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Lot 2534
After the antique - Antinous as Dionysus, a 19th century cast gilt bronze head and shoulders bust, raised on a stepped square plinth, height 26cm, together with a 19th century patinated spelter plaque, 22cm x 15cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2643
Thomas Brock - an early 20th century brown patinated cast bronze head and shoulders portrait bust of a gentleman, possibly Sir Henry Harben, the reverse bearing cast signature 'T. Brock, A.R.A.Sc', raised on a stepped rouge marble pedestal, height 29cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 464
A set of four Arts and Crafts Britannia standard silver tazze, London 1909 by Nelson Dawson. Copies of a tazza dated 1557 formerly in the collection of Tsar of Russia. The hammered shallow bowls engraved and cross-hatched with stylised foliage and scrollwork, the centre with a profile of a Roman soldier; on flared column stems with ropetwist knops and panelled spreading bases decorated with bust profiles of Romanesque figures. Diameter 18cm, height 15cm, 79.73ozt (4)These Tazze were part of the William Newall collection and are recorded in his handwritten ledger as follows:'4 copies in Britannia Silver of a tazza dated 1557 in the collection of the Tsar of Russia- made by Nelson Dawson at £21' - (each). The entry is dated 20th April 1910
Lot 887
A SARDONYX CAMEO PENDANT/BROOCH ON A 9 CARAT GOLD CHAIN the oval sardonyx depicting a female bust with flowers in her hair, within a rope frame, suspended from a belcher link chain. Pendant marked '750', chain hallmarked Sheffield, pendant/brooch 4cm by 2.6cm, chain 45cm long, 11.1 grams grossSmall brown mark/scratch to the very edge of the cameo (approx 1mm long).
Lot 8827
Iron Age bronze core for plated stater, gold Ferriby type, obverse depicting laureate head of Apollo, reverse showing horse beneath star, circa 20-50 BC; Iron Age bronze Potin, probably of the Thurrock type, Class I, obverse showing bust facing left, reverse deping a charging bull, circa 1st-2nd century BC, identified by York Museum (2)
Lot 288
* Victoria (1819-1901). Queen of the United Kingdom of Great Britain and Ireland, 1837-1901. A monogrammed linen chemise belonging to Queen Victoria, made of the finest lawn linen, with imperial crown surmounting initials 'VR' and digits '24' below finely hand-embroidered to left-hand side below sleeve, fastened with a pair of tiny self buttons at the shoulders, neck and sleeves trimmed with hand-made Valenciennes lace, toned and faintly stained, 29 cm closed tear in rear, a few other very small holes (mostly to lace), bust 168 cm (66 ins), length 106 cm (41.75 ins)QTY: (1)
Lot 290
* Coronation robes. A set of robes and coronet belonging to Lady Helen Austin (1866-1942), comprising: a silver gilt Baroness's coronet, hallmarked Alfred James How, 1911, with 6 balls (tarnished), crimson velvet cap with gold thread finial, base rim trimmed with ermine and complete with original hat pin, quilted cream silk lining, 17.5 x 14 cm (7 x 5.5 ins); a Baroness's fitted kirtle of crimson velvet, scalloped edges and sleeves trimmed with miniver (some damage and losses to edge trimming), with dark cream lace sleeve flounces (that to right-hand sleeve with crude stitched repair to 12 cm closed tear), lacking 2 metal loops for securing mantle, partially lined with cream grosgrain taffeta, bust 96.5 cm (38 ins), waist 86.5 cm (34 ins), sleeves 41 cm (16 ins), length 128 cm (50.5 ins); and a Baroness's mantle of crimson velvet by Wilkinson & Son Ltd, Tailors and Robe Makers to His Majesty, edged with miniver (a couple of small areas of minor wear at foot) and with capelet of miniver with 2 rows of ermine tails, lined with cream silk (occasional tiny holes and marks, one small stain), maker's printed label at nape incorporating manuscript name 'The Bt Hon. Lady Austin', length 218.5 cm (86 ins), plus a pair of gold metal tasselled shoulder cordons, and a sash similarQTY: (6)NOTE:Lady Helen Austin (1866-1942) was the wife of Herbert, 1st Baron Austin (1866-1941), the English automobile designer and builder who founded the Austin Motor Company in 1905. They married on Boxing Day in 1887, and had two daughters, and a son who was killed in WWI. In 1936 Herbert was created Baron Austin, of Longbridge in the City of Birmingham, and therefore these robes would have been worn to the coronation of King George VI in 1937.
Lot 9
Five small scraps of antique textiles, to include an antique red velvet and gold stumpwork Persian / Indian piece from a sleeve / cloak, a 29cm x 19cm scrap of tapestry / upholstery depicting a lion and foliate motifs, and a 59cm x 28cm scrap of tapestry / upholstery with a Roman style head / bust to the left hand side and foliate motifs in gold and red, and a larger 20th century stump work Indian piece on brown fabric, measuring 83cm x 87cm.
Lot 142
RARE MULE - UNITED KINGDOM ELIZABETH II TWO POUNDS / DOUBLE SOVEREIGN 1994 GOLD, encapsulated, with certificate of authenticity Struck to commemorate the Tercentenary (300th anniversary) of the Bank of England. A small, unknown amount of coins were struck in error, using the double sovereign obverse design. Upon realising the error, the Royal Mint sent letters to all possible recipients of the requesting any error coins to be sent back. Some were kept by the owners, perhaps realising this error coin would one day be a very sought-after rarity.Third crowned bust of Elizabeth II facing right without denomination below; ELIZABETH II DEI · GRATIA · REGINA · F · D.
Lot 799
A set of twenty-five Chinese bisque porcelain busts of Mao Zedongcirca 1966-67Each inscribed 'Long Live Chairman Mao' in cursive script,18cm high, in pack-horse basket (25)Provenance: Peter WainCf. A set from the same hoard was exhibited: Mao: Art For The Masses, Revolutionary Art of the Mao Zedong Era, 1950-1976, National Museum of Scotland, Edinburgh, May 2003 - March 2004, cat. no. 32.二十世紀中期 毛主席瓷塑半身像一組二十五尊類似一組瓷塑像展覽於：大眾藝術：毛澤東期間的革命藝術"，蘇格蘭博物館，愛丁堡，2003年5月至2004年3月，圖錄編號32。來源：彼得·韋恩 (Peter Wain) 收藏A hoard of 400 bisque porcelain busts of Chairman Mao were discovered on the Sino-Tibetan border in an area regarded as the inspiration for Shangri-La.Originally intended for distribution throughout the South Eastern corner of Tibet, they were packed into baskets and transported by horse to Zhong Dian on the Yunnan Tibet border. The baskets were stored awaiting distribution in a police station but never made it any further, languishing forgotten until 1998 when the building was destroyed by an earthquake. The busts miraculously survived, protected by their transit baskets and straw wadding.The design of the bust was officially sanctioned, being the only sculptural image of Mao made for distribution to official buildings in China. The majority of the hoard was bought by the late Peter Wain, before being shipped to the UK.
Lot 800
A set of twenty-five Chinese bisque porcelain busts of Mao Zedongcirca 1966-67Each inscribed 'Long Live Chairman Mao' in cursive script,18cm high, in pack-horse basket (25).Provenance: Peter WainCf. A set from the same hoard was exhibited: Mao: Art For The Masses, Revolutionary Art of the Mao Zedong Era, 1950-1976, National Museum of Scotland, Edinburgh, May 2003 - March 2004, cat. no. 32.二十世紀中期 毛主席瓷塑半身像一組二十五尊類似一組瓷塑像展覽於：大眾藝術：毛澤東期間的革命藝術"，蘇格蘭博物館，愛丁堡，2003年5月至2004年3月，圖錄編號32。來源：彼得·韋恩 (Peter Wain) 收藏A hoard of 400 bisque porcelain busts of Chairman Mao were discovered on the Sino-Tibetan border in an area regarded as the inspiration for Shangri-La.Originally intended for distribution throughout the South Eastern corner of Tibet, they were packed into baskets and transported by horse to Zhong Dian on the Yunnan Tibet border. The baskets were stored awaiting distribution in a police station but never made it any further, languishing forgotten until 1998 when the building was destroyed by an earthquake. The busts miraculously survived, protected by their transit baskets and straw wadding.The design of the bust was officially sanctioned, being the only sculptural image of Mao made for distribution to official buildings in China. The majority of the hoard was bought by the late Peter Wain, before being shipped to the UK.類似一組瓷塑像展覽於：大眾藝術：毛澤東期間的革命藝術"，蘇格蘭博物館，愛丁堡，2003年5月至2004年3月，圖錄編號32。來源：彼得·韋恩先生私人收藏
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