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Lot 78
THOMAS KIRK RHAA white marble bust c.1826 of Thomas Spring Rice, on a podium above an integrated socle, inscribed on the truncation T.S. Rice Esq and again T. Kirk RHA fecit 1826Exhibited: Royal Hibernian Academy 1827 No.304 'bust in marble of Thomas Spring Rice Esq MP, executed for Sir Aubrey DeVere Hunt.Provenance: Curraghchase, Co. Limerick;and by descent to the DeVere Trust beneficiaries
Lot 704
Five Soviet Russian bronze medallions, one a 25th anniversary dated 1944-1969 featuring in relief a triumphant Soviet soldier in WW2 uniform; another dated 1967 featuring Soviet soldiers of the 1920s era in horse-drawn chariot; two featuring the Mother motherland monument in Kiev, part of the Museum of the Great Patriotic War celebrating Soviet victory in WW2; and a fifth medallion with portrait bust of Lenin (5) Condition reportOverall good condition
Lot 165
Two Pucci printed silk shift dresses, 1960s, labelled, one of silk jersey in shades of purple and blue, bust 91cm, 36in; the other multi-coloured with checkerboard print to hem, bust 86cm, 34in (2) CONDITION REPORT: Good condition. Purple and blue print has extremely faint perspiration stains to underarm edges but not obvious. Multi-coloured print is good condition, stitching to hem is frayed (minor).
Lot 166
A Pucci purple printed silk jersey shift dress, late 1960s, labelled, with original rope belt with plastic beaded tassels, bust 91cm, 36in; together with two couture chiffon dresses, un-labelled, busts approx 86cm, 34in (4) CONDITION REPORT: Good condition. Pucci has a couple of small pulls in jersey (minor). Slight perspiration stains to underarms interior, not visible to exterior, and rear neck. Two chiffons both have very faint perspiration stains at underarms. Blue chiffon has small, faint watermark to upper bodice.
Lot 171
An Yves Saint Laurent Rive Gauche feather bolero and cloqué silk cocktail dress, late 80s-early 90s, labelled, the bolero with dramatic ostrich feather sleeves, bust approx 91cm, 36in; the strapless dress with satin bow to skirt, size 38 (2) CONDITION REPORT: Both are good condition. Slight soiling along inside edge of dress bodice. Two very small holes near hem in chiffon skirt.
Lot 187
A John Galliano dove-grey gabardine shorts-suit, 'Hairclips' collection, Autumn-Winter, 1988-89, with 'John Galliano 1' label, bust 92cm, 36in; together with a green nylon asymmetric top, unlabelled, but from the Courtelle Design Awards collection which was sold alongside 'Hairclips'; and a black draped viscose skirt SS87 (3) CONDITION REPORT: Moth damage to shorts suit, large 0.5x2cm hole above right leg hem, scattering of smaller holes, lacking a button from left cuff, cuff edge frayed and with small holes. Asymmetric top good condition. Skirt - button needs sewing on at waist and is lacking a button otherwise good - nice side drape, slightly faded from cleaning.
Lot 191
An Ossie Clark/Celia Birtwell printed chiffon and silk crêpe ensemble, mid 1970s, un-labelled with 'Celia Birtwell' signature to print, the blouson blouse with shirring and pleats; skirt with elasticated waist, bust approx 92cm, 36in, waist approx 71cm, 28in (2) CONDITION REPORT: Blouse: shirring needs re-doing in place, 1cm hole within ruffle of one cuff, one split to chiffon at right underarm, 3cm. Otherwise good condition. Skirt: elastic waistband needs re-doing, hem has been raised approx. 1in, otherwise good.
Lot 192
An Ossie Clark printed rayon dress, mid 1970s, un-labelled, with two curved pockets to front skirt, the green and black print with interlocking tulip and striped patterns, plastic marbled buttons, bust 86cm, 34in, waist 76cm, 30in For a labelled example of this print in a different colour-way, see Kerry Taylor Auctions, 8th December 2012, lot 157. CONDITION REPORT: Good condition. Fabric slightly rubbed at underarms, lacking belt. Lacking hook fastening at left cuff (minor). Very small tear at seam corner of neckline, easily repaired.
Lot 193
An Ossie Clark black velvet maxi-dress, 1969-70, labelled and size 12, with rhinestone buttons and top-stitched waistband, bust 97cm, 38in, waist 71cm, 28in CONDITION REPORT: Label is discoloured from wear, left underarm seam has been re-sewn where it pulled away, stain to rear hem and rubbing to velvet edge.
Lot 196
An Ossie Clark ivory moss crepe 'Come Fly With Me' gown, early 1970s, labelled and size 12, wrap-around style with open back, pleats and key-hole to front, bust approx 86cm, 34in CONDITION REPORT: Faint perspiration stains at underarms which are hard to see. Light brown stain to rear seat area if underside of skirt, not visible when worn. Otherwise good.
Lot 199
An Ossie Clark/Celia Birtwell 'Step by Step' print wool ensemble, mid 1970s, labelled and size 12, the shirt with capelet detail to shoulders and pointed collar; and a high waisted maxi-skirt, bust 92cm, 36in, waist 66cm, 26in (2) CONDITION REPORT: Good condition. Two pin-head sized moth holes to back of shirt. Extremely faint perspiration stains at underarms which are not visible to exterior and hard to see. One button to shirt is loose but attached. Brown stain at hem, covered when buttoned and one at right cuff (not immediately noticeable). Print to skirt is very faintly faded (minor).
Lot 200
A whiteworked muslin dress, circa 1918, densely embroidered with floral motifs and edged in crochet lace, bust approx 92cm, 36in, waist 71cm, 28in CONDITION REPORT: Skirt has been shortened by being raised at waistband. Has been washed and thinned muslin across shoulders has been re-backed, otherwise good.
Lot 215
A Pucci printed jersey hooded catsuit, 1970s, labelled, integral gloves and feet, zip-fronted, bust 96cm, 34in; together with a Pucci satin purse and an Yves Saint Laurent rive gauche pink satin bustier (3) CONDITION REPORT: Catsuit is slightly faded in places (mainly the grey areas) and has soiling, slight staining to feet and palm of one hand. YSL bustier in good condition.
Lot 216
A Thea Porter printed muslin 'gipsy' dress, circa 1969, labelled Thea Porter, London, with bold black and white quatrefoil print to the bodice, khaki grosgrain rayon midriff and wire mesh print skirt, edged in velvet ribbon, bust 81cm, 32in, waist 61cm, 24in This piece was included in the major Thea Porter retrospective, 'Bohemian Chic', at the London Fashion & Textile Museum, February-May 2015. CONDITION REPORT: Good condition. Faint watermark to front waist panel. Very faint perspiration stains at underarms.
Lot 222
An Ossie Clark/Celia Birtwell for Radley 'Floating Daisies' red moss crepe dress, mid 1970s, labelled, with broad rear buttoned belt, bust 97cm, 38in CONDITION REPORT: Dress is altered. Ties from front bodice have been removed, hem has been cut and shortened, broad buttoned belt at the back is also an alteration. Dress is clean and fresh in appearance and red is bright and even. Good, clean wearable.
Lot 223
A Thea Porter embroidered white muslin dress, mid 1970s, labelled Thea Porter, London, empire-lined trimmed with velvet ribbons, with pearl beaded butterfly motifs down the front, bust 81cm, 32in; together with en evening coat of Persian gold brocade (2) CONDITION REPORT: Dress- small brown mark to tip of one butterfly wing, faint rouge mark to front of skirt. Hem has been lengthened. Overall good condition. Coat in good condition.
Lot 225
A black beaded chiffon flapper dress, circa 1926, with overall seed-bead lobed motifs, 102cm, 40in; together with a poor condition Adair beaded pink chiffon dress, Paris label, bust 81cm, 32in (2) CONDITION REPORT: Black dress is good condition, pink dress has stains, has been altered and has a tear in a sleeve.
Lot 228
A rare Rae Spencer Cullen/Miss Mouse striped chenille maxi suit, early circa 1973, labelled and size 12, the art-deco inspired fabric cut to form chevron stripes, the fitted jacket with dolman sleeves, bias cut skirt with flounced hem, bust approx 81-86cm, 33-34in, waist 61cm, 24in (2) CONDITION REPORT: Good condition, slight fraying to top button loop (minor)
Lot 233
Wendy Dagworthy ensembles from her graduation collection, Hornsey College of Art, 1971, many bearing 'Wendy A Dagworthy' school name-tapes, comprising: mustard knit trousers with sailboat hems, matching knitted hot pants and bra top; a plaid skirt, nursery print dresses, gingham blouse and others, average bust size 86cm, 34in (qty) CONDITION REPORT: · Overall good condition · Crop top - one pin head moth hole to front (minor) · Knit trousers - 2 small pin head sized moth holes (minor) · Plaid skirt - 3 moth holes, the largest 2x1cm, one side seam needs re-stitching approx. 2in · Hot pants - scattering of small moth holes near hem · Nursery skirt - couple of pinhead sized holes and approx. 2 small ink stains · Matching blouse - ink transfer line along edge near buttons
Lot 234
A blue chiffon beaded dress, mid 1920s, un-labelled, with bow to drop-waist and beaded with seed-beads in colourful repeats, bust 91cm, 36in CONDITION REPORT: Beading is good, missing a few edging beads at rear neckline, otherwise intact. Chiffon has a scattering of small damp marks to back bodice and a few small spot stains to front bodice and skirt, one small hole in rear bodice 1x1cm
Lot 235
A rare Ossie Clark canary-yellow moss crepe mini-dress, 1969, labelled and size 14, with pleats to sleeves, skirt and to centre back, pointed collar and attached tie-belt, bust 92cm, 36in, waist 81cm, 32in The dress was originally purchased by the owner in 1969 in a sale for £1.10, marked down from £2.10. CONDITION REPORT: Colour is vibrant. Faint light brown stain to front bodice, 4x0.5cm. A couple of faint marks to rear right cuff. A couple of pulled threads to crepe. Otherwise good.
Lot 237
A John Galliano black gabardine coat/dress, 'Pin-up/Misia Sert' collection, Spring-Summer 1995, burgundy satin Paris label, with Y-shaped pleats which form a peplum at the hips, creating a tapered skirt, double breasted with cord covered buttons and padded shoulders with lingerie-inspired top-stitching, bust approx 97cm, 38in, waist approx 76cm, 30in Galliano's inspiration for this collection included the Paris socialite, hostess and close friend of Coco Chanel - Misia Sert. Models, including Kate Moss and Naomi Campbell, sauntered down the catwalk past lingerie-strewn clothes rails to pose in front of a vintage 1950s classic car. This dress can be seen being modelled in video footage of the show. CONDITION REPORT: Good condition. Missing one button at hem but another spare button sewn to the inside. The owner has folded and tacked over a pleat of fabric on the inside closure edge which is concealed when the dress is buttoned up. Hem may have been altered as there is a strange seam arrangement in the lining on one side. The gaps between the buttons are 19cm apart from the bottom one which is 9.5cm to the hem. Exterior is fresh and good.
Lot 241
A Zandra Rhodes purple chiffon 'Ayers Rock' print dress, 1974, labelled and UK size 8, the asymmetric neckline with flounces and iridescent flower shaped sequins, bust approx 87cm, 34in CONDITION REPORT: Numerous small splits to chiffon front hem area and brown watermarks. Discolouration from perspiration along edge of satin band at bodice. Poor condition.
Lot 242
A Pucci brown printed silk dress and shawl, 1965, labelled, the jersey dress with low-scooped back and faux button fastenings to side of skirt; shawl with fringing and signature to print, bust 96cm, 38in (2) CONDITION REPORT: Dress has faint perspiration stains at underams. Shawl has a couple of faint light brown stains, concealed within the print.
Lot 243
A rare Reard candy striped cotton bikini, circa 1962, labelled, the bottoms with frill to front and elasticated waist, underwired bra-top, bust 86cm, 34in, waist approx 61cm, 24in (2) Bridget Bardot famously wore a near identical white bikini in the 1962 film 'A Very Private Affair', making it one of the most iconic swimsuits of all time and popularizing the style. Louis Réard (1897-1984) is often credited with designing the first bikini in June 1946. It was introduced to the press by nude dancer Micheline Bernardini, as professional models had refused to wear such a skimpy design, and became a huge success. CONDITION REPORT: Good condition. Pink straps slightly faded over the shoulder area (minor). Metal hooks (which fix the shoulder straps) on back strap have been re-sewn (minor).
Lot 245
An Ossie Clark for Radley green leaf-print cotton dress, circa 1975, labelled and size 12, the empire-line bodice with plunging neckline, bust 92cm, 36in CONDITION REPORT: Two areas of faint discolouration to lower right side of skirt near hem, largest approx 11x5cm (not immediately noticeable), otherwise good.
Lot 252
A group of cocktail wear, 1950s, including a Jacques Griffe haute couture chiné silk cocktail dress, labelled, the blue/grey silk with floral repeats; Hardy Amies black velvet dress with bows to shoulders, un-labelled with signature print lining; and others, various sizes (qty) CONDITION REPORT: · Griffe - silk is wrinkled at underarms with perspiration stains, not obvious due to print. Belt is creased. Silk at rear bodice across shoulder is speckled from perspiration and not immediately obvious. Hem has been raised. Scattering of pin marks from brooch to left side of collar. Bust 42in, 107cm. Waist 30in, 76cm. Slip has 2 watermarks to lower skirt and small white soil marks, needs re-stitching along zip (minor). Petticoat - perspiration stains at underarms, light brown stains to skirt. One strap needs re-stitching at one end. · Hardy Amies dress - good condition, bust 38in, waist 26in · Black and gold dress - good condition, bust 36in, waist 26in · Black jacket - rear centre back seam needs re-stitching and along rear hem. Front darts have been let out at waist, beading is good. Bust 36in.
Lot 253
A Jean Patou haute couture brown wool dress, 1960s, labelled and numbered 35332, silk bow to front, bust 102cm, 40in, waist 76cm, 30in; together with a Nina Ricci black wool jacket, 1950s, labelled, with black braid detailing and fan-like pockets, bust 97cm, 38in (2) CONDITION REPORT: Good condition.
Lot 258
A cut velvet evening coat, 1930s, the lamé ground overlayed with black graph check and ivory repeats of flowers and birds, chest approx 112cm, 44in; together with a printed voile garden party gown, bust 86cm, 34in (2) CONDITION REPORT: Coat: good condition. Dress sleeves may have been removed, has quantity removed rosettes and a sleeve (we have them).
Lot 259
An Abercrombie and Fitch Co. lady's tweed hunting/riding suit, 1930s, labelled, the long skirted jacket with red leatherette panels to tails, matching jodhpurs with brown chamois inserts, bust 97cm, 38in, waist 71cm, 28in (2) CONDITION REPORT: Good condition, fresh in appearance. A couple of very faint stains to inside of crotch. 3 small moth holes to rear of jacket, one at left sleeve (minor). Lining needs re-stitching at right underarm. Interior left corner of jacket hem has moth holes, slight soiling.
Lot 261
Eight bridal gowns, 1930s-50s, including a prom-style example of tulle and ivory lace with sweetheart neckline, labelled 'Corrine Original'; another with lace bands to full skirt; and others, busts approx 81-102cm, 32-40in (8) CONDITION REPORT: · Gowns are generally good on first appearance. All have holes to lace, varying condition. · Lace sleeves and peplum with tulle skirt - several holes mainly at shoulders, largest at left underarm, otherwise good. Bust 34in, waist 26in · Lace bands to full skirt - yellow discolouration at edges of some bands to front, perspiration at underarms. New zipper. Centre front seam needs re-stitching approx. 8cm (minor). Bust 34in, waist 26in · Tulle with long train - several small holes throughout, bust 34in, waist 26in · Bias-cut long sleeved satin - scuffs/mottling to fabric, not immediately obvious, approx. bust 34in, waist 30in · Lace sleeves/collar - buttons are discoloured, missing 2 which are detached, numerous holes to lace bodice, bodice has been re-backed in tulle to repair, perspiration stains to underarms. Poor condition. Bust 34in, waist 24in · Sleeveless lace with full skirt - several holes to lace at back bodice, faint perspiration stains at underarms, wear to lace covered buttons. Bust 34in, waist 28in · Sweetheart neckline - holes to lace, largest at left front bodice, otherwise good. Bust 36in, waist 26in · Floral damask - slight soiling at hem. Faint yellow stain to rear skirt. Bust 34in, waist 26in
Lot 262
A Christian Dior London ice-blue damask rayon ballgown, late 1950s, labelled and numbered 04718, with deep-V neckline, integral petticoat and corset, with original detached Dior tag, bust 97cm, 38in, waist 58cm, 23in (2) CONDITION REPORT: A few small spot stains to skirt front, faint brown mark below rear zip on skirt, faint brown marks to right side hem area, but largely concealed within the pattern. Hem has been slightly raised. Generally very fresh appearance. Overall good condition.
Lot 263
A Mary Quant grey wool dress, early 1960s, labelled, with school girl-style 'tie' to front, dropped waist, matching black and white belt, bust 92cm, 36in, waist 81cm, 32in (2) CONDITION REPORT: Good condition, faint perspiration stains to underarms, barely detectable. Small stain to hem of one tie panel. Great example!
Lot 265
A Jean Muir navy chiffon and leather dress, 1970s, labelled, with punched leather bands, bust 92cm, 36in; together with an Alistair D. Blair for Aguecheek evening dress; Janice Wainwright jumpsuit and Lainey macramé lurex dress, various sizes (4) CONDITION REPORT: All good condition. Jean Muir has a couple of faint dark brown stains to interior lining (minor)
Lot 266
An Elogra navy wool suit and assorted jackets, 1940s-60s, the suit finely tailored and edged with pleated grosgrain ribbon, labelled, bust 96cm, 38in; together with an Hebe Sports striped jacket; Astrakhan grey coat and others, various sizes (8) CONDITION REPORT: Skirt of Elogra suit lacking buttons. Otherwise good condition.
Lot 273
A Mates at Irvine Sellars navy jersey romper suit, late 1960s, labelled, with contrasting red and white edges, two front breast pockets and button front, bust 92cm, 36in, waist 71cm, 28in 'Mates' of Carnaby St. was founded in the late 1960s by Irvine Sellars, who began his career selling gloves in his father's shop on Petticoat Lane. By the time he sold the business in 1981, there were 90 stores across the UK high-streets. Sellars subsequently moved away from retail and into the property business, most notably and recently developing The Shard, London. CONDITION REPORT: Good condition.
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110041 item(s)/page