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Lot 2100
Dutch silver miniature colander with engraved star, mid 18th century, mm 'master of the bust', Amsterdam, dl 1745, and duty mark 181401893, gross w. 18 gr., width 7.5 cm.Zilveren miniatuur vergiet met stervormige gravure, midden 18e eeuw, mt meester met het Borstbeeld, Amsterdam, jl 1745, belastingkeur 1814-1893, br.gew. 18 gr., breedte 7,5 cm.
Lot 729
A mauve crepe 1930s tea dress having extensive cut work details and, side hook and eye fastening and unusual neckline. Strong and very wearable condition, a few pin pricks and a little watermarking to under arms of to lining. Exterior good, some nominal, even discolouration/fade between hem and shoulders and one or two areas of staining and foxing to skirt. Measurements approx; Bust 33" waist 27" length 50" hip 39", a little give maybe either way to being cut on the bias.
Lot 2155
An Austrian sterling silver and guilloche enamel ladies dressing table mirror of shield shape, the reverse centre set with a bust portrait of a maiden within pink and opaque guilloche enamel surround, stamped Made in Austria, sterling, 27.5cmCondition report: No losses to enamel.Silver good.Glass good.
Lot 2270
Frederick Buck (1771-1839), bust portrait of Henriette St. (Saint Leger) daughter of St Leger Aldworth (first Viscount Doneraile) miniature on ivory, framed as a circle, inscribed verso, dia. 5cmCondition report: No cracks.Colours good.Some staining to edge from 6 - 8 o'clock.Frame with surface wear.
Lot 2277
Early 20th century school bust portrait of a maiden miniature on ivory, framed as an oval, 6.2x5.2cm, together with one other of a maiden with attendant dove, framed as a circle, dia. 6.2cm (2)Condition report: Oval picture - no apparent faults.Round picture - losses to edge at 9 o'clock, minor paint loss/wear.
Lot 1055
Attributed to Charles Jervas (1675-1739) IrishPortrait of a young lady, half-length, wearing a brown satin dress with white chemise and royal blue silk wrap, in a feigned ovalOil on canvas, 72cm by 59.5cmCondition report: In fully restored condition, relined cleaned and revarnished. Slightly stiff wax reline however surface retains a reasonable amount of texture and feel although some of the original impasto has clearly been slightly flattened from the restoration process. Delicate and sporadic retouching to upper left-hand corner with slightly larger retouches in evidence within the upper right-hand corner. Tiny retouches to old flaked paint within the face which is of a minimal amount and a slightly more concentrated patch of retouching within the upper right-hand side of her hair. The dark pigments at her left-hand shoulder running down to the bust is likely overpainted. Some of the general orche tone within her dress across right-hand sleeve and bodice have likely undergone strengthening as has the overall outline of her frame and the darker coloured drapery at her left-hand side elbow. Some of the finer wisps of her hair possibly strengthened in addition to elements of her eyebrows. The shadows and definition within the right-hand side white sleeve would look to have received some general strengthening. Areas of varying sized cracquelure and otherwise in a highly presentable state of preservation.
Lot 148
A Stumpwork Panel Depicting Charles II and Catherine of Braganza, circa 1660, in the manner of John Nelham, worked in coloured and metal threads with bust portraits wearing plumed helmets, a castle beyond within a foliate cartouche on a foliate ground with figures and birds, 35cm by 48cm, in an ebonised wood and tortoiseshell frameFootnote: John Nelham was a London embroidery designer and professional stitcher, who was listed as a member of the Court of Assistance in the Court books of the Worshipful Company of Broderers from 1679 and was associated with William Rutlish, embroidered to King Charles II. An embroidery at Blair Castle, signed by Nelham, has a distinctive raised oval cartouche bordered by baroque stylised flowers and leaves. This feature has led to the attribution of panels bearing such cartouches to Nelham.Condition report: 7cm long split to top border. Some staining, particularly to top quarter. Typical loss to colouring and some rippling to background.
Lot 19
An English Porcelain Plaque in the Manner of Thomas Bott, circa 1860, painted in Limoges enamels with a bust portrait of a girl after Jean Baptiste Greuze, 24cm by 19cm, in a giltwood and gesso frameFootnote: Having worked in Birmingham in a glass factory and as a portrait painter, Thomas Bott joined the Worcester factory in 1852, where he developed the technique of imitating Limoges enamels on porcelain. His work was exhibited at the 1855 Paris Exposition and the 1862 London International Exhibition.Condition report: Some minor surface scratching.
Lot 63
A KPM Berlin Porcelain Plaque, mid 19th century, of oval form, painted with a bust portrait of a girl in Turkish costume in landscape with a ruined temple beyond, impressed sceptre, KPM and F5 marks, 26.5cm by 21.5cm, in a giltwood and gesso frameCondition report: Plaque in good condition. Frame with some splits, losses and wear.
Lot 1229
Lock up your Daughters - It's the Restoration about what cannot be restored (and even Tom Jones' never had it so good), 1969 UK quad film poster, directed by Peter Coe, starring Christopher Plummer, Susannah Yorke, Gylnis Johns, Ian Bannen, Tom Bell, Elaine Taylor, and Jim Dale, printed in England by Lonsdale & Bartholemew (Nottingham) Ltd, 76 x 101cm (folded); together with various other film posters, to include Love in our Time (1968), Can you keep it up for a week? (1975), The Swedish Fanny Hill (1968), Sex or Bust / The Lovemakers double-bill (1970 & 1971), Sex is not for Virgins / The World is full of Girls with Hot Pants double-bill (1970), Look in on Sex / Innocent Girls Abroad double-bill (c.1970), Pretty Poison (1968), Sex with the Stars, (1980), The Sex Symbol (1974), Helga, The Intimate Life of a Young Woman (1967), Erotic Young Lovers / Taking An Easy ride double-bill (1976), Sex or Bust / The Lovemakers double-bill (1971), and The Other Cinderella (1977), all 76 x 101cm (all folded) (14)
Lot 80
BACCARAT, ca.1940.Bust "Jesus Christ".Moulded glass.Signed "Baccarat Depose" on the reverse.Provenance: Private collection, Spain between 1970-1990.Measurements: 31 x 14,5 x 14,5 cm.Bust of Jesus Christ in opalescent moulded glass, with translucent geometric base. With circular base in gilded metal with four ball feet.The town of Baccarat is recognised as one of the most important in the design of refined glass since King Louis XV granted Cardinal Louis-Joseph de Laval-Montmorency permission to found a glass workshop in the town, in the province of Lorraine.
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