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Lot 919
A Victorian mahogany Duchess dressing table, with shaped mirror above a lift up centre compartment, flanked on either side by three short drawers with brass drop handles, with serpentine front and central drawer, raised on turned fluted and lobed supports united by a low shelf. Width 48 ins.
Lot 934
A late Victorian mahogany mirror backed sideboard, in two sections, the top half with an arched moulded frame foliate carved surrounding the bevelled mirror with shelf below, the base with moulded edge above two drawers and pair of panelled cupboard doors each with brass handles and raised on stile feet. Width 60 ins.
Lot 941
A Victorian walnut sideboard, with shaped pediment above a rectangular bevelled mirror back, with reeded column supports, shelf, and carved panel beneath, the base fitted with two drawers above a pair of scroll carved panelled cupboard doors, with moulding below raised on stile feet. Width 54 ins.
Lot 731
Follower of John Constable RA 1776-1837- Sketch/study of Willy Lott`s House; watercolour and bodycolour, bears initials, bears various inscriptions and shelf marks/numbers verso, bears label for W. Russell Button, Inc. formerly of Ackermann`s, Chicago, attached, Note: This familiar scene seemingly a reverse image of one of Constables most famous subjects, similar to an oil on paper, held by the Ipswich Museum and Galleries, and dated 1816 (LIT. H.221). Willy Lott`s House at Flatford, Suffolk, used by Constable for such paintings as the Hay Wain 1821 and The Valley Farm. This example possibly taken from a mezzotint showing more of the Stour to the right, one of the subjects mezzotinted by David Lucas to whom Constable worked closely on plates for the "England Landscape Scenery" (see: Mill Stream) this example lacking the of intensity and drama which Constable often applies to his studies, especially within the sky area, although the treatment of the trees, dog and reflections reminiscent of Constable rapid manner. (LP) (unframed)
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