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NO RESERVE Dickens (Charles) A Christmas Carol, reading edition, scattered spotting, original printed wrappers, some splitting to joints, chipping to spine ends, 1868; The Cricket on the Hearth, first edition, engraved frontispiece and additional title, illustrations, ink inscription to endpaper, original pictorial cloth, slight shelf-lean, spine slightly dulled, light bumping to spine ends and corners, 1846; and 3 others, first editions of The Battle for Life and Haunted Man and a reading edition of Poor Traveller, 8vo (5)
NO RESERVE Doyle (Sir Arthur Conan) The Lost World, first edition, plates, some scatter spotting, light browning to endpapers, original pictorial cloth, slight shelf-lean, spine a little darkened and with vertical crease, light marking to covers, extremities a little rubbed, [1912]; and 5 others by Robert Louis Stevenson, 8vo (6)
NO RESERVE Dickens (Charles) American Notes for General Circulation, 2 vol., first edition, first issue with uncorrected page xvi at Contents volume I, half-titles, 1p. advertisements at start of vol.1 and 6pp. at end of vol.2, spotting, bookplate to front pastedowns, original cloth, shelf lean, spines a little faded, vol. 1 with splitting to joints, spine ends and corners bumped and a little worn, covers rubbed and marked, [Eckel pp. 108-9; Smith II, 3], 1842; and 3 others, Dickens, 8vo & 12mo (5)⁂ Dickens' first travel book, notable for its condemnation of the institution of slavery along with a number of American practices and customs.⁂ Provenance: George Layton (armorial bookplate).
LOUIS VUITTON: A MATCHED PAIR OF TRAVEL CASES circa 1960's, both cases with "LV" decoration and both initialled " G.C.W.", both brass locks inscribed " LOUIS VUITTON MADE IN FRANCE, 149 NEW BOND STREET LONDON, 70 CHAMPS ELYSEES PARIS", the largest numbered " 062268" the interior with "Louis Vuitton" label numbered " 773338", 70cm x 43cm x 22cm, the other case with remains of "Skyway Hotel" label, numbered 075878", with interior lift out shelf with "Louis Vuitton" inscribed buckle straps, also with "Louis Vuitton" label numbered "787567", 65.5cm x 42cm x 22cmProvenance: The Keith Walton collection.
A George III and later mahogany bureau bookcase, the dental moulded cornice above two astragal glazed doors over a fall front fitted with drawers and pigeon holes above four long drawers raised on bracket feet, 220 x 98 x 55cmTop and bottom are a marriageBookcase top later: Minor loss of moulding below the dental cornice on the upper left sectionBookcase shelf depth 24cmGlass is scratched in places but intactBureau veruy sun damaged with minor dry splts to the frontGeneral knocks all over consistent with age and useSee photos
An early Victorian rosewood chiffonier, the galleried shelf back above a concealed frieze drawer and cupboard, enclosed by arched panel doors, on turned bun feet, height 136cm, width 84cm, depth 42cm. Note: from the contents of Runnymede Park, Surrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A William IV rosewood console chiffonier, in the manner of Gillows of Lancaster, the gallery shelf back above a mirrored panel and a pair of finely carved supports, height 117cm, width 126cm, depth 41cm (faults). Note: from the contents of Runnymede Park, Surrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century pine wall shelf with four central drawers, height 60cm, width 62cm, depth 14cm, together with an early 20th century pine wall-mounted letter rack with hinged front flap, height 49.5cm, width 30.5cm, and a late 19th century pine stool of rectangular form, height 27.5cm, width 43cm, depth 16.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A group of blue and white wares, to include a pair of Oriental ginger jars, decorated with prunus against a cracked ice blue ground, 15cm high, various Copeland Spode Italian pattern wares, to include coffee can and saucer, bowls, blue and white Willow pattern lidded tureen, Delft cow creamer, etc. (1 shelf)
Y A PAIR OF EDWARDIAN SYCAMORE, OAK, MAHOGANY, AND SATINWOOD URN MOUNTED PEDESTALS CIRCA 1905The urns fitted as knife boxes, one pedestal opening to a fitted drawer, the other opening to a shelfeach 68cm high, 45cm wide, 45cm deep Provenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: The country of origin is probably England.There are some marks, scratches, knocks and abrasions consistent with age and use.There are losses, restorations and observations including: some rubbing to the staining on the turned finials and elsewhere; the rising mechanisms operate neatly; there is a crack to the base of one vase; the backboards of the pedestals are stained pine; there are two keys, one of which opens one pedestal, the door enclosing a shelf and a deep drawer.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A George II walnut and featherbanded bureau cabinetCirca 1730, the shaped segmented pediment with a cavetto moulded cornice above a pair of arched panelled doors each inset with mirror glass, enclosing sixteen pigeon holes, six vertical divisions, four drawers and one central adjustable shelf, with candle slides below, the fall enclosing eight pigeon holes, four drawers, two bookends, a central door and a well with a sliding top, over lopers, two short and two long drawers, on later spiral reeded bun feet, 96cm wide x 54cm deep x 229cm high, (37 1/2in wide x 21in deep x 90in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early Victorian gilt bronze and porcelain mounted tulipwood and kingwood bonheur du jourin the late Louis XV style1850-1860, mounted with various Sevres style porcelain plaques, the superstructure comprising a central pierced galleried marble top above a door enclosing one shelf, flanked to each end by two short mahogany-lined drawers, over one shaped mahogany-lined frieze drawer, on cabriole legs, 93cm wide x 52cm deep x 115cm high, (36 1/2in wide x 20in deep x 45in high)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late Victorian ebony, palmwood and ivory inlaid display cabinetprobably by Gillow and Co. or Lamb of ManchesterWith ivory stringing, the central bevelled glass inset astragal glazed door enclosing two shelves, flanked by a pair of twin raised panelled quarter veneered and tablet inlaid doors, each enclosing one shelf, above a Greek key inlaid frieze, over a central bevelled glass inset astragal glazed door, enclosing one shelf, flanked by two raised panelled tablet inlaid and roundel centred doors, interspersed throughout with reeded pilasters, the Chubb lock plates stamped with serial numbers and also stamped: 'CHUBB PATENT, 128 QUEEN VICTORIA ST., ST. PAUL'S, LONDON', 110cm wide x 36cm deep x 172cm high, (43in wide x 14in deep x 67 1/2in high)Footnotes:ProvenanceThe offered lot previously belonged to the grandfather of the current owner and vendor. And it is thought by family repute that the great grandfather, Sir Charles Alexander Innes KCSI CIE(1874-1959), originally acquired this display cabinet at the end of the 19th century. Both of these forebears lived and worked in colonial India and Burma, where they were evidently central figures in the administrative running of the British Empire overseas.It seems highly likely that the present piece remained in imperial India until the country gained its independence in 1947, from which time onwards the cabinet evidently permanently returned to England with the family.Sir Charles Alexander InnesCharles Alexander Innes, who was born in Secunderabad, Hyderabad, went on to pass the Indian Civil Service exam in 1897 following an education at Merchant Taylors' School and St. John's College, Oxford. Charles travelled to the Madras Presidency where he was employed as a settlement officer in Malabar, in which capacity he also supplied material for The Imperial Gazetteer of India. Then he took up the role of Deputy Secretary to the Indian government. By 1916 Innes had been elected Director of Industries and Controller of Munitions in Madras. After World War I, Innes was appointed Foodstuffs Commissioner with the Indian government. In 1920, as secretary in the Commerce Department, one of his additional responsibilities was to oversee the functioning of the railways. During the following year, Charles Alexander was made Head of the Commerce Department. Two highlights from the period of his term were: the partition of the general finance budget from the railways budget and the foundation of a policy known as 'discriminating protection', the latter of which granted India more self-determination in the area of fiscal policy.The establishment of a Tariff Board of inquiries, which was of massive assistance to the rapidly expanding steel and iron industries in India, was also a policy accredited to Innes. This in turn set up the system which subsequently provided major support in terms of both arming and bolstering the allied forces during World War II. Having been honoured with the position of Governor of Burma in 1927, he went on to serve as such until 1932. Ultimately Charles Alexander was chairman of the Mercantile Bank of India between 1938 and 1952, after initially joining the Bank's board in 1933.Among the most significant distinctions bestowed upon Innes throughout his life were; Companion of the Order of the Indian Empire (1919 Birthday Honours) for services during the war; Companion of the Order of the Star of India (1921 Birthday Honours); and Knight Commander of the Order of the Star of India (1924 New Year Honours).In 1900 Sir Charles, who was actually descended from the Inneses of Drainie, married Agatha Rosalie, who was the daughter of Colonel Kenlie Stevenson of the Indian Army. Together they had four sons and one daughter. Their daughter Rosalie married Thomas Wynford Rees, the latter being Charles Alexander's private secretary during Innes's tenure as Governor of Burma. During much of his career Rees served as a highly decorated officer in the British Indian Army but eventually progressed to attain the rank of Major General.https://en.wikipedia.org/wiki/Charles_Alexander_InnesThe item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref AQ698FPU.This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A good George III carved white and Sienna marble chimneypiececirca 1790the moulded inverted breakfront shelf above a running figural frieze depicting putti playing a game of Blind Man's Buff flanked to either side by a small statue of a classical male youth raised on a draped pedestal and a classical female bust raised on a tripartite stand, between a pair of fluted panels, the headers decorated with figures of putti playing battledore and shuttlecock, the jambs as pendant figural pilaster panels, each with a skipping putto on bell husk festoon hung swept platform bracket above a ribbon tied florette roundel and leafy palette urn shaped vase raised on fluted circular pedestal, mounted on block feet, the inner Siena marble slip with moulded edges, 143cm high, 183cm wide, 18cm deep, the internal aperture, 93.5cm high, 108cm wide approximatelyThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 20th century red and black japanned cabinet on standin the early Georgian styleDecorated with pagodas, figures, horses, trees, a lion, flowers and foliage, the pair of doors enclosing two short drawers above one shelf, over two short cavetto drawers, with a scrolled shaped apron below, on cabriole legs, 96cm wide x 57cm deep x 152cm high, (37 1/2in wide x 22in deep x 59 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Austen (Jane). Sense and Sensibility: A Novel, 2 volumes, 1st American edition, Philadelphia: Carey & Lea, 1833, blank and advert leaf before title in volume 1, final advert leaf to volume 2 bound before title, some spotting and browning throughout, occasionally heavy, bookplate of the Library of the Peithologian Society, Wesleyan University to front pastedown of volume 1, later bookplates of Jerral Carlisle Raymond to both pastedowns, David Gilson's pencil purchase note at rear of volume 1, ink library label shelf marks to facing endpapers and additional ballpoint pen signatures of Raymond, uncut, inner hinges to volume 2 broken, original linen-weave cloth-backed boards, rubbed and soiled, spine frayed with some loss, some corner and edge wear, 12mo (190 x 115 mm), contained in a purpose-made morocco-backed book box with modern bookplate of Chris Viveash to inner lid, gilt-titled on spine, 22.5 x 14 x 5.5 cmQTY: (2)NOTE:Gilson B6. Provenance: David Gilson and Chris Viveash. Purchased from Dennis Gouey at H.D. Book Fair, Royal National Hotel, London, 21 June 1997.
A circa 1900 oak wall cabinet, the domed three quarter galleried top above two glazed doors over a galleried undertier with mirrored back, above a further mirrored back with single shelf, 59 cm wide x 19 cm deep x 118 cm high, together with a mahogany and cross-banded hanging wall cabinet with broken arched swan neck pediment over two astragal glazed doors, 57.5 cm wide x 22 cm deep x approx 90 cm high
A collection of furniture comprising an Edwardian mahogany nest of three occasional tables, 57 cm wide x 40.5 cm deep x 73 cm high, together with a 1920s oak Heal's type two tier tea trolley, 66 cm wide x 39 cm deep x 60.5 cm high, an Edwardian mahogany and inlaid jardiniere of basket form, raised on three legs, 37.5 cm diameter x 90.5 cm high and a mahogany three tier wall shelf with brass supports and finials, 60 cm wide x 17 cm deep x 51 cm high including finials,
A 19th Century mahogany linen press cupboard, the domed cornice over two plain doors enclosing five linen shelves on a base of two short over three long drawers to bracket feet, 113 cm wide x 54.5 cm deep x 207 cm high CONDITION REPORTS Has had repairs throughout to include to the moulding, veneer, etc. Front right hand door panel is split. Surface scratches throughout and some heavier and older. There is a mark as if it has rubbed against something on the left hand side panel. Lock not working. Later hanging rail has been put in. A couple of the shelves in the top section have split backs and gaps to the joins throughout. Replacement handles. The drawer liners are gapping in various places. There is a large chunk missing from the left hand leg and the left front leg has been off and re-glued. The bottom tray / shelf is a bit sticky and does not sit entirely straight. Wear and tear conducive with age and use. See images for further detail.
A collection of three late 19th / early 20th Century mahogany towel rails, together with an Edwardian mahogany and inlaid writing table, the three quarter galleried top over a plain top with inlaid shelf and chequerboard decoration, over two drawers raised on square tapering legs to spade feet, 107 cm wide x 57 cm deep x 85 cm high including galleried back, together with a modern yew wood type cupboard as a bachelor's chest, 61 cm wide x 43 cm deep x 83 cm high
A collection of painted metal furniture comprising three tier shelf unit, 61.5 cm wide x 37.5 cm deep x 80 cm high and a washstand with integral towel rail, 73 cm wide x 48 cm deep x 107 cm high, a small circular stool/table, 34 cm diameter x 35.5 cm high, a towel rail, 88 cm high and a painted wooden wall mirror, 60 cm wide x 81 cm high
A pine cupboard, the plain top above a single panelled door opening to reveal a shelf, raised on a plinth base, 65.5 cm wide x 33 cm deep x 69 cm high, together with a Victorian pine side table, the plain top above two drawers with ceramic knob handles, raised on rectangular swept feet, 51 cm wide x 36 cm deep x 72.5 cm high
A 19th Century oak trunk / coffer, the four plank top with applied moulded edge, opening to reveal a plain interior, raised on bracket feet, 105 cm wide x 70 cm deep x 59.5 cm high CONDITION REPORTS The plank top is very gappy / has shrunk and has been heavily re-lacquered at some point. Burn marks, fading, etc, throughout. Signs of old worm. There is a loss to the centre back of the left hand panel as well as some losses to the feet. Split and patch to the right hand side. Gapping to all joins. There is a large area of patching to the right hand back corner of the lid. Replacement hinges. Lock present. No key. Unknown if working. Doesn't appear to have a mechanism in it though. Base panels are split / gappy. Appears to have had a shelf in previously - now not present. Repair to the top of the right hand side panel. Wear and tear conducive with age and use. See images for further detail.
An early 19th century ebonised wall hanging corner cabinet in the Oriental style, with raised scenic village and figural decoration, 100 x 43 x 21cm, a Victorian ebonised bergère seat bedroom chair, with gilded and mother of pearl decoration depicting Chinese village scenes and a similar period ebonised two-tier table with Chinoiserie decoration of village and figural scenes to the top, floral vase and floral scene to the lower shelf, to four tapering supports, 70 x 60 x 40cm (3).
A Victorian mahogany writing table, with superstructure and green leather writing surface, the base of shaped outline fitted with three frieze drawers and raised on cabriole legs terminating in scroll feet. Height 135 cm, width 130 cm, depth 70 cm. CONDITION REPORT: The writing table is structurally sound. The top left-hand finial is detached but we have the finial. The fretwork doors are not warped and close as they should. The lock is present but we have no key. The doors are not locked. All fretwork to the doors is present but there are some stress fractures. The right-hand door right-hand moulding has a minor stress fracture. The top right-hand fretwork pediment has three broken and detached sections but we have the pieces. The second shelf rear pediment is loose and one arched top is missing. At the foot of each end lower shelf support there will originally have been a thin 16 cm upright which is missing on both sides. You should be able to see the aperture into which this is fitted. The leather writing surface is scuffed and marked. The top of the desk is in generally good order with only minor old blemishes and ring marks and minor veneer losses. All drawers run smoothly and all locks are present but we have no keys. The drawers are not locked. The legs are all in good order with no evidence of any repairs or restoration. We can see no evidence of any woodworm.
A continental kidney shaped side table, with brass gallery to marble top, with three frieze drawers and raised on cabriole legs with low shelf terminating in sabot feet. Height 74 cm, width 62 cm, depth 39 cm. CONDITION REPORT: The side table is in very good order with no issues. The marble is not split. All metalwork is present. There are no fractures to the panels. All drawer fronts are in good condition as is the shelf and legs. There is no evidence of any repairs or restoration.
A fine late 19th century amboyna and other specimen wood Bonheur du Jour, with brass gallery to the superstructure, also fitted with a mirrored central aperture flanked on either side by a panelled cupboard door with Sevres style porcelain plaques, the frieze drawer fitted for writing and with further drawer to either side with open shelves beneath, the whole being ormolu mounted and containing 32 Sevres style porcelain panels. Height 130 cm, width 94 cm, depth 40 cm (see illustration). CONDITION REPORT: It is difficult to find any real faults with the Bonheur du Jour. It is in extremely good order and seems to be an original. Being hypercritical there are some very minor blemishes to the veneers around the top moulding. All metalwork is original and present. All porcelain plaques are original and present. Both cupboard door lock escutcheons are missing. All five locks are present and operate. We have one key. The centre drawer is a little stiff and should perhaps come out slightly further than it does. The tooled leather is in first class condition. The two shelves have very minor surface blemishes but no real issues. There is a board which fits the aperture beneath the top series of drawers, this is currently detached and requires repining into place. There is some very slight movement at the leg joints. We can see one repair to the crossbanded rosewood veneer to the right-hand side of the lower shelf. There are very minor veneer nibbles around the bottom edge of the piece. The backboards are original.
A Regency style burr walnut and inlaid circular drum table, with turned column and three downswept legs terminating in brass castors. Height 76 cm, diameter 76 cm. CONDITION REPORT: The bookcase is in generally good original condition. The top is flat with no warping. There are some minor abrasions and losses to the polish but no serious issues with the top. The moulded edge is in good condition all round. The polish to the top shelf is a little perished. One of the slats has an outer edge loss to the top and bottom. These are +/- 12 cm in height. The revolving mechanism operates as it should. There is no evidence of any woodworm.
A Victorian mahogany bedside cabinet, with single door with wooden knob handle with shelf to interior and raised on a plinth base. Height 78 cm, width 39 cm, depth 39 cm. CONDITION REPORT: The bedside cabinet is structurally sound and in generally good order. The top has been repolished. For some reason there are two dowelled repairs which are a slightly different colour. The door is not warped and in very good order as are the sides. There are no splits. The rear panel is original. The plinth base is in good condition all round and there is no evidence of any woodworm.
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96580 item(s)/page