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Constance Anne Parker, various sculptures of infants, including the bust of a child in coppered plaster, height 11.75ins, together with the head of a crying baby painted in green, height 4.5ins and the bust of a baby, carved in mahogany, height 8ins and another similar with textured hair, height 9ins
Constance Anne Parker, sculpture in oak of a mother and child, height 6.25ins, together with a female bust in wood, height 5.25ins, and a larger sculpture also in wood, entitled 'Playmates' in pencil to bottom of base, height 14ins and another unfinished sculpture of a mother holding a child, height 21ins
Attributed to the workshop of Antonio Canova (Italian 1757-1822). An early 19th century marble bust of Beatrice, 48.9cm high, 29.4cm wide. Antonio Canova is generally considered to be the greatest neo-classical sculptor. The original bust began as a portrait of the beauty Madame Récamier. Canova's original plaster bust did not please Récamier so he decided not to carve a marble version. Instead, he idealized his sitter's features, transforming the bust into a 'testi ideali' of Beatrice, muse of the poet Dante. The ideal head was a type of marble bust created by Canova to present images of perfect beauty. The original was first modelled in plaster in 1818 and the first autograph marble version was given to Count Leopoldo Ciconara and his wife, Lucia Fantinati, in gratitude for their work on the artist's biography in the Storia della Scultura.
λ An Indo-Portuguese carved ivory bust of a saint, mounted on a later wooden plinth, together with two similar busts probably Hispano-Philippine, an ivory 'Good Shepherd' base and a carved ivory putto reclining and resting on a skull, 17th century and later, 9.4cm high (max). (5) Provenance: The collection of Seward Kennedy.
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110054 item(s)/page