension and front axle were being used for a horse drawn buggy. The car was missing its gearbox and the Australian did not get around to starting the project.Graham purchased the car in 1997 and brought it back to the UK, and by 1998 he had started the project. The coachwork is an exact replica of the original factory body, the ash frame being made by Graham to the correct specification from drawings and then skinned in aluminium to a high standard by a company in Devon. A casting of the gearbox casing was made from exact drawings, while the internals were more easily obtained as they match those of a 38hp car. The original wheels came with the purchase, as did the chassis (in two parts), steering column, some gearbox linkages and control pedals. The Lanchester has an Auster type rear passenger screen and overall is a very imposing car with its lovely polished aluminium body and pale blue wings and chassis. Other lovely details of a car rivalling a Rolls-Royce or Napier for quality include side mounted spares on either side; Lucas 'King of the Road' headlamps; faired-in side lamps to the front wings; a full complement of instruments; and very nice blue leather interior trim and blue/grey carpets.After completion the Lanchester returned to the road not long after 2004 for a rally in Wales. It also took part in some VCC SE Section rallies as well as the VCC 'Best of West Kent' annual rally, which was organised in part by Graham. The car also participated in a rally in France when Graham reached his 80th birthday. The family are Lanchester enthusiasts and the car shares a motor house with other examples of the marque. For the last decade the Lanchester has belonged to Graham Pilmore-Bedford's son, Jeremy, who drove it during that period on the 'Best of West Kent' rally and the event in France when his father turned 80.'O 7574' was recently checked over having been stored unused since circa 2017, and started and ran well for the photographic session. This unique piece of Lanchester history comes with a V5C document and VCC Dating Certificate (no. 2453), while one or two spare original bonnet panels (not serviceable) and the top part of the original bulkhead are included in the sale. This Lot is available to view at Classic Car Storage near Petersfield, Hampshire (by appointment with the Car Department only) from Monday 24th October to Wednesday 2nd November. It will then be available to view at Bonhams, 101 New Bond Street on Friday 4th November from 10am.For further information on this lot please visit Bonhams.com
Lot 541
MICHAEL JACKSON: THRILLER - Michael Jackson LifecastA lifecast of Michael Jackson from the production of John Landis' music video for the song "Thriller". Lifecasts are often created on productions to test special effects prosthetics and make-up without the performer needing to be present. This original plaster-cast bust of Jackson was created by renowned special effects artist Rick Baker and was gifted by Baker to a colleague in gratitude for their hard work. It has remained in their collection since. It displays scuffing, several marks and a large chip on one of the front corners. Dimensions: 22 cm x 23 cm x 36 cm (8 1/2" x 9" x 14 1/4") Estimate: £1,000 - 1,500 MThis lot will be auctioned on Friday, November 4th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Saturday, November 5th; or Sunday, November 6th.
Lot 68
BATMAN RETURNS (1992) - Fibreglass Batman (Michael Keaton) Cowl Master CastA fibreglass Batman (Michael Keaton) cowl master cast from the production of Tim Burton's superhero sequel Batman Returns. Batman's original suit was designed by costume designer Bob Ringwood and created by Vin Burnham and co-sculptor Alli Eynon. This black fibreglass master cast bust was made to visualise the look and fit of Batman's mask and was cast from the first production's plaster sculpt of Keaton's head by Jose Fernandez. The sculpture was commissioned because Keaton was unavailable at the time to be lifecast and was used to aid the visualisation of the cowl design for Burton's sequel. The texture on the cowl seen in the first film was removed in order to produce a sleeker and more streamlined appearance. The bust comprises Batman's head and shoulders, covered by the sculpted brow, pointy ears and scalloped edges of the mask. There are signs of restoration on the forehead and the tip of the right ear is damaged. Dimensions: 38 cm x 55 cm x 55.5 cm (15" x 21 3/4" x 22") Estimate: £6,000 - 8,000 MThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 725
BATMAN RETURNS (1992) - Michael Keaton, Michelle Pfeiffer and Danny DeVito's LifecastsMichael Keaton, Michelle Pfeiffer and Danny DeVito's lifecasts from the production of Tim Burton's superhero sequel Batman Returns. Lifecasts of the actor's heads were made during the early stages of pre-production to model the film's masks and costumes, including the iconic Batman cowl, designed by costume designer Bob Ringwood and created by Vin Burnham and co-sculptor Alli Eynon. The lot includes two biscuit-foam bust lifecasts of Keaton and Pfeiffer, and a hollow fibreglass cast of DeVito's head. The word "Lifesize" is handwritten in black pen along the front of Keaton's bust. Each lifecast exhibits wear from production use, including dirt marks, scuffs and remnants of black and brown foam from the casting process. The tip of the left ear on DeVito's lifecast has snapped off. Dimensions (Keaton's cast): 26 cm x 35 cm x 36 cm (10 1/4" x 13 3/4" x 14 1/2") Estimate: £1,500 - 2,500 MThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
Lot 803
CLIVE BARKER'S BOOK OF BLOOD (2009) - Ghost Mask, Simon Paint Test Face, Skin Piece and Text StencilsA ghost mask, paint test face, a skin piece and stencils from the horror film adaptation of Clive Barker's Book of Blood. Hundreds of ghosts visited the haunted house and carved stories over Simon's (Jonas Armstrong) skin forming the Book of Blood. Barker hand-painted the mask during production, and a behind-the-scenes photo shows him holding this example.The lot comprises a full face latex mask with a decaying cracked paint finish and white tribal markings hand-painted by Barker himself and used on set, a vac-formed plastic paint test face, a latex prosthetic skin strip decorated with red-coloured text, and two metal text stencils. The mask comes on a display bust, and there is a small tear on the skin. Dimensions (mask): 24 cm x 22 cm x 37 cm (9 1/2" x 8 1/2" x 14 1/2") Estimate: £800 - 1,200 M This lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
Lot 891
FANTASTIC FOUR (2005) - The Thing (Michael Chiklis) Facial Prosthetic and SFX HandsThe Thing's (Michael Chiklis) facial prosthetic and SFX hands from Tim Story's superhero film Fantastic Four. After being exposed to cosmic radiation, Ben Grimm (Michael Chiklis) and his three companions became infused with superpowers, with Ben becoming a creature of stone known as The Thing. Chiklis, being a devout fan of The Thing since childhood, fought eagerly to protect the character from being CGI. He wore over 20kg of prosthetics which took three hours to apply.The lot comprises of a foam latex head appliance and matching gloves painted orange with detailing such as cracks and rough edges to look like rocks. The head appliance is made up of several pieces that have since been stuck together to make a complete bust and the gloves have partings in the palms that fasten with Velcro and metal button fasteners around the wrists. The gloves each have a handwritten label reading "Michael C #2"; a pair of hand extenders made from vac-formed plastic for the backs of the hands; and carbon fibre and resin moulded into finger segments. These segments are then joined with a mechanism that allows the wearer to control each digit. They feature the handwritten label "Michael" and several other number references on each finger section. Estimate: £3,000 - 5,000 MThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
Lot 919
FRIDAY THE 13TH PART VI: JASON LIVES (1986) - Head CowlA head cowl from Tom McLoughlin's slasher sequel Friday the 13th Part VI: Jason Lives. Once Jason ( C.J. Graham) was resurrected by a lightning strike and murdered Allen (Ron Palillo) in the film's opening scenes, he covered his rotting face with the infamous hockey mask that Tommy (Thom Mathews) had brought with him to the graveyard.Only one head cowl is known to exist from this production. The cowl is made of foam latex, and painted in blue and grey shades to give the appearance of zombie-like rotting flesh. It features a hole cut away around the centre of the face since the hockey mask covered it in most scenes. The cowl has become brittle around the edges, exhibiting minor areas of flaking paint, and comes presented on a foam rubber cast bust of Graham.Dimensions: 28 cm x 46 cm x 39 cm (11" x 18" x 15 1/4") Estimate: £2,000 - 3,000 Ω This lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
Lot 98
CAPTAIN AMERICA: THE FIRST AVENGER (2011) - Prototype Captain America (Chris Evans) Helmet on a BustA prototype Captain America (Chris Evans) helmet from the production of Joe Johnston's superhero film Captain America: The First Avenger. Captain America wore his helmet while fighting against the Red Skull (Hugo Weaving) and Hydra. The helmet is made of rubber and leather, with a metal buckle on the chinstrap, and is intentionally distressed with scratches and dents. It sits upon a production-made bust modelled on Evans’ face. This resin-and-biscuit foam bust was specially made to display the helmet through pre-production and during filming. Dimensions (bust): 21 cm x 33.5 cm x 39 cm (8 1/4" x 13 1/4" x 15 1/4") Estimate: £6,000 - 8,000 M This lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 1195
BENEATH THE PLANET OF THE APES (1970) - Mutant MaskA mutant mask from Ted Post's dystopian sci-fi sequel Beneath the Planet of the Apes. Telepathic mutants deformed by nuclear radiation lived in the ruins of New York.Designed by creative makeup designer John Chambers and makeup supervisor Dan Striepeke from concepts by Post and screenwriter Paul Dehn, this foam latex mask is hand-painted in shades of pink and brown to resemble flesh and muscle with blue and red varicose veins, enlarged ears, and mouth and eyeholes. The mask comes mounted to a styrofoam bust for stability, but remains fragile and exhibits extensive stiffening, cracking, and tearing to the foam from age and wear. It should be handled with caution. Estimate: £2,000 - 3,000 ΩThis lot will be auctioned on Sunday, November 6th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Saturday, November 5th.
Lot 1526
WORLD WAR Z (2013) - Zombie Test BustA zombie test bust from Marc Forster's zombie apocalypse film World War Z. This test bust was used in the design process to finalise the look of the infected zombie humans seen throughout the film. The bust depicts a bald male zombie with bite marks, deep cuts and abrasions to his nose, neck, skull, jaw, earlobe and collarbones. Gaunt, cadaverous, and with several raised veins, the zombie has assumed a melancholic and somewhat ruminative facial expression. The bust is made on a fibreglass life cast upon which foam latex has been applied, together with an airbrush finish, to create a fleshy texture and a remarkably lifelike appearance. The shirt is made of cotton. Dimensions: 24.5 cm x 49 cm x 44.5 cm (9 3/4" x 19 1/2" x 17 1/2") Estimate: £1,000 - 1,500 †ΔThis lot will be auctioned on Sunday, November 6th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Saturday, November 5th.
Lot 173
HALLOWEEN: RESURRECTION (2002) - Michael Myers' (Brad Loree) Burnt Axe Attack MaskMichael Myers' (Brad Loree) burnt axe-attack mask from Rick Rosenthal's slasher sequel Halloween: Resurrection. Towards the end of the film, Myers was left to die in a fire in a garage after being electrocuted by Freddie Harris (Busta Rhymes). His burnt mask is seen in the final shot, when his eyes suddenly open as a coroner prepares to examine his body. This mask was created for an alternate ending scene where Sara (Bianca Kajlich) and Freddie spoke to Michael while he was lying in a body bag, presumed dead. Michael suddenly grabbed Freddie's throat, and Sara slammed a fire-truck axe into his head. Three alternate endings were filmed for the production and can be seen in the special features on the DVD.The design of the mask for Halloween: Resurrection was almost identical to the one used in John Carpenter's 1978 original, which was famously based on a William Shatner mask. This mask is made of rubber, painted off-white and heavily distressed to appear burnt and melted in places. It is intentionally split down the centre, representing the axe wound, and comes presented on a biscuit foam bust with strips of silver-coloured tape adhered around the edges and underside. There are remnants of stage blood present on the mask and bust. Dimensions (displayed): 27 cm x 33 cm x 44 cm (10 1/2" x 13" x 17 1/4") Estimate: £8,000 - 12,000 MThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 188
HELLBOY II: THE GOLDEN ARMY (2008) - Johann Krauss Helmet-and-chest-piece Lighting Stand-inA Johann Krauss helmet-and-chest-piece lighting stand-in from Guillermo del Toro's superhero sequel Hellboy II: The Golden Army. Krauss was an ectoplasmic being who piloted a custom-made suit. He was voiced by Seth MacFarlane and the suit was controlled by John Alexander and James Dodd. This item was used to work out lighting positions without the need for the hero suit to be on set.The chest piece is predominantly made of foam rubber painted to look like bronze, while the helmet dome is clear acrylic. They sit on a grey biscuit-foam-and-resin bust with "183cm" handwritten on both sides. The dome has some scuffing, and the foam rubber has cracked in some places. Dimensions: 44 cm x 48 cm x 60 cm (17 1/4" x 19" x 23 1/2") Estimate: £3,000 - 5,000 †ΔThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 191
HELLRAISER VI: HELLSEEKER (2002) - Pinhead (Doug Bradley) Cenobite Costume and Facial ProstheticsPinhead's (Doug Bradley) Cenobite costume and facial prosthetics from Rick Bota's horror sequel Hellraiser: Hellseeker. Pinhead's ghoulish visage was seen throughout the film as Trevor (Dean Winters) used the sinister Lament Configuration puzzle box, not knowing it bridged the gap between Earth and hell.The costume features a foam-latex bodysuit that is primarily painted black, with sections at the front painted to look like exposed and cut flesh, and padding to give an unnatural shape to Bradley's musculature. The costume also comprises a black cotton skirt with a waist tie; a black sequined cotton apron with a waist tie; and three Cenobite torture knives made of plasic with wooden handles. The knives are distressed, with scratches on the wood and heavy amounts of stage blood on the blades.The full-face latex prosthetic comes presented on a foam-rubber bust of Bradley's face. The make-up is painted white with dull pink in its chequered crevices, and features 68 gold-painted plastic nails. A letter from make-up artist Gary J. Tunnicliffe also accompanies the lot. Dimensions (bust): 40 cm 27 cm x 19 cm (15 3/4" x 10 1/2" x 7 1/2"); (longest knife): 38.5 cm x 4 cm x 0.5 cm (15" x 1 1/2" x 1/4") Estimate: £8,000 - 12,000 MThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 268
MASK, THE (1994) - Unfinished Mask of Loki and Wolf Whistle Maquette, Two Stanley Ipkiss (Jim Carrey) Busts and Mask of Loki PinAn unfinished mask of Loki and wolf whistle maquette, two Stanley Ipkiss (Jim Carrey) busts and a mask of Loki pin from the production of Chuck Russell's fantasy comedy The Mask. The white resin mask and wolf whistle maquette remain unpainted. The maquette is a preliminary design for the Mask's transformation into a Tex Avery-style cartoon wolf while whistling at Tina Carlyle (Cameron Diaz) at the Coco Bongo nightclub. One of the biscuit-foam busts is an unpainted cast of Stanley's regular face, while the other depicts Stanley as his alter ego, The Mask, complete with a green-painted head. Both display "Jim Carrey" handwritten on their underside in black pen. Accompanying these is a small green resin Loki mask pin, created as a crew gift. The lot exhibits some dirt marks, minor scratches and scuffs from production use. Dimensions (larger bust): 25.5 cm x 29 cm x 39 cm (10" x 11 1/2" x 15 1/4") Estimate: £2,000 - 3,000 ΩThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 334
SPIDER-MAN 3 (2007) - Black Symbiote Spider-Man MaskA symbiote Spider-Man mask from Sam Raimi's superhero sequel Spider-Man 3. A mysterious alien symbiote fell to earth on a meteorite and bonded with Peter Parker (Tobey Maguire), altering his costume, enhancing his powers, and influencing his behaviour for the worse.This black mask is made in a similar design to the classic Spider-Man suit. It features a honeycomb pattern, foam web detailing, and sections of metal webbing fastened behind large, plastic eyepieces. The letter "C" is handwritten on a torn label sewn to the interior at the nape of the neck. This mask comes presented over a hair net on a black biscuit-foam bust. There is wear from production use, including small fissures and wear to the foam webbing, while the top corner of the left eye's frame has come unstuck. Dimensions: 24 cm x 27 cm x 44 cm (9 1/2" x 10 3/4" x 17 1/4") Estimate: £8,000 - 12,000 ΩThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 4
3:10 TO YUMA (2007) - Charlie Prince's (Ben Foster) Screen-matched Bloodied CostumeCharlie Prince's (Ben Foster) screen-matched bloodied costume from James Mangold's Western 3:10 to Yuma. Sadistic gunslinger Prince wore his costume throughout the film as he attempted to bust out his boss Ben Wade (Russell Crowe). The costume screen-matches the scene in which Wade shoots Prince in the chest through the intentional distressing and markings all over the jacket. The costume consists of a double-breasted leather jacket and a pair of brown woollen trousers. The lining of the jacket features black tape where a blood squib was previously adhered. Both pieces are heavily distressed with dried mud and stage blood. Estimate: £4,000 - 6,000 MThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.
Lot 210
AFTER THE ANTIQUE: A BRONZE BUST OF AJAX OR MENELAUS on waisted socle with square base, 21cm high Condition Report : very good colour and weight, some age Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 2568
A 20th century brown patinated cast bronze bust portrait of a girl, in the manner of Jacob Epstein, mounted on a slate plinth, height 39cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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110054 item(s)/page