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Lot 770
A 1920's green silk and gold metallic embroidered thread flapper dress with attached tie belt comprising blown glass droplet beads, satin glass beads, foiled beads and green silk tassels, bottom edge silk lined, approx. 36" bust measurement, approx. 41" from shoulder to hem (in need of some restoration)
Lot 286
ADVERTISING - A CRAVEN 'A' CIGARETTES SHOWCARD featuring a bust portrait of a glamorous woman holding a cigarette, 50cm x 34.5cm, unframed. Condition Report : Stained along lower edge. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 5
Follower of MATEO CEREZO (Burgos, 1637-Madrid, 1666), 18th century."Penitent Magdalene".Oil on canvas.Re-drawn.It presents old restorations.Measurements: 84 x 63 cm; 96 x 75 cm (frame).Devotional painting representing Mary Magdalene penitent. It follows models by Mateo Cerezo, who made several versions of this theme. Specifically, the present one is based on Cerezo's "Penitent Magdalene" in the Rijksmuseum in Amsterdam. The figure, taken half-length, retains the sensuality of the original, with the blouse slipping below her shoulders but modestly covering her bust, which in Cerezo's version was semi-naked. The satiny fabric is folded in naturalistic draperies. The saint, her eyes misty with emotion, gesticulates in repentance before the open book of Scripture. The female canon here is ultimately drawn from Venetian sources, and her silky hair can be compared to that of Titian's women. In contrast to the eroticism that reminds us of her sinful life, the skull and crucifix express the ascetic ideal to which the figure prostrates herself. Intense contrasts of light, typically Baroque, construct the scene and give volume to the young woman's body.Mateo Cerezo trained in Madrid, where he joined Carreño's workshop. He was in great demand by a varied clientele, particularly for his religious painting, although he also tackled other genres. In this respect, the treatise writer and biographer Palomino stated that he produced "still lifes with such superior excellence that no one else could surpass him", a judgement that is fully corroborated by the works in the Museo Nacional de San Carlos in Mexico, which are signed and dated. On the basis of these, Pérez Sánchez attributed to him the Kitchen Still Life purchased by the Museo del Prado in 1970, a work of evident Flemish influence that has sometimes led him to think of Pereda. The works of this artist from Valladolid have also been pointed out as Cerezo's descendants, particularly in his early creations. We know that in 1659 Cerezo was working in Valladolid, where he left somewhat rougher works than those he produced in the following decade. In his works he is a faithful follower of Carreño, with whom he became one of his best collaborators. The master showed him the path he himself later followed, following in the footsteps of Van Dyck and Titian. Thus, Cerezo developed compositions that open out into large, complex scenographies, conceived with a distinguished refinement that is evident both in the work as a whole and in the smallest details. Like the Antwerp master, he endowed his figures with a rich magnificence in their costumes, applying a fluid, light brushstroke, contrasted by a rich play of light. A superb example of all this is the Prado's The Mystical Betrothal of Saint Catherine, signed and dated 1660.
Lot 2
Circle of Frans Floris the Elder (Antwerp circa 1519-1570)Portrait of a lady as Cleopatra, bust-length oil on panel33 x 24.2cm (13 x 9 1/2in).Footnotes:ProvenanceSale, Sotheby's, New York, 4 July 2015, lot 15 (as 'Fontainebleau School, 16th Century')Sale, Christie's, New York, 14 October 2021, lot 89For further information on this lot please visit Bonhams.com
Lot 3
Follower of François Clouet (Tours 1522-1572 Paris)Portrait of King Henri III of France, bust-length, in a white lace ruff and pearls oil on panel31 x 23.6cm (12 3/16 x 9 5/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 4
After Antonis Mor, early 17th CenturyPortrait of Margaret of Parma, bust-length, in black costume oil on panel26.5 x 18.5cm (10 7/16 x 7 5/16in).Footnotes:The present composition is after Antonis Mor's original portrait, which is now in the Staatliche Museen, Berlin, with a few differences in the costume.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 7
Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London)Portrait of a gentleman, bust-length, in black, within a painted oval oil on panel51.4 x 42.6cm (20 1/4 x 16 3/4in).This lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Lot 9
Circle of Sofonisba Anguissola (Cremona circa 1532-1625 Palermo)Portrait of a lady, bust-length, in black jewelled costume with a white lace ruff oil on copper, oval4.9 x 3.9cm (1 15/16 x 1 9/16in).Footnotes:ProvenanceProperty of a Private Collector, Edinburgh (1938-2021)For further information on this lot please visit Bonhams.com
Lot 42
A weathered half length marble two faced allegorical bust of Prudence from the Cardinal Virtuespossibly 16th/17th Italian School carved to each side with a figure wearing a turban and dressed in flowing draperyheight 81 cm., width 72 cm., depth 45 cm.Condition: Weathered and in need of cleaning. Old chips / loss of detail to noses and chins and mouth. Stable crack to chest from right shoulder to base. The other side with a stable crack running through drapery to baseThis lot will be removed to our offsite storage facility if not collected at the sale venue – Farleigh Golf Club, Warlingham 3pm by Friday 16th Please contact us for more information.From a Private Collection
Lot 43
A late 19th century Italian alabaster bust of Garibaldi and a parian bust of a gentlemanfirst on socle base, second unmarked, (2)first height 24.5 cm., second 21.5 cm.Condition: Nibbles and small chips to side arms edges. Larger chip to rear edge of socle base, another to front bottom edge. Second Small chip to socle edge
Lot 666
City of London Corporation. Royal Entertainment at Guildhall 9th July 1851, For the Exhibition of the Works of Industry of All Nations (Great Exhibition) silver attendance medal by W. Wyondiademed bust of Victoria left., rev. Exhibition of the Works of Industry of All Nations ... Royal Entertainment at Guildhall 9th July 1851, unnameddiameter 36 mm,Condition: some light knocks and surface wear
Lot 670
1851 Great Exhibition commemorative medals and tokens to include Albert Prince Consort Founder of International Exhibitions of 1851 and 1862 Inauguration of the Memorial of the Exhibition copper medal 1863 by Charles Wiener, a copper medal by Ottley with bust of Queen Victoria and Albert, reverse with a figure of Britannia and symbols of industry, a silvered metal example of the same medal, a silvered medal by Allen & More in a fitted red case, two silvered medals by Ottley for the Building for the Great Exhibition, an other by Ottley for the Opening and a brass copy of the same medal, two silvered medals by Davis, two silvered medals by Allen & Moore, various other silvered medals, The Crystal Palace Medal Box containing four silvered tokens, silvered and brass tokens and an enamelled silver brooch dated 1851, (qty)First diameter 68 mm.Condition: Moslty fair condition. some silvered medals with rubbing and wear. several heavily rubbed. case with a lose side section
Lot 671
Crystal Palace commemorative and exhibition prize medalsto include a cased bronze medal by Pinches for the opening 1854, a silvered example of the same medal, a silvered medal by Wyon, bust of Paxton left for the opening 1854, a silvered medal by Dowler, for the 1862 Exhibition, two bronze medals by Pinches for the Visit of the the band of the Imperial Regiment of Guides 1854, a bronze medal by Desaide Roquelay for The Universal Society For The Encouragement of Arts and Industry, 1856 awarded to Messrs Elkington Mason & Co., a silvered medal for the Great International Exhibition 1856 by Pinches, a cased silvered medal by Pinches for the opening 1864 in brass case of issue, International Velocipede & Loco-Machine Exhibition 1869 gilt medal by W. J. Taylor, The People's Palace London - Apprentices 1887 Exhibition copper medal by J.A. Restall, The National Co-operative Festival Home Industries i-Crystal Palace copper medal, a London & Provincial Ornithological Society silver prize medal 1862 (unnamed), another silver prize medal (unnamed), the Naval & Military Exhibition, 1901 gilt medal, various silvered medals and tokens, attendance medals on ribbons, etc., (qty)first diameter 63 mm.Condition: Moslty fair condition. knocks and surface marks. Rubbing to some silvered medals, some more than others. Viewing recommended in person
Lot 672
Victoria Accession copper medal, 1837 by J. Ottley and a collection 1887 Golden Jubilee commemorative medalsfirst three quarter length bust, hair in chignon rev legend and wreath together with a silver medal by M. Rhodes, rev engraved Borough of Bradford Jubilee Festivities presented to Mr Angus Faulkner by Angus Holden Mayor, a silver medal by J. Carter with suspension loop engraved Mr J.T. Judges . Hon Sec. Jubilee Committee, Loughborough, a silver medal by J.C Borough of Lewes, engraved Thomas E. Pearing, Lewes School of Art, cased silver medal by Sunday School J. Moore, cased copper medal by Heaton, a turned boxwood gilt medal J. Moore, two silvered medal Canada medal s by P.W.Hills & Co Toronto, a cased silvered medal by Wyon, others for Borough of Evesham County of Warwick, Calcutta, Croydon, Exeter Ilford, Reading, Lancaster x2, Old Grand Lodge, Surbiton Grand Lodge North & East Yorkshire, and St Margaret and St John Westminster Westminster Children's Jubilee Celebrations, (drilled) etc., (qty)first diameter 50mm.Condition: Mostly good condtion Silvered medal some with rubbing. Surface marks and rubbing. Viewing recommended in person
Lot 676
Three Victoria 1897 Diamond Jubilee commemorative medalsfirst by J E Boehm, bronze, crowned bust left, rev. by Lord Leighton, engraved by Wyon, Queen enthroned surrounded by seven figures, Royal Mint issue in fitted gilt tooled case, second Corporation of London bronze medal by F. Bowcher, issued by Spink, third a copper medal by F. Bowcher issued by Spink., (3)first diameter 77mm., Condition: First case rubbed, medal overall fine, to impact knocks to side. Others in fair condition
Lot 677
Victoria 1897 Diamond Jubilee Commemorative silver and white metal medalsfirst by Bowcher issued by Spink, second veiled crowned bust right rev. figure of Victory with holding a laurel wreath and a shield with the Royal Arms, Windsor Castle behind, together other commemoratives: cased Southport medal by Ottley, a cased medal by John Pinches, St Luke Manningham medal by Bowcher issued by Spink, a City and Borough of Peterborough token, 2 x Argentina, Buenos Aires medals by J.D., veiled crowned head left rev/ flags of Argentina and Great Britain, etc., (10)first diameter 77 mm., Condition: Surface wear and knocks, overall fair
Lot 680
Royal Mint. George VI, 1937, official small gold commemorative coronation medal by Percy Metcalfecrowned bust facing left, rev, crowned bust of Queen Elizabeth facing left, in original gilt tooled red leather case of issue, one of 422 struckdiameter 33 mm., weight approx. 23.4gCondition: good condtion. Light surface scratch to front on background. Fingermarks
Lot 1076
A rare Charles I and Henriette Maria cast silver Royalist badge by Thomas Rawlins, probably made in Oxford circa 1642, with bare-headed bust of king right, reverse bust of queen left, approx. 38 x 30mm, with ring loop attachment and in shaped 18th century red leather hinged case. Provenance: private collection, North Yorkshire.
Lot 1374
WEDGWOOD; a black basalt bust of Venus, height 18cm, a boxed jasperware bowl, six blue jasperware plates and a black basalt bowl in the form of a Corinthian column, height 17cm (9).Additional InformationThe column bowl with mark to the surface where a paper label was and other general surface scuffs and marks. Structurally ok.
Lot 1449
Three late 19th century Continental Blanc de Chine figures including Andromache, with blue painted mark to the underside, height 30cm, a figure group of seated children, on oval plinth base, width 16cm, three further 19th century Continental Blanc de Chine figures including a bust of a bearded gentleman, height 19cm, a figure group of a girl beside a bucket of water with pseudo Meissen marks to the base, height 14cm (6).Additional InformationThe large group with a large firing/modelling crack to the underside, extensive crazing throughout, chipping to the glaze, the remaining figures to the glaze.
Lot 1482
COPELAND; a Parian bust of the second Duke of Sutherland raised on socle base, impressed marks, height 38cm.Additional InformationSomething is rattling inside the figure and there is an area of damage to the base where the screw thread comes in but this is to the socle itself. A couple of stained very fine hairlines around the base, otherwise general surface wear.
Lot 530
Coronation 1902, Natal issue, 51mm, silver, the obverse featuring the crowned bust of King Edward VII facing right, the reverse featuring the Royal Arms of Great Britain with supporters above, and wildebeests of Natal below, the base inscribed ‘Colony of Natal June 26th 1902’, pierced with claw suspension removed, edge bruising and contact marks, therefore fair to fine, rare £80-£100 --- The Coronation Medal awarded by the Colony of Natal was produced by Joseph & Sons, Port Elizabeth, and was issued in two sizes. The larger medal, 51mm, was awarded to around 200 Native Zulu Chiefs, and the smaller medal, 29mm, was more liberally awarded to local dignitaries.
Lot 1098
James Munn (d.1818) Portrait of a young lady, bust-length, wearing a blue dress with white collar Inscribed and dated James Munn Artist/1788 (to backing board) Pastel 45 x 37cm; 17¾ x 14½in Literature: Neil Jeffares, 'James Munn', Dictionary of pastellists before 1800, online edition, accessed 03/08/2022, no. J.5495.151
Lot 2586
Roman Imperial Ap Antoninianus of Probus (277) Lugdunum obv imp PROBUS PF AVG radiate and cuirassed bust right, reverse TEMPORUM FELICITAS, standing right holding caduceus and Cornucopia I in exergue together with a further example of Marcus Claudius Tacitus 275-276 some silvering residue, short lived Emperor radiate cuirass head right IMP CM CLTACITUS AUG reverse gladiator in fighting stance left, with some UK coinage including silver threepenny pieces Victoria onwards, tercentenary, £2 football tokens etc
Lot 2965
Silver Roman Diabol, possibly of Tarentum, Calabria, 4thC BC, 12 x 13mm approximately, 1.2g. Obverse bust Rt, reverse Hercules standing Rt strangling the Nemean Lion, Henry I hammered silver penny, quadrilateral in cross fleury type, 1100-1135, Henry II hammered silver cross and crosslets Tealby type penny.
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110054 item(s)/page