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Lot 1422
A 1960's Vintage Peter Barron Black Crepe Cocktail Dress, of sleeveless 'A' line design with diamanté to stand up collar and button, centre front split (size 18, 41½" hips, 39½" bust); two ladies Laird Portch ankle length tartan kilts, a vintage Tricoville knit edge-to-edge jacket (size 14) and a camel coat.
Lot 398
After the antique: A white marble head of a lady wearing a scarfOn later turned pale grey marble socle, height 36.5cm high, together with a white marble bust of a young boy, 19th century, unsigned, on ormolu plinth, 23.5cm high. (2)For further information on this lot please visit Bonhams.com
Lot 407
Charles Champigneulle (French, 1853-1905)A bronze of Joan of Arc, shown standing and holding a banner, signed on the base, on stepped wooden plinth, 58cms high, together with a small bust of the same, signed E. Barias, Susse Fres, 20cm high 7 1/2in high) (2)For further information on this lot please visit Bonhams.com
Lot 32I
Great Britain1/- William III (x4) Comprising: 1696: 1st Bust F-NVF (x1), F (x1); 1697 B (Bristol) mint mark; C (Chester) mint mark. (Total 4 coins). Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £No estimate Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 41O
Edward VI Shilling 1551-3 Facing Bust mm.tun - creased. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £No estimate Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 28
Great Britain - 6d Silver Sixpence 1697. A rare 1697 William III error "GVLIEIMVS" example. Third bust, later harp, large crowns in EF-Aunc. Condition with attractive toning. Sold with previous Bonhams auctioneers 2008 purchase card. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £15.04 Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 32
Edward VI Shilling Profile bust. MM Y? Worn. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £15.04 Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 41J
Henry VIII 1544-7 Third Coinage Groat, Bust 3, no mm, York, F. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £No estimate Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 41K
Henry VIII Posthumous coinage (x2) 1547-51 Groat, Bust 6, No MM Tower, F; Groat, Bust 5, MM.E, Southwark, worn. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £No estimate Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 41N
Edward VI Shilling 1551-1 Facing Bust, mm.Tun, Nice grade. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £No estimate Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 28A
Great Britain Silver 6d William III (x3) Comprising: a) 1696 First bust, early harp, large crown - worn. b) 1697 Norwich, later harp, small crown - F+. c) 1697 Exeter, later harp, small crown, NEF. (Total 3 coins). Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £No estimate Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 122
GOLD AND TURQUOISE MEDALLION RING, CIRCA 1820The bezel designed as an oval compartment, the lid depicting the bust of Louis Antoine de Bourbon, Duke of Angoulême, (1775-1844) facing left and wearing a laurel wreath, inscribed L'Espagne le bénit, L'Europe l'admire (Spain blesses him, Europe admires him), in the border, the surround set with turquoise and cannetille detail, between shoulders designed as tri-coloured trophies of war, the compartment opening to reveal the words Réveil de la Gloire Française (Awakening of French glory), on the reverse of the lid, mounted in gold, some damage, ring size approx. SFootnotes:Louis Antoine de Bourbon, Duke of Angoulême, (1775-1844), was the elder son of King Charles X of France. He served King Louis XVIII after Napoleon was defeated at Waterloo. In 1823, he commanded the French army at the Battle of Trocadero, restoring the rule of King Ferdinand VII of Spain and was awarded the title Prince of Trocadero. From 1824 as heir apparent to the French throne, he supported his father's policy of purging France of her recent revolutionary and imperial past. After his father's abdication during the July Revolution of 1830, he was technically King of France and Naverre for 20 minutes, before abdicating himself.For further information on this lot please visit Bonhams.com
Lot 11
COLLECTION OF PASTE INTAGLIOS, 19TH CENTURY1st: Depicting Theseus fighting the centaur, gold fob with chased detail, reverse with engine-turned repeating star motif, 2nd: Depicting a female bust after the antique, facing right, foliate brooch mount with bead detail, 3rd: Simulating sardonyx, carved to depict a rearing horse with a serpent on its back, after the antique, gold ring mount, 4th: Paste and chalcedony doublet, depicting Apollo, articulating gold ring mount, 5th: Purple paste carved to depict a standing nude male after the antique, 6th: Brown paste, carved to depict a standing nude nymph after the antique, 7th: Brown paste, depicting Hercules, after the antique, 5th, 6th and 7th all unmounted, 1st signed Λ. ΠΙΧΛΕP for Pichler, 2nd signed in the field OYPAIOΣ ΕΠΟΙΕΙ, 4th: outer band with rubbed Russian assay marks, 5th and 7th signed ΠΙΧΛΕP for Pichler, lengths: 1st 3.9cm, 2nd 2.3cm, 5th: 2.4cm, 6th: 2.0cm, 7th: 2.1cm, ring sizes: 3rd approx. R, 4th approx. N (hoop off round) (7)Footnotes:The scene depicted in the black paste intaglio within the gold chased fob is after a marble sculpture from 1804-19, 'Theseus and the Centaur' by Antonio Canova. A cast by Tassie after the original intaglio attributed to Pichler is held by the Beazley Archive at the University of Oxford (number 2951).For further information on this lot please visit Bonhams.com
Lot 79
GOLD, ENAMEL AND SARDONYX CAMEO RING, DATED 1771The oval sardonyx plaque carved to depict the bust of a man facing left, the bezel engraved OBT 27 OCT, the black enamel band inscribed, MARY.MOORE.1771.AET:38, the base of the oval band set with a hinged screw, ring size approx. HFor further information on this lot please visit Bonhams.com
Lot 6
18TH-19TH CENTURY CHALCEDONY AND WHITE GLASS PASTE CAMEO, POSSIBLY FRENCHDepicting the bust of a baby wearing a bonnet, truncation inscribed Rouu (probably the name of the baby), unmounted, accompanied by wooden mould, cameo length 3.3cmFor further information on this lot please visit Bonhams.com
Lot 10
THREE 18TH-19TH CENTURY HARDSTONE INTAGLIOS IN MID 19TH CENTURY FOBSAll after the antique and mounted in gold: 1st: Carnelian, depicting a male bust facing right, chased fob, 2nd: Agate, depicting a male bust facing left, fob with scroll detail, 3rd: Agate, depicting Hercules, fob with scroll and foliate detail, dimensions: 1st 2.5cm x 2.1cm x 1.7cm, 2nd 3.2cm x 2.2cm x 1.6cm, 3rd 3.2cm x 2.4cm x 1.9cm (3)For further information on this lot please visit Bonhams.com
Lot 25
18TH-19TH CENTURY HARDSTONE CAMEO AND ENAMEL PENDANTCarved in low relief to depict a male bust, facing left, within a 19th century black and white enamel mount, some enamel loss, length 2.6cmFootnotes:This profile is comparable with some studies of male heads by Leonard Da Vinci.For further information on this lot please visit Bonhams.com
Lot 121
SILVER-GILT CAMEO AND DIAMOND RING, FIRST QUARTER OF THE 19TH CENTURYThe silver-gilt cameo depicting a male bust facing right, within a surround of cushion-shaped diamonds in closed back settings, glazed hairwork compartment to the reverse with gold thread initials, CPR, the exterior band engraved, BY MERIT RIGHT, mounted in silver and gold, enamel loss throughout exterior band, ring size approx. NFor further information on this lot please visit Bonhams.com
Lot 12
COLLECTION OF CORAL, SHELL, HARDSTONE AND METAL CAMEOS AND INTAGLIOS, 19TH CENTURY1st: Early 20th century hardstone cameo depicting a female bust, hair upswept, facing left, 2nd: Early 20th century shell cameo depicting a male bust, possibly George V, facing left, 3rd: 19th century shell cameo depicting a female bust, wearing a diadem and veil, facing left, 4th: 19th century lava cameo depicting Cupid and Psyche, 5th: 19th century hardstone cameo depicting a laureated male bust, facing right, 6th: 19th century sardonyx cameo depicting a laureated male bust, facing right, 7th: 19th century hardstone cameo depicting a male bust, wearing a wreath of wheat, facing right, 8th: 19th century hardstone intaglio depicting a sphinx, signed AIIYIITOS, 9th: 19th century copper intaglio depicting a male bust, possibly Sir Walter Scott, facing left, on a steel stud, 10th: silver cameo brooch, dated 1842, depicting a male bust, possibly Daniel O'Connell, facing left, inscribed, REPEAL, within a chased surround, the reverse engraved, Presented by/ Alderman Keshan/ To/ Mary A. Kennedy/ Novr 1842, 11th: Circa 1860-70 gold and coral corallium rubrum cameo brooch/pendant, carved to depict a female head, facing forward, within a ropetwist surround with bead detail, 12th: 19th century gold and hardstone cameo pendant depicting a putto playing a pipe, within a ropetwist surround, glazed hairwork compartment decorated with gold thread to the reverse, 13th: 19th century gold and sardonyx cameo pendant locket, carved to depict a laureated male bust, within a ropetwist surround, the reverse engraved with blackletter initials, TO IGHI 1880, 14th: Two late 19th century gold and agate cameo studs, each carved to depict a female bust, 1st - 8th: all unmounted, lengths: 1.5cm - 3.8cm (15)Footnotes:Daniel O'Connell (1776-1847) founded the Repeal Association in 1830. The Irish political movement campaigned for a repeal of the Acts of Union of 1800 between Great Britain and Ireland. Alderman Keshan (d.1851) was a Trustee of the Royal Exchange, Dublin and supporter of the Repeal Association.For further information on this lot please visit Bonhams.com
Lot 184
A COLLECTION OF GOLD AND SILVER FOB SEALS, 18TH/19TH CENTURYComprising: 1st: A fob with: a compass, the reverse engraved with initials 'RW', a shaped rectangular seal, the bloodstone with crest and motto Vi et armis, an oval seal, the carnelian with a boy kneeling, looking towards the sun, and the motto J'Adore qui me Brule, a seal in the form of a fist issuing a rectangular hinged compartment with plain bloodstone, and a rectangular seal with carnelian with a dove of peace; 2nd: A silver seal, the carnelian with a rose crest and motto 'Sine Injuria';3rd: A George III silver seal, mark of Samuel Godbehere and Edward Wigan overstriking another, London, 1793, the cast with a man with wheatsheaf;4th: A watch key, the carnelian incised with a rat crest; 5th: A silver seal, the oval cast with a bust of a lady;6th: cushion-shaped seal applied with filigree flowers, with plain foiled amethyst; 7th: A rectangular seal chased with flutes and foliage in high relief, the green hardstone with a ship and motto Such is Life; 8th: A smaller similar seal, the bloodstone with a putto, a dog and the motto Fidelity Guide Me;9th: two fluted rectangular examples each with bloodstone, one with a coat-of-arms, the other with a beehive crest; 10th: a Chelsea ceramic squirrel, the oval agate matrix incised with a tree crest (14)Footnotes:1st: The crest and motto Vi et armis are those of Richard Armstrong (1782-1854), the arms were granted in 1830 when he was promoted to the rank of Colonel and knighted for his military services. He was the son of Lt. Colonel Richard Armstrong of Lincoln, served in the Iberian Campaign against Napoleon's forces and as a Brigadier in the Burmese War (1825-6). The intaglio and motto J'Adore qui me Brule are of a similar design to the seal used by the British Society for Effecting the Abolition of the Slave Trade in 1787.2nd: The crest is that of Watson.9th: The impaled arms are those of Biss and Barrington.For further information on this lot please visit Bonhams.com
Lot 301
A miscellaneous collection of drawings and prints; to include, a group of four male bust-length portraits, signed ‘D’Zubas’, pencil and charcoal on paper, various sizes; Alger, signed indistinctly (lower centre), gouache on paper, 40.5 x 27.5cm; three studies of the human nose, mouth, and eye, pencil on Ruse & Turners 1828 paper, various sizes; Three black line portraits, one dated in pencil ‘Oct1942’ (lower right), pen on paper, 21.5 x 16.5cm; Pell, surrealist composition of human figures made of wood reclining towards a spiral staircase with hot air balloons receding above, signed ‘PELL’ (lower right). pencil ink and watercolour on paper, 29 x 21.5cm; and various others.
Lot 308
Attributed to Auguste Coomans (19th century), bust-length portrait of Casimir Coomans (1844-1878) as a boy wearing a brimmed hat, signed and dated ‘A Coomans/ 1849’ (lower left), inscribed with the identity of the sitter on an old handwritten label to the reverse and to the stretcher, oil on canvas, 38 x 48cmCondition report: See photos for frame and damageLive worm to the bottom stretcher of the paintingSome touching up, we believe the hat to be originalSee photos under UV light
![A Copeland Parian bust, May Queen, modelled by Joseph Durham (1814-1877), Published April 1, 1868 [for the] Ceramic and Cryst](https://cdn.globalauctionplatform.com/7c65a66a-b3ec-493a-8b03-ad7a00c4ae5e/5fdf8490-824b-46a8-92ac-adad013c5f2c/468x382.jpg)
Lot 1230
Attributed to Hinton Gibbs, a silhouette, of a lady wearing a lace cap, bust length facing to dexter, watercolour on wax, 6cm x 5.5cm, ebonised frame; English School (19th century), a silhouette, of a lady, bust length, facing to sinister, watercolour on glass, 8cm x 7cm, gilt frame, 15cm x 14cm overall (2)
Lot 369
* Clothing. A 1930s georgette dress, three-quarter length dress, with pink and black floral pattern on a grey-blue ground, round neck, short tulip sleeves, front opening with 7 self buttons and loops, decorative gathered panniers to hips (1 side with 1.5cm tear where joined to dress), and concealed side zip, a few pinprick holes to front right chest, sleeves 28cm (11ins), bust 85cm (33.5ins), waist 71cm (28ins), length 110.5cm (43.5ins), together with: An Art Deco evening dress, 1930s, black satin full-length gown, full draped elbow-length sleeves, boat neck with rhinestone oyster shell containing a faux pearl at either side (1 or 2 stones missing), v-shaped back with smocking on shoulders, long skirt with short train and long side flounce (with a small mark), and triple-pleated matching belt, side opening with press-stud fasteners (a little torn at top and bottom), bust 99cm (39ins), sleeves 43cm (17ins), waist 66cm (26ins), length 155cm (61ins), length with train 175cm (69ins), and 11 other early 20th century garments, including: a 1930s georgette dress with integral cape collar, patterned with orange, brown, and grey flowers on a yellow ground, torn to underarms; a 1950s red sleeveless dress with black woven checks by Horrockses and sold at Peter Robinson (both labels present), size 14, some small marks and pulled threads, small hole in lining of bodice; a 1940s brown 'beaver' jacket, lining splitting very slightly in a few places; a 1920s blue lurex coat, some wear, notably to neck, shoulders, and sleeves; a 1930s pale blue silk and lace long sleeveless nightdress; and a 1920s orange and black diamond-patterned swimming costume, occasional small marks and holes, various sizesQty: (13)
Lot 370
* Clothing. A Regency white cotton shift, circa 1810, hand-sewn white cotton shift, with high-waist and draw-string to neck, bodice, and short puffed sleeves, small hole to one sleeve, small mark on back of skirt, bust 71cm (28ins), sleeves 22.5cm (8.75ins), length 117cm (46ins), together with 8 other items, including 3 Regency muslin over-dresses, one embroidered with scattered white flower sprigs, a number of holes and losses to embroidery, some small brown marks on back, and the other 2 with elaborate embroidery to hem, both with marks and wear (including loss to sleeves), a large muslin shawl, probably Regency, with hand-embroidered border of lily-of-the-valley, a few small holes and marks, and an Edwardian tucked and lace-trimmed muslin tea dress, with woven label 'Rose Brand'Qty: (9)
Lot 374
* Clothing. An Edwardian silk taffeta gown, full-length cream silk taffeta dress, with fitted bodice, double-lobed frilled collar, with additional stand-up organza ruffle to neck, elbow-length sleeves trimmed with lace frill, and long train trimmed with lace, front fastening with metal hooks and stitched eyelet holes and loops (1 hook replaced and some possibly missing from lower part of skirt), fastenings to bodice covered by vertical tucks finished with a bow and silk tassels on cord, 1 decorative exterior pocket similarly embellished, and further big silk bows to skirt, lined with cream herringbone twill, occasional marks and some staining, including to hem and underarms, small hole in collar, bust 81cm (32ins), waist 61cm (24ins), sleeves 41cm (16ins), length 137cm (54ins), length with train 205.5cm (81ins), together with a 2-piece Edwardian gown, comprising a jacket and skirt in printed cotton, with floral and stripe pattern in pink, black, and pale green, on a cream ground, sleeves with large flared cuffs, neck with purple grosgrain ribbon trim and bow fastened with a yellow-metal filigree bow brooch, peplum back to jacket, brown frill to hem, some wear and alterations (covered buttons worn or replaced), and an 1860s red velvet jacket with flared sleeves, lined with cream silk, velvet and silk perishing in placesQty: (4)
Lot 377
* Dress. A brocade gown of circa 1770s Spitalfields silk, with later alterations, full-length brocade gown, with woven large flower sprays in shades of pink, blue, green, and yellow, incorporating silver metal threads, on a ground of cream silk figured with flower sprays and stems, boned bodice with v-shaped waist and short sleeves, with added embellishments (braid, ruffle trim, and lace), discolouration and repairs to underarms, occasional marks and 1 or 2 short splits to skirt, bust 71cm (28ins), waist 52cm (22ins), sleeves 15cm (6ins), length 129.5cm (51ins), together with a full-length gown with straps and matching bolero made from Victorian fabric of silver and blue damask with floral detail picked out in blue and brown velvet, some fading and stainingQty: (3)
Lot 378
* Dress. A chequered cotton day dress, circa 1850, hand-stitched fine cotton dress, with narrow stripes of pink, green, blue, and brown forming a chequered pattern on a cream ground, fitted bodice with high round neck, terminating in a v-shaped waist, long fitted sleeves with gathers at elbow, close-gathered waist, rear-opening with 7 original brass hooks and corresponding stitched loops, integral cotton pocket in right-hand seam, bodice and hem of skirt lined with cream cotton, 1 or 2 tiny holes and some pale brown marks but generally in good condition, bust 76cm (30ins), waist 46cm (18ins), sleeves 49.5cm (19.5ins), length 127cm (50ins)Qty: (1)
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110041 item(s)/page