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Late 19th century mahogany harlequin lady’s writing desk, the hinged top banded and with flower inlaid corners, brass mounts, the interior with rising pigeon holes and compartment with hinged cover, on square tapering satinwood line inlaid legs with shaped under shelf with beaded borders and padded footrest, 24"
AN EARLY 19TH CENTURY ROSEWOOD AND BRASS MARQUETRY ENCOIGNEUR, the later serpentine top above a bombe shaped door, crossbanded and decorated with a trellis design, the channelled borders with scrolling foliate marquetry on cast brass paw feet, the interior with a shelf and marque au fer for Holland and Son 1866 inventory for Queen Victoria, (parts of bottom hinge missing, also moulding and marquetry, one later foot), 37in high (94cm), 18in wide (46cm) and 15in deep (38cm).
A satinwood dressing table, the swivel rectangular mirror below an arched pediment carved with an Art Nouveau style motif, similar decoration to the supports, above a shelf; the base having three drawers with bronzed handles; brass label to drawer Patent No 8896 - 1904; Height 65ins; Width 33ins
Morison & Co, Edinburgh A GOOD EARLY 20TH-CENTURY INLAID MAHOGANY WALL CUPBOARD having a three-sided brass balustrade to the moulded rectangular top, on a fluted frieze with three oval flowerhead paterae, above twin cupboard doors finely inlaid with neo- classical style foliate scrollwork and pendants, enclosing a medial shelf, abovetwin drawers with brass knob handles, one stamped beneath 'MORISON & Co EDINBURGH A5385', on scroll brackets, the whole of fine quality, colour o and patination, 55cm x 18.5cm x 85cm, (21.6in x 7.3in x 33.5in).
A FINE GEORGE IV MAHOGANY-CROSSBANDED OAK DRESSER WITH ORIGINAL BACK, of Shropshire type, circa 1780-1800, the rack having a cavetto-moulded cornice with shaped valance above three central long shelves (with well-patinated later backing, originally open), flanked to each side by a serpentine shelf above a plain shelf on a mahogany-crossbanded cupboard (with central inlaid oval patera depicting a bird on a bough with harewood background), enclosing two shelves, above a similarly-crossbanded base drawer, with brass backplate swan-necked bale handle, the lower stage having a crossbanded top with ebony stringing above three matching drawers with old replacement brass backplate swan-neck bale handles and false escutcheons, on a shaped apron, turned tapering front legs and tapering square section back legs, the whole of pleasing colour and patination, 183cm x 47cm x 206cm high, (72in x 18.5in x 81in).
A VICTORIAN WHITE MARBLE-TOPPED INLAID WALNUT CREDENZA, the top of double-lobed form with curved sides, on a foliate-inlaid frieze above a central door, with similar inlay and an oblong moulding with re-entrant top corners, enclosing a shelf, between turned columns and twin bow-fronted glazed ers, cabinets with matching moulding, each enclosing a shelf, on a shaped plinth and four bun feet, 151cm x 46cm x 91cm high, (59.5in x 18in x 36in).
A LATE VICTORIAN MAHOGANY 'DUCHESS' DRESSING TABLE AND MATCHING GREY-VEINED WHITE-MARBLE-TOPPED WASHSTAND, the dressing table having an oblong mirror plate with re-entrant top corners in a moulded surround between foliate scroll-carved uprights, the superstructure, of three drawers with wooden knob handles, on a semicircular top with fluted balustroid front legs and broadening pilaster-form back legs, the shaped platform base on flattened bun feet, 101,5cmx 50cm x 188.5cm high, (40in x 19.7in x 73in), the washstand having a humped splashback with semicircular shelf on a semicircular top, with matching legs and base, same width and depth, 96.5cm, (38in) high.
AN EARLY 20TH-CENTURY ART NOUVEAU-STYLE LIGHT OAK MIRROR-BACKED SIDEBOARD having a humped surmount with stippled 'whip-lash' tendrils above a bevelled rectangular mirror plate between fluted pilasters and stop-reeded broadening columnar supports, the lower stage having a rectangular top above two drawers with original Art Nouveau style backplate bale handles, on a carved central cupboard enclosing a shelf and a baize-lined cellaret, flanked by twin carved cupboard doors each enclosing a shelf, between fluted pilasters, on a shaped apron and stepped block feet, 167.5cm x 59.5cm x 203cm high, (66in x 23.5in x 80in).
AN EARLY 20TH-CENTURY ARTS & CRAFTS-STYLE WALNUT MIRROR-BACKED SIDEBOARD having a humped surmount centred by a stylised stippled poppy, between curved ends on a shelf, above a bevelled rectangular mirror plate between well-pierced supports each having a square section squat balustroid 'capital' on an open square section 'spindle' column, the lower stage having two long drawers with shaped backplate 'axe-head' handles above a central stylised stippled poppy on plain stem, flanked by carved cupboards each enclosing a shelf, one cupboard enclosing a slide-out four-bottle cellaret, on a shaped apron and square feet, 152.5cm x 57cm x 195cm high, (60in x 22.5in x 76.8in).
T. Simpson & Sons, Halifax, A LARGE AND IMPRESSIVE LATE VICTORIAN POLLARD OAK MIRROR-BACKED SIDEBOARD, having a breakfront dentil cornice, the frieze having a central carved foliate lozenge within fluting and foliate stippled, the bevelled rectangular mirror plate within a moulded frame with breakfront corners, between two pairs of fluted pilasters framing stippled panels of cornucopia and foliate scrolls, above twin shelves with bevelled rectangular mirrors beneath, between foliate- carved brackets, the lower stage having a rectangular top on gadrooned frieze above a long drawer with bold cast brass pierced backplate bale handles, above scroll quadranrs and a 'dog-kennel', flanked by matching short drawers on twin cupboards between pairs of fluted pilasters, the doors each having a stippled panel of an eagle perched on an urn, one cupboard enclosing two tray shelves, the other a shelf above a ten-bottle cellaret, each door having a white enamel cartouche-form plaque, 'T. SIMPSON & SONS/CABINET MAKERS/HALIFAX', on a plinth base, 213cm x 67.5cm x 203cm high, (84in x 26.5in x 80in).
A LARGE AND IMPRESSIVE VICTORIAN AESTHETIC PERIOD POLLARD OAK AND EBONISED MIRROR-BACKED SIDEBOARD in the manner of A. Jonquet or Wyman & Sons, London, c.1880-1885, having an ebonised balustrade on a moulded rectangular cornice with dentil frieze, above a bevelled rectangular mirror plate between ebonised pierced panels centred by vacant shields with ribbons, a lozenge, fruit and foliage, with gilt-backing, framed by fluted pilasters with frontal supports having doric pillars on foliate stippled and stop-fluted supports, on a shelf with reeded front, in turn upon fluted supports, and brackets, the lower stage having a rectangular top above a long central drawer flanked by two shorter drawers all with original brass backplate bale handles and ebonised mouldings, the central drawer above an ebonised balustrade foliate-carved quadrants and 'dog=kennel', the other drawers on foliate-pierced ebonised and gilt cupboard doors matching the back panels, one enclosing a shelf, the other a revolving circular three-bottle cellaret, on a plinth base, 221cm x 76cm x 202cm high, (87in x 30in x 79.5in).
A VICTORIAN SCUMBLED PINE DRESSER WITH ORIGINAL RACK, the latter having an arcade-pierced frieze above two shelves with turned rails, the lower stage having a central column of three drawers with associated Arts & Crafts-style backplate bale handles, flanked by cupboards with matching handles each enclosing a shallow shelf, on turned legs, 187.5cm x 55cm x 202cm high, (73.8in x 21.6in x 79.5in).
A Victorian mahogany cabinet bookcase, mid 19th century, the moulded cornice above two arched glazed doors enclosing four adjustable shelves and flanked by scroll carved lappets, over a bevelled top and two arched panel doors enclosing a single shelf and flanked by lappets and raised on a plinth base, 48.5" wide, 18" deep, 87" high
A Victorian mahogany pedestal desk, mid 19th century, with spindle gallery shelf and writing slope flanked by eight gallery drawers with locking bars, the interior bird's eye maple lined with two short drawers and six pigeon holes above three frieze drawers and six pedestal drawers on plinth base, distressed, 60" wide, 32" deep, 46.5" high
A William IV rosewood inverted breakfront chiffonier, the arched back incorporating a shelf on scroll supports above a shaped top, cushion moulded frieze drawer and a pair of panelled cupboard doors enclosing shelves flanked with spreading turned columns, standing on a plinth base, 102cm wide.
An Edwardian mahogany side cabinet with a gilt brass three-quarter gallery to the shelf back with brass turned supports above a bevelled mirror, the base with a pair of bevelled glass doors, galleried undertier and on gilt brass legs with spiral-twist motif and splayed feet, 24in. (61cm) wide.
A VICTORIAN INLAID FIGURED WALNUT MUSIC CABINET, the superstrucutre with open fret cresting with central arch mirror above a shelf, the lower part having a cross banded door with central marquety inlaid rim enclosing shelves, the angles canted, on turned legs terminating in castors. Width 22". Height 58".
A LATE 18TH CENTURY WELSH OAK PRESS CUPBOARD in one stage, the upper part with a seven panelled fall front enclosing a shelf, the lower part with an arrangement of five drawers, now with brass handles throughout, and raised on a shaped plinth. Converted from a Coffer. Width 56". Height 51". Depth 22".
AN ARTS & CRAFTS DESIGN OAK SIDEBOARD, the superstructure with spindled cresting above a shelf on turned supports with acorn finials and two recessed mirrors, the base with moulded edge above an arrangement of four cupboard doors with recessed planked panels and a pair of short centre drawers similarly panelled, with brass gothic style furniture throughout, standing on tapering square legs. Width 72".

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104477 item(s)/page