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A yellow coloured metal and hardstone cameo brooch, carved a bust of a gentleman within a diamond surround Condition report Report by NG Total weight approx. 6.5 g (all in) Brooch approx. 46 mm wide Centre diamond frame approx. 16 x 14 mm Cameo approx. 13 x 10 mm. Cracks visible in white stone and in coloured stone. Back of centre closed. Mount slightly bent and with some dents to right hand end.
An Edwardian slate clock garniture, the clock with bronze bust of a lady wearing a tiara. The clock case with caryatid supports, the dial with Roman Numerals and spade hands on a red marble and slate plinth base, flanked by two twin handled urns and covers with fruiting vine cast decoration, each raised on caryatid supports.
Felix Dzerzhinsky NKVD KGB Cheka Chief Brass Bust Sculpture, Russia, Circa 1920. Nickname - Iron Felix (Feliks). Felix Edmundovich Dzerzhinsky (1877-1926) - was a Soviet statesman and a prominent member of Polish and Russian revolutionary movements. Dzerzhinsky is best known for establishing and developing the Soviet secret police forces, serving as their director from 1917 to 1926. Height: 18cm / 7in.
A tapering conical vessel in the early Mediterranean manner with friezes depicting bull jumping and competitions of strength, etc, a small plaster bust of an archaic Greek soldier, a carved alabaster lidded urn, a spelter figure of an 18th century solider, an antique wall hanging thermometer, a cased set of six silver skewers with embossed hen head finials (displayed behind cabinet), etc
A collection of three 19th century portrait miniatures, all of oval form, comprising a bust length portrait of a gentleman in Regency style costume with blue coat, signed bottom left A H Foster and dated 1819, with label verso stating the sitter to be James Wilson and with further details, 9 cm approx, a portrait of a lady wearing a white cap, a silhouette portrait of a gentleman and watercolour portrait of a gentleman in military style costume, (all framed)
A collection of antique brasswares to include a large pierced trivet of squared form, a miniature wine table raised on a graduated bobbin stem and circular foot, two further smaller trivets, a service bell with embossed detail, an Eastern, probably Indian vessel with extensive scrolling embossed detail depicting figures and animals and applied deer bust detail set beneath a horseshoe shaped handle with further studded decoration
19th Century English School/Portrait miniature of a Lady/bust length, her hair in ringlets with a pink cap, wearing a black dress and a purple shawl, 8.5cm x 7.5cm/Keturah Collings/Portrait miniature of a Lady/signed and inscribed London/in a leather easel case by K Collins (2)/Provenance: Leslie Phillips Collection Condition Report: Lady in pink cap is fine the frame a bit bashed, the ivory to the lady in the leather easle frame is cracked she is taken from a photograph
An 18th Century shagreen tea caddy box with carry handle and pierced escutcheon and a plaster portrait bust/Provenance: Plas Gwyn, Anglesey Condition Report: Generally in good condition slightly rubbed particularly at lid edge, base leather in poor condition, interior lining rubbed in places.
A quill pen reputed to have been used by Robert Southey, enclosed in a scroll of paper inscribed 'The pen which was mended by Robert Southey the Poet Laureate and used by him August 8th 1838 Wednesday 1/2 past 11 o'clock whilst staying at Lineshall? A memorable pen mended and used by so great a man', another quill pen, a print depicting a marble bust of Southey and another print
Twelve international motorsport, TV station and miscellaneous caps, comprising the European Rallycross Championship marked 'Murray Walker' inside, Channel 7 Australia, 2008 Silverstone Classic, Clipsal 500 Adelaide cap and sunvisor, RAF Falcons, Team Army 2001, Kangaroo Island, Sunseeker, St. Kilda, Kyalami GP Masters, and Monte Carlo or Bust, with a signed Murray Walker letter (12)
A LATE 19TH CENTURY ROBINSON & LEADBEATER PARIANWARE BUST OF QUEEN MARY, signed and dated, 21cm in height; an R & L Parianware bust of King Edward VII, signed and dated 1897, 20cm in height; and an R & L Parianware figure of Victoria to Commemorate the 60th year of her reign, 1837-1897, 23cm in height (3)
THREE LATE 19TH/EARLY 20TH CENTURY ROBINSON & LEADBEATER PARIANWARE BUSTS to include Benjamin Disraeli, Earl of Beaconsfield, Arthur Balfour and the Reverend John Wesley - Fellow of Lincoln College, Oxford who sat for this bust to Mr Enoch Wood, Sculptor, Burslem 1781 and died in 1791 aged 88 years, all approximately 20cm in height (3)
A CONTINENTAL BISQUE PORCELAIN BUST OF AN ATHLETE AFTER THE ANTIQUE, mounted on an ebonised plinth base, impressed to the reverse 'Old Orient, 84 Rue Hermes, Athens', 33cm high; together with a bisque porcelain bust of the Duke of Wellington on a turned socle, inscribed to the reverse 'Edwards and Reinagle, Stoke on Trent', 27cm high; and a small bisque porcelain bust of George IV on a turned wooden base, the bust 15cm high (3)
MIKHAIL CHEMIAKIN (RUSSIAN B. 1943)Female Bust, 1979gouache and India ink on paper61 x 43 cm (24 x 17 in.)signed, dated and inscribed with location lower rightILLUSTRATEDMikhail Chemiakin, Mihail Chemiakin: Transformation, Petersburg Period, Paris Period, Vol.1,, New York: Mosaic Press, 1986, p. 484PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.
MARK MATVEEVICH ANTOKOLSKY (RUSSIAN 1843-1902)Bust of Mephistopheles, bronze with medium brown and green patinaheight: 24.5 cm (9 5/8 in.)inscribed Antokolsky on back of base LOT NOTES:Following the glowing acclaim of Mark Antokolsky’s marble sculpture Mephistopheles, which entered the collection of the Hermitage Museum in 1886, a mere three years after its completion, the artist produced bronze versions of the figure’s bust to capitalize on the project’s success. At the onset, Antokolsky turned to Johann Wolfgang von Goethe's Faust for inspiration for the figure, which he referred to as the equally powerful counterpoint to his earlier sculpture of Christ. Lacking clothing or any identifiable characteristics tying him to a particular period or place, the artist nevertheless epitomized the demon of the modern age. In an 1883 letter to E. G. Mamontova, Antokolsky wrote: “Mephistopheles is a product of all the ages, and ours in particular. We can say that I dreamed up this being, that this is purely my fantasy, or you could ask where I saw such a being? Yes, no one sees him like this, but we sense his breathing, feel his monstrous paw pressing on our chest, sense our inability to cry out, in a word, we see the nightmare."PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.
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110054 item(s)/page