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Lot 137

UNITED KINGDOM. George III, 1760-1820. Copper penny, 1806. Soho Mint. Laureate and draped bust of King George III facing right, K on truncation, date below; GEORGIUS III · D : G · REX.. Design by Conrad Küchler. / Seated Britannia left, holding trident and olive branch; shield resting on rock at right; SOHO on right end of rock; BRITANNIA above. Design by Conrad Heinrich Küchler. Edge grained.In secure plastic holder, graded NGC UNC Details, certification number 6614521-021. NGC Census in this grade: 19.Reference: S-3780Diameter: 35 mm.Weight: 18.876 g.Composition: Copper.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 143

GREAT BRITAIN. George III, 1760-1820. Copper halfpenny, 1799. Soho Mint, Birmingham. Laureate bust facing right. Legend reads GEORGIVS· III· REX·. / Seated figure of Britannia left, trident in left hand, olive branch in right, shield bearing the Union flag resting on left, legend around, date in exergue. Edge plain with partial diagonal milling.In secure plastic holder, graded NGC AU Details, certification number 6614521-011. NGC Census in this grade: 16.Reference: S-3778; KM-647Diameter: 30 mm.Weight: 12.7 g.Composition: Copper.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 127

GREAT BRITAIN. George III, 1760-1820. Silver shilling, 1787. With Hearts. Older laureate and cuirassed bust of King George III facing right; GEORGIVS·III· DEI·GRATIA·. Design by Lewis Pingo. / Cruciform shields with large Garter star central, crowns in angles, date below, legend around, a semée of hearts in the Hanoverian shield; •M•B•F•ET•H•REX•F•D•B•ET•L•D•S•R•I•A•T•ET•E• 1787. Design by Lewis Pingo. Edge obliquely grained.Nice tone. About extremely fine. Reference: S-3746; KM-607.2Diameter: 25 mm.Weight: 6 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 11

GREAT BRITAIN. George III, 1760-1820. Gold half-guinea, 1764. Pattern. Extremely rare, R5. Equal-finest graded.- Rated R5, extremely rare. There are only 6-10 examples.- One of two examples graded as Proof 64. None graded higher by either grading company.- Impressive provenance stretching to 1953, including the Slaney Collection.Smaller laureate bust right; GEORGIVS · III · DEI · GRATIA · [George III, by the grace of God]. / Crowned, garnished shield of arms; date divided above; · M · B · F · ET · H · REX · F · D · B · ET · L · D · S · R · I · R · A · T · ET · E · [King of Great Britain France and Ireland, defender of the Faith, Duke of Brunswick and Lüneburgm, Arch-Treasurer and Elector of the Holy Roman Empire].In secure plastic holder, graded NGC PF 64 CAMEO, certification number 2124454-038. As attractive as is ever seen of the issue. Unblemished portrait and immaculate reverse with striation marks. Extremely rare. 6-10 examples known. Equal-finest graded.ex. Slaney Collection, SPINK 3024, lot 9, 15th May 2003.ex. H.C. Dangar Collection, Glendining, lot 181, 15 April 1953.NGC Proof 64 Cameo. As attractive as is ever seen of the issue. Unblemished portrait and immaculate reverse with striation marks. Extremely rare. 6-10 examples known. Dual finest graded.NGC Census in this grade: 2, equal-finest graded.Total NGC Census: 2Reference: Bull-864 [R5]; Fr-359 [var.]; KM-599 [var.]; MCE-407 [var.]; S-3732 [var.]; WR-128 [R5]Diameter: 21.5 mm.Weight: 3.92 g. (AGW=0.1155 oz.)Composition: 916.0/1000 Gold.The CoinThis is an extremely rare pattern issue by the great Richard Yeo in his prime. Only five examples, including this one, have traded publicly in the last two decades. This particularly delicate and well-proportioned bust exists on no other issue. This is also the joint finest graded example of this unique bust. The svelte slopes of neck, cheek and shoulder are so perfectly and subtly engraved, giving the impression of freshly pressed snow. A velvet lustre shimmers and dances over each curve breathing life into the regnal depiction. Flipping the coin over, a bold and precisely engraved royal shield meets the eye. This contrast perfectly complements each side of the coin, accenting both the softness of royal flesh and the cold strength of aristocracy. All of this boldly stands out against beautifully reflective fields of a subtle olive tone that under direct light erupts into a blazing yellow. Truly a world class example, having graced the Dangar Collection, Slaney Collection and British Collection. Befitting only of the cream of numismatic collectors. Richard Yeo (c.1720-79)Richard Yeo first came to prominence in 1746 upon his creation of the official medal for the Battle of Culloden. From 1749, he was assistant engraver at the Royal Mint under the great John Sigmund Tanner. In 1775, Yeo officially succeeded Tanner as Chief Engraver at the mint. However, as a result of Tanner’s failing eyesight and other health issues Yeo had been acting effectively as Chief Engraver since 1760 but without the appropriate pay. This was amended in 1768 when he was awarded £500 for past labours. Tanner designed and engraved British coinage as Chief until his death in 1779. Yeo was an extremely accomplished engraver producing several patterns and circulation issues throughout his career and his particularly fine style brought a delicate realism to coins of the period.Yeo was also a member of the Incorporated Society of Artists (1761-91) and founding member of the Royal Academy of Arts. He exhibited his works at the Academy in both 1769 and 1770. The Slaney CollectionThis coin was a member of the prestigious Slaney Collection – one of the most revered collections of British coinage ever assembled. For decades collectors had wondered where the cream of the numismatic crop liquidated in the 40s and 50s had disappeared to, only to find most of it in the Slaney Collection, which was sold by SPINK in two sales in May 2003 and May 2015. The collection sold for over £4 million; broke numerous sale records; is considered a milestone in British coinage; and ushered in a new era of serious growth in the market. PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 30

UNITED KINGDOM. Victoria, 1837-1901. Gold sovereign, 1898. London. Older crowned and veiled bust facing left; VICTORIA · DEI · GRA · BRITT · REGINA · FID · DEF · IND· IMP. / St George on horseback slaying the dragon; date and B.P. in exergue.In secure plastic holder, graded PCGS MS62+, certification number 43140714. PCGS population in this grade: 1.PCGS population in higher grade: 13.Reference: Fr-396; KM-785; Marsh-149; S-3874Mintage: 4,361,347.Diameter: 22.05 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 65

AUSTRALIA. Victoria, 1837-1901. Gold sovereign, 1895 M. Melbourne. Old, veiled bust left, T.B. below; VICTORIA · GRA · BRITT · REGINA · FID · DEF · IND · IMP ·. / St George on horseback slaying the dragon right; mintmark M in groundline; date and B.P. in exergue. Edge milled.In secure plastic holder, graded PCGS MS62, certification number 42915161. PCGS population in this grade: 80.PCGS population in higher grade: 39.Reference: S-3875; Marsh-155; McD-194Mintage: 4,165,869.Diameter: 22.05 mm.Weight: 7.99 g. (AGW=0.2355 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 77

AUSTRALIA. Victoria, 1837-1901. Gold sovereign, 1901 P. Perth. Old, veiled bust left, T.B. below; VICTORIA · GRA · BRITT · REGINA · FID · DEF · IND · IMP ·. / St George on horseback slaying the dragon right; mintmark P in groundline; date and B.P. in exergue. Edge milled.In secure plastic holder, graded PCGS MS62 , certification number 43140732. PCGS population in this grade: 109.PCGS population in higher grade: 53.Reference: S-3876; Marsh-173; McD-209Mintage: 2,889,333.Diameter: 22.05 mm.Weight: 7.99 g. (AGW=0.2355 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 73

AUSTRALIA. Victoria, 1837-1901. Gold sovereign, 1900 M. Melbourne. Old, veiled bust left, T.B. below; VICTORIA · GRA · BRITT · REGINA · FID · DEF · IND · IMP ·. / St George on horseback slaying the dragon right; mintmark M in groundline; date and B.P. in exergue. Edge milled.In secure plastic holder, graded PCGS MS62 , certification number 42915208. PCGS population in this grade: 110.PCGS population in higher grade: 43.Reference: S-3875; Marsh-160; McD-205Mintage: 4,305,904.Diameter: 22.05 mm.Weight: 7.99 g. (AGW=0.2355 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 10

GREAT BRITAIN. George II, 1727-60. Gold half-guinea, 1759. - A very high-grade example of a difficult series.- Graded NGC MS63, there are just a handful of examples graded finer.- Featuring an accomplished bust by the great John Croker.Old laureate head left; GEORGIVS · II · DEI · GRATIA · [George II, by the grace of God]. / Crowned, garnished shield of arms; date divided above; · M · B · F · ET · H · REX · F · D · B · ET · L · D · S · R · I · R · A · T · ET · E · [King of Great Britain France and Ireland, defender of the Faith, Duke of Brunswick and Lüneburgm, Arch-Treasurer and Elector of the Holy Roman Empire].In secure plastic holder, graded NGC MS 63, certification number 2124450-021. A choice example, with a good strike, minimal wear and considerable lustre. Very rare in this condition. NGC Census in this grade: 4.NGC Census in higher grade: 5Total NGC Census: 29Reference: Bull-660; Fr-349; KM-587; MCE-365; S-3685Diameter: approx. 21 mm.Weight: 4.12 g. (AGW=0.1237 oz.)Composition: 916.0/1000 Gold.Edge: MilledDesigner/engraver: John Croker (1670-1741)The CoinThe half guineas of George II are a series plagued with surface issues, with a large number of examples having been found in water and exhibiting related surface problems. This coin features no such issues and with just a handful of examples graded higher (undoubtedly including resubmissions) this is one of the best examples of the issue available to collectors. The coin has beautiful surfaces that glint and glimmer with a subtle, swirling lustre - extremely rare on these issues. The strike is good for the issue and Croker’s strong and characterful design exists here proudly. A world-class example of a problematic series.John Croker (1670-1741)Johann Croker, who later anglicised his name to John, was born in Dresden, Saxony in 1690. As a child, Croker lost his father, an accomplished cabinet maker, and was then taken under the wing of his goldsmith and jeweller godfather. The budding artist flourished under this apprenticeship and upon its completion made his way to England, via the Netherlands, where he worked as a jeweller and medallist until becoming an assistant to Henry Harris, Chief Engraver of the Royal Mint, in 1697 – not long after a not-yet-knighted Isaac Newton joined the mint as Warden. In 1705, the same year Mr Newton became Sir Isaac, Croker was appointed as Chief Engraver. Croker, working closely with Newton, engraved nearly all dies of Queen Anne, King George I, and many of George II. Few engravers have left as great an impact on British coinage as John Croker. In 1729, a 24-year-old John Sigmund Tanner (1705-75) was appointed his assistant. With Croker’s death in 1741, Tanner carried on the torch of Chief Engraver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 72

AUSTRALIA. Victoria, 1837-1901. Gold sovereign, 1900 S. Sydney. Old, veiled bust left, T.B. below; VICTORIA · GRA · BRITT · REGINA · FID · DEF · IND · IMP ·. / St George on horseback slaying the dragon right; mintmark S in groundline; date and B.P. in exergue. Edge milled.In secure plastic holder, graded PCGS MS62 , certification number 43140724. PCGS population in this grade: 30.PCGS population in higher grade: 24.Reference: S-3877; Marsh-169; McD-204Mintage: 3,586,000.Diameter: 22.05 mm.Weight: 7.99 g. (AGW=0.2355 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 16

GREAT BRITAIN. George III, 1760-1820. Gold 1/4 guinea, 1762. London. Laureate bust of George III facing right. Legend reads GEORGIVS·III·DEI·GRATIA·. Engraver: Richard Yeo. / Crowned shield-of-arms, divided date above. Legend reads M·B·F·ET·H·REX·F·D·ET·L·D·S·R·I·A·T·ET·E·17 62· Engraver: John Tanner.In secure plastic holder, graded PCGS Genuine - AU Details (92 - Cleaned) , certification number 45605598. PCGS population in this grade: 0, equal-finest graded.Reference: S-3741; KM-592Diameter: 16 mm.Weight: 2 g. (AGW=0.0589 oz.)Composition: 916.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 330

A 9ct gold agate pendant, 1977, and a hardstone pendant, the oval banded agate plaque with applied 9ct gold bust of a maiden with single-cut diamond highlights to the hair, within a woven gold border, London hallmark, maker’s mark ‘TAR’, together with a polished nephrite heart pendant with applied fern leaf spray, stamped ‘9CT’, lengths 6.5cm and 5.3cm. (2) £200-£300 --- Condition Report Light surface wear, overall very good condition. Gross weight 57.7gm.

Lot 130

A late 18th century hardstone cameo, later mounted as a ring, the bicoloured jasper carved to depict a Roman bust, possibly a senator, case by S. J. Phillips Ltd., cameo dimensions 24 x 17mm. £2,000-£3,000

Lot 279

After the Antique - Bust of Caesar Augustus, late 20th c, after the Augustus of the Prima Porta, white painted composition resin on socle and a fluted pedestal, overall height 162cm (2) Good condition

Lot 326

A French fin de siecle bronze bust of a young woman cast from a model by Henri Vidal (1864-1918), early 20th c, on rouge griotte marble base, 20cm h, indistinct oval seal stamped 78 Provenance: R G Cave, Ludlow, 2016 Good condition save for one or two tiny flea bites around the marble foot

Lot 180

A Copeland Parian ware bust of the Prince Consort, c1860, after J P Westmacott, on socle, 29cm h Good condition

Lot 497

A bronzed resin portrait bust of Vice Admiral Horatio Nelson, 1st Viscount Nelson, 20th / 21st c, inscribed "FREDERICKS", marble base, 34cm h A private collection of Franz Bergman Orientalist and other bronzes (lots 371-395, 423-424, 490 and 497) Good condition

Lot 47

William III, Sixpences, 1695 Fine, 1697 2nd bust vg, 1697 GULIEIMVS, 1697 GULIELMVSIVS, 1698 plumes slight crease Fine, 1699 plumes fair, others (13) (19)

Lot 776

English School, 18th c - Portrait of a Gentleman, bust length in a grey coat and pink waistcoat with gold braid, feigned oval, oil on canvas, 76 x 63cm, unframed Lined, medium thin in places, overpainted in passages especially the face

Lot 179

A Robinson & Leadbeater Parian ware bust of Pope Pius IX, c1870, after J H Mohr, on socle, 30cm h Flat, glancing chip on edge of base

Lot 424

A miniature bronzed portrait bust of Rembrandt, early 20th c, on turned marble pedestal, 20cm h and a miniature resin portrait bust of Charles Dickens (2) A private collection of Franz Bergman Orientalist and other bronzes (lots 371-395, 423-424, 490 and 497) Good condition

Lot 93

Edward VI, Facing Bust, Shilling, slight crease F-gF; Sixpences, poor-vg (3) (4)

Lot 12

William III, Sixpences, research group, 1695 (2), 1696 (9), 1697 (15 including two 2nd bust), mostly vg, some better; others poor-good (18) (44)

Lot 465

A French bronze bust of Cardinal Mazarin, 19th c, on bronze socle, 17cm h, impressed in the maquette EM Good condition

Lot 808

British School, 18th c - Portrait of a Man, three quarter length seated in a fur trimmed robe beside a bust and pointing to the book held in his right hand, 124 x 102cm, unframed Lined perhaps in the early 20th c, with some evident old overpainting, varnish dirty, top right corner detached from the stretchers

Lot 70

A Victorian Parian ware bust on plinth commemorating the 60th year of Queen Victoria.

Lot 121

Tharaud Limoges parian ware bust of a boy's head and pair or 20th century Staffordshire style Bourbon children busts

Lot 284

CAST METAL RAM'S HEAD WALL PLAQUE, 18cms H, 15cms D, a cast reconstituted stone bust of a stallion's head, 39cms H and a painted metal door stop in the form of a pig, 22cms H, 32cms L

Lot 129

After Jean Goujon,a carved marble bust of Diana, late 19th/early 20th century, on a socle base,18.5cm wide13cm deep35cm highCondition ReportSmall nibbles, scratches and marks to marble. Scuff/impact to the top of the head. Scratches to the underside commensurate with age and use. Overall in good cosmetic condition.

Lot 84

A carved marble bust,probably late 18th/early 19th century, of a crying child, on a socle base,17.5cm wide17cm deep34cm highComparative literature: Charles Avery, 'Florentine Baroque Bronzes and Other Objects of Art', 1975, pp.84-85.The present example bears similarities to a hollow cast bronze, 'Head of a Crying Child', Netherlandish, c.1700, in the Royal Ontario Museum, Toronto (object number 989.28.11), particularly some of the facial expression including the furrowed brow, flaring nostrils and tears.Condition ReportThe socle base later. Small nibbles, scuffs and marks throughout. Small dent/chip to left eyebrow.

Lot 1147

Small patinated metal bust of Shakespeare, together with a 1920's spelter figure of a lady holding a feather fan, on turned wooden base, 11cms and 30cms high

Lot 496

Painted plaster bust of a Moorish girl, mounted on an alabaster plinth base, 40cms high, together with a Japanese spill vase, in the form of bamboo with a crane at the base, signed to the base

Lot 161

A 19th Century sewing machine; a carved wood “sage” table lamp; a cast-metal bust; a trinket box; & sundry other items.

Lot 220

A bronze figure of a sleeping nude, signed indistinctly ‘Carreaux’, raised on a stepped shaped marble base, approximately 9cms high; together with a reproduction classical Greek bust, signed G. Lioulias; brass mounted Lourdes wall plaque with font; Crystal crucifix sculpture; and a wall mask.

Lot 146

A 9ct yellow gold, amethyst and seed pearl brooch, of floral design, 2.0g gross; three carved shell cameo brooches, all with female bust designs in 9ct gold mounts; and a carved shall cameo ring on 9ct gold shank.

Lot 288

A bust of Plato, with impressed name plaque ‘Platone’, after the antique by Sommer, Napoli, 1890, impressed marks verso, raised on a stepped base, 33cms high overall.

Lot 305

Circle of Sir Nathaniel Dance-Holland, 1st.Bt. RA (British, 1735-1811) Portrait of a gentleman, bust-length, wearing a crimson coat, white stock, and holding a miniatureoil on canvas74.5 x 62cm Provenance: Christie’s, thence private collection Surrey.***CONDITION REPORT***Oil on canvas relined within the past 20 years or so, canvas remains tight, paint a little dirty with a fine but stable craquelure running throughout, various signs of retouching to old dents and knocks mostly in the dark background but also near his shoulder and down the left side of his jacket, modern gilt frame, Christie's stencil number 614ZD on the stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 463

A late 19th/early 20th century gold mounted chalcedony cameo set oval brooch, carved with the bust of a lady to sinister, 49mm, gross weight 39.1 grams, in fitted gilt tooled leather box.***CONDITION REPORT***Small chip to the cameo to the hair covering the ear. A few minor scratches in places around the side edge of the cameo. Minor surface scratches to the gold in places. A few minor scuff marks to the box in places.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 46

Mary Thornycroft (1809-1895). A Victorian carved white marble bust of a young woman, wearing a floral wreath and her hair in a plaited bun, signed and dated 1859, 32cm wide, 54cm high Mary Thornycroft was commissioned by Queen Victoria to create a number of statues and portraits of her children and other members of the Royal Family. Several of these are now in the British Royal Collection.***CONDITION REPORT***Weathered from outside exposure with lichen and discolouration throughout, however the details do not seem to have been to heavily eroded, a shallow repaired chip to the back right side, signed and dated to the back which is a little indistinctPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 497

A Victorian gold, pearl, black enamel, and sardonyx hardstone cameo set drop pendant, the cameo carved with a bust to sinister, the central motif is detached from the pendant (missing an attachment??), overall 57mm, gross weight 13.5 grams, in fitted gilt tooled leather box.***CONDITION REPORT***Overall good condition, commensurate with age.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 146

A marble torso bust of a pregnant lady on a wooden plinth base 59cmH Manor of Luther Hampton

Lot 486

A 17th century James I Jacobean era hammered silver Irish shilling coin. The coin having second bust type, right, thistle mint mark, denomination to left, IACOBVS D G MAG BRIT FRA ET HIB REX. The obverse having crowned harp with beaded circle. Total weight 4.5g. Diameter measures approx 27mm. 

Lot 2669

A large 19th century plaster bust of a male character with side burns and toga, 75cm high

Lot 1125

Lladro figure of a young girl dancing, Worcester snuffer in the form of a nun, Hummel figures, plaster bust of Churchill, star burst clock, etc

Lot 1495

A 19th century desk top pen and ink stand with a central bust of a woman flanked by inkwells and two wall sconce backing mirrors, one oval, the other shield shaped. (3)

Lot 195

Mixed Lot: Small brass bird cage, plaster work bust, porcelain picture frame, Art Glass vase etc

Lot 85

A 19th Century Gold Plated Fob Seal with carnelian matrix decorated with the classical bust of a soldier and galloping horse (Alexander The Great?), 42mm high and one other similar with undecorated matrix

Lot 1220

A Watcombe pottery bust of a neoclassical young lady in traditional robes, on a glazed socle base, 25cm high.

Lot 449

A 19th Century Gilt Watch Key Fob with red stone matrix decorated with the bust of a young man in profile and others

Lot 152

An Antique Shell Cameo Bracelet decorated with a classical female bust and in a gilt and enamel setting with foliate decoration, 57mm at widest. Slight faults

Lot 5254

WW2 Third Reich Hitler Bust in Alloy on original wooden oval mount with hanger. No makers marks. On reverse in pencil is written "Udem Feb. 1945" by the British Soldier who took it as a Souvenir. (Uedem is a municipality in the district of Cleves, in North Rhine-Westphalia, Germany. It is located near the border with the Netherlands.) Size 24cm x 17cm.

Lot 2344

A French Art Deco terracotta bronzed glazed bust, signed Ouline. 27cm tall

Lot 2338

A small 19th century cast plaster bust of Clytie, 35cm

Lot 2610

A washed plaster bust of a lady, 50cm tall

Lot 2351

After the Antique marble bust of a Roman man wearing a Chlamys with a buckle at the shoulder, later socle and repairs, 54cm tall

Lot 1004

A 1940s textured crepe day dress, having panelling to under bust, novelty fabric button to front, stiffened collar and cuffs, 3/4 sleeves and side metal zip.

Lot 1007

A navy blue wool 1940s day dress, having pin tuck to bust and sleeves, side zip and one to nape, both appear to be nylon replacements.

Lot 1010

An early 1940s black crepe day dress, having very full pleated skirt, gathered sides to bust, detaiing of ten faux buttons from under bust to waistline and side metal zip.

Lot 867

A 1950s green pure silk patterned day dress, having cross over bust and cummerbund style waist detail with central metal zip to reverse. Small to medium size.

Lot 871

A late 1940s black velvet Elmoor of London dress, having contrasting taffeta concertina pleats to skirt, taffeta collar with statement button detail, 3/4 sleeves and side metal zip. Measurements approx; Bust 36", waist 28" length nape to hem 43". approx uk 8/10

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