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Lot 174
fly insignia (lower left), oil on canvas on board38.5cm x 54cm (15.25in x 21.25in)Footnote: 'The Glorious day Spring Cleaning began... Aunt Mary, Aunt Frances, Aunt Charlotte, also Miss Carter (who wore Pink) called at our house ready to start on Father's Room. Everyone was having a delightful time. Aunt Frances sat on the stepladder reading something that made them all laugh. They loved Father's books on the top shelf and they read so much with such joy that it took them a week to do out the bookcases, but just when everyone was thoroughly enjoying themselves including George & I who were building houses with books, young Sarah opened the door and announced Mrs Hope-Ainsworth. "Oh dear", said Miss Carter, dropping her books, "we've all got our aprons on", and the year was 1906. Helen Rayfield Bradley, 1971' (to label to reverse).
Lot 540
PHILIP LEACH (born 1947) for Springfield Pottery; a large slipware jug with scroll handle covered in green glaze with black and cobalt floral decoration, impressed PL and pottery marks, height 26cm. (D)Additional InformationChips around the unglazed base where jug has stuck to kiln shelf, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 60
GIII MAHOGANY LINEN PRESS, Carvetto cornice, flame veneered panelled doors enclosing sliding shelves, brass escutcheons and moulded door edge, chest base of two short and two long drawers ogee bracket feet, 128.5 x 62 x 205cms (no indication of which is height, width and depth) Comments: Deep scratches to side, small losses to internal shelf. Restorations to inside of panelled cupboardsThe inside width is 111cm’s acrossThe depth of each sliding shelve is 50cm’s
Lot 17
partially impressed artist's seal and pottery seal, stoneware, incised Willow Tree design, tenmoku glaze36cm high, 17cm wide (14.1in high, 6.7in wide)Footnote: One day in fine weather I went round to the Penwith Society of Art and there I saw a large tall brown Bernard Leach pot and immediately decided I would buy it, went up to the curator (Kathy Watkins) and told her I would bring in the cheque tomorrow (£35).I walked down the gallery studying at Bernard's small porcelain pots and was joined by some Americans. We got talking and I so fired them with my enthusiasm I sold some there and then to the Americans. Returning to the curator to confirm I was coming in tomorrow. Kate Nicholson was standing beside her 'Too late' said the curator 'Too late' said Kate, ‘you should be quicker I have just bought it!’I was furious but kept control and left the gallery.Who should I meet coming up from Barnaloft about to cross the road but Bernard and his housekeeper, Trudi Scott, Bernard half blind waving his stick at me said 'And what is the matter with you?’ I told him the story and mentioned the artist, to my surprise Bernard roared and roared with laughter saying 'Typical, Typical!!’ meaning the Nicholson family getting into the front row. I stamped off.Some time later just before one of his trips to Japan, I think, Bernard walked in to my studio with a large pot and placed it on my shelf in the lower studio, walked to the window with his hands behind his back, meanwhile I was shrieking 'Bernard that is just like the pot I wanted' and Bernard replied (still standing with his back to me and facing the sea) 'Well you had better hurry up this time!’ adding 'Make the cheque to the Leach pottery' the price was less the commission of the Penwith (£23).I could not believe he had made it specially for me! But he had! Sometime later the Central Office of Information requested to photograph this pot, Bernard decided to be photographed holding the pot at my studio Barnaloft, so he came in and was photographed holding it and the Central Office of Information suggested another photograph was taken, this one to be taken of us together.
Lot 251
fitted with two pairs of fluted doors, the upper part with mirrored interior, glass shelves and other fittings above a pull-out mirrored slide, the lower cupboard with single shelf within153 x 93.5 x 42cmCondition report: Some deeper scratching to lower right-hand door, a few other scratches and scuffs more in line with age and use, a shrinkage crack to inside of right-hand upper door. top doors meet well, lower doors don't quite meet fully. Cabinet is one-piece.
Lot 36
Art Deco satin birch coffee table, with twin curved supports to lower shelf, raised on cylindrical supports, h52cm w115cm d56cmCondition Report: Wear and fading to top, to include scratches, white marks, hairline cracks to both sides. Chips to veneer to edges and losses to veneer and some warping to veneer on sides. Some chips and scratches to base, and knock and scratches to cylindrical supports.
Lot 422
A late Victorian walnut breakfront open bookcase, late 19th century, 121cm high, 129cm wide, 39cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses,Overall repolished with quite a dark appearance overall, some areas of colour variation and wear There are 23 proper pegs for the shelves and eight have been made from tubing - there is one missing entirely and has never been with Dreweatts, this would need to be sourced by the buyer if requiredOld marks and scratches to the top and two the shelves, one central shelf with old knot hole to the frontPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 385
A Victorian walnut cabinet bookcase, circa 1870, 165cm high, 117cm wide, 42cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, there are splits and cracks to the sides The drawer to the base of the top section has a pin action to make it secure and secret to the rear - without the pin it functions as a standard drawer. The pin is present with the lot at time of reportThe drawer has a tray fitted, the drawer contains a quantity of pegs for the shelves, the shelves all with knocks and gouges where these pegs have rubbed and become impacted with age and use, there is a later shelf also present.There are three keys present operating some of the locks at time of report - one top cupboard remains locked, one lower cupboard unlocked.The central cupboard door is stiff and takes some pulling to open Please refer to additional images for visual reference to conditionCondition Report Disclaimer
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104473 item(s)/page