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A Selection of Coins, including: Crowns-a William III 1696 first bust about Fine, a Victoria 1845, 1890 Fine, 1935 and 1953; Half Crowns-Ann 1712 roses and plumes, a George IV 1825 milled edge, Fine, a Victoria 1885; a FLorin Gothic type 1872; together with two hammered coins-Henry VIII facing bust, Groat worn; and a Half Groat Henry VIII CIVITAS CANTOR WA (for Archb. Warham), holed otherwise about VF (11 coins)
The Charles Pooley Wilson Collection of Naval Commemorative Medals, dating from the Spanish Armada in 1588:1. 1588 Defeat of the Spanish Armada. A consultation meeting, floor covered in spikes, rev: The Spanish fleet being wrecked, silver gilt?, 47mm, hole at 12 o`clock filled in, possibly a copy2. 1650 Service Against Six Ships. An anchor, cross and harp with inscription Thou has merited, rev: a ship engagement, oval 41mm by 35mm, silver gilt, with ring suspender, attractive, slight damage at 12 o`clock otherwise EF3. 1654 Peace with Holland. Neptune in sea chariot, rev: long inscription, AR, 60mm, VF4. Bust of Drake or Raleigh within wreath, rev: naval, battle with sinking ships in foreground, with ring suspender, oval, 50mm by 42mm, VF5. 1665 Dominion of the Sea. Bust of Charles II, rev: ship in full sail, leg NOS PENES IMPERIUM, AE/oval 41mm by 32mm, about VF6. 1667 Peace of Breda Faventedeo. Bust of Charles II, rev: Britannia seated on a seashore, edge reading, AR, 55mm, EF7. 1687 Spanish Wreck Recovered. Conjoined busts of James and Mary, rev: ship action, AR, 55mm, about VF8. 1704 Capture of Gibraltar and Naval Engagement off Malaga, by John Croker. Bust of Queen Anne, rev: Neptune and sea chariot, AE, 39mm, EF 9. 1706 Barcelona Relieved. Bust of Queen Anne, rev: city and harbour, AE, 38mm, VF10. Another, has a few dark marks, otherwise EF11. 1708 Capture of Sardinia and Minorca. Bust of Queen Anne, rev: standing with palm branch and English flag, AR, 40mm, VF12. 1711 Expedition to Virgo Bay by John Croker. Bust of Queen Anne, rev: view of Virgo Bay with ships burning, AE, 36mm, EF13. Another, except in AR, EF14. 1718 The Naval Action of Cap Passaro. Laureate head of George I by John Croker, rev: postal column and pile of arms, AR, 44mm, NEF15. 1747 Defeat of French Fleet off Cape Finisterre. King being crowned, rev: by Victory holding wreath and trophy, AE, 42mm, NEF16. 1750 circa. Five pewter/pinchbeck medals, loss of Minorca 1756, Louisburg taken 1758, and three others, Fine17. 1758 Goree Taken. Bust of Britannia, rev: Victory bearing laurel wreath, AE, 39mm, Ef18. 1759 Fight off Belleisle by Thomas Pingo. Britannia armed with spear and shield, rev: Foe of the Society of Arts and Commerce, AE, 39mm, NEF19. 1759 Guadaloupe Taken. Pallas standing, rev: Britannia leaning on spear, AE, 40mm, EF20. 1761 Capture of Belleisle by Kirk. Head of George III, rev: view of island, AE, 40mm, hole at 1 o`clock, reference Brown 71, Fine21. 1783 Royal George Admiral KEMPENFELT Siege of Gibraltar. Medallet, 33mm, hole at 12 o`clock, VF22.1784 Captain Cook Memorial by Pingo. Bust of Cook, rev: Fortune standing, AE, 44mm, reference Brown 258, VF23. 1794 Battle of the First of June. Bust of Earl Howe adml. of the white, rev: Neptune in a marine car FRENCH FLEET DEFEATED, AE, 41mm, reference Brown 387, VF24. Another, EF25. Another, in AE gilt, EF26. 1797 Battle of Cape St Vincent by Mills and Brenet. Bust of Jervis, rev: British fleet hurling destruction at two Spanish ships, AE, 41mm, EF27. Three uniface medals depicting naval scenes (very thin flans)28. 1797 Battle of Camperdown by Wyon. Uniformed bust of Duncan, rev: Britannia seated, AE, 38mm, EF29. 1798 Battle of the Nile. Victory seated with lion and harp in front of pyramid, rev: shield and fouled anchor, AE gilt, 39mm, hole at 12 o`clock, reference Brown 450, NEF30. 1798 Battle of the Nile by Kuchler. Peace standing on a rocky shore, rev: view of the British Fleet, with edge reading, AE 46mm, reference Brown 447, EF31. 1798 Victories of the Year by Kuchler. Bust of George III, rev: Britannia seated, AE, 48mm, reference Brown 458, EF32. 1798 Action off Tory Island. Bust of Warren, rev: British and French ships engaged, AE, 36mm, reference Brown 456, EF33. 1799 Defence of Acre by Hancock. Bust of Sir Sidney Smith, rev: youth standing, AE, 48mm, reference Brown 473, Fine34. 1799 Defence of Acre. Bust of Smith, rev: animals on rocky background, AE, 41mm, reference 476, EF35. 1790`s five 18th century Tokens with naval connections36. 1799 Death of Earl Howe. Bust of Howe, rev: trophy of arms, AE, 38mm, reference Brown 468, EF37. 1799 Earl Spencer by T Wyon. Bust of Spencer, rev: Victory standing, AE, 38mm, reference Brown 471, EF38. 1800 Lord Nelson returns to England by Halliday. Bust of Nelson, rev: Britannia standing on the sea shore, AE, 38mm, reference Brown 490, EF39. 1801 Battle of Copenhagen. Justice standing, rev: view of the Sound with ships engaged, AE, 38mm, reference Brown 510, NEF40. 1805 Battle of Trafalgar. Bust of Nelson, rev: view of the battle, with edge reading, AE gilt, 47mm, hole at 12 o`clock, reference Brown 584, about VF41. 1809 The Erection of Nelson Monument in Birmingham by Wyon. View of the monument, rev: inscription, AE, 52mm, EF42. 1898 Columbian Exposition Commemorative Half Dollar, and a 1968 USA Half Dollar43. A Vatican Medal, Pope Clemens PPVII, conjoined heads, thick flan, AE Some with original tickets Charles Pooley Wilson was born in India, his father was serving as an officer in the Indian Army. His mother and a number of brothers died of cholera roundabout 1841. Shortly after this he was sent home to England with a younger sister for education. After spending a number of years at Rugby school, he sat and passed the entrance exam at fifteen (1852) to get commissioned a mid-shipman in the Indian navy, returning to England after ten years when the Indian navy was disbanded in 1862. The following ten years were spent with Lloyds Salvage Association which involved reporting on shipwrecks and reorganising the marine department for the Board of Trade. He spent the rest of his career with the BOT until retiring in 1903.
IMPERIAL SERVICE MEDAL (2) G.V.R. `Crowned bust` type (John James Moulton); E.II.R. (William Haynes), both extremely fine, last in Royal Mint case of issue I.S.M. London Gazette 24.11.1931 Moulton John James, Postman, Glasgow I.S.M. London Gazette 19.1.1965 Haynes, William, Postman, Liverpool
A Silver-gilt Medal or "So-Called" Pattern Halfcrown of Charles I, c. 1640, by Thomas Rawlins, armoured bust left, his hair curled over a lace collar. Reverse (in imitation of engraving), the Royal arms in garnished shield, within Garter and between supporters, 3.5cm (Medallic Illustrations I, 373/267), set in an ornate filigree mount suspending a pearl. The medal with signs of previous mounting.
A rare 17th Century German gold medal of Albrecht VI of Bavaria (1584-1666), der Leuchtenberger, Landgraf von Bayern-Leuchtenberg, c. 1618, by Alessandro Abondio or Paul Zeggin. Set in a contemporary and decorative floral gold and enamelled mount, with cherub heads to top and bottom; Obverse, bearded portrait bust right, wearing embroidered doublet with lace collar and sash from shoulder to shoulder, ALBE: D:G: CO: PA: RHE: VTRI: BA: DVX. [Albert, by the Grace of God, Count of the Rhineland Palatinate, Duke of Bavaria], Reverse, a drowning man reaches up to a hand extended towards him from the clouds, OPERI. MANVM: TVARVM: PORRIGES DEXTERAM, medal approx. 32mm, (Georg Habich, Die deutschen Schaumunzen des XVI Jahrhunderts, Munich, 1929-34, No. 3596; L. Forrer, Biographical Dictionary of Medallists, London, 1904-30, Vol. VI, pp 722-723; Sammlung Lanna, Rudolph Lepke, Berlin, 16-19 May, 1911, No. 816). Suspended from a gilt metal stand. Albert VI of Bavaria, (13 April 1584 - 5 July 1666), der Leuchtenberger, Landgraf von Bayern-Leuchtenberg, was the son of William V, Duke of Bavaria and Renata of Lorraine. He married Mechthilde von Leuchtenberg (24 October 1588 - 1 June 1634) in 1612, and they had five children. Between 1651-1654 Albert was the regent for his young nephew Elector Ferdinand Maria, Elector of Bavaria. The authorship of the medal is not determined, Habich believes it to be Alessandro Abondio (c. 1580-c. 1653). Abondio worked for Duke Albrecht VI and surviving records attest to a long personal relationship between the artist and his ducal patron and wax portraits of the Duke are recorded. Forrer favours Paul Zeggin (fl c. 1623-1666, when he is believed to have died) who is recorded as producing a number of gold medals all set in enamelled frames. Habich records just two specimens of the medal, both gold and both set in frames, one in Munich where the frame is elaborate, the other in Munich with a simpler frame. The Lanna sale records a third example.
A heart shaped box, the lid embossed with a bust portrait of W S Penley in costume within a rope border, the box inscribed `From Charley`s Aunt, December 21st 1895`, 5.75cm (2.25") wide, Sheffield 1895 by Walker & Hall (W S Penley was the first actor to undertake the role of Lord Fancourt Babberley ("Babbs"), who impersonates Donna Lucia d`Alvadorez, in the comedy Charley`s Aunt when it opened at the Theatre Royal, Bury St Edmunds in 1892)
An Ebonised Ivory, Mother-of-Pearl and Brass Inlaid Bonheur Du Jour, with broken arched pediment supporting a brass bust of a classical female above two doors enclosing shelves above two drawers, the lower section with a single drawer, raised upon turned tapering fluted legs with crossover stretcher and brass finial, 84cms wide See illustration
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110041 item(s)/page