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Lot 119

A "Sevres" Bisque Porcelain Pedestal Bust of a Lady, late 19th century, her coiffure run through with pearls and wearing a floral garland, a string of beads around her neck, and lace trimmed and ribbon tied dress, on a blue glazed and parcel gilt socle and square foot, bearing blue enamelled interlaced "L" mark and "Y", 40.5cm high

Lot 282

Circle of G F Watts, 19th Century Portrait of a bearded gentleman, bust length wearing open neck shirt and black jacket, oil on canvas, 75cm by 63cm

Lot 288

Chevalier Antoine Fauray, 1706-1791 Portrait of a lady of fashion, half length, signed, oil on canvas board, 27cm by 18cm; together with a portrait of a gentleman, bust length, oil on board, 25.5cm by 17cm

Lot 1

A marble bust of a seated boy, scrawling the name Canova on a tablet, on a stepped base, height 42cm (16 1/2in.).

Lot 8

A marble bust 'Laura', wearing a jewelled headband and pendant necklace, on plinth base, height 26cm (10 1/4in.).

Lot 573

A gold and carved coral cameo ring designed as the bust portrait of a classical lady, a 9ct gold oval signet ring, Chester 1930, a pair of 9ct gold earstuds, a gold mounted oval pendant locket, a silver thimble, two colourless paste necklaces, a similar pair of earrings, and a gem set bar brooch with foliate motifs.

Lot 834

A Byzantine gold coin of the Constantinople mint, the obverse bearing the bust portrait of a king, the reverse a seated classical figure holding a spear and an orb.

Lot 858

A Meerschaum pipe, late 19th Century, carved as the bust of a bearded man wearing a turban, cased.

Lot 1484

An Italian Lenci style pottery wall mask modelled as the profile bust of a lady with black hair wearing a floral decorated headscarf, black painted 'Frandin (?) Made in Italy, Torino' to reverse.

Lot 1499

A pottery charger, late 19th Century, painted with the head and shoulders bust portrait of a girl wearing a blue cap and blue earrings against a peacock feather ground, signed 'F.A. Saltmer', inscribed 'Zara', artists signature and dated '1878' to base, diameter approx 33.5cm.

Lot 1596

A Parian bust of Clytie, after the model by C. Delpech on a socle base impressed 'Art Union of London, 1863 C. Delpech Red', height approx 36.5cm (minor chips to top of socle base).

Lot 391

AFTER LE COMTE, a bronze bust of Napoleon Bonaparte. On marble base. 20th century. 14” High.

Lot 293

A 19th Century Staffordshire half length bust of John Wesley on a sponge ware base, painted in naturalistic colours throughout, 12” high

Lot 311

A 19th Century Staffordshire head and shoulders bust of Byron on a mottled integral socle, 8” high

Lot 312

A late 19th Century Staffordshire half length bust, of a man wearing a black cravat and a blue jacket on a sponge ware integral base, 9” high

Lot 3129

WHISTLER, Rex. An autographed letter signed by Whistler, addressed to his friend Siegfried Sassoon, dated in pencil by the recipient ’21-1-[19]30’. 2pp., oblong 8vo (133 x 178mm.) The letter thanks Sassoon for a ‘lovely poem’ and mentions various literary projects, it also incorporated two original pen and ink drawings, one an informal portrait of Edith Sitwell, the other a small cartoon of Sassoon with a medal. Window mounted with original envelope. – And a first edition of Sitwell’s ‘Alexander Pope’, all contained within a single cloth covered box. Note: a formal version of the drawing of Edith Sitwell was reproduced on the dust-jacket of her book ‘Alexander Pope’, published in 1930. Whistler comments in the letter that he is doing it for ‘Dick’ [Richard de la Mare of Faber and Faber], ‘It is going to be an elegant (I hope) representation of Edith gazing upon a bust of Pope, like this:’ with an arrow pointing to the drawing.

Lot 726

A 19th Century bronze bust of a Classical maiden with wheat sheaves in her hair set to a waisted circular base, 24cm high.

Lot 118

A German pottery bust of a lady in Edwardian dress holding a dog, enamel tinted, 21cm high.

Lot 281

George Dixon Red Indian profile, bust length mounted print signed below in ink 13 x 9.5cm (sheet); E M Longhurst Draped woman admiring flowers, within a foliate border etching, signed below 18.5 x 12cm (2)

Lot 57

A Benjamin Cheverton (1796-1876) ivory bust after an original by Sir Francis Legatt Chantrey. It shows a male bust on a marble pedestal. Height 9ins. Ivory signed Chantrey Sec.t & Cheverton sc. (See Illustration)

Lot 254

A Monumental tribute of respect to the memory of Admiral Lord Nelson…. London: Stampa & Son, March 14, 1806. Framed, large size. Note: Le Quesne 37. The monumental pictures are all basically similar in design, consisting either of a bust of Nelson on a plinth or a portrait of Nelson on the side of a plinth, suitably inscribed, with flags on either side and appropriate figures of weeping sailors. Most of them have an incorrect version of the White Ensign.

Lot 264

Fame and Britannia Crown’d with laurels - the bust of the Glorious & victorious hero…. London: P. Gally, Nov. 25, 1805. Framed, large size. Note: Le Quesne 48. Some examples of this are found with a black triangle behind the bust, but are in all other respects identical with this picture.

Lot 266

Admiral Nelson falling into the arms of Victory … London: I. Hinton, Dec. 12, 1805. Framed, large size. Note: Le Quesne 51.In these allegorical pictures, it is the dying Nelson himself, not a bust or portrait, to whom the mythical figures of Britannia, etc. express their grief as he dies in the arms of Victory. “Crude as they are in artistic terms and, to our taste, expressing an excessive adulation for the dying hero, these pictures should not be construed as reflecting the emotions confined at that time to he less sophisticated strata of society. Essentially the same response .. is reflected in the later, technically utterly different … the ‘Immortality of Nelson’ by Benjamin West, and the ‘Apotheosis of Nelson’ by Nicholas Legrand …” Le Quesne p. 16.

Lot 304

A printed paper fan, English, circa 1805 with bone sticks, printed in black with a central bust of Nelson on a plinth supported by Victory and an angel before which kneels Britannia, the edge of the fan with a border of gilt sequins and the verso with an acrostic. London: B. Jarvis, 1805.

Lot 305

A tinsel, paste and cloth decoupage picture of Lord Nelson, English, 2nd quarter 19th century the portrait bust set against a partly drawn blue cloth curtain, with printed face and highly decorated uniform 26cm x 20cm excluding gilt frame

Lot 306

A stoneware jar, English, circa 1805 moulded with a bust of Nelson, the verso with naval trophies 22.5cm high

Lot 620

Follower of Sir Joshua Reynolds RA 1723-1792- Portrait of a young woman, bust length wearing an ornate jeweled collar and brimmed hat; hand-coloured mezzotint, in a verre eglomise frame: C Smith, early 19th century- "A New Map of the County of Berks, Divided into Hundreds"; publ: January 6th 1804, printed for C Smith No 172 Strand, hand-coloured engraving, 46x5cm: together with one other 20th century photogravure after Reynolds, (3)

Lot 780

European School, late 19th century- Portrait of a gentleman, bust length, wearing a dark coat; oil on board, monogrammed and dated 1893, 43x35cm

Lot 873

French School early 19th century- Portrait of a young gentleman, bust length, wearing a blue coat and tied white stock, traditionally held to be Mr. JBA Godefroy; watercolour, in a gilt frame and gilt oval slip, bears inscription verso, 18x14cm: European school early 19th century- Portrait of a young woman, wearing a blue dress, seated in an interior and holding an eye glass; watercolour: British school, early 19th century- Study of a young woman seated in an interior by a window; pencil and watercolour wash, (3)

Lot 1709

A terracotta bronzed bust of a Spanish conquistador, 20th century, signed E. Salari, 64 cm high.

Lot 187

A mid 18th century gilt metal snuff box, the hinged cover inset an ivory panel relief carved a portrait bust of Medusa with Greek symbols, scroll thumbpiece, the ivory base loose, 3.25in (8.2cm) w.

Lot 324

A late 19th century carved and stained wood bracket, the cartouche shape back with a grotesque bust, 15.75in (40cm) h, 11in (29cm) w.

Lot 532

Executed by G F Ball - Bronze bust of the young Queen Victoria from a reduced version by Thomas Thornycroft. Made for the Art Union of London 1851, 42cm, on circular socle. (Provenance, with original receipt from Christopher Wood Gallery)

Lot 533

W C Theed - bronze bust of Prince Albert on circular socle by Elkington and Co, Founders, 37.5cm

Lot 534

William Baines nineteenth century bronzed electrotype bust of young Queen Victoria, on socle base, 53cm

Lot 535

Early nineteenth century cast iron bust of King George IV on circular socle base, 16cm

Lot 537

Oscar Nemon (1906-1985) clay three-quarter length bust of Sir Winston Churchill in characteristic pose with hands on hips and resolved expression, signed, 30cm

Lot 538

Oscar Nemon (1906-1985) plaster bust of Sir Winston Churchill, 13.5cm, and plaster bust of Queen Elizabeth the Queen Mother by G N Morewoods, 1937, 17cm(2)

Lot 539

English School 1980s life size plaster bust of the head of Sir Norman Parkinson, 38cm

Lot 540

Oscar Nemon (1906-1985) - plaster bust of Queen Elizabeth The Queen Mother wearing tiara and necklace - signed, 28cm

Lot 541

Oscar Nemon (1906-1985) - plaster bust of Queen Elizabeth The Queen Mother without tiara and necklace, 26cm

Lot 542

Fiore de Henriquez 1988 - life size clay bust of the head of William Tallon - signed. (Sold with photographs of him sitting for the artist) 38cm

Lot 691

Old reconstituted stone female garden bust on circular socle, 50cm, and a stone ball

Lot 40

19th Century French bronzed Bust of Zeus, on a circular fluted column.

Lot 324

Sir William Charles Ross (British 1794-1860) George Charles Holford(1803-1844) bust-length, sky background8.25 x 6.25cm..

Lot 329

French School circa 1830-1840Miniature enamel portrait of a young lady bust-length, wearing hair bands, pearls and a white silk dress 8 x 6.5cm.

Lot 422

A William IV gold sovereign, second bust reverse crowned shield, 1837.

Lot 433

A collection of commemorative medallions including: Victoria diamond jubilee 1897 obv. bust, crowned, veiled and draped, rev. young head of the queen, 1837 below, cased; Victoria visit to the City of London 1837, cased; Coronation of Caroline 1727 obv. bust 1, draped, rev. the queen stands facing between Religion and Britannia, cased; George V silver jubilee 1935, obv busts George V and Mary, conjoined, crowned and draped, rev. view of Windsor Castle, cased; two George V silver jubilee medals, and two George VI Coronation medals all cased, a bronze medallion commemorating Handel Centenary Festival 1859, cased, and a pewter medallion of Napoleon.

Lot 447

A George II half crown, old bust, LIMA below, D NONO, 1746, a George II shilling, old bust, reverse plain, 1758 (2) .

Lot 502

A late 17th century Continental brass warming pan, the pierced hinged lid decorated with birds and flowers, the central panel with a bust of a gentleman, having a turned fruitwood handle, 92cm. long.

Lot 507

A pair of late 19th century carved alabaster bust bookends, modelled as two young Dutch girls, each 17cm. high.

Lot 2909

Portrait of a bearded gentleman, shoulder length, unsigned, oil on board, and a bust length portrait of a young lady verso, PROVENANCE: Thetis Blacker. h: 8.50 x w: 5.50 in.

Lot 2910

Penny Colman, bust length portrait of a seated lady, probably Thetis Blacker, signed with initials, charcoal on paper, PROVENANCE: Thetis Blacker. h: 19.50 x w: 16.50 in.

Lot 384

Copeland Parian Bust by Miller, Crystal Palace Art Union of a young woman with pearls in her hair embossed decoration to clothing, impressed to back Pub d_Feby_1 1863 approx. 9 3/4"H

Lot 1018

Hull, possibly Thomas Hull, ?-1800, bust-length portrait miniature of a lady, wearing a dress with frilled collar, on oval ivory panel, on woven hair back, in a metal frame, glazed, signed, (cased), h: 2.50 x w: 2 in.

Lot 506

A rare ‘Challenger Medal ‘awarded to Dr. George Busk, a noted scientist and contemporary of Charles Darwin, who successfully nominated the latter for the Royal Society’s coveted Copley Medal Medal for the Expedition of H.M.S. Challenger 1872-76 and the subsequent scientific reports 1886-95, Neptune, left hand holding a triangle and the right arm encircling a trident and resting on a wreath, below which, the helmeted bust of Britannia left, surrounded by dolphins and mermaids, with inscription on ribbon below, ‘Voyage of H.M.S. Challenger, 1872-76’, reverse, armoured medieval knight left with gauntlet at his feet, a ribbon in part entwined around a trident bears the inscription, ‘Report on the Scientific Results of the Challenger Expedition 1886-95’ (George Busk), 75mm., bronze, good very fine £400-500 Medallic References: B.H.M. 3487 and Eimer 1797; a total of 120 such awards were issued, The Challenger Medal Roll (1895), by Glenn M. Stein, F.R.G.S., recording only eight known examples, some of which are still in family hands, while others reside in institutions - Busk's example was issued posthumously on 23 December 1895. George Busk was born in St. Petersburg in August 1807, the second son of Robert Busk, a merchant in that city. After receiving his initial education at Dr. Hartley's School, Bingley, Yorkshire, Busk studied medicine at St. Thomas's Hospital, London. Thereafter, he spent six years as an articled student with George Beaman, under the aegis of the Royal College of Surgeons of England. Appointed to the Seamen's Hospital Society (S.H.S.) in 1831, having served briefly as Apothecary on the Society's first hospital ship, the Grampus, Busk joined the 104-gun ship Dreadnought as an Assistant Surgeon in the following year, aboard which ship he ‘worked out the pathology of cholera, and made important observations on scurvy’: he was to remain a Surgeon with the S.H.S. for nearly 25 years, until retiring from surgical practice in 1855, though he held the post of Consulting Surgeon from 1866 until his death 20 years later. In December 1843, Busk became one of the original 300 Fellows of the Royal College of Surgeons. Besides his eventual Presidency of the same body in 1871, he subsequently occupied many influential positions in several learned scientific institutions, among them the Microscopial Society, Linnean Society, Zoological Society, and the Anthropological Institute, while in 1850 he was elected a Fellow of the Royal Society. The Darwin connection Early in life he had established himself as a leading authority on Polyzoa, and as with all things he studied, was a patient and cautious investigator. The author of several works on varied scientific subjects, and a solid artist, he also wrote and drew about Polyzoa specimens brought back by Charles Darwin on the Beagle, the 1875-76 Arctic Expedition, and of course, Challenger. Indeed Busk was deeply involved in the debate on the theory of evolution and some sources state that he read the joint Darwin-Wallace paper at a meeting of the Linnean Society on 1 July 1858 - the paper was an important prelude to Darwin's On the Origin of Species by Natural Selection (1859) - but more recent research suggests it was the Society’s Secretary who read out the paper. Be that as it may, Busk did translate into English Professor Schaaffhausen's detailed description of a cranium discovered in the Neander Valley in 1857, two years before publication of Darwin's Origin, a translation that duly appeared in The Natural History Review for April 1861. In his related publication, The Neander Valley, Robert Silverberg states: ‘[Busk] addressed a group of English scientists that same month, displaying a plaster cast of the Neanderthal skull and a skull of a chimpanzee. He said he had "no doubt of the enormous antiquity" of the Neanderthal bones, and called attention to the way the shape of the skull approached "that of some of the higher apes." Neither Darwin nor his chief popularizer, Huxley, attended Busk's lecture, but the geologist David Lyell did, and he saw to it that the Neanderthal skull cast got to Huxley. Huxley reported, in 1863, that the skull was that of a primitive variety of man, ‘different from Homo Sapiens but not wholly distinct anatomically’, though he admitted it was the most apelike human skull yet found - Huxley added cautiously that ‘in no sense can the Neanderthal bones be regarded as the remains of a human being intermediate between men and apes’. ‘In addition, in 1863, Busk came forward with a fossilized skull found in Gibraltar in 1848, and since preserved at the Natural History Museum, London. He realized it had Neanderthal characteristics, and on the basis of the two skulls, an assistant of Lyell's christened a new species of man in 1864, Homo neanderthalensis. As a result, along with Darwin's Origin, "Neanderthal man" rapidly became the centrepiece in the contemporary evolution controversy. In fact, Darwin and Busk had a close medical, as well as scientific, relationship. Darwin was plagued nearly all his adult life with stomach problems, and on his way to Malvern Wells in 1863, he stopped in London overnight to consult Busk, whom Hooker had recommended as having ‘the most fertile brain of any man I know in regard of all such matters as your stomach’ (letter from J. D. Hooker, dated 27 August 1863, refers). Moreover, following Darwin’s failure to gain the Royal Society’s coveted Copley Medal in 1862-63, as a result of the contentious nature of his Origin, it was Busk who nominated him again in 1864, this time for his researches in geology, zoology and botanical physiology, and the ploy worked, the membership present at a meeting held that November resolving by ballot that Darwin receive said Medal. Darwin did not attend the meeting at which the award was announced, fearing the excitement would make him seriously ill, and in his absence the Medal was received on his behalf by Busk, who handed it over to Darwin's brother - a few days later the great man wrote to Busk, thanking him for proposing him for the award (Darwin’s letter, dated 4 December 1864, refers). It was around this same time that a social club was formed by eminent scientists and called the ‘X Club ‘, in order to prevent the members from drifting apart due to their various duties, and to further the cause of science. Much of the discussion at X Club meetings revolved around the affairs of the Royal Society, and in the year of the Club's founding, all except one member were Fellows, Thomas Huxley and Busk among them. Both of them were also involved in the Philosophical Club, a "think tank" within the Royal Society. Busk was awarded the Royal Medal of the Royal Society in 1871 ‘for his researches in Zoology, Physiology and Comparative Anatomy’, followed by the Lyell Medal in 1878 and the Geological Society’s Wollaston Medal in 1885. As stated above, the award of his Challenger Medal was made posthumously in December 1895 - prior to the voyage of the Challenger in 1872, a Royal Society scientific party went aboard the "floating laboratory" anchored at Sheerness, and on deck had their photograph taken, among them Busk. His ‘last labours’ were devoted to the preparation of a report on the Polyzoa collected during the expedition, the first part of the work being completed in 1884, and he was in the process of finishing the second part at the time of his death in London in August 1886 - the proofs were later corrected by his elder daughter. During his lifetime, Busk donated mainly Bryozoan material to the Natural History Museum, London, and after his death, his daughters bequeathed the rest of his collection to the Museum - which amounted to several thousand specimens - as well as some books and drawings. The Museum also holds a proof copy of Busk's Challenger work, with his corrections and annotations, and his original drawings. Dr. G. C. Cook's words perhaps

Lot 527

Nelson’s Victories Tokens (4), obverse, uniformed bust of Nelson left, ‘England expects every man will do his duty’; reverse, commemorating Nelson’s victories at St. Vincent, 14 Feb. 1797; Aboukir, 1 August 1798; Copenhagen, 2 April 1801, and Trafalgar, 21 October 1805, 20mm., silver, grained edge, ref. Eimer 967b; B.H.M. 437, 454, 511 and 591, very fine (4) £60-80.

Lot 604

George IV Presentation Gold Ring 1820, set with carnelian intaglio laureate bust of the King wearing the badge of the Order of the Golden Fleece, 20mm x 17mm, the reverse of the stone inscribed ‘georgivs. iv. dg. brit. rex. mdcccxx’, the bezel further inscribed ‘Given by His Majesty to Sir H. Turner’, strong fluted stirrup shank, excellent condition £3000-5000 Believed to have been given to General Turner by the King upon his accession to the throne as George IV in 1820.

Lot 605

George IV Presentation Gold Ring 1821, a massive gold ring with scallopped decoration to the thick bezel and substantial shank, set with superb carnelian intaglio bust of the King wearing the chain and badge of the Order of the Garter and the badge of the Order of the Golden Fleece, 27mm x 21mm, the reverse of the stone inscribed ‘georgivs iv dei gratia britt rex mdcccxxi’, superb condition £5000-7000 Believed to have been given to General Turner in appreciation of his services when accompanying the King on his visits to Ireland and Scotland in 1821.

Lot 612

Austria, Empire, Slovenian Medal for Horsemanship, bust of Franz Joseph by Tautenhayn, 40mm., silver-gilt; Austria, Steiermark, 40 Years L.S. Medal, white metal; Bulgaria, Long Service Cross, Ferdinand I cypher, silver; Czechoslovakia, Dobrovolcu Congress Medal 1918-19, bronze; Hungary, St. John Merit Medal, bronze, very fine (5) £100-140.

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