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An oak dresser, 19th century, with a two shelf pot rack, the base with rectangular top, above three short and three smaller frieze drawers, with brass handles, on turned supports, with pot board below on block feet, 206cm high x 186cm wide x 55.5cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept. Condition Report: The upper section of this dresser is 120cm high x 172cm wide x 44.5cm deep at the lowest point where the top and dresser base meet.Generally good condition. The handle are not original.
A two tier table, probably the base of a whatnot, 19th Century, with gallery top, above frieze drawer, with galleried shelf below, on brass casters, 56cm high x 52cm wide x 39cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
Books. 1 shelf of general stock, including Seddon (Geoffrey), The Jacobites and their Drinking Glasses, Antique Collectors Club, 1995, dj, hb, 4to, further hardback antique porcelain and glass reference, horology, Old Masters and art history, literature, history and philosophy, pamphlets, etc
A late Victorian inlaid rosewood hanging shelf,with mirrored back,71.5cm wide18cm deep46cm hightogether with one other similar,with bevelled mirror30cm wide46cm high(2)Condition ReportShrinkage splits. The first shelve with loose spindles. The other with detached fall. Knocks, scuffs and wear to both.
Neoplastizismus. Nieuwe beelding. German translation R.F. Hartogh (and 1 article by M. Burchartz). Printed in Weimar by Dietsch & Brückner A.-G. for A. Langen in Munich, n.d. (1925), first ed., 66,(2) p., typography and orig. wr. by L. Moholy-Nagy, 4to. First and final p. browned from covers, occas. sl. foxed, library shelf-number ticket on first page. Wrappers torn, w. folds and lacking some very sm. portions. Bauhausbücher 5, ed. Walter Gropius and L. Moholy-Nagy. With AUTOGRAPH SIGNED DEDICATION in pen on first page: "Aan Paul en Lies Sanders van Piet Mondrian. Paris, Novembre '25". Paul Florus Sanders (1891-1986) was an art correspondent and friend of Piet Mondriaan. Sanders visited Mondriaan often at the time the artist lived in Paris. An online available photographic group-portrait taken at the Exposition des Arts Decoratifs in Paris, May 1925, shows Tieske Vantongerloo, Paul F. Sanders, Lucia Moholy-Nagy, László Moholy-Nagy, Piet Mondriaan and Georges Vantongerloo. See also Paul Sanders, Herinneringen aan Piet Mondriaan, article in Maatstaf: maandblad voor letteren, year 27, no. 12 (1979), p. 1-7 (online available on DBNL).
Orgaan v.d. Nederlandsche Vereeniging Schoonheid in Opvoeding en Onderwijs. Onder redactie van Emmy J. Belinfante, Jan Goverts en J.D. Ros. Year 21, nos. 4-6, year 22, nos. 1, 2, 4 and 6 and year 23, nos. 1-4 and 6. July 1927-Nov. 1929. Each issue w. 16 p. Orig. stapled art deco wr. in different col. All but 1 w. manuscript library shelf no. on front wr. and library stamp on 1st p., occas. other sm. defects. Very rare periodical w. beautiful typography and striking wr. designs. (total 12)
(1) The Oxford Miniature Edition. London, Henry Frowde, 1903. 12 vols. in orig. (sl. worn) box (complete set). Each book bound in leather, a.e.g., 11 x 7.5 cm. (2) Allied Newspapers Ltd. ed. (London, 1932). 39 (of 40) vols. Each w. black cl. binding, 5 x 3.5 cm, displayed in sm. 3 shelf open tier bookcase, 22.5 cm tall, 19.5 cm wide. Nice set. (total 51)
et humanae mentis libero arbitrio, opus insigne, cum. D. Erasmi Roterodami praefatione. Basel, J. Faber, 1528. 104 p. Sm. 8vo. 19th cent. gilt lettered half leather. Woodcut initials. Library stamps on title-p., shelf no. in manuscript on upper pastedown. Upper joint splitting. Very rare, no copies in NCC.
Cologne, Edition Mat-Mot/Galerie der Spiegel, 1965. Edition Mat Mot no.6, published by Karl Gerstner and Daniel Spoerrie. Six-colour offset on accordion-folded white card, 292 x 23 cm. Housed in a black box, 28 x 28 x 0.5 cm. Edition of 250, signed and numbered in black marker, this is number 31. Light shelf wear to box, interior in very good condition.
(1) Emmett Williams, Selected Shorter Poems 1950-1970. Stuttgart, Hansjörg Mayer, 1974. First Edition. Hardcover, 23.5 x 18 cm, 410 pp. Wrapper with shelf wear and some damage to the laminate, interior clean. (2) Ruth Krauss, There's a Little Ambiguity There Among The Bluebells And Other Theater Poems. New York, Something Else Press, 1968. Hardcover, 19.5 x 22 cm, unpag. A collection of poems and avant-garde texts performed at Greenwich Village venues such as Judson Poets Theatre, Cafe La Mama and Actors' Studio. Graphics by Marilyn Harris. Light shelf wear on wrapper, interior near mint. (total 2)
Utrecht, Hedendaagse Kunst, 1972. Softcover, 20.5 x 14 cm, 144 pp. Artists' book, first publication in Gerhard Richter's famous Atlas series, designed by the artist. First edition. Profusely ill. with b/w reproductions of photographs and sketches. Text in Dutch. Minor shelf-wear with rubbing to spine, interior crisp.
Leiden, Stelling Gallery/Museum De Lakenhal, 1994. Catalogue designed as calendar. Ringbound, 35 x 34 cm, 12 leaves. Early photographs by Van Lamsweerde featuring Westwood's 'On Liberty' collection, as well as an iconic portrait of the fashion maestro. Moderate toning and shelf-wear. (2) Added is the zine-like publication Vivienne Westwood, Andreas Kronthaler, Juergen Teller. Photographs by Juergen Teller for Vivienne Westwood, 1993 to 2017. London, In Other Words, 2017. (total 2)
(1) Textos y Antitextos. Madrid, Parnaso 70, 1970. Softcover, 19 x 17.5 cm, 40 pp. First edition of 850 copies. Striking concrete poems printed in various colours, with a short text in Spanish. Seminal Spanish visual poetry publication. (2) Prosae. Madrid, Editorial Garsi, 1980. Softcover, 24.5 x 18.5 cm, unpag. Added are two copies of the artists' book, one signed and numbered 95/750 in colophon (with wear on spine), one unnumbered/unsigned. All covers with moderate shelf wear, interiors fine. (total 3) Active since the late 1960s, Fernando Millán (1953) is an important Spanish theorist and promoter of experimental poetry in all its forms, such as visual poetry, textual poetry, object books/poems, action poetry, video poetry.
THREE BOXES AND LOOSE RECORDS AND SUNDRY HOMEWARES, to include ninety to one hundred mainly classical records, composers to include Mendelssohn, Dvorak, Beethoven, Vivaldi, Brahms, Tchaikovsky, Grieg, Saint-Saens, Handel and Mozart, three shoe horns with horses and dog head handles, a figural carked bowl and lidded wooden bowl - possibly tourist wares, a boxed audio book of The Hobbit and Lord of the Rings, a cased Accoson Dominion Model blood pressure cuff, onyx coasters, a small Aisonea gilt shelf, a Brexton picnic hamper with contents, etc (3 boxes + loose) (sd)
The Greenpower Challenge aim was, and still is, to get young people enthusiastic about science and engineering by challenging them to design, build and race an electric car. Offered without reserve.Since 1980, DEMAND have designed and created bespoke assistive technology for disabled people across the age spectrum who are in need of tailored solutions that are not available through conventional means. Despite the disability products and equipment landscape improving a great deal over the 43 years of DEMAND’s existence, it is still the case that many 'off-the-shelf' solutions are inadequate in meeting the unique needs of disabled people, especially when they live with multiple impairments and/or complicated health conditions.DEMAND's team of skilled designer-makers continue to innovate every day to fill this gap with equipment and products co-designed with the users, and where there is a small but clearly identified wider need, to make those designs available to all who would benefitThe 'Bushey Bullet' car was built to all Greenpower standards prevailing at the time and was modified by DEMAND to enable users with limited mobility to race using hand controls. The steering gear was also modified to facilitate easier access and egressThe car's final race was at the Goodwood finals in 2007 where staff and students of the school, with technical and moral support from DEMAND staff, finished with a creditable mid-table positionIn the past five years alone, over 3,400 people have experienced the positive impact that having the right equipment has on everyday life, as well as on work, sporting, leisure, and educational opportunities. SpecificationMake: CLASSIC GREENPOWERModel: CHALLENGEYear: 2007Chassis Number: TBCRegistration Number: TBCTransmission: AutomaticClick here for more details, condition report and images
Squirrelman: Wilfrid Hutchinson (Husthwaite): A Panelled Oak Hanging Corner Cupboard, with wrought iron hinges and latch, opening to reveal a shaped top shelf and two further fixed shelves, with recessed carved squirrel trademark, 70cm wide 47cm deep, 96cm high with an oak bracketIn good condition throughout.
Robert Mouseman Thompson (1876-1955): An English Oak Panelled Double Wardrobe, 1951, with burr oak panels, half penny moulding top above carved 19 D.A.B 51, wrought iron hinges and latch with cross head screws, full width oak hanging rail and three shelf unit on right hand side, on four block feet, recessed carved mouse trademark, 122cm wide (4ft), 58cm deep, 168cm high
Squirrelman: Wilfrid Hutchinson (Husthwaite): An English Oak Serving Table, with raised upstand, the adzed rectangular top above two drawers (one fitted for cutlery) above a shelf, on four octagonal and block legs, with carved squirrel trademark, 107cm by 42cm, 80cm highOne or two water splash marks to the top. Some fading, but otherwise good condition.
An Arts & Crafts Oak Fire Screen, with inlaid panel, on sledge feet, brass carrying handle, unmarked, 45cm wide, 15cm deep, 65cm high An Arts & Crafts Wash Stand, with a mirror above a shelf with raised upstand, above a drawer and two shelves,57cm wide, 30cm deeo, 151cm high (2)Firescreen is good - however, it is unstable due to movement above the sledge feet. With old traces of blu tack? Some general scuffs throughout consistent with age. Wash Stand - slightly unstable in that there are gaps/movement to the bottom shelf. Variations in colour, with fading/watermarks. The verso of washstand with further fading. Brass handles appear to be original.
Robert Mouseman Thompson (1876-1955): An English Oak Bedside Cupboard, with raised upstand, above a door with burr panels, enclosing a shelf, with turned knob handle and wrought iron hinges (croos head screws) on four octagonal and block feet, with carved mouse trademark, 48cm wide, 38cm deep, 69.5cm highWater/splash marks. Dates to 1951 same commission as the wardrobe.
An Art Nouveau Inlaid Mahogany Display Cabinet, the upper section with a stepped cornice above a leaded glaze door and sides, enclosed by spindles, the base with leaded and coloured glass doors, on four square section capped legs, unmarked,136.5cm wide, 42cm deep, 175cm high (damage to leg)Lacking a shelf in top cabinet. Water damage to the top cabinet with new back. Back left leg damaged and repaired with metal fixing brackets. The spindles are loose. Wear and tear see extra images.
Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Hanging Shelves, with shaped ends, three fixed shelves, with carved mouse trademark, 94cm wide, 20cm deep, 81cm highSmall crack to the front-left of the top shelf on the side panel. Some water damage and wear to the left-hand side also.
A LATE 19TH CENTURY GILT METAL-MOUNTED, EBONISED AND INLAID GUÉRIDON the circular top inset with a porcelain dished plaque depicting children surrounded by a garland of flowers, raised on three cabriole legs with gilt-metal mounts, the top and shelf-stretcher with floral inlay. 74.5cm high, 41cm diameterThe table is sturdy. The porcelain is in good condition without chips, cracks or restoration. Some old inactive wormholes are visible on the underside. The gallery is complete. Tiny loss to the tip of one mount to one leg. Surface marks and wear. In generally good condition commensurate with age.
AN 18TH CENTURY OAK DRESSER AND RACK the open rack with three shelves between shaped sides and beneath a shaped apron, the base with two drawers and turned legs continuing to blocks joined by stretchers. 201cm high, 128.5cm wide, 47cm deepBottom shelf of open rack has come away with signs of glue from a previous repair. An old split down the top of the dresser, one drawer handle loose and missing a screw. Splits in the botttom of the right hand side drawer. Old split down the back of the potboard and a section of wood missing out of the front left hand corner foot. Several other areas with pieces of wood missing but otherwise generally in good condition commensurate with age and use.
A LATE VICTORIAN WALNUT FOLDOVER CARD TABLE the moulded top opening to reveal a green baize playing surface, raised on turned legs, joined by a shelf stretcher with fretwork gallery, moving on castors. 76cm high, 92cm wide, 45.5cm deep (closed)The fretwork gallery is in good condition. The castors are in good order. Some surface marks but generally in good condition commensurate with age and use.
A LATE 19TH CENTURY PAINTED SATINWOOD OCCASIONAL TABLE, IN THE MANNER OF EDWARDS & ROBERTS the moulded rectangular top painted with doves, a quiver and floral garlands, the corners each painted with a floral spray, the frieze painted to each side with flowers, raised on slender turned legs joined by a shelf stretcher. 74.5cm high, 51cm wide, 35cm deepOne spindle stretcher was possibly replaced. Surface wear. No worm. A pretty table and generally in good condition commensurate with age and use.

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104477 item(s)/page