We found 96594 price guide item(s) matching your search
There are 96594 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
96594 item(s)/page
Lot 597
20th century Regency design satinwood side cabinet, the top with rosewood bands and ebonised string inlay over frieze with hand painted design, two geometric panelled cupboards with bergere fronts enclosing one shelf, flanked by four shelves to the canted fluted corners, raised on plinth base W124cm, H81cm, D35cm
Lot 659
Edwardian mahogany floor standing display cabinet, dentil cornice over swag and chequered band inlay and astragal glazed door enclosing two shelves, the bottom section fitted with panelled cupboard with further swag and floral inlay enclosing a shelf, raised on bracket supports W73cm, H193cm, D51cm
Lot 3120
A set of mahogany and brass campaign bookshelves, mid 19th century, with plain column supports, height 52cm, width 90cm, depth 20.5cm.Condition report: One of the turned brass feet is missing and replaced with a nut. There is evidence of three partially drilled holes to the underside of the top shelf and further smaller holes to the underside of the lower shelf. The lower shelf has an area of scratching/rubbing, the middle shelf has a burn mark and the top shelf has a couple of small holes, please see extra images online.
Lot 3132
A Danish Silkeborg nest of three occasional tables, the smallest with rattan lower shelf and applied maker's label, height 48.5cm, width 52.5cm, depth 32cm, the largest height 53cm, width 65cm, depth 37cm.Condition report: These tables are in a used, but good condition. There are numerious mug marks, and there is sun bleaching to the big table and the smallest. These tables are very sturdy and the lower rattan shelf is completely intact.
Lot 316
ROSEWOOD AND PARQUETRY INLAID CYLINDER DESK, with a raised mirrored back having a galleried top, the central mirror section enclosed by a door below an open shelf and above two small drawers flanked by an open shelf above a small mirror, the cylinder section having a leather slide out writing surface with a fitted interior, and with two short drawers above an underlay of three further drawers, 169cm x 71cm x 50cm
Lot 962
GYSBRECHTS, FRANCISCUS1649 Antwerpen - um 1677Titel: Trompe-l'oeil eines Vanitas-Stilllebens mit Uhr und Totenschädel auf einem Regal an einer Wand, daneben Malutensilien. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 143 x 99cm. Bezeichnung: Schwach lesbar signiert unten links auf dem Zettel: F. Gijsbregt. Rahmen/Sockel: Rahmen. Ausstellungen:"Mémoires du futur. La collection Olbricht". La Maison Rouge, Paris, 2011/2012;"Lebenslust & Totentanz", Kunsthalle Krems, 2010.Provenienz:Sammlung Jacques Heinrich Bassenge sr., Dresden 1812-1840;durch Erbschaft an Jacques Heinrich Bassenge jr., Dresden 1840-1893;durch Erbschaft an Friedrike Bassenge, Dresden 1893-1901;durch Erbschaft an Johanna Held, Dresden 1901-1923;Auktion Sotheby's, Amsterdam, 07.05.2008, Lot 37;Rafael Valls, London 2009;Sammlung Prof. Dr. Thomas Olbricht, Essen, erworben 2010.Das vorliegende Gemälde ist dokumentiert in der Datenbank des RKD, Den Haag, unter der Abb.Nr. 205299.Franciscus Gysbrechts war vermutlich der Sohn des Malers Cornelis Norbertus Gysbrechts. Gesichert ist, dass er 1649 in Antwerpen getauft wurde und dass er bei dem älteren Künstler gleichen Namens lernte, eng mit diesem zusammen arbeitete und ihn wohl auch auf Reisen an den dänischen Hof begleitete. Beide Gysbrechts waren berühmt für ihre überaus raffinierten Trompe-L'oeil-Gemälde.Das vorliegende, von Franciscus Gysbrechts signierte Gemälde bringt den sicheren Standpunkt des Betrachters in vielerlei Hinsicht ins Wanken. Auf der ersten Ebene stellt es eine Holzwand im Atelier dar: Ein an einer Holzwand befestigtes Bord mit darauf liegenden Mal-Utensilien führt den Betrachter in den Arbeitsraum des Künstlers. Der halbrunde obere Abschluss des Gemäldes mit dem gemalten blauen Vorhang ist später hinzugefügt. Auf dem Bord steht ein üppig mit verschiedensten Elementen staffiertes Vanitas-Stillleben, das seinerseits Trompe-l'oeil-Qualitäten besitzt: Die Gegenstände in einer steinernen Nische sind so plastisch gemalt, dass sie nicht nur in den Bildraum des (gemalten) Ateliers, sondern auch in den des realen Betrachters zu ragen scheinen. Ähnliche Farbigkeiten und Stofflichkeiten in den verschiedenen Bildebenen verschränken diese raffiniert. Ein Spiel mit Sein und Schein. Dies führt wiederum zu der inhaltlichen Ebene des im Gemälde gemalten Bildes. Vielfältige Objekte führen vor Augen, dass die Welt der Sinne und des irdischen Reichtums flüchtig und eitel ist. Zeit, Vergänglichkeit und Tod soll der Betrachter sich vor Augen führen, wobei die Krone aus Getreidehalmen, die der Schädel trägt, auf die Eucharistie und das eigentlich anzustrebende ewige Leben hindeutet.Mit dem "Gesamt-Gemälde" stellt Franciscus Gysbrechts somit auch die flüchtige Kunst der Malerei mit all ihrer Raffinesse selbst in Frage und fordert den Betrachter auf, seine realen und geistlichen Standpunkte dauerhaft zu hinterfragen.Erläuterungen zum KatalogFranciscus Gysbrechts Niederlande Niederländische/ Flämische Schule 17.Jh. Originale Vanitas-Stillleben Gemälde Atelier GIJSBRECHTS, FRANCISCUS1649 Antwerp - ca. 1677Title: Trompe-l'oeil of a Vanitas Still Life with Clock and Skull on a Shelf on a Wall, Next to it Painting Utensils. Technique: Oil on canvas. Mounting: Relined. Measurement: 143 x 99cm. Notation: Signed faintly bottom left on the note: F. Gijsbregt. Frame/Pedestal: Framed. Exhibitions:"Mémoires du futur. La collection Olbricht". La Maison Rouge, Paris, 2011/2012;"Lebenslust & Totentanz", Kunsthalle Krems, 2010.Provenance:Collection Jacques Heinrich Bassenge Sr., Dresden 1812-1840;Inherited by Jacques Heinrich Bassenge Jr., Dresden 1840-1893;Inherited by Friedrike Bassenge, Dresden 1893-1901;Inherited by Johanna Held, Dresden 1901-1923;Auction Sotheby's, Amsterdam, 07.05.2008, Lot 37;Rafael Valls, London 2009;Collection Prof. Dr. Thomas Olbricht, Essen, acquired 2010.The present painting is documented in the database of the RKD, The Hague, under the ill. no. 205299.Franciscus Gysbrechts was probably the son of the painter Cornelis Norbertus Gysbrechts. It is certain that he was baptised in Antwerp in 1649 and that he studied under the older artist of the same name, worked closely with him and probably also accompanied him on journeys to the Danish court. Both Gysbrechts were famous for their extremely refined trompe l'oeil paintings.The present painting, signed by Franciscus Gysbrechts, shakes the viewer's secure point of view in many ways. On the first level, it depicts a wooden wall in the studio: A shelf attached to a wooden wall with painting utensils lying on it leads the viewer into the artist's working space. The semicircular upper end of the painting with the painted blue curtain was added later. On the shelf is a Vanitas still life lavishly staffed with a wide variety of elements, which in turn has trompe-l'oeil qualities: the objects in a stone niche are painted so vividly that they seem to project not only into the pictorial space of the (painted) studio, but also into that of the real viewer. Similar colours and similar materials in the different picture levels intertwine them in a sophisticated way. A play on being and appearance. This in turn leads to the level of content of the picture painted in the painting. Multiple objects demonstrate that the world of the senses and earthly wealth is fleeting and vain. Time, transience and death are to be brought to the viewer's mind, whereby the crown of corn stalks worn by the skull points to the Eucharist and the eternal life that is actually to be striven for.With the "total painting", Franciscus Gysbrechts thus also questions the ephemeral art of painting itself with all its sophistication, and challenges the viewer to permanently question his real and spiritual standpoints.Explanations to the Catalogue
Lot 234
A complete Marklin HO Gauge 3-Rail stud track Layout with two Locomotives Rolling Stock Track Accessories and boards in dismantled state, 3067 DSB maroon 1106 Diesel Locomotive, 33184 DB black Class 18 4-6-2 427 Steam Locomotive, both in original boxes, D ZUG Coaches in silver (1, unboxed) and maroon (1, boxed), 4502 Shell Tank wagon (boxed) and unboxed Rivarossi Europ FS Italia open wagon, box only for 3089 Locomotive, various items of boxed Track including 5140 and 5117 Points (2 per box) 5108 Double Slip and various boxed curved and straight track to form a two circuit layout with part high level including Girder Bridge and 12 boxes 7269 High Level base and sidewalls, together with 7188 Colour Light Signal (boxed) and various switches and wires and HSV '40' Controller, unboxed Heljan Station, 1997/98 Catalogue, three well made 124cm x 67cm wooden boards and one 34xm x 124cm board to create an approx. 8'x4' base, with legs and a controller shelf, generally G-VG, boxes F-G (qty)
Lot 30
An early 20th century oak mirror back sideboard with carved upper frieze above bevelled mirror plate flanked by barleytwist supports, above a base of two drawers above two panelled doors with rope twist decoration and raised on barleytwist stretchered supports, 152 x 137cm 50cm. CONDITION REPORT The top shelf has several areas of staining and further light surface scratches, the main surface in front of the mirror has one large area of staining to the front right corner with further nicks and scratches etc commensurate with age, further light surface scrathes to the lower section
Loading...-
96594 item(s)/page