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Click here to subscribeTwo boxes of metalware etc. together with a metal toolbox with contents and a further box of miscellaneous including fire irons, brass horse, shoe tree, a Citroen C4 wheel tyre and cover and luggage cover, a selection of oil filters, two wooden boxes, and TV bracket, shelf supports and metal clips
An Arts and Crafts oak wardrobe, the eight panel door flanked by panels of stylised vases and flowers, maximum width 45ins, maximum depth 20ins, height 71ins Condition report: Shelves and shelf fittings later additions, scuffs, scratches and marks commensurate with age and wear. sections of moulding missing on right hand side of wardrobe at base
Nash (Joseph) The Mansions of England in the Olden Time, 1869-72, Henry Sotheran, large folio, text volume with four plate volumes, 106 hand-coloured litho plates mounted on 104 card leaves (including titles), all edges gilt, half Morocco (bindings worn, front hinge of plate volume 1 split, library labels to front endpapers, shelf refs. to lower spines, no stamps found internally) (5)
A mid-18th century panelled elm bacon settle, with curved back, door and cupboards to the reverse, panelled sides with armrests and small cupboards to the box seat base 183 x 159 x 80cm (71 x 62 x 31in) Bacon Settles were a feature of the farmhouse kitchen throughout the 18th and 19th centuries. They have always been associated with the hanging of cured sides of bacon, however it seems more likely that the use of these high back settles was as a hanging space for outdoor clothing, as a display shelf, or more particularly as a room divider. The principal living room in a West Country farmhouse was the kitchen, with the entrance directly from the outside and an open fire creating cold draughts. The use of a high back settle, also seen next to the fire place in Taverns, could avert the draught, creating warmth around the hearth. A good colour and in original farmhouse condition.
A late Victorian carved walnut mirror back Display Cabinet, the carved and pierced decorated cornice over a central shield shaped mirror above a shelf with frieze drawer and inlaid panel doors, flanked either side by glazed doors on carved cabriole legs, approx. 223cms h x 142cms w (88" x 56"). (1)
An important and unusual Irish Georgian period white marble Chimneypiece, the reeded shelf over an attractive top with a central finely carved plaque with basket of flowers and fruit, between fluted panels and two smaller outer carved floral panels, the top and fluted uprights with Connemara marble insets, approx. 165cms Wide x 131cms High (65" x 52") together with a Georgian style engraved brass Dog Grate. (1)
A very fine large Georgian period Sienna and white marble Chimneypiece, the large moulded shelf over a mantle with two outer sunburst oval medallions and carved central plaque decorated with crossed batons, wreath of wheat and intertwined with sprays of ivy, the uprights of Sienna marble with reeded white marble centres, approx. 143.5cms (56 1/2") high x 190.5cms (75") wide. (1)N.B. opening / inner space of the Fireplace: 48" wide (123cms) ; 45 1/2" high ( 116cms)
A fine quality 19th Century Empire style figured mahogany Console Table, the green marble top over a frieze with two drawers decorated with brass handles, and central escutcheon, over "S" scroll supports and stretcher shelf on a plinth base, approx. 99cms (39") high x 132cms (52") wide. (1)Provenance: Private Northern Irish Collection.
A rosewood Regency period Chiffonier, the shaped cornice with parcel gilt decoration over a mirror back with single shelf, and ormolu brackets, on a base with single frieze drawer and two doors with pleated silk insets, and flanked by two circular pillars with brass capitals, 168cms (66") high x 108cms (42 1/2") wide. (1)
An exceptionally fine, near pair of late 19th Century inlaid ebonised and birds-eye-maple veneered stepped Salon Cabinets, with pierced brass galleries and mirror backs, Neo-Classical Revival, with portraits and floral medallions in porcelain, and with ormolu mounts, three frieze drawers, the middle drawer in each with writing slide, on a base with shaped shelf, on bun feet with ormolu mounts, approx. 137cms (54") wide x 152cms (60") high. (1)
[Vason, George]. An Authentic Narrative of Four Years' Residence at Tongataboo, one of the Friendly Islands, in the South-Sea, by [George Vason], who went thither in the Duff, under Captain Wilson, in 1796. With an Appendix by an Eminent Writer, 1st edition, 1810, engraved frontispiece, engraved map, errata leaf at end, a little light spotting, shelf number label at end, and bookplate of Archibald Earl of Eglinton at front, contemporary burgundy half morocco, spine a little rubbed and faded, 8vo (1)
Lambertini (Cesare). Tractatus de iure patronatus clarissimorum omnium, Venice, Zenarum, 1584, large egnraved vignette to title page, historiated head- and tailpieces throughout, soiling to blanks and title, small worm-track to lower margin of title and adjacent leaves (the text unaffacted), very occasional tide-mark in lower margin, contemporary vellum, contemporary manuscript title inked to spine, a few worm-holes, joints cracked, soiled and worn overall, folio, together with Mazzolini, Silvestro, da Piero, Summae Sylvestrinae ... nunc recens diligentissime correcta, 2 volumes, Venice, Zopinos, 1581, engraved vignette title pages, bookplates and manuscript shelf-marks, some soiling to endpapers, contemporary vellum, rebacked with the original spines laid down, manuscript titles to spines and catch-titles to bottom edges in a contemporary Gothic rotunda in black ink, rubbed and soiled, 4to, plus Cristiano (Federigo), Della vita di S. Ignazio fondatora della Compagnia di Gesu, 1st edition, Bologna, Lelio dalla Volpe, 1741, title page printed in red and black with engraved Jesuit emblem, terminal errata leaf, institutional blind stamps and mild soiling to prelims, contemporary half vellum, patterned paper sides, old shelf-mark label to spine, 4to, and Trombelli (Giovanni-Crisostomo), Vita, e culto de Ss. Genitori di Maria Vergine Giochimo, ed Anna, 1st edition, Bologna, 1768, foxing and browning, contemporary cat's-paw vellum, 4to, and 33 others in 37 volumes, mainly 18th-century Italian imprints of works by or relating to Jesuits or Catholic priests, including a few Dutch and German imprints of similar texts, contemporary vellum, general browning and wear, various formats Neither Lambertini nor Mazzolini in Adams but cf. L79. (3 shelves)
AN OAK DRESSER, 19TH C the boarded three shelf rack with moulded cornice, the base fitted three cockbeaded drawers, on turned legs with pot board, 215cm h; 43 x 170cm++Restored and repolished with later elements including the black boarded backing to the rack an d pot board, repolished but in good sound condition and attractive
A GEORGE III SATINWOOD SIDE CABINET, C1800 the drawer with fitted interior beneath a leather inlet slide, the lower part having two ash drawers and an adjustable shelf enclosed by a pair of doors with pleated green silk panels, 96cm h; 37 x 122cm++Top slightly warped, recent green leather surface to flap. Minor cosmetic restorations, locks present, handles possibly original
A JAPANESE HARDWOOD CABINET, MEIJI PERIOD the asymmetrical arrangement of shelves with panelled or fretwork back and galleries and fitted with six carved drawers, the stand terminating in spiral lappets, 169cm h; 39 x 125cm++In good condition, one shelf in the centre with old overboarded repair, another shelf with minor spit
Elliott three-train shelf/bracket style clock in dark wood-stained case. The brass dial with silvered Roman chapter ring, cherub spandrels, foliate chasing to centre and trefoil blue steel hands. The signed seven jewelled movement with dual chime for Westminster and Whittington, number 28778
Philip Lee, Washpool, home-built three train shelf/bracket style clock in mahogany case. The brass dial with silvered Roman chapter ring, date aperture, figural spandrels, secondary seconds dial, steel blacked pierced hands and moonphase arch above. No 4 1985 to lower dial. The German movement by Kieninger with dual chime and striking mechanism having a strike silent facility
An Italian floral inlaid curved edge table on turned tripartite supports to outswept feet, with small lower shelf, a pine mahogany-stained towel rail, an Edwardian mahogany circular hall table with lower shelf on curved outswept supports and a mahogany two-tier jardinière stand with turned and outswept supports (4).
A Victorian mahogany bookcase, the upper section with twin glazed doors, the lower section with twin short drawers above cupboard doors enclosing single shelf, 210 x 112.5 x 39cm. CONDITION REPORT The original top plinth is not present and has been replaced, age-related wear, surface scratches and a few dents. No evidence of woodworm.
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