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Ca. 1000 AD.A cast-bronze reliquary cross pendant composed of two cruciform plaques that fit together, a hinged mechanism to the top and bottom, and a loop for suspension. One face displays the crucified Christ in relief. The other - Virgin Mary in Oranta pose. She is flanked by four bust of Saints to each arm. The Oranta is an iconography of the Virgin Mary standing in adoration with her arms outstretched. This type of cross can be opened to hold a small relic or a prayer document. Relics, as the physical remains of saints or objects associated with Christ, held tremendous power in medieval Christianity. This item is in wearable condition and it comes with a modern necklace cord. Size: L:47.9mm / W:22.9mm ; 16.07g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
FRENCH SILVER MOUNTED HARDSTONE DESK SEAL, Paris c.1870, apparently marked for Charles Brissard, seal formed of a silver bust of Voltaire on a silver-mounted banded agate column, 80.8gms, 10.5cms hProvenance: Christie's, London, 25 February 1944, lot 130; Albert Marber (1900-1960), then by descent; private collection North WalesComments: rare example, good overall, slighted misshapen to bottom rim
Röm. Spätantike Anfang 4.Jh.n.Chr, dabei Constantinus I., Helena und Fausta - Auflösung einer Sammlung, 12 Antiken, dabei u.a. z.B. 1 x Spätantike - Nummus, Av: Büste der Fausta n.r., FLAX MAX AVG FAVSTA AVG, Rv: SPES REI PVBLICAE, Kaiserin als Spes mit 2 Kindern in den Armen, s-ss, berieben, Patina, minimal verschmutzt, 2,48g rau sowie 1 x Spätantike - Nummus, Av: Büste der Helena, FL HELENA AVGVSTA, Rv: SECVRITAS REI PVBLICE, Securitas nl.l, s-ss, Patina, Schrötlingsriss, berieben, Korrosion, 3,29g. Erhalt unterschiedlich. Mit diversen kleinen Bestimmungszetteln. Am besten besichtigen.| Roman late antiquity at the beginning of the 4th century AD, including Constantinus I, Helena and Fausta - Dissolution of a collection, 12 antiques, among others e.g. 1 x Late antiquity - Nummus, Obv: Bust of Fausta to the right, FLAX MAX AVG FAVSTA AVG, Rv: SPES REI PVBLICAE, Empress as Spes with 2 children in her arms, F-VF, rubbed, patina, minimally soiled, 2.48g rough as well as 1 x Late Antiquity - Nummus, Obv: Bust of Helena, FL HELENA AVGVSTA, Rv: SECVRITAS REI PVBLICE, Securitas to the left. l, F-VF, patina, flake crack, rubbed, corrosion, 3.29g. Different Conditions. With various small destination labels. Best to inspect.
Röm. Spätantike - 3-teiliges Münzkonvolut Licinius I./ Licinius II. 4.Jh.n.Chr.- Auflösung einer Sammlung, dabei z.B. 1 x Spätantike - Nummus, Av: Büste des Licinius n.r. mit Lorbeerkranz, IMP C VAL LICINIVS PF AVG, Rv: IOVI CONSERVATORI, Jupiter n.l. stehend mit Adler und Victoria, s-ss, berieben, Korrosion, Nr. auf Münze gemalt, 3,94g rau. Erhalt stets unterschiedlich. Dabei kleine Bestimmungszettelchen, einmal ein hist. Bestimmungszettel "Numismatica Markovits Béla". Am besten besichtigen.| Roman Late Antiquity - 3-piece coin set Licinius I./ Licinius II. 4th century A.D.- Dissolution of a collection, besides e.g. 1 x Late Antiquity - Nummus, Obv: Bust of Licinius to the right. with laurel wreath, IMP C VAL LICINIVS PF AVG, Rv: IOVI CONSERVATORI, Jupiter n.l. standing with eagle and Victoria, F-VF, rubbed, corrosion, no. painted on coin, 3,94g rough. Condition always different, with small identification slips. Numismatica Markovits Béla". Best to inspect.
Röm. Spätantike-3-teiliges Münzkonvolut aus der Zeit des Kaisers Maxentius ( Anfang 4.Jh.n.Chr.) - Auflösung einer Sammlung, dabei 1 x Röm. Kaiserreich - Follis, Av: Büste des Maxentius mit Lorbeerkranz n.r., IMP C MAXENTIVS PF AVG, Rv: Roma frontal im Tempel sitzend, CONSERVA URBS SVAE, ss, berieben, Patina, Korrosion, verschmutzt, 6,71g rau. Erhalt stets unterschiedlich. Mit kleinen Bestimmungszettelchen. Am besten besichtigen.| Roman late antiquity-3-part coin set from the time of Emperor Maxentius ( beginning of 4th century AD) - Dissolution of a collection, besides 1 x Roman Empire - Follis, Av: Bust of Maxentius with laurel wreath to the right, IMP C MAXENTIVS PF AVG, Rv: Roma seated frontally in temple, CONSERVA URBS SVAE, VF, rubbed, patina, corrosion, soiled, 6.71g rough. Condition always variable. With small identification labels. Best to inspect.
Römische Spätantike : umfangreiches, 49-teiliges Konvolut Antiken, 4.Jh.n.Chr. - Auflösung einer Sammlung, dabei z.B. 1 x Spätantike - Nummus Anfang 4.Jh.n.Chr, Valens, Av: N VALENS PF AVG, Büste des Valens mit Diadem n.r., Rv: SECVRITAS REI PVBLICAE, Victoria mit Krone und Palme, im Abschnitt HSISC, ss, berieben, Tönung, 2,53g rau oder 1 x Spätantike - Bronze, Vetranio 350 n.Chr., Av: Büste des Vetranio mit Lorbeerkranz, DN VETRANIO PF AVG, Rv: Victoria bekränzt Vitranio, HOC SIGNO VICTOR ERIS, ss, berieben, kleine Feilspur am Rand, Kratzer, 4,5g rau. Dazu 1 x Spätantike - Bronze, Magnentius, 350-353 n.Chr., Av: Büste des Magnentius mit Diadem, DN MAGNENTIVS PF AVG, Rv: Magnentius, FELICITAS REI PVBLICE, ss, berieben, Kratzer, 4,94g rau. 1 x Spätantike - Nummus/Centenionalis, Constans 337-350 n.Chr., Av: Büste mit Diadem n.l., DN CONSTANS PF AVG, Rv: Soldat führt eine Person aus einer Hütte weg, die unter einem Baum steht, FEL TEMP REPARATIO, ss, berieben, Schrötlingsriss, Tönung, 2,51g rau. Dazu vieles mehr. Dabei kleine Bestimmungszettelchen. Am besten besichtigen.| Roman late antiquity : extensive, 49-piece convolute antiquities, 4th c. AD -- Dissolution of a collection, among them e.g. 1 x Late Antiquity - Nummus beginning 4th century AD, Valens, Av: N VALENS PF AVG, bust of Valens with diadem to right, Rv: SECVRITAS REI PVBLICAE, Victoria with crown and palm, in section HSISC, VF, rubbed, toning, 2,53g rough or 1 x Late Antiquity - Bronze, Vetranio 350 AD, Av: Bust of Vetranio with laurel wreath, DN VETRANIO PF AVG, Rv: Victoria crowning Vitranio, HOC SIGNO VICTOR ERIS, VF, rubbed, small file mark on rim, scratches, 4.5g rough. Plus 1 x Late Antiquity - Bronze, Magnentius, 350-353 AD, Av: Bust of Magnentius with diadem, DN MAGNENTIVS PF AVG, Rv: Magnentius, FELICITAS REI PVBLICE, ss, rubbed, scratches, 4.94g rough. 1 x Late Antiquity - Nummus/Centenionalis, Constans 337-350 AD, Av: Bust with diadem n.l., DN CONSTANS PF AVG, Rv: Soldier leading a person away from a hut standing under a tree, FEL TEMP REPARATIO, VF, rubbed, red chipping, toning, 2.51g rough. Plus much more. Small identification slips with it. Best to inspect.
FELIXMÜLLER, CONRAD (1897-1977), "Christian Rohlfs", 1927, Brustbildnis mit Zigarre, Holzschnitt/chamoisfarbenes Bütten, in der Platte monogrammiert 'FM', u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 49x39 cm, Passepartoutausschnitt ca. 53x42,5 cm, Außenmaße Rahmen ca. 78x65 cm. Minim. Alters- und Knickspuren. Im Passepartout hinter Glas gerahmt. LITERATUR: Conrad Felixmüller, Das Graphische Werk 1912-1974, Düsseldorf: Söhn 1975, WVZ-Nr. 370 (hier Verweis auf erhaltenen Holzstock).| FELIXMÜLLER, CONRAD (1897-1977), "Christian Rohlfs", 1927, bust with cigar, woodcut/chamois-colored laid paper, monogrammed 'FM' in the plate, lower right signed by hand in pencil, HxW: plate approx. 49x39 cm, passe-partout cut-out approx. 53x42.5 cm, outer dimensions of frame approx. 78x65 cm. minimum Age and crease marks. Framed behind glass in a passe-partout. LITERATURE: Conrad Felixmüller, Das Graphisches Werk 1912-1974, Düsseldorf: Söhn 1975, WVZ-Nr. 370 (here reference to preserved wooden stick).
* Clothing. A silk Edwardian day dress, circa 1915, oyster silk full-length gown, with v-neck front and back filled with cream tucked and ruched muslin modesty panel, and asymmetric collar front and back trimmed with delicate tape lace (silk lining of collar perishing), one side of bodice caught up with a grey rosette, bodice lined and lightly boned, and with metal hooks and stiff buttonhole eyes, elbow-length sleeves with tucked muslin edging and embellished with lace as before, shoulders ornamented with hand-worked bullion stitches, tucked waistband terminating at rear with a bow, tails of bow ornamented with self silk pom-poms, skirt with 2 vertical tucks to front and 4 large ornamental buttons between, the tucks and buttons with bullion stitch detail, the tucks terminating in a 'v' with ruched detail held by a grey rosette, back of skirt with 36 small ornamental buttons embellished with bullion stitches as before, skirt with short train, and lined with cream silk, a few fox spots and marks, occasional small holes, bust 74 cm (29 ins), waist 62 cm (24.5 ins), sleeves 37 cm (14.5 ins), length at front 134.5 cm (53 ins), length at back 155 cm (61ins), together with 9 other items of ladies' clothing, including: a 1920s cream silk dress with dropped waist and green collar and bow; a 1930s full-length evening gown of embroidered heavy cream satin, with straps and sweetheart neckline; a 1950s 3-piece in turquoise silk comprising dress, short jacket, and coat; and a 1950s full-length evening gown and matching cocktail dress made of Brockenhurst silk, with wide detachable waistband and bow in cerise satin, various sizes and condition QTY: (10)
* Clothing. An 1840s day dress, hand-stitched gown, with orange, green, and black flower sprigs on a cream ground, fitted bodice with wide ruched neck, and tucked bishop sleeves, box-pleated skirt, cuffs and rear opening fastened with metal hooks (most replaced) and buttonhole loops, lined with fine glazed cotton, occasional small signs of wear (mostly a little fraying to waist and cuffs) and a few stitched repairs (including several small patches to back of skirt), bust 74 cm (29 ins), waist 51 cm (20 ins), sleeves 61 cm (24 ins), length 139 cm (54.75 ins), together with a moiré silk taffeta dress with pagoda sleeves, train, over-skirt, and large bow, circa 1840s, with some later stitching and repairs, patterned with flower sprays in shades of pink, red, green, yellow, and brown, on a grey ground, with lilac satin edging, faintly foxed, bust 76 cm (30 ins), waist 62 cm (24.5 ins), sleeves 43.5 cm (17.25 ins), length excluding train 135 cm (53 ins) and including train 157.5 cm (62 ins) QTY: (2)
* Duke of Wellington. A mid 19th Century bronze bust of the Duke of Wellington, the figure depicted in classical robes, raised on an integral socle, signed on the reverse Marochetti pub , Nov 4th 1852, 11.5cm highQTY: (1)NOTE:Baron Carlo Marochetti (1805-1867) was born in Turin. He studied under Bosio at the Ecole des Beaux Arts, later exhibiting at the Salon. He concentrated on genre groups to begin with, turning to monumental statuary at a later date. Amongst his public works are the statue of Richard the Lionheart, outside the House of Lords and the equestrian statue of the Duke of Orleons for the Louvre courtyard. He also produced busts of well known figures including busts of Queen Victoria and Prince Albert
* Duke of Wellington. A Victorian bronze bust of the Duke of Wellington circa 1850, the duke modelled in classical robes, raised on an integral socle, signed on the reverse C.Marochetti, Nov 4th 1852, 17cm highQTY: (1)NOTE:Baron Carlo Marochetti (1805-1867) was born in Turin, Italy. He studied under Bosio at the Ecole des Beaux Arts, later exhibiting at the Salon. Marochettii concentrated on genre groups to begin with, turning to monumental statuary at a later date. Amongst his public works are the statue of Richard the Lionheart, outside the House of Lords and the equestrian statue of the Duke of Orleans for the Louvre courtyard. He also produced busts of Queen Victoria and Prince Albert.
* Duke of Wellington. A collection of parian ware busts modelled as the Duke of Wellington, comprising a Copeland parian bust of the Duke of Wellington by Comte d'Orsay, 1852, the bust marked 'COMTE D'ORSAY Sc 1852' on the reverse, on a separate socle, 28cm high, another by the same sculptor, 19 cm high, a parian bust of the Duke of Wellington, circa 1852, modelled by Joseph Pitts, raised on a socle, impressed 'Josh Pitts.Sc London 1852' to back, height 24 cm, together with two further parian ware busts of Wellington, unmarked 28.5 cm high and 19 cm high QTY: (5)
* Duke of Wellington. A George III black basalt part tea service commemorating Wellington's victories, circa 1813, of oblong form with lion-head spouts, snake handles, moulded with a bust of Wellington attended by Britannia and Fame, the reverse inscribed 'India, Portugal, and Spain. Vittoria 21 June 1813', comprising teapot, 18 cm high, coffee pot and cover, 24.5 cm high, sugar bowl and cover, 12 cm high, milk jug, 10 cm high and bowl, 8.3 cm high, the bowl cracked and restored and the coffee pot has been restored to base, the teapot has a small crack to sideQTY: (5)
* Duke of Wellington. A collection of 19th century miniature busts and figures including, a portrait bronze bust of the Duke of Wellington after Fr. Malchow 1852, 11.5 cm high, a bronze figure of Napoleon on horseback on a shaped base, 14cm high, a Duke of Wellington pewter bust, modelled in Roman dress, 8 cm high, three Wellington painted figures, each approximately 12 cm high and other items, largest 16.5 cm smallest 7 cmQTY: (16)
* Duke of Wellington. A collection of 19th century busts, including a bronze of the Duke of Wellington on an integral socle base, signed J C G 18..., 24.5 cm high, another by G. Cuvier on a socle, 17 cm high, two Duke of Wellington pewter busts by Elkington Mason & Co Oct 1852, both marked to the reverse, one mounted on a wooden socle, 14.5 cm high, a bronze bust of the Duke of Wellington, modelled in roman dress on a bronze base together with three further busts of the Duke of Wellington, largest 23 cm and smallest 12 cm QTY: (9)
* Duke of Wellington. A 19th century bronze bust of the Duke of Wellington, after Lawrence Gahagan (active 1756-1820), the duke depicted with his head turned and wearing Roman armour, a rich dark brown patination, on circular bronze socle, the reverse inscribed WELLINGTON L. GAHAGAN Fecit & Pub'd. June 12 1811, 30 cm highQTY: (1)
* Duke of Wellington. A collection of 19th century Duke of Wellington framed plaques and busts, including a Duke of Wellington memorial plaque, an oval electrotype metallic plaque designed, modelled, and published by E. Jeannest for Elkington, 1853, the duke facing right upon a central oval medallion, surrounded by the figure of Fame on either side, the duke's shield, crest, and motto, a seated figure of Britannia in mourning between a lion and a unicorn, floriated background, oval wooden frame, 33 cm diameter, a miniature ormolu relief side portrait of Duke of Wellington, veneered frame, glazed, 17.5 x 21 cm, a silvered copper Duke of Wellington profile portrait bust in a deep glazed presentation case, 24.5 x 31 cm, a miniature metal relief side portrait of Duke of Wellington, presented in a wooden oval frame, glazed, 23.5 cm diameter and other itemsQTY: (6)
* Duke of Wellington. A mixed collection of black basalt, including a coffee pot and cover 19 cm high, milk jug 8.5 cm high decorated with Wellington on horseback, a bowl 15.5 cm diameter with a Wellington portrait, and 'La Belle Alliance, a Wedgwood black basalt library bust of the Duke of Wellington, stamped to base, 16 cm high and memorial plaque 11 cm diameter QTY: (5)
Susan Hampshire, famous actress, roles such as Monte Carolo or Bust, signed sexy posed 8x10 photo. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
DROOPY AND BROWNS by ANGELA HOLMES period Victorian Gothic style late 1970s black cotton velvet V-neck and back evening dress with zip and fishtail back UK 6-8. Pit to pit 16" ( 32-34" bust) * shoulder to hem 50" (127cm) fishtail adds 11" (28cm) to length at the back.Condition Report: Good condition
JOHN BATES for JEAN VARON C1973 TURQUOISE AND WHITE "checkerboard" cotton halter-neck maxi-dress, with white Broderie Anglaise lace butterflies trim with tasselled halter neck straps. Huge circle skirt. Label says UK12. Approx. measurements laid flat - shoulder to hem 147cm * pit to pit 44cm (34" bust) * waist side to side 33cm (27" waist) .Condition Report: Good condition
SUPERB QUALITY bespoke-made (Probably by Saga Mink) modern 3/4 length very rare natural (Not dyed) dark sapphire Mink swing coat with hood, scalloped collar and pom-poms and rolled cuffs. Fits size large UK18-20-22. Shoulder to hem 106cm * Shoulder to cuff 70cm * Pit to pit 62cm (48" bust) Condition Report: Good condition
SUPERB QUALITY 3/4 length Bespoke-made (Probably by Saga Mink) Persian Lamb/ Astrakhan and Black Glamour mink swing coat with black leather cut-out detail to side-vents and cuffs. Bell sleeves and wave-frontage. Fits size large UK18-20. Brown velvet lined hip pockets. Shoulder to hem 99cm * Shoulder to cuff 64cm * Pit to pit 60cm (48" bust) . Condition Report: Good condition
JOHN BATES "JEAN VARON" C1973 RED AND WHITE "checkerboard" gingham cotton maxi-dress, with white Broderie Anglaise lace trim, white belt and original buttons. Huge circle skirt. Label says UK14. Approx. measurements laid flat Shoulder to hem 147cm * pit to pit 47cm 37" Bust) * waist side to side 38cm (30" waist) .Condition Report: Good condition
A historically important fashion piece from British designer Captain EDWARD HENRY MOLYNEUX (1891-1974) As seen in the Victoria & Albert Museum and The Metropolitan Museum of Art. A serial numbered (Edward) MOLYNEUX black matt-silk crepe drop-waisted afternoon dress complete with original black silk under-slip, dating from between 1946-1948. The dress has short ruched sleeves and a ruched skirt. Fastens with a black metal side zip and one on the left shoulder. Carrying the serial number D18 6982. Fits a UK10Shoulder to hem 108 cm * pit to pit 50cm (36-38" bust) * sleeve length 31cm * shoulder to shoulder 36cm Condition Report: Very good condition.
A rare good-sized 1930s-40s original long floral ballgown in bright colours. Short puffed sleeves, yoked neck with bow, half-belt at waist and tiered effect front with bow. fastens at the side with press-studs. Pit-to-pit 49cm (Approx. 38" Bust) * (Waist side-to-side laid flat) 42cm (Approx.33" Waist) * Shoulder to hem 143cm UK10-12-14Condition Report: Very good condition. Light marks nothing obvious
SUPERB QUALITY modern full length chocolate-brown Bespoke-made (Probably by Saga Mink) Mink swing coat with buttoned scalloped side-vents and cuffs. Fits size large UK18-20-22. Brown velvet lined hip pockets. Shoulder to hem 123cm * Shoulder to cuff 56cm * Pit to pit 66cm (48" bust) Condition Report: Good condition Some fur hooks may need replacing
SAGA SUPERB QUALITY modern full length Blank Glamour (VERYDARK BROWN) Ranched Mink swing coat with detachable hood. Fits size large UK Black velvet lined hip pockets. Long cuffs. Shoulder to hem 131cm * Shoulder to cuff 65cm * Pit to pit 64cm (48" bust) Condition Report: Excellent condition Some fur hooks may need replacing
SAGA SUPERB QUALITY modern 3/4 length mid-brown Mink swing coat with buttoned side-vents and rolled cuffs. Fully lined in patterned silk. Fits size large UK18-20-22. Brown velvet lined hip pockets. Shoulder to hem 103cm * Shoulder to cuff 63cm * Pit to pit 63cm (46" bust) Condition Report: Good condition. Some fur hooks may need replacing
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110054 item(s)/page